DOCSLIB.ORG

CHEESE WHIZ from the Top of the Balcony Stairs to His Position on a Stool VOL

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CHEESE WHIZ from the Top of the Balcony Stairs to His Position on a Stool VOL HUBBADAHUBBADAHUBBADA by Eric Olson Photos by Kim Light accordian player, a seven man brass section and three female back-up vocalists Buster calls the Siamese Triplets. This of course excluded the main man himself. A spotlight followed Buster CHEESE WHIZ from the top of the balcony stairs to his position on a stool VOL. 69, No. 7 in front of the audience. Like most of the audience I didn’t 7 • 27 • 88 know what to expect. From a man who used to play next to Buster Poindexter ► He’s the new messiah of and the Banshees lounge lizards! He’s fast. He’s groovy. He’s a lady’s man; of Blue Sinatra in disguise. In­ troducing Buster Poindexter. Yeah, he played at the El Paseo a week ago yesterday. If you weren’t there you shoulda been. The action-packed show started on schedule with the Johnny Thunders in the New York Dolls dressed in drag complete with wig, rouge, lipstick and four-inch plat­ forms, to the star of s alsa- PU Pee-Wee ►2A rumba band ... something smells of the descendent POWAQQUATSI ►2A cheese of Frank Sinatra, (Continued on p.4A) Bruce Pulls Through ►3A Cleese’s Cheese ►4A procession of Buster’s band members entering the courtyard from the above balcony. I haven’t seen such a plentitude of musicians for one band since Lawrence Welk’s Champagne Orchestra. The Banshees of Blue, as they are called, consist of one per­ cussionist, one drummer, one stand—up bassist, a piano/- BIG FLOP PEE-WEE 2A However, after the beginning of the film something evil took over and made Big Top Pee-Wee fall flat on its face. 7 • 27 • 88 To be safe from a storm, Pee-Wee and his barnyard friends take refuge in the basement only to find when they came out that the circus has taken over his farm in order to recover from the bad weather. When circus manager Mase Montana (Kris Kristofferson) and Pee- Wee team up to put the circus back on its feet. When Pee-Wee falls in love with one of the circus performers played by Valeria Golino, the laughs fall short, even by Dawn Mermer shorter than Montana’s six-inch wife. From this point on, the film becomes tod crowded with not too amusing circus performers and highly unsettling side show freaks. Director Randal Kleiser (Grease, Blue Lagoon, Summer Lovers) and writers Paul Reubens and George McGrath also failed in their heroic attempt to make the audience sympathize with the prejudice that the circus people face in the local town. All this while Pee-Wee Ahh, what happened to those carefree days when Herman is running around like a tiresome, humorless Borsodi's was in business, Jesse Jackson was still in buffoon trying to find an act to perform in the circus the presidential race, and Pee-Wee Herman could be and trying to patch things up with his former and counted on to supply continual laughs? Yep, current lovers (yes, Pee Wee has more lovers than astonishing as it may seem Pee-Wee failed miserably to Eddie Murphy.) keep me laughing throughout his new film Big Top Pee- The ending of Big Top Pee-Wee brought both feelings of Wee. joy and despair to me. Joy that this disappointing Now before anyone accuses me of not appreciating charade was coming to a close and despair that it was this comedian’s hyper-laced sense of humor, I just extremely cheesy. Now I don't mind cheese, in fact I want everyone to know that on several Saturdays I welcome it at times, but when the cheese, as it is here, awoke before 9 am in order to warmly greet my friends is processed cheese whiz that only takes a minute to who would show up at my door with Frosted Flakes microwave instead of being mozzarella (as co-loather under their arms so that we could enjoy “Pee— Wee’s of Big Top Pee-Wee Adam Moss said), then I can do Playhouse” together. I also avidly defended Pee Wee’s without, thank you. The ending, however, did for a first film Pee-Wee’s Big Adventure to those who thought minute bring a smile to my face, but it was only when themselves too sophisticated for this type of humor. I Pee-Wee reincarnated his Tequila dance on the high loved the man-child. I had such high hopes for him. wire. And that’s why I was so disappointed not only in his Aside from the mediocre directing by Kleiser I performance, or lack thereof, but in the film as a suppose where I found fault for this downright bad whole. film was in the writing talents of Reubens and However, Big Top Pee-Wee was not all dull and lifeless, McGrath. This brings pain in my heart to say because in fact I was roaring in my seat for about the first Reubens has splendidly written and created the With Koyaanisqatsi, director Godfri twenty minutes of the film. Pee-Wee Herman was Playhouse and Big Adventure as well as splitting his teresting alternative to convention« hilarious at first as the high-strung farmer who personality in two in order to become Pee-Wee Her­ movie, Reggio cannily assembled skipped along with his pig/best friend and who ate man. But I found the script, after the beginning, to be United States, from the vast, empl lunch daily with his fiancee Winnie (Susan Tyrell) too chaotic and lacking in freshness and originality, dense cities, to paint his vision of An whom he constantly and without success jumped on and those are the two things which I expect out of balance." There were no words, o top of. His snide and cutting remarks to children, store Reubens/Pee-Wee. With all said and bashed on, I Glass score. Reggio’s attack was ot keepers, and elderly townsfolk kept Paul Reubens in would highly recommend the first twenty minutes of Big for the grandeur of Koyaanisqatsi’s con check with the Pee-Wee Herman character that he Top Pee-Wee, but don’t be surprised if you catch yourself Now, with the release of Powaq created for himself and that people with taste adore. napping when the circus comes to town. alternative may become a calcified sequel of sorts to Koyaanisqatsi, and t BLUE CHEESE in Reggio’s intended “qatsi” trilogy "X. Rarely would we entertain the thought of exploiting for “life.” Where "Koyaanisqatsi” m an industry’s insurmountable ability to create cheese, “powaqqatsi" means life at the e but, hey Buster was in town ... and besides it’s time to obviously thinks his onscreen oeuvi recognize how stinky cheese can be. Ask Eric Olson That’s a problem, because his do Screwy Louies who tracked down Poindexter and waited an hour makes you suspicious of Reggio's vie backstage to find out how funny the man really is. fi- Ini Koyaanisqatsi, the images could More kudos to photographer Kim Light who captured terms. There was a sense that whil the essence of cheese on our cover pliotos. New to the trying to make points, the beauty a Nexus, but ARTS elders (Light founded U C SB 's art film could be appreciated by his ii club), we don’t think they should be allowed to instance, one could just as well be ii graduate. Los Angeles as by the graceful svt presents: On that note, savor the last bits of Michael Singer's Valley, without stopping to consider a grand opening celebration film criticism, for he’s moving back to Berkley to give their arts section a taste of some well needed by Michael Sir medicine. Sometimes promotions are painful. Adam Thursday July 28th Liebowitz has been named the new Friday Magazine editor, but promises (don’t you Adam) to continue with thing to do. Even if you didn't th film writing for ARTS. balanced life, Koyaanisqatsi’s world coi New to this summer's ARTS volume are the words of Powaqqatsi is meant to teach a less« head cheese master Patrick Whalen on fish. As well the images anymore, because they c Dawn Mermer, a film studies major, is finally following of carrying serious messages about in the footsteps of her older brother Brett who was world woman walks slowly towards ARTS edtior not so long ago. And what a big happy stampede of joggers, we see symboli: family it is. There’s no law against Reggio I, Laurie L. McCullough, solemnly swear to never Considering that most filmmakers t use the words C H E E S E again. ideas, it's refreshing to see a film of Better things you should know about to see, hear, Powaqqatsi’s air of self-importance mi and feel ... College of Creative studies is exhibiting unless you agree with Reggio in i some brilliant polaroids by UCSB alumnus Lupe believe that western civilization is a Garza. If you’ve never seen the gallery, this is the resources and culture, then you txf perfect show to see. The all white interior is ideal for confirmations of your opinions. Graza’s small evocative and dramatic pictures. The Whatever you feel about the fil images explore the obscurity of simple architectural probably won’t get beyond the feelii f lines, like doorways and staircases, with rich style is a manipulative twist on tl spotlights of unnatural color. expectations. Some of the shots seei And for your ears, it's the authentic Lousiana example, people all stare into the ct with special guest: musical gumbo of Queen Ida and her Bon Temps of forlorn spiritual purity; Reggio wc Zydeco Band this Friday at the Lobero.
Load more

Recommended publications
  • Statistical Yearbook 2019
    STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • MONTY PYTHON at 50 , a Month-Long Season Celebra
    Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • A Fish Called Wanda Is a Much Funnier Title Than a Woman RROYO INO’S a V Called Wanda and That’S Comedy
    Even though we aren’t open on Sundays, we still have your dinner needs met with A Fish Called Wanda is a much funnier title than A Woman RROYO INO’s A V Called Wanda and that’s comedy. The film stars John Cleese of Monty Python, who also wrote the script and, SUNDAY DINNER AND A MOVIE yes, there’s a fish - and a woman - both named Wanda. The result is a classic comic farce in the league with The “A Fish Called Wanda” Producers, Bringing Up Baby and What’s Up, Doc? The plot is in the form of a heist movie that pits thief against 85 thief. Beware, all ye innocent bystanders! The cast is a British and American hybrid including fellow Monty Order Today; Pick-up Python member Michael Palin and, from across the pond May, 16, 2020 Jamie Lee Curtis and Kevin Kline. The alchemy of their 505.983.2100 performances is riotous. Please inform us of any allergies or dietary restrictions There is sharp, black humor in this movie and at times Murgo, Etna Bianco DOC, 2018 you’re almost ashamed you’re laughing at these characters. We were at a bit of a standstill when first trying to develop Michael Palin plays a shy, stuttering low-life, more at home the menu for this one. Though it is having a renaissance, with fish than humans, and as things heat up the stutter British food tends to evoke thoughts of boiled things and goes from slight, to acute, to hideous. Jamie Lee Curtis is a hearty roasts: not what one wants when the sun is shining long-legged, sassy siren in cahoots, and in and out of the and the weather is warm.
    [Show full text]
  • FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
    Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham.
    [Show full text]
  • Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
    New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public.
    [Show full text]
  • Saluting the Classical Tradition in Drama
    SALUTING THE CLASSICAL TRADITION IN DRAMA A SEQUENCE OF PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The National Arts Club The English-Speaking Union The Royal Shakespeare Company The Royal Academy of Dramatic Art The Woman’s National Democratic Club KEITH BAXTER Monday, February 9 KEITH BAXTER achieved fame as the Prince Hal who shared a screen with such legends as Orson Welles (Falstaff) and Sir John Gielgud (Henry IV) in Welles’s Chimes at Midnight (1965), often depicted as the finest of all Shakespearean films. One of Britain’s most respected WOMAN’S NATIONAL actors, Mr. Baxter played a supporting role to Paul Scofield’s Thomas DEMOCRATIC CLUB More in the Broadway version of A Man for All Seasons. His other credits include Elyot in a Private Lives at London’s Aldwych Theatre and the title 1526 New Hampshire Avenue role in a Birmingham Rep Macbeth. He’s also a superb director, with Washington several productions (among them The Rivals ) at Washington’s esteemed Cash Bar 6:00 p.m. SHAKESPEARE THEATRE, and the author of two plays and a witty memoir, Dinner & Program 7 :00 My Sentiments Exactly. Mr. Baxter will offer reflections not only about DINNER & PROGRAM $27 his multifaceted career but about his current role as King in RSC director Bill Alexander’s superb Lansburgh staging of Henry IV, Parts 1 and 2. KEVIN KLINE Monday, February 23 KEVIN KLINE, the first American to be lauded with a Gielgud Award, is now starring as Falstaff in a LINCOLN CENTER THEATER Henry IV, directed by Jack O’Brien, that has has been enthusiastically re- ceived by critics and playgoers alike.
    [Show full text]
  • Best Movies in Every Genre
    Best Movies in Every Genre WTOP Film Critic Jason Fraley Action 25. The Fast and the Furious (2001) - Rob Cohen 24. Drive (2011) - Nichols Winding Refn 23. Predator (1987) - John McTiernan 22. First Blood (1982) - Ted Kotcheff 21. Armageddon (1998) - Michael Bay 20. The Avengers (2012) - Joss Whedon 19. Spider-Man (2002) – Sam Raimi 18. Batman (1989) - Tim Burton 17. Enter the Dragon (1973) - Robert Clouse 16. Crouching Tiger, Hidden Dragon (2000) – Ang Lee 15. Inception (2010) - Christopher Nolan 14. Lethal Weapon (1987) – Richard Donner 13. Yojimbo (1961) - Akira Kurosawa 12. Superman (1978) - Richard Donner 11. Wonder Woman (2017) - Patty Jenkins 10. Black Panther (2018) - Ryan Coogler 9. Mad Max (1979-2014) - George Miller 8. Top Gun (1986) - Tony Scott 7. Mission: Impossible (1996) - Brian DePalma 6. The Bourne Trilogy (2002-2007) - Paul Greengrass 5. Goldfinger (1964) - Guy Hamilton 4. The Terminator (1984-1991) - James Cameron 3. The Dark Knight (2008) - Christopher Nolan 2. The Matrix (1999) - The Wachowskis 1. Die Hard (1988) - John McTiernan Adventure 25. The Goonies (1985) - Richard Donner 24. Gunga Din (1939) - George Stevens 23. Road to Morocco (1942) - David Butler 22. The Poseidon Adventure (1972) - Ronald Neame 21. Fitzcarraldo (1982) - Werner Herzog 20. Cast Away (2000) - Robert Zemeckis 19. Life of Pi (2012) - Ang Lee 18. The Revenant (2015) - Alejandro G. Inarritu 17. Aguirre, Wrath of God (1972) - Werner Herzog 16. Mutiny on the Bounty (1935) - Frank Lloyd 15. Pirates of the Caribbean (2003) - Gore Verbinski 14. The Adventures of Robin Hood (1938) - Michael Curtiz 13. The African Queen (1951) - John Huston 12. To Have and Have Not (1944) - Howard Hawks 11.
    [Show full text]
  • Title Writer Catalog # Red = Missing
    To reserve a DVD please email your request to [email protected] TITLE WRITER CATALOG # RED = MISSING 13 2012-0196 2012:00:00 2010-8170 300 2010-8090 10 things I hate about you 2010-7368 12 rounds / 2013-0085 12 years a slave / 2014-0220 127 hours : Ralston, Aron. 2011-2139 13 going on 30 2011-1866 16 blocks / 2010-7369 17 again 2011-0760 2 days in Paris 2010-7797 2 fast 2 furious 2010-7368 20,000 Leagues Under The Sea 2014-0312 2001, a space odyssey 2013-0186 21 & Over 2014-0001 21 grams 2010-7651 21 Jump Street 2012-0478 22 Jump Street 2015-0110 27 Dresses 2019-0110 28 days later 2010-7649 3 days of the Condor 2010-7655 3 women 2010-7134 3:10 to Yuma 2012-0463 30 days of night 2010-8000 30 Minutes Or Less 2012-0410 42 The Jackie Robinson Story 2014-0104 47 Ronin 2014-0274 48 hrs. 2010-7647 50 first dates 2010-7371 50/50 2012-0339 6 Bullets 2012-0613 8 mile 2010-7654 8 mile 2010-8089 9 / 2017-0106 9 to 5 / 2012-0326 A beautiful mind 2010-7769 A Christmas story 2010-7205 A clockwork orange 2 disc 2010-7685 A dirty shame 2012-0280 A Fish called Wanda : 2 disc Cleese, John. 2010-8061 A good year 2010-7463 A guide to recognizing your saints 2011-2190 A Guy Thing by Chris Koch 2011-0563 A history of violence 2010-8040 A kid in King Arthur's court 2010-7138 A Kiss Before Dying 2012-0253 A knight's tale 2012-0541 A league of their own 2010-7139 A Little Bit Of Heaven 2012-0563 A love song for Bobby Long 2011-1932 A Man Apart 2013-0202 A midsummer night's dream / Shakespeare, William, 2011-0757 A mighty heart 2010-8227 A mighty wind 2010-7384 A Murder of Crows 2010-8573 A Nightmare on Elm Street 4 2011-0792 A Nightmare on Elm Street.
    [Show full text]
  • SPARTAN DAILY Vol
    Tinkering in tandem Softball Hawaiian style Four mechanical engineering students take He's not as bad as Batman but Michael The women's softball team split a doubleheader second-place in Human Powered Vehicles Keaton is 'One Good Cop' with the Hawaii Rainbow Wahines Wednesday Page 4 Page 4 Page 5 SPARTAN DAILY Vol. 96, No. 60 Published for San Jose State University since 1934 Friday, May 3, 1991 Voice mail system to be replaced before next fall By Carolyn Swaggart In addition to the vanishing messages Daly staff writer 'It was becoming not uncommon that it would take one to three hours between the time and greetings, it was found that message The SJSU voice mail system will be someone delivery was taking more time. replaced by fall 1991 at no cost to the uni- left you a message and when it was actually delivered to your mailbox.' Karen McCarty, "It was becoming not uncommon that it versity. would take one to three hours between the Intercom, the SJSU director of telecommunications telephone manufacturer time someone left you a message and for SJSU, has agreed to honor its warranty when it was actually delivered to your for the Voice Mail Exchange (VMX) sys- message on their system had been erased problem. They could not find a specific voice-data disk drives to crash, said mailbox," McCarty noted. tem in response to regular breakdowns mysteriously overnight, or messages cause for the breakdown. McCarty. The system would have a service life of and problems in the system for the first would simply disappear.
    [Show full text]
  • The BG News August 10, 1988
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 8-10-1988 The BG News August 10, 1988 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News August 10, 1988" (1988). BG News (Student Newspaper). 4815. https://scholarworks.bgsu.edu/bg-news/4815 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. THE BG NEWS Vol. 70 Issue 134 Bowling Green, Ohio Wednesday, August 10,1988 Artist 'draws'on family support Ballgame does a lot of artwork for friends to benefit by Catherine Hoehn assistant managing editor and family, but tries to stay away from doing specific requests, since she has difficulty Drawing her strength from making exact lines needed for young girl her family and friends, a local drawing people and animal fig- artist is enjoying success de- ures. spite her disabilies. To aid Bodie in her artwork, a by Judl Kopp Pat Bodie, a 52-year-old resi- friend gave her a turntable for editor dent of Wood County Nursing her paints and paper that she Home, won an honorable men- can push around with her tion ribbon Friday for a pen-and- mouthstick, allowing her to dip The daughter of a Firelands ink drawing she submitted at the the brush and then apply paint to staff member may have many Wood County Fair Fine Arts the paper on her own.
    [Show full text]