Revenge Porn Legislation and the First Amendment
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The Constitution and Revenge Porn
Pace Law Review Volume 35 Issue 1 Fall 2014 Article 8 Symposium: Social Media and Social Justice September 2014 The Constitution and Revenge Porn John A. Humbach Pace University School of Law, [email protected] Follow this and additional works at: https://digitalcommons.pace.edu/plr Part of the Constitutional Law Commons, Criminal Law Commons, First Amendment Commons, Internet Law Commons, Law and Society Commons, and the Legal Remedies Commons Recommended Citation John A. Humbach, The Constitution and Revenge Porn, 35 Pace L. Rev. 215 (2014) Available at: https://digitalcommons.pace.edu/plr/vol35/iss1/8 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. The Constitution and Revenge Porn John A. Humbach* “Many are those who must endure speech they do not like, but that is a necessary cost of freedom.”1 Revenge porn refers to sexually explicit photos and videos that are posted online or otherwise disseminated without the consent of the persons shown, generally in retaliation for a romantic rebuff.2 The problem of revenge porn seems to have emerged fairly recently,3 no doubt facilitated by the widespread practice of sexting.4 In sexting, people make and send explicit pictures of themselves using digital devices.5 These devices, in their very nature, permit the pictures to be easily shared with the entire online world. Although the move from sexting to revenge porn might seem as inevitable as the shifting winds * Professor of Law at Pace University School of Law. -
Photojournalism Photojournalism
Photojournalism For this section, we'll be looking at photojournalism's impact on shaping people's opinions of the news & world events. Photojournalism From Wikipedia, the free encyclopedia Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining. Timeliness The images have meaning in the context of a recently published record of events. Objectivity The situation implied by the images is a fair and accurate representation of the events they depict in both content and tone. Narrative The images combine with other news elements to make facts relatable to audiences. Like a writer, a photojournalist is a reporter, but he or she must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles (e.g., physical danger, weather, crowds, physical access). -
DOCUMENT RESUME Dimensions of Interest and Boredom In
DOCUMENT RESUME ED 397 840 IR 018 028 AUTHOR Small, Ruth V., And Others TITLE Dimensions of Interest and Boredom in Instructional Situations. PUB DATE 96 NOTE 16p.; In: Prbceedings of Selected Research and Development Presentations at the 1996 National Convention of the Association for Educational Communications and Technology (18th, Indianapolis, IN, 1996); see IR 017 960. PUB TYPE Reports Research/Technical (143) Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Academic Achievement; Brainstorming; Cognitive Style; College Students; Educational Strategies; Higher Education; Instructional Development; *Instructional Effectiveness; Instructional Material Evaluation; *Learning Strategies; Likert Scales; Participant Satisfaction; Questionnaires; Relevance (Education); *Stimulation; Student Attitudes; *Student Motivation; Teacher Role; Teaching Methods IDENTIFIERS ARCS Model; *Boredom; Emotions ABSTRACT Stimulating interest and reducing boredom are important goals for promoting learning achievement. This paper reviews previous research on interest and boredom in educational settings and examines their relationship to the characteristics of emotion. It also describes research which seeks to develop a model of learner interest by identifying sources of "boring" and "interesting" leaming situations through analysis of learners' descriptions. Participants is, the study were 512 undergraduate and graduate students from two universities. Descriptive responses were elicited from 350 students through brainstorming -
Applying a Discrete Emotion Perspective
AROUSAL OR RELEVANCE? APPLYING A DISCRETE EMOTION PERSPECTIVE TO AGING AND AFFECT REGULATION SARA E. LAUTZENHISER Bachelor of Science in Psychology Ashland University May 2015 Submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN PSYCHOLOGY At the CLEVELAND STATE UNIVERSITY May 2019 We hereby approve this thesis For SARA E. LAUTZENHISER Candidate for the Master of Arts in Experimental Research Psychology For the Department of Psychology And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by __________________________ Eric Allard, Ph.D. __________________________ Department & Date __________________________ Andrew Slifkin, Ph. D. (Methodologist) __________________________ Department & Date __________________________ Conor McLennan, Ph.D. __________________________ Department & Date __________________________ Robert Hurley, Ph. D. __________________________ Department & Date Student’s Date of Defense May 10, 2019 AROUSAL OR RELEVANCE? APPLYING A DISCRETE EMOTION PERSPECTIE TO AGING AND AFFECT REGULATION SARA E. LAUTZENHISER ABSTRACT While research in the psychology of human aging suggests that older adults are quite adept at managing negative affect, emotion regulation efficacy may depend on the discrete emotion elicited. For instance, prior research suggests older adults are more effective at dealing with emotional states that are more age-relevant/useful and lower in intensity (i.e., sadness) relative to less relevant/useful or more intense (i.e., anger). The goal of the present study was to probe this discrete emotions perspective further by addressing the relevance/intensity distinction within a broader set of negative affective states (i.e., fear and disgust, along with anger and sadness). Results revealed that participants reported relatively high levels of the intended emotion for each video, while also demonstrating significant affective recovery after the attentional refocusing task. -
About Emotions There Are 8 Primary Emotions. You Are Born with These
About Emotions There are 8 primary emotions. You are born with these emotions wired into your brain. That wiring causes your body to react in certain ways and for you to have certain urges when the emotion arises. Here is a list of primary emotions: Eight Primary Emotions Anger: fury, outrage, wrath, irritability, hostility, resentment and violence. Sadness: grief, sorrow, gloom, melancholy, despair, loneliness, and depression. Fear: anxiety, apprehension, nervousness, dread, fright, and panic. Joy: enjoyment, happiness, relief, bliss, delight, pride, thrill, and ecstasy. Interest: acceptance, friendliness, trust, kindness, affection, love, and devotion. Surprise: shock, astonishment, amazement, astound, and wonder. Disgust: contempt, disdain, scorn, aversion, distaste, and revulsion. Shame: guilt, embarrassment, chagrin, remorse, regret, and contrition. All other emotions are made up by combining these basic 8 emotions. Sometimes we have secondary emotions, an emotional reaction to an emotion. We learn these. Some examples of these are: o Feeling shame when you get angry. o Feeling angry when you have a shame response (e.g., hurt feelings). o Feeling fear when you get angry (maybe you’ve been punished for anger). There are many more. These are NOT wired into our bodies and brains, but are learned from our families, our culture, and others. When you have a secondary emotion, the key is to figure out what the primary emotion, the feeling at the root of your reaction is, so that you can take an action that is most helpful. . -
ABC: Enabling Smartphone Authentication with Built-In Camera
ABC: Enabling Smartphone Authentication with Built-in Camera Zhongjie Ba↑∗ , Sixu Piao↑∗ , Xinwen Fu↑� , Dimitrios Koutsonikolas↑∗ , Aziz Mohaisen↑� and Kui Ren↑∗ ∗ � 1 Camera Identification: Hardware Distortion • Manufacturing imperfection leads to pattern noise: Photo Response Non-Uniformity (PRNU)[1] Non-Uniform Pixel Unique Fingerprint! 2 [1] LUKAS, J., FRIDRICH, J., AND GOLJAN, M. Digital camera identifi- cation from sensor pattern noise. IEEE Transactions on Information Forensics and Security 1, 2 (2006), 205–214. Camera Identification: Fingerprint Matching • Given an image, determine if it is captured by a camera of interest Threshold Filter Similarity Query image Noise Residue Compare (PCE) Extract The final identification accuracy is mainly determined by the quality of each fingerprint (target & reference). Reference Fingerprint Training images 3 Image source: https://www.packtpub.com/networking-and-servers/mastering-python-forensics; From Camera Identification to Smartphone Identification • Smartphone cameras have • Smartphones are widely displaced the conventional used in security sensitive digital camera tasks 4 Image source: https://techdigg.com/2017/05/12/apple-wants-you-to-be-a-professional-iphone-7-photographer/; https://www.nextpowerup.com/news/28115/google-brings-android-pay-to-uk/ Smartphone Camera VS Digital Camera 5 https://lensvid.com/technique/why-depth-of-field-is-not-effected-by-sensor-size-a-demonstration/ Smartphone Camera: Stronger Non-Uniformity • The reduction in dimension amplifies the pixels’ non-uniformity Same level of manufacturing imperfection Stronger non-uniformity 6 Smartphone Camera: Higher Identification Accuracy • One image alone can uniquely identify a smartphone camera 30 iPhone 6 and 16,000 images collected from 10 Galaxy Note 5 Amazon Mechanical Turk 7 Smartphone Authentication Scenario • The user proves her identity to the verifier using her smartphone as a security token • The verifier authenticates the user’s smartphone by checking the fingerprint of its built-in camera 1. -
Revenge Porn and the ACLU's Inconsistent Approach
Indiana Journal of Law and Social Equality Volume 8 Issue 1 Article 7 Spring 1-2020 Revenge Porn and the ACLU’s Inconsistent Approach Elena Lentz Notes Editor, IJLSE Vol.8; J.D. 2020, Ind. Univ. Maurer School of Law, [email protected] Follow this and additional works at: https://www.repository.law.indiana.edu/ijlse Part of the Criminal Law Commons, Feminist, Gender, and Sexuality Studies Commons, Law and Gender Commons, Law and Politics Commons, Privacy Law Commons, and the Sexuality and the Law Commons Publication Citation 8 Ind. J.L. & Soc. Equality 155 (2020). This Student Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Journal of Law and Social Equality by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. NOTE Revenge Porn and the ACLU’s Inconsistent Approach Elena Lentz* INTRODUCTION As of 2016, 10.4 million Americans have been threatened with or been the victim of nonconsensual pornography, more commonly known as revenge porn.1 Of these victims, eighty percent are women.2 Furthermore, the pervasive and anonymous nature of the internet has encouraged the growth of revenge porn and allowed for repeated victimization. As a result, thirty-eight states and the District of Columbia have criminalized revenge porn.3 Several other states have tried to pass revenge porn laws and faced First Amendment challenges. In the twelve states that do not criminalize revenge porn, victims often must rely on either tort law, copyright law, or the federal cyberstalking statute.4 Yet, these existing frameworks are often ill-fitted for the unique issues raised by revenge porn. -
Graphic Standards.Indd
COLORADO SBDC NETWORK GRAPHIC STANDARDS CONTENTS Logo . 2 Color Palette . 3 Fonts . 4 Fact Sheets . 5 LOGO The Colorado Small Business Development Center (SBDC) logo is comprised of four colors and visual references to both the Colorado state fl ag and mountainous topography. LOGO USAGE Size The minimum size of the SBDC logo is 3/4” in width. Please do not reproduce logo in a size smaller than 3/4” as legibility issues can arise. Area of Isolation In order to maintain the logos clarity and integrity, an area of isolation around the logo is necessary. The minimum “clear space” around the logo should be 1/4”. This area should be kept free of graphics and text. LOGO Correct Usage of Logo The full-color SBDC logo is the preferred option and should be used for all materials whenever pos- sible. No other colors than those shown here should be used. Full color on white Gray scale on white Incorrect Usage of Logo Never alter the logo in any way; do not change its colors, fonts, and/or orientation. Do not stretch or distort it. Poor quality or pixilated versions of the logo are unacceptable. Always use EPS/PSD fi les whenever possible to ensure highest quality. Do not distort or stretch Do not place on colored Do not place on photo- background graphic background Do not obscure with graphical elements COLOR PALETTE Primary Color Palette PANTONE 188 PANTONE 288 PANTONE 130 PANTONE 7543 CMYK: 0, 97, 100 50 CMYK: 100,67,0,23 CMYK: 0,30,100,0 CMYK: 7,0,0,30 RGB: 124.33.40 RGB: 0,51,127 RGB: 234,175,15 RGB: 168,173,176 WEBSAFE: #7C2128 WEBSAFE: #00337F WEBSAFE: #EAAFOF WEBSAFE: #A6B3B3 Secondary Color Palette In addition to the current color palette occurring on all SBDC collateral, a secondary palette can be implemented. -
Contents Page
‘An evaluation of Flickr’s distributed classification system, from the perspective of its members, and as an image retrieval tool in comparison with a controlled vocabulary’ A dissertation submitted for an MA in: Information Services Management London Metropolitan University September 2008 By Samuel Piker Abstract The profusion of digital images made available online presents a new challenge for image indexing. Images have always been problematic to describe and catalogue due to lack of inherent textual data and ambiguity of meaning. Because professionally- applied metadata is not practical for most open, web-based collections a solution has been sought in the form of tags, simple keywords that can be attached to an image by any web user. Together tags form a flat structure known as distributed classification, or more popularly as a folksonomy. This research follows the debate surrounding folksonomies and aims to fill the gaps in understanding of why people tag and how effective they find them for searching, using the photo-sharing website Flickr as the focus. Open-ended questionnaires were sent out to members of the site who use tags, with the opportunity to post comments to an online discussion space. The other key gap identified in the literature is a systematic comparison between a tag-based system and a more traditional controlled vocabulary, to test out the claims made regarding tagging’s suitability for searching and browsing. For this purpose Flickr has been compared with Getty Images using a series of test themes. The small number of people who replied to the questionnaire gave detailed answers that confirmed several of the assertions made about tags: they are accepted despite their flaws (sloppiness and potential for inaccuracy) because they serve their purpose to a satisfactory level. -
Digital Infringements and the Responsibility of Digital Platforms
COPENHAGEN BUSINESS SCHOOL Digital Infringements and the Responsibility of Digital Platforms by Christian Skettrup A master’s thesis written for the degree of Master of Business Administration and E-business Student ID: 117547 – Character count: 145.888 Supervisor: Nanna Bonde Thylstrup 15.05.2020 1 Abstract Private companies with digital platforms such as Facebook, are using discursive work and strategical positioning to situate themselves in a favorable position in the eyes of their users, advertisers, legislators and the general public. Despite repeatedly facilitating the distribution of some of the worst content that humanity has to offer, the society fails to hold them responsible for their part in the illegal activities. This is partly because most digital platforms are surrounded by a legal framework that exempt them from legal liability when their users conduct illegal activity, and partly because of secretive and opaque practices that makes it difficult to decipher the dynamics of commercial content moderation. With a grounded theory approach, this paper will show how digital platforms are not just neutral technological intermediaries that exist in a vacuum, but rather socio-technical objects that exist in complex political, economical and technological environments, from where they afford their users certain things. In practice they gain a quasi-legislative role, from which they can shape their users’ ability to exercise their fundamental rights. The Umbrella case provides a rare glimpse into the opaque and secretive regulation and moderation practices conducted by Facebook. Practices that makes it possible for digital platforms to implement their self-defined regulation through technical measures. 2 Contents Abstract ............................................................................................................................................................ -
Criminalization Downloads Evil: Reexamining the Approach to Electronic Possession When Child Pornography Goes International
\\jciprod01\productn\B\BIN\34-2\BIN203.txt unknown Seq: 1 2-JUN-16 14:19 CRIMINALIZATION DOWNLOADS EVIL: REEXAMINING THE APPROACH TO ELECTRONIC POSSESSION WHEN CHILD PORNOGRAPHY GOES INTERNATIONAL Asaf Harduf* INTRODUCTION ................................................... 280 R I. THE LADDER OF CRIMINALIZATION ....................... 281 R A. The Matter of Criminalization ......................... 282 R B. The Rungs of the Ladder of Criminalization ........... 284 R 1. First Rung: Identifying the Conduct, Causation, and Harm ......................................... 285 R 2. Second Rung: Examining the Ability to Achieve Goals ............................................. 286 R 3. Third Rung: Examining Alternatives to Criminalization .................................... 287 R 4. Fourth Rung: Assessing the Social Costs of Solutions and Striking a Balance .................. 288 R C. Towards an Analysis of Child Pornography Possession ............................................. 288 R II. APPLICATION TO THE ELECTRONIC POSSESSION OF CHILD PORNOGRAPHY ............................................ 289 R A. First Rung: The Offensive Conduct of Electronic Possession ............................................. 292 R 1. Conduct of Electronic Possession .................. 292 R 2. Harms to Children ................................ 294 R 3. Causation: Four Possible Links .................... 295 R 4. Offensiveness: Summation ......................... 302 R B. Second Rung: Criminal Law’s Ability to Reduce Harm to Children ........................................... -
Getty Images Premium Access
GETTY IMAGES’ PREMIUM ACCESS CONTENT COLLECTIONS LIST (Effective September 21, 2017) STILLS COLLECTIONS RM – House RM – Partner Allsport Concepts ABSODELS Archive Photos ACP Bettmann AFP Creative Corbis All Canada Photos Corbis Documentary Altrendo Corbis Historical amana images Fototrove America 24-7 Hulton Archive arabianEYE Moment Arcaid Images Oxford Scientific Art Images Photographer's Choice RM Asia Images Photolibrary Aurora Retrofile RM AWL Images Stone Axiom Photographic Agency Taxi Biosphoto Taxi Japan Blend Images The Image Bank Bloomberg Creative Photos Canopy Car Culture ® Collection CGIBackgrounds China Span Collection Mix: Subjects Conde Nast Collection Cultura Exclusive DAJ De Agostini Picture Library Discovery Channel Images Dorling Kindersley EyeEM F1online First Light Folio Images Gallo Images Glow hemis.fr Historic Map Works Hola Images Ikon Images Illustration Works ImageBROKER Images Bazaar Imagezoo ImaZinS Johner Images LatinContent Lonely Planet Images LOOK Mayo Clinic Collection Mint Images Nativestock Nature Picture Library Neo Vision Nordic Photos NYonAir Panoramic Images Passage Perspectives Photononstop Picture Press Publisher Mix Refinery29 Riser robertharding RooM SambaPhoto Science Photo Library Sebun Photo Stock4B StockFood Creative SuperStock Topic Images Universal Images Group Untitled X-Ray UpperCut Images View Stock VisitBritain WaterFrame Westend 61 WIN-Initiative Yann Arthus-Bertrand RF – House RF – Partner Corbis ABSODELS Corbis Unreleased Alloy DigitalVision amana images DigitalVision Vectors arabianEYE