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Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
A Raisin in the Sun 2
s A TEACHER’S GUIDE TO THE SIGNET AND PLUME EDITIONS OF THE SCREENPLAY LORRAINE HANSBERRY’S RAISIN IN THE SUN By DIANA MITCHELL, Ph.D SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to Lorraine Hansberry’s A Raisin in the Sun 2 INTRODUCTION The certainty that the ideals of “life, liberty, and the pursuit of happiness” can become reality for anyone willing to work for them is what we call the American dream. For many, the dream does come true. For many it does not. Lorraine Hansberry knew about disappointment, false hope, and despair. For many of her African-American ancestors who had come north for a better life only to find exploitation and frustration, the dream had become a nightmare. In contemporary terms, she chronicles their nightmare in A Raisin in the Sun, an epic story of the Younger family struggling to realize the dream by escaping ghetto life. Hansberry’s screenplay not only tells the story of the Youngers but reveals the plight of all who have failed dreams. Her cosmic vision gives Raisin its power. For high school juniors who often study U.S. history concurrently with American literature, this previously unpublished version of the screenplay allows students to read an engrossing American play, while they experience a culture that either mirrors their own lives or provides a window into a world of people who are more similar to them than they are different from them. -
Steven K. Mitchell
Steven K. Mitchell 941.228.5761 [email protected] www.stevenkmitchell.com Member USA Local 829 THEATRE Garden Theatre, 1984, (Dir) B.Bell), Winter Garden, FL, 2019 American Stage, Skeleton Crew, Silent Sky, The Roommate, Ms Bennet, , Bad Jews, A Raisin In The Sun, The Invisible Hand, Sex W/ Strangers, 4000 Miles, Radio Golf, In The Heights, Intimate Apparel, The Rocky Horror Show,(Dirs.: K. Cllipard, S. Gularte, A. Resnick, P. Callender, J. Stevens, B. Ismail, M. Southers, K. Hartley), St. Pete, FL, 2012-’20 Orlando Shakespeare Theatre, Dancing Lessons, (Dir: C. White), Orlando, FL, 2016 St. Pete Opera, Susannah, Norma, Il Trovatore (Dirs: M. Unger, B. Spierman, K. Hesser), St Petersburg, FL, 2013, ‘14,’16 Freefall Theatre, The Glass Menagerie, Mr Burns, Cabaret, One Flew Over The Cuckoo’s Nest, Man of La Mancha, Dr. Jekyl and Mr. Hyde,(Dir.: E. Davis), St. Petersburg, FL, 2010-‘18 Historic Asolo, Dreamgirls, (Dir. R. Kelly), Sarasota, FL, 2007 Santa Fe Playhouse, A Lion In Winter, (Dir. S. Lederer), Santa Fe, NM, 2009 Sanford Meisner Theatre(O-O Broadway), Little Mary, (Dir. J. Kubzansky), NY, NY, 2005 Prospect Theatre Company, The Three Sisters, (Dir: J.M. Green), NY, NY, 2002 Berkshire Theatre Festival 2000, The Einstein Project, (Dir. E. Hill), Stockbridge, MA, 2000 Roundabout Theatre, Hotel Suite,(O-Broadway-Asst. to James Noone), NY, NY, 2000 Actor's Gang, Exit the King, Broadway, (Dirs. R. Murphy, D. Schweizer), Los Angeles, CA., 1999 Mark Taper New Works Festival, The American Bullghter, (Dir. L. Peterson), LA, CA, 1997 The Grove Theatre Center, The Thousandth Night, (Dir. -
Broadway Buzz- Spring Awakening
Broadway Buzz- Spring Awakening THEATER MAY NEVER BE THE SAME “If you have just one night to spend in the theater,” the New York Post says, “awake yourself with SPRING AWAKENING” as the Key Bank Broadway Series continues at PlayhouseSquare March 3-15, 2009. Awards Winner of 8 Tony Awards, 4 Drama Desk Awards, a Grammy Award, New York Times Drama Critics Award, a Drama League Award and 3 Outer Critics Circle Awards, SPRING AWAKENING has won best musical, best book of a musical, best choreography, best score, best orchestration, best director, best lighting and best featured actor. “Everything combines for a show that bursts off the stage with heart and Photo: Blake Bashoff Read More... Should sex education be a mandatory part of high school curriculum? Buzz Extra is a publication of the Arts Yes Education Department at PlayhouseSquare No Vice President of Theatricals: Gina Vernaci Director of Arts Education: Colleen Porter Director of Ticket Sales & Marketing: Spring Awakening Videos, Photos, Music Autumn Kiser Spring Awakening on Facebook Editors: Spring Awakening Parents Guide Linda Jackson, Cindi Szymanski Writer: Robin Pease Photos: Paul Kolnik http://www.playhousesquare.org/bbuzz/springawakening/index.html[2/24/2009 12:49:26 PM] Broadway Buzz- Spring Awakening Home Theater May Never Be the Same Talking with Christy Altomare Download and read the printable version of the Buzz (535Kb in PDF format) here Banned! The Gospel According to Spring Awakening A Chorus Line Legally Blonde The Musical Ripped from the Headlines Radio City Christmas Spectacular Frost/ Nixon Enrich Your Experience: Broadway Buzz Events Spring Awakening Teen Night We welcome your feedback and suggestions for the Buzz Extra. -
Season Announcement Press Release Final
For more information contact: Allie Magee / [email protected] / 314-775-7412 ST. LOUIS SHAKESPEARE FESTIVAL RETURNS TO LIVE PERFORMANCE IN FOREST PARK WITH K I N G L E A R STARRING TONY, EMMY & GRAMMY WINNER ANDRÉ DE SHIELDS JUNE 2 - 27, 2021 PLUS FULL 2021 SEASON LINE UP St. Louis, MO (March 5, 2021) -- The St. Louis Shakespeare Festival (Tom Ridgely, Producing Artistic Director) announced today that Tony, Emmy and Grammy award-winner André De Shields (Broadway: Hadestown, The Wiz, Ain’t Misbehavin) will star in King Lear as part of its 21st summer of free Shakespeare in Forest Park. The production marks the theater’s return to live outdoor performance, one of the first scheduled in the country. King Lear will be directed by Carl Cofield (Associate Artistic Director of the Classical Theatre of Harlem) and begin on Wednesday, June 2, with an opening night set for Friday, June 4 at 8:00 pm, and play through June 27 to strictly limited capacity crowds. The Festival’s 2021 Season will also include a new outdoor touring production of Othello that will visit 24 public parks across the metro area and three outdoor performances of “Shakespeare in the Streets: The Ville” in one of the most historically significant Black communities in America. Also announced, the second Confluence New Play Festival and members of the third Regional Writers Cohort, and a six-month Directors Fellowship now accepting applications. “André is a national treasure and one of the most extraordinary theatrical artists alive,” said producing artistic director Tom Ridgely in a statement. -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
Clarence Brown Theatre Production History
Clarence Brown Theatre Production History 1974-75 1979-80 1984-85 Everyman Oh, What a Lovely War Loof’s Tower The Second Shepherd’s Play Twelfth Night Electra Headhunters A Christmas Carol The Frog Prince Playboy of the Western World Three Men on a Horse Peter Pan Ruling Class Night Must Fall Richard III Aristotle’s Bellows Mother Courage and Her Children The Caretaker Henry IV, part 1 The Physicists She Stoops to Conquer Last of the Red Hot Lovers Arsenic and Old Lace Beauty and the Beast The Music Man Mysterious Arabian Nights The House of Blue Leaves Androcles and the Lion The Elephant Man 1975-76 Brigadoon No, No, Nanette 1985-86 New Majestic Follies 1980-81 The King and I Rosencrantz & Guildenstern Are Dead The Heiress Extremities Woyzeck Candide Byron in Hell Macbeth Christmas All Over the Place A Christmas Carol Rip Van Winkle The Merchant of Venice Getting Out Tobacco Road The Oldest Living Graduate Macready The Tavern The Male Animal The Lion in Winter Command Performance Dracula: A Musical Nightmare The Vinegar Tree All the King’s Men An Italian Straw Hat True West All the Way Home Bus Stop Rosemarie 1981-82 Evita Ah, Wilderness 1976-77 Carousel 1986-87 Smoke on the Mountain Mr. Roosevelt’s Train The Matchmaker Jesus Christ Superstar The Confounding Christmas The Taming of the Shrew Indians Medea Beyond Therapy The Tax Collector For Colored Girls Who Have A Christmas Carol Cat on a Hot Tin Roof Considered Suicide When the Present Laughter Tom Sawyer Rainbow is Enuf Joe Egg Ghosts Two Gentlemen of Verona The Harmful Effects of Tobacco.. -
A Raisin in The
HELPFUL HINTS FOR THEATER AUDIENCES CONTENTS The Play Meet the Playwright A RAISIN IN THE SUN The Hansberrys and the Youngers Langston Hughes: A Dream Deferred BY LORRAINE HANSBERRY | DIRECTED BY TAZEWELL THOMPSON Race in America Three Big Questions Resources THE PLAY It’s the 1950s on the South Side of Chicago, and life for black people in America is full of struggle and strife. Walter and his wife, Ruth, live in a 2-bedroom apartment with their son Travis; Walter’s mother, whom everyone calls Mama; and his sister Beneatha. In addition to living in such close quarters, the Youngers also share a bathroom with the other families on their floor. The Youngers are desperate for a change. When Walter’s father dies, the possibility of that change comes in the form of a $10,000 life insurance check. Mama wants the best for her family. She believes that means having a home of their own and providing an education for Beneatha. Walter, however, wants to use the insurance money for a business deal with two less-than-savory men. His big dreams and high hopes are so infectious that even his son, Travis, is excited for the coming check. This life-changing check has the Youngers teetering on the edge of freedom. Will the Youngers be able to live the American dream or will it “dry up, like a raisin in the sun?” “… SEEM LIKE GOD DIDN’T SEE FIT TO GIVE THE BLACK MAN NOTHING NOW PLAYING ON THE FICHANDLER STAGE BUT DREAMS – BUT HE DID GIVE US MARCH 31 - MAY 7, 2017 CHILDREN TO MAKE THEM DREAMS Illustration by Charles Chaisson A Raisin in the Sun is generously sponsored by . -
42Nd Street Program
RRCA MUSICAL THEATRE LOGO proudly presents FORTY-SECOND STREET (pretty lady logo here) Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the Novel by BRADFORD ROPES Original Direction and Dances by GOWER CHAMPION Originally Produced on Broadway by DAVID MERRICK The use of all songs is by arrangement with Warner Bros., the owner of music publishers' rights Scenes and Musical Numbers Act I Overture .............................................................................................................. Orchestra Scene 1: Stage of the 42nd Street Theatre, New York Young and Healthy .............................................................................. Peggy and Billy Shadow Waltz ...................................................................... Maggie, Dorothy, & Girls Reprise: Shadow Waltz ................................................................................... Dorothy Scene 2: The Gypsy Tea Kettle, Restaurant Go Into Your Dance .......................... Maggie, Peggy, Annie, Phyllis, Lorraine, Andy Scene 3: Stage of the 42nd Street Theatre You’re Getting to be a Habit with Me ............................................................. Dorothy Scene 4: Dorothy Brock’s Dressing Room Scene 5: Stage of the 42nd Street Theatre Getting Out of Town..................................................... Maggie, Bert, Pat, and Chorus Scene 6: Stage of the Arch Street Theatre, Philadelphia Dames .............................................................................................. -
A Livestream Event! Written and Created by ROGER BEAN Vocal Arrangements by ROGER BEAN & BRIAN BAKER Musical Arrangements by BRIAN BAKE
A Livestream Event! Written and Created by ROGER BEAN Vocal Arrangements by ROGER BEAN & BRIAN BAKER Musical Arrangements by BRIAN BAKE Winter Wonderettes premiered at Milwaukee Repertory Theater. Joseph Hanreddy, Artistic Director and Timothy J. Shields, Managing Director. PRESENTED BY SPECIAL ARRANGEMENT WITH STAGE RIGHTS, LOS ANGELES, CA. Director/Choreographer MADDIE TWEED Production Stage Manager Musical Director REBECCA GOSSETT DEBBIE ANDERSON Lighting Designer/Technical Director Props Designer MATTHEW SWINDELL PATTI FENZEL Costume Designer Sound Designer/Audio Engineer SANDY DAWSON JULIANNE SLATON THIS IS A LIVE STREAMING THEATRICAL EVENT. ANY DOWNLOAD, SALE OR DISTRIBUTION OF ANY RECORDED PORTION OF THIS EVENT IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW. Presented by special arrangement with Stage Rights (www.stagerights.com) The videotaping or other video or audio recording of this production is strictly prohibited {<The Cast> Chelcy Cutwright Kirin Wilson Courtlyn Holt Christie Lamb Missy Suzy Cindy Lou Betty Jean Cheryl Linda Brooke Myers Alyssa Flowers Missy/Cindy Lou Suzy/Betty Jean Understudy Understudy The Author ROGER BEAN created the long-running Off-Broadway smash hit The Marvelous Wonderettes (Westside Theatre), along with the sequels Wonderettes: Caps & Gowns, Winter Wonderettes, and Wonderettes: Dream On. Original cast albums for all Wonderettes shows are available from iTunes and Amazon. The Marvelous Wonderettes received the 2007 LA Ovation Award for Best Musical for its record-breaking Los Angeles run and continues to be an audience favorite in regional and amateur theatre companies throughout the country. Mr. Bean’s doo-wop hit Life Could Be A Dream had a record- breaking 12-month run in Los Angeles, receiving the Los Angeles Drama Critics Circle Award, the LA Weekly Theatre Award, and the Backstage Garland Award for Outstanding Musical. -
Playing in the Dark/Musicalizing a Raisin in the Sun by Donatella Galella
Continuum: The Journal of African Diaspora Drama, Theatre and Performance Volume 1 Number 2 - AMIRI BARAKA: REVALUATION AND APPRECIATION - Jan 2015 - ISSN 2471-2507 Playing in the Dark/Musicalizing A Raisin in the Sun by Donatella Galella ABSTRACT While A Raisin in the Sun continues to have a strong hold on the U.S. cultural imagination, the musical version Raisin has virtually disappeared from stages and academic histories. But in 1973, when the musical opened on Broadway, it received glowing accolades, moreso than Lorraine Hansberry’s play. Revisiting Raisin provides a productive site for processing changing cultural hierarchies of plays versus musicals and the politics of African- American representation. I argue that Robert Nemiroff and his largely white production team tamed A Raisin in the Sun into a popular, feel-good black musical that the predominantly white audience welcomed in the wake of radical racial politics, war, and the economic downturn. I use Toni Morrison’s Playing in the Dark to analyze the binary between the silent white and singing black characters, and how the musical styles and content play to expectations of blackness haunted by minstrelsy. Playing in the Dark/Musicalizing A Raisin in the Sun From the 2014 Broadway revival starring Denzel Washington to the “diversity” (read: non-white) slot in school syllabi, A Raisin in the Sun continues to have a strong hold on the U.S. cultural imagination. In 2011, Bruce Norris won the Pulitzer Prize for Clybourne Park, in which he considers the white neighbors and neighborhood before the Younger family moves in and then the process of gentrification fifty years later.In the 2012-13 season, A Raisin in the Sun and Clybourne Park were among the top ten most produced plays by members of Theatre Communications Group (TCG), the national trade organization for major theatre companies (Goia). -
Lin-Manuel Miranda Quiara Alegría Hudes
Artistic Director Nathaniel Shaw Managing Director Phil Whiteway PREMIER SPONSOR PRODUCTION SPONSOR MUSIC AND LYRICS BY BOOK BY LIN-MANUEL QUIARA MIRANDA ALEGRÍA HUDES CONCEIVED BY SEASON SPONSORS LIN-MANUEL MIRANDA Development of In The Heights was supported by the Eugene O’Neill Theater Center during a residency at the Music Theater Conference of 2005. Initially developed by Back House Productions. Originally Produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis,Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper E. Rhodes and Leona B. IN THE HEIGHTS is presented through special arrangement Carpenter Foundation with R & H Theatricals: www.rnh.com STAGE MANAGEMENT SOUND DESIGN Christi B. Spann* Derek Dumais COSTUME DESIGN LIGHT DESIGN SET DESIGN Sarah Grady Joe Doran+ Anna Louizos+ MUSIC DIRECTION CHOREOGRAPHY Ben Miller Karla Garcia DIRECTION Nathaniel Shaw^ SARA BELLE AND NEIL NOVEMBER THEATRE | MARJORIE ARENSTEIN STAGE CAST MUSICAL NUMBERS AND SCENES Usnavi ...............................................................JJ Caruncho* ACT I Vanessa ............................................................ Arielle Jacobs* In The Heights ................................................... Usnavi, Company Nina ................................................................. Shea Gomez Breathe ........................................................... Nina, Company Benny ................................................................. Josh Marin* Benny’s Dispatch .....................................................