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The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. -
The Race of Sound Refiguring American Music a Series Edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles Mcgovern, Contributing Editor the Race of Sound
The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. © Nick Cave. Photo by James Prinz Photography. Courtesy of the artist and Jack Shainman Gallery, New York. This title is freely available in an open access edition thanks to generous support from the ucla Library. This book is published under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 United States (cc by-nc-nd 3.0 us) License, available at https://creativecommons.org/licenses/by-nc-nd/3.0/us/. -
Indian Language Screen Readers and Syllable Based Festival Text-To-Speech Synthesis System
Indian Language Screen Readers and Syllable Based Festival Text-to-Speech Synthesis System Anila Susan Kurian, Badri Narayan, Nagarajan Madasamy, Ashwin Bellur, Raghava Krishnan, Kasthuri G., Vinodh M.V., Hema A. Murthy IIT-Madras, India {anila,badri,nagarajan,ashwin,raghav,kasthuri,vinodh}@lantana.tenet.res.in [email protected] Kishore Prahallad IIIT-Hyderabad, India [email protected] Abstract on others to access common information that oth- ers take for granted, such as newspapers, bank state- This paper describes the integration of com- ments, and scholastic transcripts. Assistive tech- monly used screen readers, namely, NVDA nologies (AT), enable physically challenged persons [[NVDA 2011]] and ORCA [[ORCA 2011]] with Text to Speech (TTS) systems for Indian lan- to become part of the mainstream in the society. guages. A participatory design approach was A screen reader is an assistive technology poten- followed in the development of the integrated tially useful to people who are visually challenged, system to ensure that the expectations of vi- visually impaired, illiterate or learning disabled, sually challenged people are met. Given that to use/access standard computer software, such as India is a multilingual country (22 official lan- Word Processors, Spreadsheets, Email and the Inter- guages), a uniform framework for an inte- net. grated text-to-speech synthesis systems with screen readers across six Indian languages are Over the last three years, Indian Institute of Tech- developed, which can be easily extended to nology, Madras (IIT Madras) [[Training for VC, other languages as well. Since Indian lan- IITM 2008 ]], has been conducting a training pro- guages are syllable centred, syllable-based gramme for visually challenged people, to enable concatenative speech synthesizers are built.