The Issue Is Not the Issue
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World-Famous Tattoo Artist PAUL BOOTH's LAST
For Immediate Release July 18th, 2011 World-Famous Tattoo Artist PAUL BOOTH’s LAST RITES GALLERY & TATTOO THEATRE in NYC Announces More Details for ‘The Grand Reincarnation’ Weekend World-famous tattoo artist PAUL BOOTH has just announced more special details on ‘The Grand Reincarnation’ events taking place on July 22nd, 23rd and 24th at his LAST RITES GALLERY & TATTOO THEATRE, located on the 3rd floor at 511 West 33rd Street in New York City. ‘The Grand Reincarnation’ events are in celebration of the recent re-building and evolution of the gallery and theatre. See below for the new details and information on special guests, and to learn more information about ‘The Grand Reincarnation’ and the general schedule of events, please visit this location. Saturday July 23rd – New Information: The second evening to our weekend is when we drop the black curtains and launch the all new TATTOO THEATRE area of our space. Not only is this another chance to take in the art of ChetZar and Craig Larotonda, but on this special night you can truly soak in the entire LAST RITES experience. To really bring it home, appearing on our new performance stage, we have two of our favorite partners in crime making a special appearance: Jamie Kilstein, our favorite stand up comedian (you may have seen him on Conan O’ Brian), totally uncensored! Making a special trip all the way from Budapest, Attila Csihar, vocalist from the infamous band Mayhem, will present his solo dark ambient project VOID OV VOICES. Together, these two artists truly represent the driving force of LAST RITES philosophy. -
Suppressing Protest
Suppressing Protest: Human Rights Violations in the U.S. Response to Occupy Wall Street The Global Justice Clinic (NYU School of Law) and the Walter Leitner International Human Rights Clinic at the Leitner Center for International Law and Justice (Fordham Law School) as part of the Protest and Assembly Rights Project About the Protest and Assembly Rights Project In January 2012, international human rights and U.S. civil liberties experts at seven law school clinics across the United States formed the Protest and Assembly Rights Project. This joint project investigated the United States response to Occupy Wall Street in light of the government’s international legal obligations. The participating law clinics are: Project Directors and Coordinators: The Global Justice Clinic (GJC) at NYU School of Law provides high quality, professional human rights lawyering services to individual clients and non-governmental and inter-governmental organizations, partnering with groups based in the United States and abroad, or undertaking its own projects. Serving as legal advisers, counsel, co-counsel, or advocacy partners, Clinic students work side-by-side with human rights activists from around the world. The Walter Leitner International Human Rights Clinic at the Leitner Center for International Law and Justice at Fordham Law School aims to train a new generation of human rights lawyers and to inspire results-oriented, practical human rights work throughout the world. The Clinic works in partnership with non-governmental organizations and foreign law schools on international human rights projects ranging from legal and policy analysis, fact-finding and report writing, human rights training and capacity-building, and public interest litigation. -
Creech DISS Whole
FROM ARAB SPRING TO ZUCCOTTI PARK: DIGITAL MEDIA PRACTICES AND THE SHIFTING POLITICS OF VISIBILITY by BRIAN MAC-RAY CREECH (Under the Direction of James F. Hamilton) ABSTRACT Recent protest movements and projects of dissent have drawn attention to the ways that digital technologies and media practices create popular perceptions of political projects. This dissertation investigates the way that media practices, digital technologies, and strategies of self- representation overlap and form a “politics of visibility,” or the means by which events, issues, individuals, and phenomena are made broadly sensible. Traditional studies of media and journalism often focus on the level of professional practice, subsuming human agency to the workings of technology or relegating technology solely to the realm of inert practice. This projects attempts to keep both technological and human agency relevant by using the work of Michel Foucault, Bruno Latour, and Félix Guattarri as a theoretical foundation to argue that technologies, communication practices, and social action overlap in a way that makes events intelligible at moments of representation. By understanding visibility as something that is produced, this dissertation argues that observers can understand the shifting power relations embedded in that visibility. Furthermore, new forms of visibility may have consequences on the production of politics and the relations of power. After an initial chapter that introduces the study and offers the rationale and theoretical genealogy of the “politics of visibility,” the subsequent chapters deal with key moments in the production of the politics of visibility. Following chapters analyze the cell phone camera as a device implicated in the production of visibility, and posit both the Occupy Wall Street protests and the “Arab Spring” as key events made intelligible through shifting technological relations and communication practices. -
The Play in the System : the Art of Parasitical Resistance / Anna Watkins Fisher
THE PL AY IN THE SYSTEM This page intentionally left blank THE PLAY THE ART IN OF PARASITICAL RESISTANCE THE SYSTEM ANNA WATKINS FISHER Duke Univer sit y Pr ess Durham and London 2020 © 2020 Duke University Press This work is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Printed in the United States of America on acid- free paper ∞ Designed by Aimee C. Harrison Typeset in Minion Pro and Vectora by Copperline Book Services Library of Congress Cataloging-in-Publication Data Names: Fisher, Anna Watkins, author. Title: The play in the system : the art of parasitical resistance / Anna Watkins Fisher. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers: l cc n 2019054723 (print) | l cc n 2019054724 (ebook) isbn 9781478008842 (hardcover) isbn 9781478009702 (paperback) isbn 9781478012320 (ebook) Subjects: l csh: Arts—Political aspects—History—21st century. | Arts and society—History—21st century. | Artists—Political activity. | Feminism and the arts. | Feminism in art. | Artists and community. | Politics and culture. | Arts, Modern—21st century. Classification: l cc n x180.p64 f 57 2020 (print) | l c c nx180.p64 (ebook) | dd c 700.1/03—dc23 l c record available at https://lccn.loc.gov/2019054723 lc ebook record available at https://lccn.loc.gov/2019054724 isbn 9781478091660 (ebook/other) Duke University Press gratefully acknowledges the support of the Office for Research (umor ) and the College of Literature, Science and the Arts (l sa ) at the University of Michigan, which provided funds toward the publication of this book. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries.