Characterization of Two Japanese Ancient Swords Through Neutron Imaging
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CAS Hanwei 25Th Anniversary Catalog!
CAS25th Anniversary Hanwei Catalog Welcome to the CAS Hanwei 25th Anniversary Catalog! 2010 marks the 25th anniversary of CAS’s inception and to celebrate our quarter-century Hanwei has excelled in producing the Silver Anniversary Shinto, a superlative Limited Edition (very limited!) version of the first Katana that Hanwei ever made for CAS. The original Shinto enabled many sword enthusiasts to afford a purpose-built cutting sword for the first time, introducing many enthusiasts to the sport of Tameshigiri, and the Silver Anniversary Shinto, featured on the covers and Page 14 of this catalog remains true to the basic design but features silver-plated fittings, advanced blade metallurgy and a stand unique to this sword. Also new to this catalog are the swords of two traditionally warring Ninja clans (the Kouga and Iga, Page 38) that depart from the typical plain-Jane Ninja styling and will be welcomed by Ninjaphiles every- where. The new Tactical Wak (Page 37) is a modern version of the traditional Wakizashi, intended for serious outdoor use and protection – it will see a lot of use in the backwoods. Reenactors will be excited about the new Hand-and-a-Half sword (the Practical Bastard Sword, Page 71), with its upgraded steel, great handling and new user-friendly scabbard styling. The number of martial arts practitioners enjoying cutting with Chinese-style swords is growing very rapidly and so we had Scott Rodell, author and teacher of this discipline, design the first purpose-built cutting sword (the Cutting Jian, Page 50) for these enthusiasts. Several mid-2009 introductions are now also included in our full catalog for the first time. -
The Forging of a Japanese Katana
The Forging of a Japanese Katana Michael Morimoto Colorado School of Mines June 14th, 2004 1 Introduction In the feudal times of ancient Japan, noble warriors known as the samurai were charged with the governorship of the nation and protection of its people. Bound by a strict code of ethics known as bushido, these fierce warriors served their masters faithfully in times of both war and peace. The mark of the samurai was traditionally a pair of finely crafted swords. Each blade was forged by a skilled swordsmith and often elaborately decorated to reflect the prowess of each individual warrior. A number of myths and legends surrounded the creation of these weapons. Made from the very elements of the earth and given life through fire and water, many swords were believed to possess great power and spirits of their own. Only those who were samurai were granted the right to wield these weapons, which they often used with remarkable skill and frightening efficiency. Armed with these elegant swords and other intimidating weapons, the samurai defended the nation from the threat of foreign invasion and civil war for over fifteen hundred years. Today, while little remains of the samurai way of life, a large number of their weapons now lie in museums and private collections throughout the world. These relics serve as a memorial to the noble warriors who once protected the nation with their lives so many years ago and leave little question in one’s mind as to why ancient Japanese swords are now considered official national treasures. The katana long sword is a classic example of samurai weaponry. -
Seminar on Japanese Swords
Seminar on Japanese swords Cambridge University Kendo Club 7th February 2005 Table of Contents A visit to a sword polisher’s workshop Frank Stajano ................................................... ... 2 The parts of the Japanese sword Neil Hubbard................................................... ....5 Katana and Kendo: Background and Reigi Hyo Won Kim ................................................... ... 7 Functional differences between European medieval and Japanese swords Sabine Buchholz................................................... .9 Manufacture of Japanese swords Richard Boothroyd ................................................ 11 Zen and the Way of the Sword Kristiina Jokinen .................................................. 13 Metallurgy and the Japanese Sword Nicholas Taylor................................................... .15 the previous one. This process is repeated several times References with progressively finer stones, each at its own angle. Metallurgy and the Japanese sword Each pass takes about half an hour for that short section [1] Darrell Max Craig. Iai—The art of drawing the of the sword. At each pass, the surface of the sword sword. Tuttle, 1981. ISBN 0-8048-7023-3. becomes smoother and the scratches of the later stones Nicholas Taylor [2] Leon Kapp, Hiroko Kapp and Yoshindo Yoshihara. are so fine as to be almost invisible. Looking at the The craft of the Japanese sword. Kodansha, 1987. blade between the passes reveals progressively more of February 2004 ISBN 4-7700-1298-5. the patterns in the metal. The wavy curve of the hamon starts to come out quite clearly. [3] Oscar Ratti and Adele Westbrook. Secrets of the 1 Introduction to transform from cementite to carbon is unavail- The polisher then moves to even finer abrasives: first, samurai. Tuttle, 1973. ISBN 0-8048-1684-0. able, so the cementite remains. a particularly smooth grinding stone that has been sliced [4] John M. -
Iron, Steel and Swords Script - Page 1 Looks Do Count, As the Fashion Industry Knows
11.6 Japanese Swords 11.6.1 The Myth and the History of the Japanese Sword The Myth I started this enterprise because I wanted to know more about a few things concerning iron, steel and swords. I'm a materials scientist after all, and I should know a bit more than just the essentials about iron and steel, even so my speciality are semiconductors. Somehow the project went out of control. By now I have written around 370 modules, far more than anticipated. Now I'm about to write the last modules about sword making. I'm now getting to the ultra-famous Japanese Sword! The climax is near! You know what? I'm bored And I'm fascinated I'm bored because the making of a Japanese sword just doesn't contain much new stuff. Pretty much everything of basic metallurgical interest connected to the making of Japanese swords has been covered before. Note that I'm not saying that a Japanese sword isn't a supreme weapon or a major piece of art. I also have no problem asserting that it counts among the best swords a smith can make with bloomery-made iron and steel. I do state, however, that the same can be said for a well-made Iranian wootz shamshir with a kirk nardaban pattern, a Roman pattern welded sword, a Frankish all-steel sword and many other swords. In other words: when considering Japanese swords, art appreciation is often more important than metallurgy. I'm fascinated for a number of reasons. Most prominent, perhaps, because the "Japanese" look at "their" swords primarily as pieces of art and not weapons, indeed. -
Rough Timeline of Metallurgy
Rough Timeline of Metallurgy ● Chalcolithic (AKA Eneolithic, Copper Age) – Poorly defined transitional period – Copper, accidental bronzes ● Bronze Age – 4000 BC – 1000 BC – Bronze = copper + tin ● Iron Age – 1000 BC onwards Basic Smelting Chemistry ● Very little native metal in the world – Gold, platinum, some copper, meteoric iron ● The rest is in the form of oxides, sulfides, etc. ● Smelting at its most basic: 2CuO + C = 2Cu + CO2 ● Need heat and a reducing atmosphere Timna ● Earliest archaeological record of smelting ● ~4000 BCE ● Simple bowl furnaces with goat-skin bellows Backyard copper smelting Global source of tin Iron ● Iron ore is everywhere ● Early furnaces were nowhere near hot enough to melt iron ● Instead, a porous mass called a bloom forms ● Contains lots of chunks of charcoal and slag ● Removed from the furnace and then hammered down to force out some of the impurities ● Very labor intensive http://www.bradford.ac.uk/archsci/depart/resgrp/amrg/Rievaulx02/Rievaulx.htm Flickr user: Stellar Muddle Wrought Iron ● Resulting wrought iron has banded layers of differing carbon content, making it moderately resistant to corrosion ● In modern terms, 'mild steel' ● Don't confuse the name with wrought iron as a style of metalwork ● Distinctive 'grain' pattern if you know what to look for Flickr user: neilalderney123 Blacksmithing ● Two basic operations: – drawing out: making longer and narrower (easy) – upsetting: making thicker and shorter (hard) ● Welding is possible at very high temps ● But riveting is easier and preferred if possible -
CAS HANWEI 2009 SWORDS, KNIVES, COLLECTIBLES Hanwei: a Brief History
CAS HANWEI 2009 SWORDS, KNIVES, COLLECTIBLES Hanwei: A Brief History Today, the names Hanwei and its founder, Paul Chen, engender an image of fine functional swords and historical weaponry. Based in Dalian, China, Hanwei manages to combine traditional craftsmanship with modern tooling and metallurgy, in a way that enables it to supply a world-wide market while meeting or exceeding the quality of custom-made products. Paul Chen grew up in Taiwan where, as a young man, he developed an ongoing fascination for swords and knives. Largely unable to afford antique and custom-made pieces he became a custom maker himself, enjoying success in this field in both Asia and the U.S. In 1991 he decided to become a full-time manufacturer and moved to Dalian, the “Steel City” of northern China, where he knew that he could find talented artisans capable of being trained as first-class sword and knife makers. Early endeavors largely took the form of making knives and components for major knife companies, but by 1993 the company was ready to start trading under its own banner and Dalian Hanwei Metal Co. Ltd. (Hanwei) was formed. The early trainees became team leaders and then departmental managers as the company grew, forming a strong team at the core of operations. Hanwei’s early sword experience was with Samurai swords, which still remain the cornerstone of the product range. A little- known facet of the company’s business is its Samurai sword restoration facility, where, over the years, many damaged and neglected pieces from the old masters have been restored to their former glory. -
Iron, Steel and Swords Script - Page 1 I Won't Challenge You Now to Make a "Soshu Kitae"
11.6.3 Making a Japanese Sword - Part 2 Forging the Blade You're a Japanese sword smith around 1500 or so. In contrast to your European counterpart, you are not seen as an undistinguished dirty craftsman but as an accomplished expert and artist, sort of. You were on level three of the social ladder (level 1 were the samurai, level 2 the peasants) but one above the merchants and bankers! Ain't that nice? Of course, your local daimyo or overlord would chop your head of in less time than it takes to say f*** if you just looked at him the wrong way. He used that extremely sharp sword you made for him for doing that. But as long as the head stayed on life was good. As far as it went. Now you are in the process of forging a new sword. You had already made three blocks of well-faggoted high, medium and low carbon steel and now you would use these blocks to produce a new katana with superior quality. First you need to make a decision. How are you going to pile the ingredients for your blade? The softer steels inside, the hard one outside, of course, but there are many ways you can do that - if you are a Japanese smith or believe in Japanese mythology, that is. Various ways of making a Japanese sword blade by piling three grades of steel according to Japanes sources Source: Basic drawings of this are all over the Net Masamune (c.1264–1343), the most accomplished smith of Japan, supposedly made the most complex sword blade, soshu kitae.