Donald Koss Retired on February 1
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Bill Drafting Template
1 State of Arkansas 2 91st General Assembly 3 Regular Session, 2017 SR 13 4 5 By: Senator Irvin 6 7 SENATE RESOLUTION 8 HONORING JIMMY DRIFTWOOD FOR HIS CONTRIBUTIONS TO 9 FOLK MUSIC AND TO THE STATE OF ARKANSAS. 10 11 12 Subtitle 13 HONORING JIMMY DRIFTWOOD FOR HIS 14 CONTRIBUTIONS TO FOLK MUSIC AND TO THE 15 STATE OF ARKANSAS. 16 17 WHEREAS, Mr. Jimmy Driftwood was born James Corbitt Morris in Timbo, 18 Arkansas, on June 20, 1907, and died on July 12, 1998, in Fayetteville, 19 Arkansas; and was a prolific folk singer and songwriter, along with his 20 father, Neil Morris; and 21 22 WHEREAS, Jimmy Driftwood wrote over 6,000 folk songs, and is most 23 famous for “The Battle of New Orleans” and “Tennessee Stud“; and learned to 24 play guitar on his grandfather’s homemade instrument, which he used 25 throughout his career, noting that the neck was made from fence rail, the 26 sides from an old ox yoke, and the head and bottom from the headboard of his 27 grandmother’s bed; and 28 29 WHEREAS, Jimmy Driftwood received a degree in education from Arkansas 30 State Teacher’s College, now the University of Central Arkansas, married 31 Cleda Johnson in 1936, and began writing poetry and music; enjoyed his 32 teaching career in Arkansas and began a family; wrote songs during his 33 teaching career to help teach his students history in an entertaining manner; 34 and wrote his famous “The Battle of New Orleans” in 1936 to help his class 35 become interested in the event; and 36 *KLC253* 03-06-2017 14:08:28 KLC253 SR13 1 WHEREAS, it was not until the -
Senate Ratifies $63 Fee To--Fund
sma n SUSB Students VOLUME 13 NUMBER 55 STONY BROOK, N. Y. MONDAY, APRIL 27,1970 Otheto Ten Cents Senate Ratifies 70--71 Budget ; $63 Fee to--Fund Specular Soundings By MARSHA PRAVDER only senators to vote against this Polity stipends, the darkroom After a lengthy six-hour allocation were Larry Remer and budget, stress analysis, the debate, the Student nate M ar k Star r. Sta rr b ase d h is vo te People's Newspaper, and activity ae~aicme btuaentbenat on a rationale that "the amount fee waivers. this morning passed the of money Specula costs the A motion was defeated which 1970-71 Polity budget The student body does not make it a would have decreased Statesman amended budget includes worthwhile to a frequency of twice a week. enterprise." Most senators held the opinion the funding of Soundings although students will be that the effect of the cut would and Specula, and an charged a $.50 fee for the be to increase the average issue P o y increase in the activities fee ^ltrr magzin. li . size, so that the cost would not increase in the activities fee President Lonnie Wolfe pointed decrease considerably. In to $63. out that another Stony Brook addition, the coverage would not $18,000 was allocated for literary journal is being be as prompt. 4,000 copies of Specula which produced by George Quasha and Another motion'was proposed will be free to seniors, with the will be sold nationwide. which would have deleted remaining issues distributed on a Controversy arose in the special supplements to first come, first serve basis to the Senate over several allocations, Statesman from its budget. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
-* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar by her mother, Mrs Ruth Pat ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side. -
Stu Davis: Canada's Cowboy Troubadour
Stu Davis: Canada’s Cowboy Troubadour by Brock Silversides Stu Davis was an immense presence on Western Canada’s country music scene from the late 1930s to the late 1960s. His is a name no longer well-known, even though he was continually on the radio and television waves regionally and nationally for more than a quarter century. In addition, he released twenty-three singles, twenty albums, and published four folios of songs: a multi-layered creative output unmatched by most of his contemporaries. Born David Stewart, he was the youngest son of Alex Stewart and Magdelena Fawns. They had emigrated from Scotland to Saskatchewan in 1909, homesteading on Twp. 13, Range 15, west of the 2nd Meridian.1 This was in the middle of the great Regina Plain, near the town of Francis. The Stewarts Sales card for Stu Davis (Montreal: RCA Victor Co. Ltd.) 1948 Library & Archives Canada Brock Silversides ([email protected]) is Director of the University of Toronto Media Commons. 1. Census of Manitoba, Saskatchewan and Alberta 1916, Saskatchewan, District 31 Weyburn, Subdistrict 22, Township 13 Range 15, W2M, Schedule No. 1, 3. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. CAML REVIEW / REVUE DE L’ACBM 47, NO. 2-3 (AUGUST-NOVEMBER / AOÛT-NOVEMBRE 2019) PAGE 27 managed to keep the farm going for more than a decade, but only marginally. In 1920 they moved into Regina where Alex found employment as a gardener, then as a teamster for the City of Regina Parks Board. The family moved frequently: city directories show them at 1400 Rae Street (1921), 1367 Lorne North (1923), 929 Edgar Street (1924-1929), 1202 Elliott Street (1933-1936), 1265 Scarth Street for the remainder of the 1930s, and 1178 Cameron Street through the war years.2 Through these moves the family kept a hand in farming, with a small farm 12 kilometres northwest of the city near the hamlet of Boggy Creek, a stone’s throw from the scenic Qu’Appelle Valley. -
The Who, the Mods and the Quadrophenia Connection the Who
Vintage Rock DVD Review: The Who, The Mods And The Quadrophenia... http://www.vintagerock.com/classiceye/who_mods_quadrophenia_dvd.aspx Home News Digital Lounge Giveaways YouTube Twitter MySpace Blog Forum Contact Us The Who, The Mods And The Quadrophenia Connection The Who Critical analysis of rock and roll can be a sticky wicket to be sure. When critics pro and con, musicologists and teachers attempt to dissect music that makes you tap your foot or sends chills up your spine, they often leave one cold with conjecture and theories. I'm not damning critics; the sheer act of addressing heavier themes in the music I love justifies what I have said for so long about how important the music is. Still, a DVD like The Who, The Mods And The Quadrophenia Connection scares me in its possible potential of too much talk about a great double disc album that…makes me tap my foot and sends chills down my spine. I needn't have worried. With commentary from the likes of Richard Barnes, The Who's 'Mr. Fixit' and Pete Townsend bud, mod 'experts Paolo Hewitt and Terry Rawlins, members of the Mod revival bands the Chords and the Purple Hearts, and Who biographer Alan Clayson, The Who, The Mods And The Quadrophenia Connection is a delightful history lesson from guys who obviously love the music of the Who first and foremost. Snippets from the 1979 Quadrophenia film are mixed in with rarely seen performances of the Kinks, the Who and Gerry and the Pacemakers, plus news footage of the day, and scenes from the mod/rocker movement shown on 60s British TV. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Chris Reynolds: This Is an Interview with Charlie Harmony on Thursday
Charlie Harmony Memoir Springfield, Illinois October 9, 2006 Chris Reynolds: This is an interview with Charlie Harmony on Thursday. November the 9th, 2006 at Dean Williams Studio in Springfield, Illinois which oddly enough is on Harmony Court. We’re working on an oral history on the Harmony Brother’s musical career. My name is Chris Reynolds; the taping is being done by Dean Williams, and let’s just go ahead and get started here. Charlie, I want to do this in time frames, so the first time frame I want to work on is the pre-1956, before the band got started. But I want to start out with a question that I really failed to ask Ben which was can we talk a little bit about your family? How many brothers and sisters you had and what your mom and dad did and those kinds of things ? Charlie Harmony: Sure, there were eight of us in the family, four boys and four girls. My dad was a coal miner; my mom was a housewife, as was the case in those days. Of course she had eight kids to raise so she had quite a job. They were all like Ben and I, wild and crazy so she really had her work cut out for her. Chris: And you lived in Springfield at that same home over there? Where, near Ben is now? Charlie: Right in front of where Ben’s house was, the house in front of it is the family home. Chris: And the whole time you lived there, so that goes way back? Charlie: Yes, the house was built in 1940, the year that I was born, I was the first child to live in that house, prior to that, behind the house there was a little two room shack and that is where all of my family and the other six kids were born, Ben was born there, I was the only one born in a hospital. -
Bill Bell Santa Claus Plate
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The Who, the Mods and the Quadrophenia Connection DVD - the Wh
The Who, The Mods and The Quadrophenia Connection DVD - The Wh... http://la.hollywoodpreviews.com/who-mods-and-quadrophenia-connectio... Search Restaurants, Clubs, Gossip, etc. nmlkji This Site nmlkj Web Search powered by YAHOO! SEARCH Home Nightlife Music Celebs & Gossip Movies A & E Dining Travel & Rec Style & Beauty Media Classifieds Business Directory Buy Tickets HOME EXCLUSIVES MOVIES DVDS WIN Search Titles Sign up for news from Hollywood Previews! SEARCH SAVE HOME » DVDS » THE WHO, THE MODS AND THE QUADROPHENIA CONNECTION AddThis The Who, The Mods and The Quadrophenia Connection SYNOPSIS Release Date: November 17,2009 There's barely any misinformation out there regarding the astonishing career path of The Who: the band formed 1964, were adopted as figureheads by the British mods, they continued through the 1960s and 1970s making extraordinary record after extraordinary record [with a couple of 'rock operas' thrown in for good measure], Keith Moon their madcap drummer died in 1978 - and then it all went a bit pear shaped. The remaining members haven't made a standout track since Moon passed on. But as far as the Mod movement which had guaranteed The Who's early success, and the Pete Townsend composed musical depiction of that movement, Quadrophenia are concerned, the story has been twisted, www.netflix.com Ads by Google complicated and misunderstood, but remains endlessly fascinating. The band, the movement, the album, the second wave, the movie and now the 30th SYNDICATE anniversary of the latter two, all make for a story that needs to be told in depth. That is exactly what this film does.