Willimantic Writers Literary Magazine Volume I: 2020-2021 Willimantic Writers Literary Magazine Volume I: 2020-2021

Total Page:16

File Type:pdf, Size:1020Kb

Willimantic Writers Literary Magazine Volume I: 2020-2021 Willimantic Writers Literary Magazine Volume I: 2020-2021 Willimantic Writers Literary Magazine Volume I: 2020-2021 Willimantic Writers Literary Magazine Volume I: 2020-2021 This literary magazine contains submissions from writers who participated in the Willimantic Writers Group in 2020. The Willimantic Writers Group meets monthly to share our writing with other writers. Anyone who writes is welcome to attend and participate. The Willimantic Writers Group is grateful for the support of the Willimantic Public Library, and especially Director Dan Paquette’s technical assistance. If you are interested in joining the Willimantic Writers Group, please contact the library at [email protected] or 860-465-3079. We hope you enjoy reading this literary magazine; we hope it inspires you to write and then share that writing. Willimantic Writers: Volume I 2 Willimantic Writers Literary Magazine Volume I: 2020-2021 From the Willimantic Public Library’s Director, Dan Paquette: It has been a pleasure to host the Willimantic Writers Group at the physical and virtual library over the past year. I have been amazed every month at the variety and depth of the pieces that have been submitted and the way that the group works together to help each other hone, craft, and rework their pieces in a supportive environment. I hope that you enjoy our first literary magazine and if you are so inclined, join the writer's group at their next meeting! Authors retain all rights to their work published in this literary magazine. Reproduction or redistribution of works contained herein without the author’s permission is prohibited. The Willimantic Public Library supports and celebrates local writers and freedom of expression. The following material does not necessarily represent the views of the Willimantic Public Library or its employees. Willimantic Writers: Volume I 3 Table of Contents Cover photo (front & back) Randy McMahon Choosing a King for a Castle Virginia Light 5 How will you remember this time Karen Adrian 6 January Morning Sandy Geres 8 Pandemic Doubt Sandy Geres 9 Railroads Diane Ayer 10 Silent Season Mary Mullen-Barnett 11 Tethered Mary Mullen-Barnett 12 The White Hen Susan Marie Powers 13 Third Thursday Street Fest Diane Ayer 14 When the Muses Call (What I Love) Virginia Light 15 White Grains of Sand Karen Adrian 17 Wild Hearts Susan Marie Powers 18 Author biographies 19-21 Willimantic Writers: Volume I 4 Choosing a King for a Castle I would not want a husband Better for me would be Who, though otherwise good and steady, Cnut the Great bore the name of Æthelred the Unready I would ignore the can-nut /can-noot Conundrum And though he might be a stylish dresser And make him my mate I would not marry Edward the Confessor Virginia Light Too hard to call to dinner would be A husband called Harthacnut I would get confused, Can you, can-nut, or can-noot? Willimantic Writers: Volume I 5 How will you remember this time We sit watching scary movies I lay beside you that make us laugh so hard as the hour grows late we lean on each other and spoon you because I like it, with careless disregard maybe more than you do, because you can’t squeeze your heart a warm snuggle into foolish small spaces where I lay my head in loving you and I can because your days are too long just be myself. and mine are stretched too thin We laugh to hold it all together. So until I can’t breathe, I tickle you silly, until you fill my lungs with a whisper of your joy my cold fingers reaching and I inhale up to your armpits the scent of happiness. because I told you Willimantic Writers: Volume I 6 that it’s the warmest part The world may have stretched of your 8-year-old body, farther apart, while you fight me threads in a tapestry with giggles and squeals no longer tethered in the arsenal of your love. together and desperate I smile gently for a normalcy because neither of us that’s already been replaced. believes such silliness But I cling to my heartbeats, since the warmest part each one pulsing with memories has always been your heart, that aren’t tainted with just fear. and I cleave to the vain hope that you’ll never outgrow Karen Adrian our nightly “cold-cold” snuggles. Willimantic Writers: Volume I 7 January Morning Watching the breakfasting birds from the window makes me smile. Handsome cardinal, hungry chickadees enjoying seeds and suet. Bluejay and downy woodpecker, lopsided on the feeder, lean in. Well-fed gray squirrel taking note from the nearby maple. All fascinating and calming on this cold and quiet winter morning. No clear pecking order at the feeder. The birds enjoy their repast; each in turn seems invited in, looks around, nodding to feathered friends, bright eyes alert to sounds as evergreen branches flutter. Forecast hints of snow, but just now morning skies are clear and frosty-breath cold. Quiet and lovely. I take this in, inhale deep gulps of such feathered beauty, and exhale a sense of serenity. Sandy Geres Willimantic Writers: Volume I 8 Pandemic Doubts This pandemic life I am living is months old now, Sadness. Worry. Self doubt. yet still wildly uncomfortable, unfamiliar. I am caught in a labyrinth of loss. I want to reject it-- Loss of the precious elements push it away, and choose a different life of my seventy years of living that I took for granted, from what the past year of disease and feel gratitude to have had. Fruitful years has exploded onto this earth. raising a family. Doing fulfilling work. Singing. Weeks upon weeks of increased stress, I feel regret for my children-- young adults waning human interaction, more sleep time, whose many dreams and hopes for this life but not the sleep that restores. are being crushed in this pandemic. Insecurity about what is coming next. And I feel powerless Shadowy dreams that I barely remember to keep their dreams from shattering. when I wake, bone tired. Sandy Geres Willimantic Writers: Volume I 9 Railroads Downtown railroad juncture holds me up in traffic - She called theirs a fatherless family - watching swift waters cut below weary branches he was too busy following rails dropping yellow leaves that race through the Shenandoahs - under the bridge, under me, and astride the mills kept the kids coming while he kept going River ran the thread mill, railroad made it profit - mill’s quiet now, train’s tattoo entrances Last car rumbles by, no caboose, but a red light while I wait to get home fades into leaning birches as the gate goes up Traffic jostles across the tracks and I see the sun set My grandpa drove locomotives on the rusty oiled tracks shimmering gold hauling coal out of blue ridges like promises to keep, paychecks to deliver he’d bring home his paycheck and his love and then disappear in a cloud of smoke Diane Ayer Willimantic Writers: Volume I 10 Silent Season Frenzy to finis— I have entered decades of Januaries, Between done and rebirth, December is done, but now the bulbs are busy below. ending with New Year’s ruse: I hear found space In this silent season mostly, a mere digit changes. in this disconnect of calendar and season they choose The new year promises calling me doing over dormant, light and change— outside the rows fertile over fallow, but not here, not now. of my steady expectations. discovering over enduring. We just inch to longer days. I listen. New England’s winter lurks ahead. Mary Mullen-Barnett Willimantic Writers: Volume I 11 Tethered In blustery breezes Tethered, October leaves whip until you’re not. high and yellow against the cloudless blue— Drop to dust? tethered, Decay? until they’re not. Or, swirl and spin gently within What next? fed by gravity’s grounding— Gravity’s spiral— to grow large then crinkle to dust, and find a new way? or melt in matted decay. Mary Mullen-Barnett Willimantic Writers: Volume I 12 The White Hen Atilt, a white sailboat tipped askew lovely moon-shaped eggs waiting for her warmth. the hen propels her bulk. I hold my breath, will her to hurry, Claws tear dry leaves, wings raised, and she reaches the coop. I know, she imagines flight and trundles toward her coop. without looking, she has planted herself atop eggs The hawk’s shadow circles, reptilian eyes head first, tail feathers protruding -- a bouquet. target the soft curve of her neck: The hawk circles in the sky. the place where talons sever heads. One less death in a world that wears us out, She hurries, my hen, July sun on her feathers, this hen’s victory a small joy to relish. nothing more important than the nesting bin I return to the house, my own nesting bin. where there are no predators, only Somewhere there are lovely moon-shaped eggs. Susan Marie Powers Willimantic Writers: Volume I 13 Third Thursday Street Fest A paper plate then rolled right past our feet; we saw a wicked wind bruise gray the sky, Third Thursday fest enticed us down Main Street. yet this fun fest enticed us down Main Street. We shared a slice, samosas too, waving hi; the bank’s front steps, some danced a polka beat. Downpour just threatened, edged off the heat, cool air brought laughs, release - our faith held high: My cuz, your old colleague. Then more to eat - good times prevailed, we chased our blissful beat. popcorn, a beer; we watched people stream by - this Thursday’s fest enticed us down Main Street.
Recommended publications
  • How to Submit to Literary Magazines
    DON'T LET YOUR STORIES LANGUISH! HOW TO SUBMIT TO LITERARY MAGAZINES A LECTURE BY DORETTA LAU © DORETTA LAU, 2014 Congratulations on completing a short story! Now it's time to send it out for publication. © DORETTA LAU, 2014 AGENDA FOR TODAY'S TALK • Why you should submit to literary magazines • How to submit, broken down into simple steps © DORETTA LAU, 2014 MY EDITORIAL EXPERIENCE • As an undergraduate, I edited a literary magazine at The University of British Columbia called Uprooted. We published short fiction and poetry. • I was a first reader for PRISM International at UBC. • After graduate school I was an editorial assistant for a journal called NOON, which is edited by the American writer Diane Williams and showcases short fiction, essays, and art. • I worked as a production editor for the children's book publisher Scholastic Inc. • I currently work as a freelance copyeditor and proofreader. © DORETTA LAU, 2014 FROM A WRITER'S PERSPECTIVE MY STORY COLLECTION CONSISTS OF 12 STORIES, 8 OF WHICH WERE PREVIOUSLY PUBLISHED IN LITERARY JOURNALS IN CANADA AND THE US. © DORETTA LAU, 2014 THE EIGHT PREVIOUSLY PUBLISHED STORIES FROM MY COLLECTION • 2008: "Left and Leaving", Zen Monster • 2009: "O, Woe is Me", Grain Magazine • 2010: "Two-Part Invention", Grain Magazine • 2012: "How Does a Single Blade of Grass Thank the Sun?", Event • 2013: "Rerun", Grain Magazine • 2013: "Sad Ghosts", A Fictional Residency • 2013: "Days of Being Wild", Ricepaper • 2014: "Robot by the River", Day One © DORETTA LAU, 2014 WHY YOU SHOULD SUBMIT YOUR STORIES TO LITERARY MAGAZINES • Your story deserves an audience beyond your family, friends, and classmates.
    [Show full text]
  • MFA at EASTERN WASHINGTON UNIVERSITY Creative Writing Program Newsletter - January- 2019
    MFA AT EASTERN WASHINGTON UNIVERSITY Creative Writing Program Newsletter - January- 2019 What’s Inside • Visiting Writers Visiting Writers Series • (Page 1) • Welcomes Bonnie Nadzam Career Advisor Profile • (page 2) • • Cheers & Kudos • Aunties & Voice Over (page 3) January 18th, 2019 • 7:30 PM-8:30 PM • Letter from the Editor • (page 4) Spark Central • 1214 W Summit Pkwy • Guest Writer • (page 5) • • Submission Opportunities • (Page 6) Bonnie Nadzam is an American writer. Her first novel, Lamb, was recipient of the Center for Fiction First Novel Prize. The book was made into an award-winning independent film, Lamb. Nadzam is co-author of Love in the Anthropocene with environmental ethicist Dale Jamieson. Her second novel, Lions was a Finalist for the PEN USA Literary Award in Fiction. Her third novel, 31, is forthcoming. Her fiction, essays and poetry have appeared in Harper’s Magzine, Orion Maga- zine, Granta, The Kenyon Review, The Alaska Quarterly Review, and many other journals. She holds a Bachelor of Arts degree in English Literature and Environ- mental Studies from Carleton College, a Master of Fine Arts fromArizone State University and an MA and PhD from the University of Southern California. She lives in Minnesota with her family. 1 Aileen Keown Vaux Career Advisor Aileen Keown Vaux, MFA Career Advisor | College of Arts, Letters, and Education Advising for careers in Education & Teaching; Writing, Editing, and Journalism; Philosophy & Humanities; Foreign Languages; Fine & Performing Arts; Health Promotion & Recreation; and Health Sciences. M.F.A., Poetry, Eastern Washington University B.A., English Literature, Whitman College (509) 359-6347 [email protected] Aileen Keown Vaux’s title at EWU is Career Advisor for Arts, Letters & Education.
    [Show full text]
  • 2012 Annual Submission Deadlines List
    Annual Submission Deadlines Revised 04/19/12 January 1-31 Annual Reading Period Glimmer Train Very Short Fiction Award (up to 3,000 words) Also open to standard submissions. http://www.glimmertrain.com/writguid1.html January 1 Annual Submission Deadline Poetry Southeast Biannual print and online journal of southern poetry http://www.poetrysoutheast.com/?page_id=10 January 1 Reading Period Begins Red Rock Review College of Southern Nevada Accepts fiction, essays, and poetry. http://sites.csn.edu/english/redrockreview/guidelines.htm January 15 Reading Period Begins Jabberwock Review: A Journal of Literature and Art Biannual publication of Mississippi State University Accepts all forms and styles of writing (traditional and experimental). http://www.jabberwock.org.msstate.edu/ January 15 Submission Deadline Ploughshares Tri-annual literary magazine based at Emerson College Accepts short fiction, personal essays, memoirs, and self-contained novel excerpts. http://www.pshares.org/submit/guidelines.cfm January 31 Reading Period Begins Coppernickel: A Journal of Art and Literature Accepts creative nonfiction, fiction, and poetry. http://www.copper-nickel.org/submissions.html January 31 Reading Period Ends Annual Lamar York Prize for Nonfiction Contest Accepts essays of up to 5,000 words. No theoretical, scholarly, or critical essays accepted. http://www.chattahoochee-review.org/ February 1-29 Annual Reading Period Glimmer Train Short Story Award for New Writers http://www.glimmertrain.com/writguid1.html February 15 Submission Deadline The Aurorean Biannual poetry journal http://www.encirclepub.com/poetry/aurorean/guidelines The Aurorean Contests (featured in each issue): 1. Seasonal Poetic Quote 2. Editor’s Chapbook Choice 3. Best-Poem-of-Last-Issue 4.
    [Show full text]
  • The Magazines Listed Are Those That Are Currently Held in the Scottish Poetry Library
    MAGAZINES The magazines listed are those that are currently held in the Scottish Poetry Library. Back runs of many other periodicals, either no longer in existence or no longer collected, are not included here, but are held on open shelves and fully accessible within the library. For current holdings information, please click on each title to see the record in the SPL online catalogue. Writers aiming to have their poetry published in magazines are strongly advised to familiarise themselves with a particular magazine before submitting work. We endeavour to keep these details up-to-date, but always recommend double checking editor’s names and contact information on the individual publication’s website. Different magazines have different submission guidelines and these need to be followed. Title: 404 Ink Editor: Laura Jones & Heather McDaid Website: http://www.404ink.com/ About: An alternative book and literary magazine publisher based in Edinburgh. Established in mid- 2016. Email: [email protected] Title: Acumen Literary Journal Editor: Patricia Oxley Address: 6 The Mount, Higher Furzeham, Brixham, South Devon, TQ5 8QY Website: www.acumen-poetry.co.uk About: One of the longest-running literary and poetry magazines in the UK. Email: [email protected] Frequency: three times a year Title: Agenda Editor: Patricia McCarthy Address: The Wheelwrights, Fletching Street, Mayfield, Sussex, TN20 6TL Website: www.agendapoetry.co.uk About: Long-standing poetry journal, founded by Ezra Pound. Email: [email protected] Frequency: four issues a year Title: Artemis poetry Editor: Dilys Wood, Katherine Gallagher & Anne Stewart Address: Artemis Poetry, 3 Springfield Close, East Preston, West Sussex, BN16 2SZ Website: www.secondlightlive.co.uk/artemis.shtml About: Journal of Second Light Network for women’s writing.
    [Show full text]
  • One Hundred and Eighty Literary Journals for Creative Writers
    180 Literary Journals for Creative Writers Emily Harstone Authors Publish COPYRIGHT 2018 AUTHORS PUBLISH DO NOT DISTRIBUTE WITHOUT WRITTEN PERMISSION QUESTIONS, COMPLAINTS, COMMENTS, CORRECTIONS? EMAIL [email protected] COPY EDITING: S. KALEKAR COVER DESIGN BY JACOB JANS COVER IMAGE CREDIT: SKITTERPHOTO Table of Contents INTRODUCTION ...................................................................................... 5 HOW TO START GETTING YOUR WORK PUBLISHED IN LITERARY JOURNALS .............................................................................................. 7 AGAINST SUBMISSION FEES ................................................................ 11 10 GREAT NEW LITERARY JOURNALS ................................................... 13 25 LITERARY JOURNALS ALWAYS OPEN TO SUBMISSIONS .................. 16 15 JOURNALS WITH FAST RESPONSE TIMES....................................... 20 17 APPROACHABLE LITERARY JOURNALS ........................................... 23 26 RESPECTED LITERARY JOURNALS AND MAGAZINES THAT PUBLISH CREATIVE WRITING ............................................................................... 26 13 LITERARY JOURNALS OPEN TO OTHER ART FORMS ....................... 31 25 LITERARY JOURNALS THAT PAY THEIR WRITERS............................34 40 LITERARY JOURNALS THAT PUBLISH GENRE WRITING ................... 38 9 LITERARY JOURNALS THAT PUBLISH LONGER FICTION .................... 44 PLACES TO FIND MORE LITERARY JOURNALS ...................................... 46 GLOSSARY OF TERMS .........................................................................
    [Show full text]
  • Simply Eliot
    Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T.
    [Show full text]
  • Literary Magazines in Context: a Historical Perspective by Carolyn Kuebler
    Literary Magazines in Context: A Historical Perspective By Carolyn Kuebler Carolyn Kuebler is the managing editor of New England Review and founder and former editor of Rain Taxi Review of Books. She has published creative work in Conduit, Copper Nickel, Insurance, and Sleepingfish, and reviews and essays in the Washington Post, Context, Publishers Weekly, Review of Contemporary Fiction, and other publications. She teaches the course "Literary Magazine Publishing" at Middlebury College. American literature was born and bloomed alongside American literary journals, with both alternative and mainstream magazines providing the audience and inspiration for a great variety of new work. This is as true today as it was in 1840, when The Dial was formed by the Transcendentalists to promote a new kind of writing and thought that was not considered appropriate for more established magazines. With The Dial, writers like Emerson and Thoreau found a place to air their ideas, which then gained cultural momentum and eventually formed a cornerstone of our literary history. Literary magazines have been central to the flourishing of American literature since its beginnings, with the twentieth century seeing a boom in the number and variety of journals and the twenty-first century keeping pace. As galleries of current work, literary magazines offer direct access to the trends and tastes of the times, where new ideas and new writers, many of whom exist far from the mainstream, are given their first audience. Because they encompass the living history of literature right into the present day, these journals are useful and vibrant tools in the classroom, in particular for creative writing students but more broadly for students of literature and American culture.
    [Show full text]
  • The Write Place at the Write Time
    Submission Guidelines Page 1 of 3 The Write Place At the Write Time Home Come in...and be captivated... About Us Search Announcements Interviews Fiction Poetry "Our Stories" non-fiction Writers' Craft Box Writers' Challenge! Submission Guidelines Feedback & Questions Artists' Gallery Indie Bookstores "Seals" by C. Michelle Olson; http://cmichelleolson.com/ Literary Arts Patrons From the Editorial Staff at The Write Place At the Write Time : Scrapbook of Five Years We are an online literary magazine published three times a year whose mission is to move our readers with fiction, personal non-fiction and poetry that speaks Archives deeply to the heart and mind. We have a humanitarian approach to the arts, giving a personalized touch to the literary experience. This publication includes Inscribing Industry Blog not only fiction, "Our Stories" non-fiction, poetry, writer resources, book reviews, original photos and artwork, but also interviews with best-selling authors and creative professionals who utilize writing in their craft. Our writers range from previously unpublished to having written for Newsweek , The Wall Street Journal , Time magazine, Glimmer Train , The Southern Review , http://www.thewriteplaceatthewritetime.org/submissionguidelines.html 5/ 17/ 2014 Submission Guidelines Page 2 of 3 Georgetown Review , Worcester Review , Gettysburg Review and Random House. We encourage the atmosphere of a warm, welcoming writing community. In terms of our submission guidelines, we consider literary and most genres of fiction, personal essay and poetry; however, no erotica, no political content, no juvenile stories at present, and no explicit or needless violence. In short, tell a story that leaves a powerful, lingering impression in the reader's mind whether through three-dimensional characters, plot arch, voice or a combination thereof, but please avoid sending us anything so disturbing that it keeps us up at night.
    [Show full text]
  • Online & Print Journals That Solicit / Publish Flash Nonfiction*
    Online & Print Journals that solicit / publish flash nonfiction* ONLINE 1966 Journal Rappahannock Review Sassafrass Literary Journal Smokelong Quarterly Pithead Chapel The Rumpus TriQuarterly Online The Postcard Press Rawboned Revolution House Prime Number The Airship Knee-Jerk Magazine Monkeybicycle Miniature Magazine Timber Journal Front Porch Devil’s Lake 100 word story Diagram Treehouse Brevity Shenandoah Citron Review Extract(s): Daily Dose of Lit 5x5 Anobium Word Riot Sweet Anderbo Spartan Hippocampus Magazine Keyhole [out of nothing] COMPOSE Matter: Journal of Compressed Creative Arts ONLINE & PRINT Juked The Rusty Nail [PANK] Redivider Scissors & Spackle Paper Darts AGNI Anomalous Press PRINT The Fourth River The Normal School New Delta Review Subtropics Post Road Sonora Review Carolina Quarterly Hayden’s Ferry Review Gettysburg Review Passages North Indiana Review The Pinch Journal Ploughshares Seneca Review Bayou Magazine Tusculum Review Alaska Quarterly Moonshot Magazine Black Warrior Review Regarding Arts & Literature Kindred Fugue Gigantic Sequins HOOT Conjunctions Booth Bateau Parcel no tokens Under the Gum Tree Cactus Heart Burningwood Literary Journal Quarter After Eight SPECIAL TOPICS/FORMATS Alimentum – online, food-related Creative Nonfiction – print, #cnftweet contest winners Defunct – things that are defunct, out-of-date, retired etc Drunken Boat – currently looking for humorous flash essays WORK Literary Magazine – online, work-related, especially “work” formats (time cards, etc) War, Literature and the Arts – online, where war & art intersect; for general audience Phantom Seed – print, a magazine of the California desert in poetry and prose FLASH-SPECIFIC CONTESTS Indiana Review’s Half-K Prize Rose Metal Press Short-short chapbook contest Prime Number Magazine Award for Flash Nonfiction Robert J.
    [Show full text]
  • Echoes & Images
    Acknowledgements • Student Editors: Andrew Christian and Sherry Crigger • Editor: Tempi Hale • Fiction Editor: Tamara Baxter • Visual Art Editor: Dr. Christal Hensley • Poetry Editor: Dr. Sandy Hiortdahl • Non-Fiction Editor: Josh Archer • Visual Art Editor: Donna Wilt • Fiction Judge: Rebecca Elswick • Poetry Judge: William Wright • Non-fiction Judge: Dr. Louis Gallo • Visual Art Judge: John W. Hilton • Design: Jonathan Brooks • Printed by: Franklin Graphics Special thanks to William Wilson, Robert Carpenter, Debi Beverly, Keith Glover, Mark Beaty, Thomas Wilson, and Beverly Leonard for help with the production of this magazine. All rights to individual works are retained by the authors or artists. For permission to reprint, contact the author or artist directly. The works published here were created by current students and chosen by outside judges, who are experts in Visual Art and Literature. Views expressed herein are those of the authors, and not necessarily those of the editors or of Northeast State. Northeast State Community College is one of 45 institutions in the Tennessee Board of Regents system, the sixth largest system of higher education in the nation. The Tennessee Board of Regents is the governing board for this system, which is comprised of six universities, 13 community colleges, and 26 area technology centers. The TBR system enrolls more than 80 percent of all Tennessee students attending public institutions of higher education. Northeast State is committed to the education of a non-racially identifiable student body. The college does not discriminate on the basis of race, sex, color, religion, national origin, age, disability, or veteran status in the provision of educational opportunities and benefits.
    [Show full text]
  • The Annotated Waste Land with Eliot's Contemporary Prose
    the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T.
    [Show full text]
  • A Quick Guide to Literature Resources
    A Quick Guide to Literature Resources Sometimes it’s hard to know where to start when looking for literary criticism and other information about authors and their work. Consider this guide a helpful starting point that can direct you where to in order to find what you need, whether that’s criticism, biographical information, or literary journals that can expose you to new material. Databases The library provides access to a number of different databases that allow you to search for articles in newspapers, magazines, and academic journals. Some of our databases also search for entries in a number of our reference books. To make sure you’re only looking at databases relevant to your literary needs the first thing you should do when getting to the database page is filter the results to Literature using the pulldown menu. A few databases where you might want to start: Artemis Literary Databases Use this resource to search for information on a wide range of literary materials (fiction, poetry, short stories, drama…). Artemis provides access to literary criticism, biographical information, work overviews and more. Information is pulled from relevant academic journals, magazines, and reference books. MagillOnLiterature Plus This database connects you to literature criticism, author biographies, book reviews, theme and character analyses, and more. All information is pulled from Magill’s Literary Series (a broad range of literature-focused reference books). Academic Search Premier This database searches for articles in academic journals, magazines and newspapers. While not specifically a “literature” database, this offers information from many different perspectives (ex. articles about Toni Morrison’s work from a religious or African American studies journal).
    [Show full text]