(Faked) Epistolary Correspondence
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Essays on Shakespeare, Woolf, and Munro
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2017 INVOLVEMENT WITHOUT PANIC: ESSAYS ON SHAKESPEARE, WOOLF, AND MUNRO John L. Cowden Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Arts and Humanities Commons Let us know how access to this document benefits ou.y Recommended Citation Cowden, John L., "INVOLVEMENT WITHOUT PANIC: ESSAYS ON SHAKESPEARE, WOOLF, AND MUNRO" (2017). Graduate Student Theses, Dissertations, & Professional Papers. 11104. https://scholarworks.umt.edu/etd/11104 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INVOLVEMENT WITHOUT PANIC: ESSAYS ON SHAKESPEARE, WOOLF, AND MUNRO By JOHN LAWRENCE COWDEN Bachelor of Arts in Film and Media Studies, University of California, Santa Barbara, United States, 2010 Thesis portfolio presented in partial fulfillment of the requirements for the degree of Master of Arts in Literature The University of Montana Missoula, MT December 2017 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Robert Baker, Chair English Ashby Kinch English Marton Marko German Cowden, John, M.A., Fall 2017, Literature Abstract Chairperson: Robert Baker This thesis portfolio is comprised of an introductory essay and three essays of literary critique. The introductory essay is a general commentary upon reading, literature, and criticism, and introduces the three subsequent essays. The first essay is on William Shakespeare’s play, Measure for Measure. -
Eudora Welty
REVISTA ANGLO SAXONICA SER. III N. 5 2013 A NNGLO SAXO ICA ANGLO SAXONICA SER. III N. 5 2013 DIRECÇÃO / GENERAL EDITORS Isabel Fernandes (ULICES) João Almeida Flor (ULICES) Mª Helena Paiva Correia (ULICES) COORDENAÇÃO / EXECUTIVE EDITOR Teresa Malafaia (ULICES) EDITOR ADJUNTO / ASSISTANT EDITOR Ana Raquel Lourenço Fernandes (ULICES) CO-EDITOR ADJUNTO / CO-EDITORIAL ASSISTANT Sara Paiva Henriques (ULICES) REVISÃO DE TEXTO / COPY EDITORS Ana Daniela Coelho (ULICES) Helena Carneiro (ULICES) EDIÇÃO Centro de Estudos Anglísticos da Universidade de Lisboa University of Lisbon Centre for English Studies DESIGN, PAGINAÇÃO E ARTE FINAL Inês Mateus IMPRESSÃO E ACABAMENTO Várzea da Rainha Impressores, S.A. - Óbidos, Portugal TIRAGEM 150 exemplares ISSN 0873-0628 DEPÓSITO LEGAL 86 102/95 PUBLICAÇÃO APOIADA PELA FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA CONTENTS/ÍNDICE THEMATIC SECTION / SECÇÃO TEMÁTICA EUDORA WELTY INTRODUCTION Diana V. Almeida . .11 HOW WELTY DOESN’T CRUSADE Maria Teresa Castilho . 17 “ALL THINGS ARE DOUBLE”: EUDORA WELTY’S PRISMATIC VIEW Maria Antónia Lima . 35 ’THE WAITING ARMS OF MISSOURI’: HUMAN CONNECTIONS AND SHELTERED LIVES IN EUDORA WELTY’S THE OPTIMIST’S DAUGHTER Isabel Maria Fernandes Alves . 47 “WE NEED TO WRITE WITH LOVE”: WELTY’S POLITICAL VIEW DURING THE CIVIL RIGHTS YEARS Diana V. Almeida . .65 EUDORA WELTY: A VIEW FROM BRAZIL Tereza Marques de Oliveira Lima . 89 VERSIONS OF INSIGHT: EUDORA WELTY’S ESSAYS Jan Nordby Gretlund . 103 DEFINITELY NOT A SNAPSHOT. ON WELTY’S HELENA ARDEN Mário Avelar . 115 ESSAYS/ ESTUDOS PATHWAYS INTO THE IRISH SHORT STORY Nuala Ní Chonchúir . 127 BRITISH LITERATURE IN PORTUGUESE LITERARY EDUCATION DURING THE ESTADO NOVO Zsófia Gombár . -
Alice Munro Geburtsjahr 1931 Sprache Englisch Begründung: "Master of the Contemporary Short Story"
Bibliothèque Nobel 2013 Bernhard Zweifel Alice Munro Geburtsjahr 1931 Sprache englisch Begründung: "master of the contemporary short story" Zusatzinformationen Sekundärliteratur • Louis K. Mackendrick, Probable Fictions: Alice Munro's Narrative Acts, ed. ( 1981) • Ildiko De Papp Carrington, Controlling the Uncontrollable: The Fiction of Alice Munro (1989) • Beverly Rasporich, Dance of the Sexes: Art and Gender in the Fiction of Alice Munro (19 90) • Catherine Ross, Alice Munro: A Double Life (1992) • Ajay Heble, The Tumble of Reason: Alice Munro's Discourse of Absence (1994) • Joh n Cooke, The Influence of Painting on Five Canadian Writers (1996) • Coral Ann Howells, Alice Munro (1998) • Robert Thacker, The Rest of the Story: Critical Essays on Alice Munro (1999) • Sheila Munro, Lives of Mothers and Daughters: Growing up With Alice Munro (2002) • Jo ann McCaig, Reading in: Alice Munro's Archives (2002) • Robert Thacker, Alice Munro: Writing Her Lives: A Biography (2005) • Isla Duncan, Alice Munro's Narrative Art (2011) • Angela Schader, Bescheiden sein, nicht auffallen, NZZ (2013) • Angela _Schader, Es muss nicht immer Ra ttengift sein, NZZ (2012) • Thomas Leuchtenmüller, Von der betörenden Magie des Alltags, NZZ (2013) • Angela Schader, Die ersten und die letzten Dinge, NZZ (2014) • Angela Schader, Die Freiheit und ihr Preis, NZZ(2014) Film Open Secrets, - film: Edge of Madness (2002), dir. by Anne Wheeler, starring Brendan Fehr, Caroline Dhavernas, and Corey Sevier, based on the story 'A Wilderness Station' Hateship, Friendship, Courtship, Loveship, Marriage: Stories, - films: Away From Her (2006), dir. by Sarah Polley, starring Julie Christie, Gordon Pinset, Michael Murphy, based on the story 'The Bear Came O ver the Mountain'; Hateship, Loveship (2013), dir. -
SHORT-FILM ADAPTATIONS of MUNRO's STORIES in the 1980S a Multimodal Stylistic Analysis1
Lingue e Linguaggi Lingue Linguaggi 33 (2019), 87-99 ISSN 2239-0367, e-ISSN 2239-0359 DOI 10.1285/i22390359v33p87 http://siba-ese.unisalento.it, © 2019 Università del Salento This work is licensed under a Creative Commons Attribution 3.0 SHORT-FILM ADAPTATIONS OF MUNRO’S STORIES IN THE 1980s A multimodal stylistic analysis1 SABRINA FRANCESCONI UNIVERSITÀ DI TRENTO Abstract - This paper presents and deconstructs the four clichés regarding the inferiority of adaptations to adapted texts identified by Linda Hutcheon (2013), by examining screen adaptations of Alice Munro’s short stories. It focuses on three short Canadian films released in the 1980s: Boys and Girls (1983), Thanks for the Ride (1983) and Connection (1986). The theory derives from Hutcheon’s reconceptualization of adaptation(s), while the methodology relies on multimodal stylistic analysis. The inspection of the adaptation process reveals lines of narrative continuity and discontinuity that show the distinct narrative potential of audio-visual artefacts. Contrary to what is commonly thought and expressed by the clichés, the three Canadian films manage to negotiate intimacy and distance through point of view; to express interiority; to shape nonlinear, fractured and layered temporality; to give form to metaphors and other figures. In Thanks for the Ride, the representation and negotiation of intimacy and distance in point of view are central and fluid, functional to the intersectional discussion about gender and social class. Interiority is expressed in Boys and Girls through close-ups and eye-angles, with particular attention to the filmic representation of the female protagonist Margaret. Connection deploys and intertwines two diegetic and temporal plans, and the resurfacing past profoundly affects the present time. -
Alice Munro Année De Naissance 1931 Langue Anglais Raison: "Master of the Contemporary Short Story"
Bibliothèque Nobel 2013 Bernhard Zweifel Alice Munro Année de naissance 1931 Langue anglais Raison: "master of the contemporary short story" Informations supplementaire Littérature secondaire • Louis K. Mackendrick, Probable Fictions: Alice Munro's Narrative Acts, ed. ( 1981) • Ildiko De Papp Carrington, Controlling the Uncontrollable: The Fiction of Alice Munro (1989) • Beverly Rasporich, Dance of the Sexes: Art and Gender in the Fiction of Alice Munro (19 90) • Catherine Ross, Alice Munro: A Double Life (1992) • Ajay Heble, The Tumble of Reason: Alice Munro's Discourse of Absence (1994) • Joh n Cooke, The Influence of Painting on Five Canadian Writers (1996) • Coral Ann Howells, Alice Munro (1998) • Robert Thacker, The Rest of the Story: Critical Essays on Alice Munro (1999) • Sheila Munro, Lives of Mothers and Daughters: Growing up With Alice Munro (2002) • Jo ann McCaig, Reading in: Alice Munro's Archives (2002) • Robert Thacker, Alice Munro: Writing Her Lives: A Biography (2005) • Isla Duncan, Alice Munro's Narrative Art (2011) • Angela Schader, Bescheiden sein, nicht auffallen, NZZ (2013) • Angela _Schader, Es muss nicht immer Ra ttengift sein, NZZ (2012) • Thomas Leuchtenmüller, Von der betörenden Magie des Alltags, NZZ (2013) • Angela Schader, Die ersten und die letzten Dinge, NZZ (2014) • Angela Schader, Die Freiheit und ihr Preis, NZZ(2014) Film Open Secrets, - film: Edge of Madness (2002), dir. by Anne Wheeler, starring Brendan Fehr, Caroline Dhavernas, and Corey Sevier, based on the story 'A Wilderness Station' Hateship, Friendship, Courtship, Loveship, Marriage: Stories, - films: Away From Her (2006), dir. by Sarah Polley, starring Julie Christie, Gordon Pinset, Michael Murphy, based on the story 'The Bear Came O ver the Mountain'; Hateship, Loveship (2013), dir.