Cincinnati Opera Announces Its 2017 Summer Festival Featuring La
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San Francisco Opera Center and Merola Opera Program Announce 2020 Schwabacher Recital Series
SAN FRANCISCO OPERA CENTER AND MEROLA OPERA PROGRAM ANNOUNCE 2020 SCHWABACHER RECITAL SERIES January 29 Kicks Off First of Four Recitals Highlighting Emerging Artists and Unique Musical Programs Tickets available at sfopera.com/srs and (415) 864-3330 SAN FRANCISCO, CA (January 6, 2019) — Now in its 37th year, the Schwabacher Recital Series returns on Wednesday, January 29, with performances at San Francisco’s Dianne and Tad Taube Atrium Theater that feature emerging artists from around the globe. Presented by San Francisco Opera Center and Merola Opera Program, the annual Schwabacher Series consists of four Wednesday evening recitals, the last of which concludes on April 22. The first-ever Schwabacher series was presented in December 1983, kicking off a decades-long San Francisco tradition of presenting rising international talent in the intimacy of a recital setting. The 2020 series will blend classics like Hector Berlioz’s Les Nuits d’Été with rarely performed 20th- and 21st-century works like Olivier Messiaen’s Harawi. JANUARY 29: ALICE CHUNG, LAUREANO QUANT AND NICHOLAS ROEHLER (From left to right: Alice Chung, Laureano Quant and Nicholas Roehler) The series opens on January 29 with a set of performers recently seen as part of the Merola Opera Program: mezzo-soprano Alice Chung, baritone Laureano Quant and pianist Nicholas Roehler. Twice named as a Merola artist—once in 2017 and again in 2019—Chung returns to the 1 Bay Area for this recital, having been hailed as a “force of nature” by San Francisco Classical Voice (SFCV). She will tackle a range of works, from Colombian composer Luis Carlos Figueroa’s soothing lullaby “Berceuse” to cabaret-inspired works like William Bolcom’s “Over the Piano.” Quant, a 2019 Merola participant, joins Chung to perform Bolcom’s music, as well as select songs from Berlioz’s Les Nuits d’Été and Francesco Santoliquido’s I Canti della Sera. -
Resident Artist Alumni Seen and Heard in Performance
The following is the performance activity of Pittsburgh Opera Resident Artist Alumni for May 2016: Javier Abreu (2001-2003) - Carmina Burana, South Bend Symphony Kate Aldrich (1998-2000) - Heggie: Great Scott, San Diego Opera Lindsay Ammann (2009-2011) - Ring Cycle, Washington National Opera Jonathan Beyer (2007-2009) - Die Fledermaus, Florentine Opera Steven Condy (1989) - Falstaff, Opera Deleware Brian Davis (1990) - Forza del Destino and Falstaff, Hannover, Germany Juan Jose de Leon (2011-2012) - Barber of Seville, Austin Opera Arthur Espiritu (2005-2007) - La Boheme, Magdeburg, Germany Jennifer Holloway (2005-2007) - Beethoven Program, Sacramento Opera Audrey Luna (2006-2008) - Carmina Burana, Colorado Symphony Sean Panikkar (2004-2005) - Little: JFK, Fort Worth Opera Matthew Shaw (200-2001) - Sciarrino: Superflumina, Mannhaim, Germany & Reinmann: Lear, Hungarian State Opera Kevin Short (1987) - Elektra, Metropolitan Opera Daniel Teadt (2003-2005) - Sierra: Missa Latina, New York City Craig Verm (2004-2006) - Elisir d'Amore, Philadelphia Rolando Villazon (1998-1999) - Martinu: Juliette, Berlin Staatsoper, Germany Caroline Worra (1999-2000) - Myers: Buried Alive and Soluri: Embedded, Fort Worth Opera RESIDENT ARTIST ALUMNI SEEN AND HEARD IN PERFORMANCE There are a number of commercially released DVD video live performances of Resident Artist performances from major opera venues available on various internet sites including Amazon. I will be listing updates from time to time. A few recommendations follow: Kate Aldrich (1998-2000) Donizetti: -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll. -
Golijov's Opera a Hit DAWN UPSHAW (Lying
IVI sic; Global Pulse EDITED BY TOM FERGUSON tferguson @eu.billboard.COm Everything Rosy In Zero 7's Garden Having started their musical careers in the 1990s as "gofers" Gotan Project issued its debut set "La Revancha del Tango" in at a London recording studio, Henry Binns and Sam Hardaker 2001 on band member Philippe Cohen -Solal's own label Ya Basta. have long since blossomed into full- fledged artists as elec- Label manager Laurent Dubrulle claims global shipments have tronica act Zero 7. passed 1 million copies. Atlantic Records issued the duo's third album The Sophomore album "Lunático" (Ya Basta) was issued interna- Garden" internationally May 22, with a U.S. release tionally April 11, licensed in France to Barclay /Universal. due June 6. Dubrulle claims 60,000 domestic sh pments, with U.S. and U.K. Zero 7 launched a U.K. tour booked by Primary Tal- shipments through XL /Beggars at 25,000 and 15,000, respec- ent International May 25, featuring Swedish folk /pop tively. " Lunático" peaked at No. 6 cn Billboard's European Al- artist Jose Gonzalez as guest vocalist. Nine European bums chart on April 26. shows supporting James Blunt will follow in July Dubrulle says the international campaign for " Lunático" will ahead ofan Aug. 27 headline set at the KCRW World largely rely on word -of- mouth. "There will be very little mar- Festival at Los Angeles' Hollywood Bowl. keting, except in France where Barclay has TV and poster ads," Gonzalez is a featured vocalist on "The Garden." he notes. Although largely unknown at the time of recording, Gotan Project's publishing is through Ya Basta /Science he is a hot property in Europe and his album "Veneer" & Mélodie. -
Boston Symphony Orchestra Concert Programs, Season 123, 2003-2004
BOSTON SYMPHONY ORCH ESTRA i V V - V * : *J V 2003-2004 SEASON MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUESTCONDUCTOI SEIJI OZAWA MUSIC DIRECTOR LAUREATE ^M I 1 Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty a harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAH BROOKLINE CORTLAND SOTHEBM'S Hammondmiimm— PROPERTIES INC. International Realty EAL ESTATE ^tsg sBf&SsflESss *7> /• u; ft 1 4 fijfc -X t^^Bl-J^ i i i i i § i i i i i i i i lis 11 Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Boston Since 1938 Salem 333 Stuart St. www. landryandarcari . com Route 1A 617-399-6500 Open 7 Days 800-649-59098 Founding member of the NCI DANA-FARBER/HARVARD CANCER CENTER * Comprehensive Cancer Center hospital the Boston Red SoX Inclin ClinicV_liniC CCCv^v^.^ Official/' f of' Affiliated with JOSlin Designated[lesionated bybv the National Cancer InstiliiMInstitute James Levine, Music Director Designate Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
25 Stars Still Rising: Where Are They Now? 10 Years of New Artists of the Month June 2018 on the Cover
25 Stars Still Rising: Where are They Now? 10 Years of New Artists of the Month june 2018 ON THE COVER 1. KYLE ABRAHAM 1 2 3 4 5 CHOREOGRAPHER JUNE 2010 2. LEAH CROCETTO SOPRANO AUGUST 2010 3. MASON BATES 6 7 8 9 10 COMPOSER JUNE 2009 4. DU YUN COMPOSER MAY 2011 11 12 13 14 15 5. MIRGA GRAZNYTEˇ ˙-TYLA CONDUCTOR SEPTEMBER 2015 6. PATRICIA KOPATCHINSKAJA VIOLINIST DECEMBER 2013 7. SHEKU KANNEH-MASON 16 17 18 19 20 CELLIST JANUARY 2017 8. ROBERT FAIRCHILD DANCER JANUARY 2011 21 22 23 24 25 9. MICHAEL GILBERTSON COMPOSER MARCH 2016 10. RENE ORTH COMPOSER NOVEMBER 2015 11. QUINN KELSEY BARITONE MAY 2010 12. SEAN PANIKKAR 16. TAMARA STEfaNOVICH 21. CAROLINE GOULDING TENOR PIANIST VIOLINIST NOVEMBER 2010 MARCH 2010 DECEMBER 2009 13. SPERANZA SCAPPUCCI 17. LIONEL BRINGUIER 22. DANIIL TRIFONOV CONDUCTOR CONDUCTOR PIANIST NOVEMBER 2014 APRIL 2009 AUGUST 2011 14. ADAM PLACHETKA 18. TESSA LARK 23. JOSHUA ROMAN BARITONE VIOLINIST CELLIST/COMPOSER FEBRUARY 2009 AUGUST 2012 AUGUST 2009 15. CHRISTOPHER ALLEN 19. WARD STARE 24. OMER MEIR WELLBER CONDUCTOR CONDUCTOR CONDUCTOR JULY 2015 NOVEMBER 2011 JUNE 2014 20. DI WU 25. CORINNE WINTERS PIANIST SOPRANO MAY 2009 JANUARY 2012 Introduction Every month for nearly ten years, Musical America has featured a New Artist on our home page: someone Stephanie Challener Publisher and Managing Editor with a special talent that, for the most part, hasn’t yet been “discovered.” Speranza Scappucci had only been Susan Elliott conducting for two years when we found her in 2014, Editor, MusicalAmerica.com News and Special Reports but we sensed her “novice” status wouldn’t last long. -
FOR IMMEDIATE RELEASE CONTACT: Joyce Linehan 617-282-2510, [email protected]
FOR IMMEDIATE RELEASE CONTACT: Joyce Linehan 617-282-2510, [email protected] OPERA BOSTON ANNOUNCES 2011-2012 SEASON Note: This is an update to a release sent in March 2011. Sandra Piques Eddy will NOT appear in Béatrice et Bénédict; French-Canadian mezzo-soprano Julie Boulianne will debut the role of Béatrice. Program includes two rarities by beloved composers not staged locally in decades, and a New England premiere. Panikkar, Boulianne, Lenormand, Harvey make company debuts. Hector Berlioz Béatrice et Bénédict October 21, 23, 25, 2011 Sir Michael Tippett The Midsummer Marriage (New England Premiere) February 24, 26, 28, 2012 Vincenzo Bellini I Capuleti e i Montecchi April 27, 29, and May 1, 2012 (BOSTON – Update August 1, 2011 ) Opera Boston announces its first full season under the leadership of General Director Lesley Koenig and Artistic Director Gil Rose. The season features strong ensemble casts. Mezzo-soprano Julie Boulianne and tenor Sean Panikkar make company debuts in the title roles of Béatrice et Bénédict . Young American soprano Joélle Harvey debuts as Jenifer in The Midsummer Marriage with Joyce Castle. Acclaimed French mezzo-soprano Marie Lenormand makes a company debut as Romeo, opposite emerging Korean soprano Hae Ji Chang, a New England Conservatory Artist Diploma candidate, as Giulietta. All performances will be held at the Cutler Majestic Theatre at Emerson College, 219 Tremont St., Boston. Each performance will feature a pre-performance talk, and Sunday performances feature a free post-performance talkback with artists. Opera Boston is pleased to partner with Figaro Systems to provide English translations on large flat-screen panels for all performances. -
Ojai Festival
American Record Guide September / October 2006 Richard S Ginell usic Director Robert Spano’s and Artistic Director Thomas Morris’s main idea for the 2006 Ojai Festival. music of Osvaldo Golijov, planted itself right in the middle of Mwhat’s hip and happening in contemporary and world music. Indeed, in two of the five programs that I caught, and most of a third, the performers were basically playing their latest recordings. An Ayre-Berio concert came out on a single Deutsche Grammophon CD last fall. Ainadamar was released by DG a month before the festival. and the Atlanta Symphony Chamber Chorus’s program was taken intact from its latest Telarc disc – all for sale, of course. on the festival grounds. This is a tactic long used in the pop music world, and one wonders why it took so long to catch on in the classical arena. Lest you think that Ojai is capitulating to commercial concerns, this California town (population 8,200) still tries its best to defy the big, bad outside world. Though land values and motel room rates continue to skyrocket. the town remains defiantly free of fast-food franchises and other chains. Bart’s Books, a unique, lovable, mostly outdoor treasure chest of literature, still thrives on the corner of Canada and Matilija Streets. There are more loudspeakers than ever in the oak-and-sycamore shaded village park where the concerts take place, yet the sound is usually very good, accompanied by endearing non-amplified obbligatos from resident birds and crickets. And take note, iconoclasts: the Mozart Madness that swamped the festival world in his 250th year was nowhere to be found in Ojai, nor was there any Shostakovich centennial business within earshot. -
Adler Fellowship 2020.Pdf
SAN FRANCISCO OPERA CENTER ANNOUNCES 2020 ADLER FELLOWS SAN FRANCISCO, CA (October 31, 2019) — San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2020 San Francisco Opera Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianists/apprentice coaches begin their fellowships in January 2020. The performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators. The singers selected as 2020 Adler Fellows are sopranos Anne-Marie MacIntosh (Langley, British Columbia, Canada), Elisa Sunshine (San Clemente, California) and Esther Tonea (Buford, Georgia); mezzo-soprano Simone McIntosh (Vancouver, Canada); tenors Zhengyi Bai (Linyi, China), Christopher Colmenero (Burlington, Vermont), Christopher Oglesby (Woodstock, Georgia) and Victor Starsky (Queens, New York); baritone Timothy Murray (Whitefish Bay, Wisconsin); and bass Stefan Egerstrom (Brooklyn Center, Minnesota). Anne-Marie MacIntosh, Elisa Sunshine, Esther Tonea, Victor Starsky, Timothy Murray and Stefan Egerstrom are incoming first-year fellows. 2019 Adlers Simone McIntosh, Zhengyi Bai, Christopher Colmenero and Christopher Oglesby continue in the program as second-year fellows. 1 The pianists selected for Apprentice Coach Fellowships are first-year fellow Andrew King (Syracuse, New York) and returning second-year Adler Kseniia Polstiankina Barrad (Kyiv, Ukraine). The Adler Fellow apprentice coaches work closely with Mark Morash, Director of Musical Studies of the Opera Center, and John Churchwell, Head of Music Staff at San Francisco Opera. -
These Telecasts from the Metropolitan Opera Can Be Seen at the Following Cinemas
The following is the performance activity of Pittsburgh Opera Resident Artist Alumni for March 2016: Jonathan Beyer (2007-2009) - Word of Opera Concert, Vero Beach, FL Jennifer Casey Cabot (1989) - Mahler: Symphony No. 4, Capitol City Symphony Brian Davis (1990) - La Forza del Destino, Hannover, Germany Juan Jose de Leon (2011-2012) - Barber of Seville, Opera Australia James Flora (2009-2011) - Madama Butterfly, Erie Chamber Orchestra John Hancock (1989) - Werther, Boston Lyric Opera Stephanie Havey (2011-2013) - La Boheme (director), Opera Columbus Nancy Herrera (1992-1993) - Don Carlos, Madrid, Spain Jennifer Holloway (2005-2007) - Norma, English National Opera Dan Kempson (2009-2011) - Carmen, El Paso Opera Shannon Kessler (2009-2011) - Madama Butterfly, Erie Chamber Orchestra Samantha Korbey (2012-2014) - Haydn: Nelsonmesse, Phoenix Symphony Stephanie Lauricella (2010-2012) - Beethoven: Missa Solemnis, BBC Scottish Symphony; Cavalleria Rusticana, Deutsche Oper Berlin Audrey Luna (2006-2008) - Elysium, Oslo, Norway Karin Mushegain (2005-2007) - Cenerentola, Bob Jones University Sean Panikkar (2004-2005) - Berlioz: Romeo et Juliette, St. Louis Symphony Danielle Pastin (2008-2010) - Merry Widow, Pensacola, FL Matthew Shaw (2000-2001) - Handel: Giulio Cesare in Egitto, Semperoper, Dresden, Germany Daniel Teadt (2002-2004) - Mahler: Des Knaben Wunderhorn, Bell'Art Ensemble, Pittsburgh Rolando Villazon (19989-1999) - Il Re Pastore, various cities in Europe Suzanne Vinnik (2011-2012) - La Boheme, New Jersey Festival Orchestra Caroline Worra (1999-2000) - Strauss and Mahler, LaCrosse Symphony Orch., Wisconsin Maria Zifchak (1995-1998) - Maria Stuarda and Madama Butterfly, Metropolitan Opera OPERA GOES TO THE MOVIES: These telecasts from the Metropolitan Opera can be seen at the following cinemas: Cinemark in McCandless Crossing, Robinson Township and Pittsburgh Mills.