Beauty and Aesthetics

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Beauty and Aesthetics Level Topics/Resources Essential Questions Novice Low/Mid Physical Characteristics What do I look like? Personality Traits What is my personality? Colors What do my friends and family look like, and what Dance and Music are their personalities? Arts and Crafts How does traditional dress differ from daily wear Fashion and Design in the target culture? How are art and music of the target culture the same or different from ours? Novice High Architecture What is our concept of beauty? Is it the same or Famous Monuments different from that of the target culture? Dance Are monuments important to a society? Music and Art How is a culture reflected in its products? Intermediate Low Art and Music How can I critically reflect on art and music? Ideals of Beauty How can the art of a culture be described? Literature How is our ideal of beauty the same or different from that of the target culture? What does its literature say about a culture? How do you analyze a character in literature? Intermediate Mid Literature Does life reflect art, or does art reflect life? Film What makes a piece of literature “classic”? Art How can I critically reflect on literature and film? Music/Dance How do I express myself? How do music and art reflect time and place? Intermediate High Ideals of Beauty How are the perceptions of beauty, creativity and /Advanced Low Contributions to Art art established? Literature How do a country’s products reflect its cultural Perspectives beliefs? How can I critically reflect on art, culture, nature, literature, music and film? How does a culture’s historical art compare/contrast with its pop culture art? How do the arts both challenge and reflect cultural perspectives? Ohio Department of Education, June 2014 Beauty and Aesthetics – Content Elaborations Ohio Department of Education, June 2014 Beauty and Aesthetics – Content Elaborations .

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Beauty As a Transcendental in the Thought of Joseph Ratzinger
The University of Notre Dame Australia ResearchOnline@ND Theses 2015 Beauty as a transcendental in the thought of Joseph Ratzinger John Jang University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Philosophy Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Jang, J. (2015). Beauty as a transcendental in the thought of Joseph Ratzinger (Master of Philosophy (School of Philosophy and Theology)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/112 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. School of Philosophy and Theology Sydney Beauty as a Transcendental in the Thought of Joseph Ratzinger Submitted by John Jang A thesis in partial fulfilment of the requirements of the degree of Master of Philosophy Supervised by Dr. Renée Köhler-Ryan July 2015 © John Jang 2015 Table of Contents Abstract v Declaration of Authorship vi Acknowledgements vii Introduction 1 Structure 3 Method 5 PART I - Metaphysical Beauty 7 1.1.1 The Integration of Philosophy and Theology 8 1.1.2 Ratzinger’s Response 11 1.2.1 Transcendental Participation 14 1.2.2 Transcendental Convertibility 18 1.2.3 Analogy of Being 25 PART II - Reason and Experience 28 2.
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Herman Bavinck's Theological Aesthetics: a Synchronic And
TBR 2 (2011): 43–58 Herman Bavinck’s Theological Aesthetics: A Synchronic and Diachronic Analysis Robert S. Covolo PhD candidate, Fuller Theological Seminary In 1914 Herman Bavinck wrote an article for the Almanak of the Vrije Universiteit entitled, “Of Beauty and Aesthetics,” which has recently been translated and republished for the English-speaking world in Essays on Religion, Science, and Society.1 While this is not the only place where Bavinck treats the subject of beauty, this article stands out as a unique, extended glimpse into Bavinck’s theological aesthetics.2 In it we see that Bavinck was conversant with philosophical aesthetics and aware of the tensions of doing theological aesthetics from both a small “c” catholic and a distinctly Reformed perspective. There are many ways to assess Bavinck’s reflections on aesthetics. For example, one could look at the intimations in Bavinck’s works of the aesthetics formulations of later Dutch Reformed writers such as Rookmaker, Seerveld, or Wolterstorff.3 1. Herman Bavinck, “Of Beauty and Aesthetic” in Essays on Religion, Science and Society, ed. John Bolt, trans. Harry Boonstra and Gerrit Sheeres (Grand Rapids, MI: Eerdmans, 2008), 245–60. 2. See also Herman Bavinck, Reformed Dogmatics, vol. 2, God and Creation, ed. John Bolt, trans. John Vriend (Grand Rapids, MI: Baker, 2004), 252–55. 3. This in itself would prove to be a very interesting study. In one section of the essay Bavinck entertains an idea by a “Mister Berland” who maintains “the characterization of an anarchist situation in the arts.” See Bavinck, “Of Beauty and Aesthetics,” 252.
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Kant's Aesthetic Judgment of Taste, Yogācāra, and Open
THESIS BEAUTY AND OPENNESS: KANT’S AESTHETIC JUDGMENT OF TASTE, YOGĀCĀRA, AND OPEN PRESENCE MEDITATION Submitted by Kate Brelje Department of Philosophy In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Summer 2014 Master’s Committee: Advisor: Jane Kneller Co-Advisor: Matthew MacKenzie Kathleen Kiefer Copyright by Katherine Brelje 2014 All Rights Reserved ABSTRACT BEAUTY AND OPENNESS: KANT’S AESTHETIC JUDGMENT OF TASTE, YOGĀCĀRA, AND OPEN PRESENCE MEDITATION This paper provides a comparative analysis of Kant’s aesthetic judgment of taste and Open Presence meditation interpreted through a Yogācāra philosophical framework. I begin with an expository analysis of Kant’s cognitive and aesthetic judgments, highlighting the presence of attention, form of reflection, and structure of purposeless purposiveness in the judgment. Next, I address the Buddhist idealist Yogācāra philosophical tradition. Through this theoretical lens, I examine Open Presence meditation, with an emphasis on meditative non-dualism, attention, and meditative goals. In the final chapter, I tie together the groundwork laid in the first two chapters into a comparative analysis identifying points of compatibility and contention within the general areas of judgment, attention, purposeless purposiveness, and transformation. Finally, I suggest that, given the results of this analysis, Kant’s aesthetic judgment of taste might benefit from being construed as a type of meditation. ii ACKNOWLEDGEMENT I would like to thank my advisors, Dr. Jane Kneller and Dr. Matthew MacKenzie, for their support throughout the process of crafting this thesis. Their expertise, patience, and guidance were essential for bringing this project to fruition.
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Is Beauty Only Skin Deep? Exploring the Connections Between Makeup and Perception Shawn Kuehl Concordia University, Saint Paul
Concordia Journal of Communication Research Volume 5 Article 1 6-1-2018 Is Beauty Only Skin Deep? Exploring the Connections Between Makeup and Perception Shawn Kuehl Concordia University, Saint Paul Scarlett eD Wild Concordia University, Saint Paul Jessica Mai Concordia University, Saint Paul Mai Yeng Yang Concordia University, Saint Paul Follow this and additional works at: https://digitalcommons.csp.edu/comjournal Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Kuehl, Shawn; DeWild, Scarlett; Mai, Jessica; and Yeng Yang, Mai (2018) "Is Beauty Only Skin Deep? Exploring the Connections Between Makeup and Perception," Concordia Journal of Communication Research: Vol. 5 , Article 1. Available at: https://digitalcommons.csp.edu/comjournal/vol5/iss1/1 This Article is brought to you for free and open access by DigitalCommons@CSP. It has been accepted for inclusion in Concordia Journal of Communication Research by an authorized editor of DigitalCommons@CSP. For more information, please contact [email protected]. Running Title: Is BeautyKuehl Only et al.: SkinIs Beauty Deep? Only Skin Deep? Exploring the Connections Between Makeu Is Beauty Only Skin Deep? Exploring the Connections Between Makeup and Perception Shawn Kuehl, Scarlett DeWild, Jessica Mai, and Mai Yeng Yang Concordia University, St. Paul In Partial Fulfillment Of the Requirements for the Course Com: 441 Methods in Research and Com: 442 Research Theory 2017 Published by DigitalCommons@CSP, 2018 1 IS BEAUTY ONLY SKINConcordia DEEP? Journal of Communication Research, Vol. 5 [2018], Art. 1 ABSTRACT This study explored college students’ perceptions of the use of makeup. In order to determine what effect makeup had on first impressions, an online survey was conducted.
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Roger-Scruton-Beauty
Beauty This page intentionally left blank Beauty ROGER SCRUTON 1 3 Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With ofﬁces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Horsell’s Farm Enterprises Limited The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Italy and acid-free paper by Lego S.p.A ISBN 978–0–19–955952–7 13579108642 CONTENTS Picture Acknowledgements vii Preface ix 1.
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Of the Standard of Taste: David Hume's Aesthetic Ideology
CORE Metadata, citation and similar papers at core.ac.uk Of the Standard of Taste: David Hume's Aesthetic Ideology 著者 Okochi Sho journal or SHIRON(試論) publication title volume 42 page range 1-18 year 2004-12-20 URL http://hdl.handle.net/10097/57594 SHIRON No.42 (2004) Of the Standard of Taste: David Hume’s Aesthetic Ideology Sho Okochi The relationship between moral philosophy and aesthetics still remains one of the most important problems to be clariﬁed in eighteenth-century British intellectual history. Both of these theoretical discourses have one important question in common—the question of how sentiment, which seems individual and idiosyncratic, can be the standard of judgment. As many commentators have already suggested, in the background of the emergence of moral philosophy and aesthetics during the period was the rapid commercialization of British society.1 After Mandeville inveighed against Shaftesbury’s theory of virtue, the theorists of moral senti- ments—many of whom were Scottish—tried to answer the question of how a modern commercial society that approves individual desires and passions as the driving force of commerce can avoid moral corruption.2 They constructed subtle arguments to demonstrate that principles regu- lating moral degeneration were incorporated into the mechanism of human sentiment. Theorists of ethics and aesthetics in the age from Shaftesbury to Richard Payne Knight never ceased to discuss the prob- lem of taste. The term ‘taste,’ derived from bodily palate, served British moral philosophers as the best metaphor through which to signify the inner faculty that intuitively grasps general rules of art and of life and manners.
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The Real Truth About Beauty: a Global Report”
“THE REAL TRUTH ABOUT BEAUTY: A GLOBAL REPORT” Findings of the Global Study on Women, Beauty and Well-Being September 2004 Dr. Nancy Etcoff – Harvard University Dr. Susie Orbach – London School of Economics Dr. Jennifer Scott – StrategyOne Heidi D’Agostino – StrategyOne Commissioned by Dove, a Unilever Beauty Brand “‘Beauty is truth, truth beauty’ -- that is all Ye know on earth, and all ye need to know.” John Keats – Ode on a Grecian Urn 1 ABOUT THE STUDY The Real Truth About Beauty study was commissioned by Dove, one of Unilever’s largest beauty brands, to further the global understanding of women, beauty and well-being – and the relationship between them. It had its genesis in a growing concern that portrayals of female beauty in popular culture were helping to perpetuate an idea of beauty that was neither authentic nor attainable. Dove was concerned that this limited portrayal of beauty was preventing women from recognizing and enjoying beauty in themselves and others. The company was also aware that – in a world where female beauty is highly valued – this situation could also impact women’s well-being, happiness and self-esteem. Dove’s mission, in commissioning The Real Truth About Beauty study, was to explore empirically what beauty means to women today and why that is. Further, Dove wanted the study to assess whether it was possible to talk and think about female beauty in ways that were more authentic, satisfying and empowering. The Real Truth About Beauty findings detailed in this White Paper are based on quantitative data collected from a global study of 3,200 women, aged 18 to 64.
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Antecedents and Consequences of Creativity and Beauty Judgements in Consumer Products
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenArchive@CBS Creativity at Work: Antecedents and consequences of creativity and beauty judgements in consumer products. By Bo T Christensen, Tore Kristensen & Rolf Reber October 2009 Page 1 / 26 Creative Encounters Working Paper #29 Abstract The literature in consumer psychology has tended to lack a clear separation between theoretical models of creativity and beauty evaluations of products. The present study examined whether creativity and beauty affected willingness to pay jointly or separately. In three experiments using paintings, wrist watches and designer lamps as stimuli, the present study shows how creativity and beauty both positively influence consumer willingness-to-pay for the product, but each explains different parts of the variance. Further, product complexity differentially affects consumer judgments of creativity and beauty. The results show that it is essential to develop separate models of creativity and beauty evaluations in consumer psychology, in that they seem to be distinct factors, explaining different parts of the variance in their consequences on willingness to pay, and are affected differentially by antecedent factors, such as complexity. Address of Correspondence: Bo T. Christensen, Department of Marketing Solbjerg Plads 3 2000 Frederiksberg C DENMARK Phone: +45 38152123; email: [email protected] Page 2 / 26 Creative Encounters Working Paper #29 Antecedents and consequences of creativity and beauty judgements in consumer products. Bo T Christensen, Tore Kristensen Copenhagen Business School Rolf Reber University of Bergen The aesthetic qualities of consumer products are increasingly becoming important factors in consumer behavior and preference formation.
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Romanticism in English Poetry
ROMANTICISM IN ENGLISH POETRY A MLiCT AHfMOTATeO BiaUOQRAPHV SUBMITTtp m PARTIAL FULFH-MENT FOR TNf AWARD OF THE OCQflEE OF of librarp aiili itifarmation i^tteme 19t344 Roll Mo. t3 LSM-17 EnroliMM No. V-1432 Undsr th* SuparvMon of STBD MUSTIIFIIUIDI (READER) DEPARTMENT OF LIBRARY A INFORMATION SCIENCE ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1994~ AIAB ^ **' r •^, '-fcv DS2708 DEDICATED TO MY LATE MOTHER CONTENTS page Acknowl edg&a&it ^ Scope and Methodology iii PART - I introduction 1 PART - II Annotated Bibliography ^^ List of Periodicals 113 PART - III Author index ^-^^ Title index 124 (i) ACKNOWLEDGEMENT I wish to express my sincere and earnest thanks to my teacher and Supervisor . kr» S. Mustafa Zaidi, who inspite of his many pre-occupations spared his precious time to guide and inspire me at each and every step/ during the course of this investigation. His deep critical understanding of the problem helped me in conpiling this bibliography. I am highly indebted to eminent teacher professor Mohd. sabir Husain, Chairman/ Department of Liberary & Information Science/ Aligarh Muslim University Allgarh for the encourage ment that I have always received from him during the period I have been associated with the department of Library Science. I am also highly grateful to the respected teachers of my Department Mr. Al-Muzaffar Khan, Reader, Mr. shabahat Husain, Reader/ Mr. Ifasan zamarrud. Reader. They extended their full cooperation in all aspects, whatever I needed. I am also thankful to the Library staff of Maulana Azad Library, A.M.U., Aligarh, Seminar Library Department of English, AMU Aligarh, for providing all facilities that I needed for my work.
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African American Philosophy
African American Dance - Philosophy, Aesthetics, and “Beauty” Thomas F. DeFrantz “A metaphysics, ontology, epistemology, or aesthetics is necessarily distorted by communicative practices which invariably include inherited and privileged structures, forms, assumptions, and codes that remain unstated. The subject, on such accounts, may be considered problematic because the subject may inappropriately present its ideas as ones that surmount the limitations of what it is to be a subject - contextually bounded.” (Harris, 1996: 197) Aesthetics in dance, and especially the terms of “beauty” as they might relate to African American artistry, remain extremely difficult to discuss. How can aesthetic theory be engaged in relation to African American dance practice? What sorts of aesthetic imperatives surround African American dance and how does black performance make sense of these imperatives?” Who names the quality of performance, or who determines that a performance may be accurately recognized as “black? More than this, how can African American dance participate on its own terms in a discourse of “beauty?” This essay offers portions of my current research project to consider the recuperation of “beauty” as a productive critical strategy in discussions of African American dance. I argue that black performance in general, and African American concert dance in particular, seek to create aesthetic sites that allow black Americans to participate in discourses of recognition and appreciation to include concepts of “beauty.” In this, I suggest that “beauty” may indeed produce social change for its attendant audiences. I also propose that interrogating the notion of “beauty” may allow for social change among audiences that include dance theorists and philosophers.
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Beauty and Truth a Routine for Exploring the Complex Interaction Between Beauty and Truth
A THINKING ROUTINE FROM PROJECT ZERO, HARVARD GRADUATE SCHOOL OF EDUCATION Beauty and Truth A routine for exploring the complex interaction between beauty and truth. 1. Can you find beauty in this [image, story]? 2. Can you find truth in this [image, story]? 3. How might beauty reveal truth? 4. How might beauty conceal truth? Purpose: What kind of thinking does this routine encourage? This routine invites students to explore the complex interaction between beauty and truth and consider how journalists and artists comment on and communicate ideas about the world. This routine also helps students navigate the overwhelming quantities of information accessible in an increasingly visually-informed world. Application: When and where can I use it? In art and journalism, the routine aims to slow students’ thinking down and invite them to reflect about how quality work uses beauty to engage us to learn more about an issue and seek truth. The routine also invites a critical analysis of the ways in which beauty can mislead. Launch: What are some tips for starting and using this routine? Think of this routine as one that invites you and your students to a broad and deep conversation about a photograph or work of art. Allow time for individual students to share ideas of beauty and truth – constructs unlikely to have been explored explicitly in the past. In their discussion, students may reveal the misconception that photographs by their very nature reveal truth. In questions three and four, the terms “beauty” and “truth” can be inverted. Share your experience with this thinking routine on social media using the hashtags #PZThinkingRoutines and #BeautyAndTruth.
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Phil 4304 Aesthetics Thomas Aquinas
Phil 4304 Aesthetics Thomas Aquinas Nine centuries lie between Augustine and Aquinas. During that period of time, the remains of classical culture — the dialogues of Plato and the metaphysical and physical works of Aristotle — disappeared. One reason for that was because in the middle of the third century, Latin began to replace Greek as the official language of the liturgy and many of the ancient masterpieces gradually became inaccessible. Furthermore, a great deal of Roman literature and poetics also passed from view, especially because of the suppression of any form of paganism by Christian authorities. Only when in the 11th and 12th centuries that the classical documents were brought forth did medieval thinkers begin to draw again on the thought of the Greeks and Romans, a fact that gave impetus to the synthetic/scholastic work of Aquinas. In this interim period, however, several thinkers kept the aesthetic thought of Augustine alive, with its focus on unity, equality, number, order, etc. Those thinkers included: 1. John Scotus Eriugena or Erigena (9th century): he also discussed the moral preparation of a person to perceive beauty, for example, the different responses to a beautiful vase by both a good man and one who is a prey to his own concupiscent desires. 2. Hugh of St. Victor(12th century): classified various types or species of beauty and argued that all of man’s senses find appropriate aesthetic qualities to enjoy in the natural world, that all five senses are capable of apprehending beauty, for example, suggesting that there are such things as beautiful tastes and smells.
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