A MAN for OTHERS in MEDICINE DR
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Bill's Guide to Week Two of the 47Th Annual Chicago International Film
Bill’s Guide to Week Two of the 47th Annual Chicago International Film Festival By Bill Stamets Special for Films for Two® My recommended films in Week Two (in “must see” order): 1.) Pina: German director Wim Wenders previously profiled Japanese film director Yasujiro Ozu, Japanese fashion designer Yohji Yamamoto and Cuban musicians. His latest documentary introduces cinefiles to the choreography of German avant-gardist Pina Bausch. In his first use of 3-D cinematography, Wenders evokes the volume of the stage, even for performances staged in non-theatrical settings, including a tramway and an escalator. Four different works are presented. Some are revisited via archival 2-D footage. Seeing various versions adds more figurative depth to our appreciation of Bausch's work than the 3-D adds literal depth to our onscreen perception. Bausch's death during the making of the film may have lent an elegiac note to the laudatory interviews with members of her international company Tanztheater Wuppertal. They do not speak on camera during looking-into-the lens portrait sessions. The soundtrack excerpts their comments, apparently recorded off- camera, to underscore their role as voiceless dancers. Wenders channels Bausch's tactile and theoretical grasp of the body as metaphysical material for art. 2.) The Descendants: Alexander Payne (Sideways, About Schmidt, Election, Citizen Ruth) directs George Clooney as Matt King, an Hawaiian lawyer dealing with his wife hospitalized in a coma and their 10-year-old and 17- year-old daughters. Payne and his co-writers start from Kaui Hart Hemmings' 2008 novel for a truly touching male melodrama, as Clooney's character reconciles his mixed emotions about his wife. -
Baseball Record Book
2018 BASEBALL RECORD BOOK BIG12SPORTS.COM @BIG12CONFERENCE #BIG12BSB CHAMPIONSHIP INFORMATION/HISTORY The 2018 Phillips 66 Big 12 Baseball Championship will be held at Chickasaw Bricktown Ballpark, May 23-27. Chickasaw Bricktown Ballpark is home to the Los Angeles Dodgers Triple A team, the Oklahoma City Dodgers. Located in OKC’s vibrant Bricktown District, the ballpark opened in 1998. A thriving urban entertainment district, Bricktown is home to more than 45 restaurants, many bars, clubs, and retail shops, as well as family- friendly attractions, museums and galleries. Bricktown is the gateway to CHAMPIONSHIP SCHEDULE Oklahoma City for tourists, convention attendees, and day trippers from WEDNESDAY, MAY 23 around the region. Game 1: Teams To Be Determined (FCS) 9:00 a.m. Game 2: Teams To Be Determined (FCS) 12:30 p.m. This year marks the 19th time Oklahoma City has hosted the event. Three Game 3: Teams To Be Determined (FCS) 4:00 p.m. additional venues have sponsored the championship: All-Sports Stadium, Game 4: Teams To Be Determined (FCS) 7:30 p.m. Oklahoma City (1997); The Ballpark in Arlington (2002, ‘04) and ONEOK Field in Tulsa (2015). THURSDAY MAY 24 Game 5: Game 1 Loser vs. Game 2 Loser (FCS) 9:00 a.m. Past postseason championship winners include Kansas (2006), Missouri Game 6: Game 3 Loser vs. Game 4 Loser (FCS) 12:30 p.m. (2012), Nebraska (1999-2001, ‘05), Oklahoma (1997, 2013), Oklahoma Game 7: Game 1 Winner vs. Game 2 Winner (FCS) 4:00 p.m. State (2004, ‘17), TCU (2014, ‘16), Texas (2002-03, ‘08-09, ‘15), Texas Game 8: Game 3 Winner vs. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
2006 PSG3 Post Season
2006 A’s BOX SCORES vs. DETROIT Tuesday, April 18 Wednesday, April 19 Thursday, April 20 Oakland 4, Detroit 3 Detroit 11, Oakland 4 Detroit 4, Oakland 3 Detroit AB R H BI BB SO Detroit AB R H RBI BB SO Detroit AB R H BI BB SO Curtis Granderson, CF 4 22001Curtis Granderson, CF 502011Curtis Granderson, CF 3 0 1 1 2 0 Placido Polanco, 2B 4 01101Placido Polanco, 2B 504300Placido Polanco, 2B 4 1 1 0 0 0 Ivan Rodriguez, C 3 11110Ramon Santiago, 2B 100000Ivan Rodriguez, C 5 0 0 0 0 0 Magglio Ordonez, RF 4 01101Ivan Rodriguez, C 600000Magglio Ordonez, RF 4 1 2 1 0 0 Marcus Thames, DH 3 00000Magglio Ordonez, RF 601001Marcus Thames, DH 3 0 0 0 0 1 Alexis Gomez, PH 1 00001Alexis Gomez, DH 432001Alexis Gomez, PH-DH 1 1 1 0 0 0 Chris Shelton, 1B 4 01001Marcus Thames, PH-DH 100000Chris Shelton, 1B 3 0 1 1 1 1 Carlos Guillen, SS 4 00001Chris Shelton, 1B 310010Ramon Santiago, PR-SS 0 0 0 0 0 0 Craig Monroe, LF 3 01000Carlos Guillen, SS 433110Carlos Guillen, SS-1B 3 1 1 1 0 0 Brandon Inge, 3B 2 01010Craig Monroe, LF 322310Craig Monroe, LF 3 0 0 0 1 0 Totals 32 3 8 3 2 6 Brandon Inge, 3B 321311Brandon Inge, 3B 2 0 0 0 2 1 Totals 41 11 15 10 5 4 Totals 31 4 7 4 6 3 Oakland AB R H BI BB SO Mark Ellis, 2B 4 02000Oakland AB R H RBI BB SO Oakland AB R H BI BB SO Mark Kotsay, CF 3 00012Jason Kendall, C 311110Mark Ellis, 2B 4 0 0 0 0 0 Bobby Crosby, SS 4 00002Mark Ellis, 2B 411200Mark Kotsay, CF 4 1 1 0 0 1 Eric Chavez, 3B 4 00001Bobby Crosby, SS 401000Bobby Crosby, SS 4 1 1 1 0 1 Frank Thomas, DH 3 11000Frank Thomas, DH 411100Eric Chavez, 3B 2 1 1 1 2 0 Milton -
HUSKERS in MAJOR LEAGUE BASEBALL 35 Huskers Have Played in a Major League Baseball Game 9 World Series Rings - 9 All-Star Selections - 7 Gold Glove Awards
HUSKERS IN MAJOR LEAGUE BASEBALL 35 Huskers have Played in a Major League Baseball Game 9 World Series Rings - 9 All-Star Selections - 7 Gold Glove Awards BOB CERV (PLAYED AT NEBRASKA: 1947-50) STAN BAHNSEN (PLAYED AT NEBRASKA: 1965) MLB Career: 1951-62 MLB Career: 1968-83 Kansas City Athletics, New York Yankees, Los Angeles Angels, Houston Astros New York Yankees, Chicago White Sox, Oakland Athletics, Montreal Expos, California Angels, Philadelphia Phillies Honors World Series Champion (1956) Honors All Star (1958) American League Rookie of the Year (1968) Year Team G AVG AB R H 2B 3B HR RBI BB SO SB Year Team W-L SV ERA G GS CG SH IP H R ER BB SO 1951 NY-AL 12 .214 28 4 8 1 0 0 2 4 6 0 1966 NY-AL 1-1 1 3.52 4 3 1 0 23 15 9 9 7 16 1952 NY-AL 36 .241 87 11 21 3 2 1 8 9 22 0 1968 NY-AL 17-12 0 2.05 37 34 10 1 267.1 216 72 61 68 162 1953 NY-AL 8 .000 6 0 0 0 0 0 1 1 1 0 1969 NY-AL 9-16 1 3.83 40 33 5 2 220.2 222 102 94 90 130 1954 NY-AL 56 .260 100 14 26 6 0 5 13 11 17 0 1970 NY-AL 14-11 0 3.33 36 35 6 2 232.2 227 100 86 75 116 1955 NY-AL 55 .341 85 17 29 4 2 3 22 7 16 4 1971 NY-AL 14-12 0 3.35 36 34 14 3 242 221 99 90 72 110 1956 NY-AL 54 .304 115 16 35 5 6 3 25 18 13 0 1972 Chi-AL 21-16 0 3.60 43 41 5 1 252.1 263 107 101 73 157 1957 KC-AL 124 .272 345 35 94 14 2 11 44 20 57 1 1973 Chi-AL 18-21 0 3.57 42 42 14 4 282.1 290 128 112 117 120 1958 KC-AL 141 .305 515 93 157 20 7 38 104 50 82 3 1974 Chi-AL 12-15 0 4.70 38 35 10 1 216.1 230 128 113 110 102 1959 KC-AL 125 .285 463 61 132 22 4 20 87 35 87 3 1975 Chi-AL 4-6 0 6.01 12 12 2 0 67.1 -
Wright State University Baseball Media Guide 1999
Wright State University CORE Scholar Athletics Publications Athletics 1999 Wright State University Baseball Media Guide 1999 Wright State University Athletics Follow this and additional works at: https://corescholar.libraries.wright.edu/athletics_publications Part of the Public Relations and Advertising Commons Repository Citation Wright State University Athletics (1999). Wright State University Baseball Media Guide 1999. : Wright State University. This Media Guide is brought to you for free and open access by the Athletics at CORE Scholar. It has been accepted for inclusion in Athletics Publications by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. 1999 BASEBALL WRIGHT STATE UNIVERSITY 1999 Baseball Roster No. Name Pos. Ht. Wt. Yr. BIT Hometown/High School 1 Scott Marshall OF 5-10 170 So. UL Centerville, OH/Centerville 2 Scott Hatton 3B 6-1 205 So. R/R Covington, KY/Holmes 3 Dusty Beam ss 6-2 205 Sr. R/R Tipp City, OH/Bethel 4 Aaron Taylor IF 5-9 175 Fr. R/R Cincinnati, OH/Glen Este 5 Bill Johnson OF 5-11 190 Fr. R/R Midland, Ml/Bullock Creek 6 Chris Grimm C 5-10 190 Fr. R/R Marshallville, OH/Orrville 7 Chuck Kesterke C 5-10 170 So. R/R Alliance, OH/Marlington 8 Eddy Witham OF 5-9 165 Fr. R/R Alliance, OH/Alliance 9 Jim Morris ss 5-11 190 So. R/R Lima, OH/Senior 10 Scott Blair 1B 5-10 195 Jr. UL Beavercreek, OH/Beavercreek 11 Terry Lambert RHP 6-3 220 Sr. R/R London, OH/Madison Plains 12 Chris Bedford LHP 6-3 190 So. -
FIRST-TEAM ALL-AMERICANS 16 Huskers Have Produced 18 First-Team All-America Seasons (46 First-Team Certificates)
FIRST-TEAM ALL-AMERICANS 16 Huskers Have Produced 18 First-Team All-America Seasons (46 First-Team Certificates) MARC SAGMOEN BOB CERV STEVE STANICEK 1993 • OF 1950 • OF 1982 • 1B Collegiate Baseball U.S. Baseball Association ABCA Baseball America NCBWA ABCA A four-year starter from 1947 to 1950, Bob Steve Stanicek had one of the finest seasons Marc Sagmoen etched his name in the record Cerv led NU to a pair of Big Seven titles in his in school history in 1982 en route to first-team books at NU, capping his career with first-team Husker career. The Weston, Neb., native earned All-America honors from Baseball America. He All-America accolades in 1993 from Collegiate first-team All-America honors from the ABCA in hit .449 with 20 home runs and 70 RBIs, while Baseball, USBA, NCBWA and the ABCA. He set 1950 after batting .444 – an average that ranks setting a school record with his .930 slugging the NU career mark with a .451 average during seventh on NU’s single-season chart – with nine percentage. His .569 on-base percentage as his two seasons. As a senior, he hit .454 with 18 homers and 36 RBIs. He displayed tremendous a junior was the second best in school history. homers and 79 RBIs, as he ranked fifth nationally power, leading the nation with an .878 slugging The Park Forest, Ill., native became the first in hitting and fourth in slugging percentage percentage in 1950, helping the Huskers to a Big Husker ever drafted in the first round of the MLB (.859). -
Richard Pells, "Film: Movies and Modern America"
Film: Movies and Modern America By Richard Pells What is a "typical" American movie? People throughout the world are sure they know. A characteristic American film, they insist, has flamboyant special effects and a sumptuous décor, each a reflection of America's nearly mythic affluence. Furthermore, American movies revel in fast- paced action and a celebration of individual ingenuity embodied in the heroics of an impeccably dressed, permanently youthful Hollywood star. And they feature love stories that lead, inevitably if often implausibly, to happy endings. Yet over the past 15 years, for every high- tech, stunt-filled Mission Impossible, there Director Martin Scorsese and actor Daniel Day-Lewis have worked together are serious and even disturbing films such on such high-quality film projects as American Beautyand The Hours. For as Gangs of New York and The Age of Innocence. every conventional Hollywood blockbuster (© Associated Press) apparently designed to appeal to the predilections of 12-year-old boys, there have been complex and sophisticated movies such as Traffic, Shakespeare in Love, Magnolia, and About Schmidt that are consciously made for grown-ups. What is therefore remarkable about contemporary American movies is their diversity, their effort to explore the social and psychological dimensions of life in modern America, and their ability to combine entertainment with artistry. Profile: Filmmaker Alexander Payne The sweeping vistas of the Nebraska countryside outside the city of Omaha in the movie About Schmidt, and the hushed, stoic visages within the city itself, represent a homecoming of sorts for filmmaker Alexander Payne. The son of Greek parents who owned a prominent restaurant in Omaha, Payne left Nebraska after high school to study Spanish and history at Stanford University, with an eye toward becoming a foreign correspondent. -
BALTIMORE ORIOLES GAME NOTES Oriole Park at Camden Yards 333 West Camden Street Baltimore, MD 21201
BALTIMORE ORIOLES GAME NOTES Oriole Park at Camden Yards 333 West Camden Street Baltimore, MD 21201 Wednesday, September 25, 2013 Game #158 Home Game #77 Baltimore Orioles (81-76) vs. Toronto Blue Jays (72-85) RH Bud Norris (10-12, 4.12) vs. RH Esmil Rogers (5-8, 4.52) TONIGHT’S GAME: The Orioles and Blue Jays meet in game two of their three-game series and the second ODDS & ENDS game of a six game homestand to wrap up the 2013 season…The Birds are coming off a 4-6 road trip to Toronto Home 42-34 (2-1), Boston (2-1) and Tampa Bay (0-4)…With their next win, the Orioles will ensure back-to-back winning Away 39-42 seasons for the first time since 1996-97…The Orioles have lost six straight games for the second time this Day 26-29 season (also May 14-20)… The last time the Birds lost seven in a row was a July 4-15, 2011 as part of a nine Night 55-47 game losing streak. vs. LHP 25-26 vs. RHP 56-50 VS. TORONTO: The Orioles trail in the season series, 8-9, with the Birds going 4-3 in Baltimore and 4-6 in Toronto…The Orioles trail in the all-time series, 250-291 (141-130 in Baltimore and 109-161 in Toronto)…Since Series Record 27-18-4 First game of series 30-21 the start of the 2012 season, the Orioles are 11-5 at home against Toronto…The O’s are 11-15 in their last 26 Last game of a series 27-23 games in Toronto. -
HEADS the '" Pieilsfinr Iif Muii"'IJ Tdys Wiij,'"Ther Tulults
THE RADICAL I................... , LEFTIN RETROSPECT Four writers' reimaginings ofthe Weather Underground reve41 their perslective on revolutionary violence, and offer lessom for the contemporary disco,.te,.ted. by GREGORY GIPSON "',' ........ w.uv_ ":,"U ' TERRORISM TRAPPED AND PORN IN THE GNARLED IN THE NEW WOODLANDS ••"1·0F GENRE THEATER The best literary thrillers are morally compli. eIIted works ofart-why are they soojten OF COMBAT ,;,,:,rAVIEKI)lARIAIi UIll THE roOLI cast aside as the stuffof «boyish daydream "? 'ii;:';:}A,JlMlIU:RS OF CERVANTES "; , " ;,)1. by JAN A "',·SAMLIPSYTE WINS * by TOM BISSELL * - • '. -. ADORABLE FLAWS, GOOFY CHARM, AND SOFT, RUBBERY HEADS The _'" pIeIlSfInr IIf muii"'IJ tDys wiiJ,'"ther tulults. _ by TOM BLIGH _ . - :".-., BORGES &CALVINO cencewhich made/or a telepathic say hello. but for a balked- quality in his friendship with tbe and before he could a word in At a conference at Harvard University. blind Borges; At the pa.rty, Calvino greeting. Borges had already turned Jorge Luis Borges and Halo Calvino approached Borges whose hack wa.s and asked: "ltalo. is that, you'!" "Yes," invited to attend a cocktail party: facing him. Now standing just behind Calvino confessed. "lfowcould you ALEXANDER PAYNE (SCREENWRITERI DIRECTOR) "IT'S REALLY HARD TO GENERALIZE ABOUT PEOPLE. WHEN YOU GET TO KNOW THEM,YOU DISCOVER EVERYONE'S GOT A STORY." Movies that precocious teenagers from Omaha were enjoying during the seventies: The Sting One Flew over the Cuckoo's Nest Bananas (for the breasts) Movies that precocious teenagers from Omaha did not enjoy quite as much: Star Wars The Exorcist Five Easy Pieces lexander Payne makesfilms with an eyefor ofOmaha, he can talk on and on endlessly. -
Todd Haynes Alexander Payne
TODD HAYNES ALEXANDER PAYNE Born: Todd Haynes, January 2, 1961 (Los Angeles, California, U.S.). Born: Alexander Papadopoulos, February 10, 1961 (Omaha, Nebraska, U.S.). Directing style: Influential director of new queer cinema; maker of period Directing style: Witty writer and director of satirical comedies; Omaha, melodramas; examinations of environment as disease, and the repressive nature Nebraska locations; commentary on U.S. suburban life; uses non-actors of societal conventions. to play minor roles. A key figure in the new queer cinema of the 1990s, Todd Writer and director Alexander Payne is one of the brightest Haynes became infamous years before the movement was talents to emerge in Hollywood recently, with a distinctive named when he used Barbie dolls instead of actors in his short style of comedy. After some student films, he worked at Superstar: The Karen Carpenter Story (1987), and the film was Universal Pictures and wrote unproduced screenplays. He then banned after the Carpenter family and the Mattel Corporation made contributions to two segments of the Inside Out (1992) objected. Haynes’s films reflect his background in art and portmanteau films, before completing his first feature, Citizen Top Takes… semiotics, and Superstar juxtaposed the squeaky-clean Ruth (1996). The film stars Laura Dern as an improvident drug Top Takes… plasticity of the singer’s public image against archival footage user and single mother, who can only be saved from jail if she I’m Not There 2007 Paris, je t’aime 2006 (Paris, I Love You) Far from Heaven 2002 of the invasion of Cambodia and the Watergate crisis, and terminates her latest pregnancy. -
The Studio System and Conglomerate Hollywood
TCHC01 6/22/07 02:16 PM Page 11 PART I THE STRUCTURE OF THE INDUSTRY TCHC01 6/22/07 02:16 PM Page 12 TCHC01 6/22/07 02:16 PM Page 13 CHAPTER 1 THE STUDIO SYSTEM AND CONGLOMERATE HOLLYWOOD TOM SCHATZ Introduction In August 1995 Neal Gabler, an astute Hollywood observer, wrote an op-ed piece for The New York Times entitled “Revenge of the Studio System” in response to recent events that, in his view, signaled an industry-wide transformation (Gabler 1995). The previous year had seen the Seagram buyout of MCA-Universal, Time Warner’s purchase of the massive Turner Broadcasting System, and the launch of Dream- Works, the first new movie studio since the classical era. Then on August 1 came the bombshell that provoked Gabler’s editorial. Disney announced the acquisition of ABC and its parent conglomerate, Cap Cities, in a $19 billion deal – the second- largest merger in US history, which created the world’s largest media company. Disney CEO Michael Eisner also disclosed a quarter-billion-dollar deal with Mike Ovitz of Hollywood’s top talent agency, Creative Artists, to leave CAA and run the Disney empire. For Gabler, the Disney deals confirmed “a fundamental shift in the balance of power in Hollywood – really the third revolution in the relationship between industry forces.” Revolution I occurred nearly a century before with the formation of the Hollywood studios and the creation of a “system” that enabled them to con- trol the movie industry from the 1920s through the 1940s. Revolution II came with the postwar rise of television and the dismantling of the studio system by the courts, which allowed a new breed of talent brokers, “most notably Lew Wasserman of the Music Corporation of America [MCA],” to usurp control of the film industry.