Year End Business Analysis
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Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith -
360° Deals: an Industry Reaction to the Devaluation of Recorded Music
360° DEALS: AN INDUSTRY REACTION TO THE DEVALUATION OF RECORDED MUSIC SARA KARUBIAN* I. INTRODUCTION In October of 2007, Radiohead released In Rainbows without a record label. The band’s contract with record company EMI had been fulfilled in 2003, and Radiohead did not bother finding a new deal as they began recording their seventh album.1 Radiohead then made the album available at www.inrainbows.com, where fans were instructed to “pay-what-you- want” for the digital download.2 Shortly after the album’s release, the band’s front man, Thom Yorke, said “I like the people at our record company, but the time is at hand when you have to ask why anyone needs one. And, yes, it probably would give us some perverse pleasure to say ‘F___ you’ to this decaying business model.”3 It was no surprise that Radiohead received critical acclaim for the artistic merits of the album,4 or that millions of fans found a way to acquire the music. Its financial success, however, was less predictable. Radiohead declined to release statistics related to its pay-what-you-want model, but a conservative estimate suggests that the band’s profits from this digital release exceeded six and a half million.5 Furthermore, when Radiohead contracted with iTunes and a distributor to sell the album on iTunes and in stores, its high sales pushed it to the top of traditional album charts6 in early * J.D. Candidate, University of Southern California Law School, 2009; B.A. University of California Berkeley, 2006. A special thank you to Gary Stiffelman, Professor Jonathan Barnett, and Professor Lance Grode. -
Guns N' Roses U2 Justin Bieber Metallica Depeche Mode Red Hot
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 151.5 Guns N' Roses 108.96 51,496 1,390,396 5,611,111 27/30 International Talent Booking 2 118.1 U2 119.12 61,973 991,565 7,382,401 16/19 Live Nation Global Touring 3 93.2 Justin Bieber 93.60 38,297 995,726 3,584,615 26/29 Creative Artists Agency 4 88.0 Metallica 127.74 36,258 688,909 4,631,579 19/25 Artist Group International / K2 Agency 5 68.2 Depeche Mode 75.79 39,106 899,447 2,963,772 23/24 WME 6 60.5 Red Hot Chili Peppers 84.96 14,533 712,099 1,234,694 49/55 WME 7 59.0 Adele 98.33 100,000 600,000 9,833,333 6/11 International Talent Booking 8 57.2 Ed Sheeran 101.24 15,270 564,994 1,545,946 37/49 Paradigm Talent Agency / Creative Artists Agency 9 54.5 Eric Church 60.90 14,671 894,909 893,443 61/63 WME 10 52.7 Bruno Mars 77.63 19,407 679,246 1,506,526 35/46 WME 11 49.4 The Weeknd 80.95 15,648 610,253 1,266,667 39/43 WME 12 48.0 Garth Brooks 65.02 61,588 739,056 4,004,674 12/48 WME 13 44.6 Take That 93.20 39,878 478,540 3,716,667 12/30 CODA 14 44.1 Celine Dion 153.17 6,402 288,116 980,000 7/46 ICM Partners 15 43.6 Drake 90.23 21,964 483,209 1,981,818 22/36 WME 16 41.4 Ariana Grande 71.75 11,546 577,304 828,445 50/52 Creative Artists Agency 17 39.1 Bon Jovi 84.86 16,456 460,758 1,396,429 28/30 Creative Artists Agency 18 38.1 Bruce Springsteen & The E Street Band 146.05 29,020 261,184 4,238,418 9/14 BPB Consulting / Creative Artists Agency 19 38.1 Green Day 61.15 11,126 623,058 680,357 56/61 Creative Artists Agency / X-ray -
TOP100 Worldwide TOURS
2009 Year End TICKET SALES TOP 10 0 Worldwide TOURS 1 U2 3,071,201 51 Girls Aloud 346,410 2 AC/DC 2,532,355 52 Simply Red 337,418 3 Bruce Springsteen & The E Street Band 1,824,970 53 “Winter Jam” tobyMac 335,275 4 “Walking With Dinosaurs” 1,602,052 54 Michael Flatley’s “Lord Of The Dance” 334,576 5 Pink 1,584,166 55 The Dead 323,226 6 Britney Spears 1,342,280 56 The Fray 307,123 7 Coldplay 1,284,919 57 Jason Mraz 288,661 8 Metallica 1,219,955 58 Ricardo Arjona 273,165 9 Madonna 1,208,591 59 Elton John 270,159 10 Jonas Brothers 1,202,377 60 Creed 269,826 11 Depeche Mode 1,153,307 61 “Rockstar Energy Mayhem Festival” Marilyn Manson 266,653 12 Nickelback 1,090,705 62 “X Factor Live” 260,752 13 Dave Matthews Band 1,089,889 63 Rain - A Tribute To The Beatles 260,498 14 Kenny Chesney 1,034,021 64 Luis Miguel 260,348 15 Beyoncé 862,567 65 Journey 258,946 16 Trans-Siberian Orchestra 843,457 66 Slipknot 258,354 17 Miley Cyrus 789,165 67 Oasis 256,579 18 Brad Paisley 778,566 68 Cliff Richard and The Shadows 254,694 19 Rascal Flatts 769,167 69 Disturbed 252,505 20 Kings Of Leon 755,940 70 Cirque du Soleil - “Quidam” 249,145 21 Fleetwood Mac 732,241 71 Los Fabulosos Cadillacs 238,816 22 Green Day 730,317 72 Cher 236,413 23 Tina Turner 701,833 73 311 236,212 24 Phish 700,794 74 Bette Midler 226,667 25 Elton John / Billy Joel 700,658 75 Incubus 223,466 26 Il Divo 693,081 76 Styx / REO Speedwagon 222,589 27 André Rieu 669,550 77 John Legend 219,590 28 Blink-182 637,273 78 O.A.R. -
Business Analysis
2009 | YEAR END BUSINESS ANALYSIS andi has been to set an- 2009 Year End nual gross revenue records and to do so by BUSINESS Analysis selling fewer but ever POLLSTAR more expensive tickets. # This year proved to be a 1 Tours for the last 22 Years discretionary funds to indulge major exception due at least ONE YEAR ARTIST GROSS themselves in a night out to in part to the fact that, al- see their favorite performing though industry decision- 2009 U2 123.0 artist. With all the home fore- making is highly isolated and 2008 Madonna 105.3 closures, layoffs and bankrupt- fragmented, everyone real- 2007 The Police 133.2 cies, one would think that fewer ized the climate they would 2006 The Rolling Stones 138.5 fans would be attending shows, be touring in. The right ad- 2005 The Rolling Stones 162.0 and promoters would be spilling justments in pricing and 2004 Prince 87.4 red ink at every settlement. packaging apparently got 2003 Bruce Springsteen 115.9 But that was clearly not the made in advance. There will 2002 Paul McCartney 103.3 case. always be stiff dates on nearly 2001 U2 109.7 Pollstar estimates total North every tour, but no high-profile 2000 Tina Turner 80.2 American concert ticket sale rev- treks in 2009 could be labeled 1999 The Rolling Stones 64.7 enues jumped by nearly 10 per- complete bombs. cent to a record $4.6 billion in The Top 100 Tours in 1998 Elton John 46.2 2009. More than $4 billion of North America sold a mod- 1997 The Rolling Stones 89.3 that amount is contained in the ern record of nearly 40.5 1996 KISS 43.6 more than 35,000 detailed box million tickets. -
Top 200 North American Tours
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 199.4 Taylor Swift 111.54 43,600 1,787,597 4,863,210 41/62 Messina Touring Group 2 116.4 Kenny Chesney 85.37 24,343 1,363,190 2,078,212 56/59 Dale Morris & Associates 3 114.9 Garth Brooks 64.47 77,488 1,782,224 4,995,652 23/120 Bob Doyle & Associates 4 109.7 The Rolling Stones 174.50 44,910 628,733 7,836,716 14/14 AEG Live 5 82.2 Kevin Hart 73.00 10,331 1,126,027 754,128 109/137 APA 6 76.2 U2 117.10 65,058 650,582 7,618,638 10/36 Live Nation Global Touring 7 72.3 One Direction 79.82 39,372 905,546 3,142,728 23/24 Creative Artists Agency 8 71.5 Luke Bryan 55.48 23,866 1,288,752 1,324,074 54/72 WME 9 69.9 Billy Joel 106.47 36,473 656,522 3,883,333 18/29 Artist Group International 10 69.0 Shania Twain 98.13 10,818 703,148 1,061,538 65/69 Creative Artists Agency 11 67.3 Fleetwood Mac 125.36 13,094 536,853 1,641,463 41/42 Creative Artists Agency 12 58.0 Juan Gabriel 100.71 10,284 575,911 1,035,714 56/72 God Is Music SA de CV 13 53.8 AC/DC 90.43 42,464 594,500 3,839,923 14/14 Creative Artists Agency 14 52.2 Grateful Dead - “Fare Thee Well” 144.32 180,967 361,933 26,116,207 2/5 Peter Shapiro 15 47.8 Trans-Siberian Orchestra 57.19 13,709 836,258 783,969 61/102 WME 16 45.2 Zac Brown Band 52.69 18,662 858,458 983,238 46/52 Creative Artists Agency 17 44.5 Cirque du Soleil - “Kurios” 87.82 16,364 507,281 1,437,076 31/274 Cirque du Soleil 18 44.0 Maroon 5 84.22 16,853 522,441 1,419,355 31/34 Creative Artists Agency 19 43.7 Madonna 142.50 -
The Evolution of the Music Industry in the Post-Internet
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2012 The volutE ion of the Music Industry in the Post- Internet Era Ashraf El Gamal Claremont McKenna College Recommended Citation El Gamal, Ashraf, "The vE olution of the Music Industry in the Post-Internet Era" (2012). CMC Senior Theses. Paper 532. http://scholarship.claremont.edu/cmc_theses/532 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT MCKENNA COLLEGE The Evolution of the Music Industry in the Post-Internet Era SUBMITTED TO PROFESSOR JANET SMITH AND DEAN GREGORY HESS BY ASHRAF EL GAMAL FOR SENIOR THESIS FALL 2012 DECEMBER 3, 2012 - 2 - Abstract: The rise in the prevalence of the Internet has had a wide range of implications in nearly every industry. Within the music business, the turn of the millennium came with a unique, and difficult, set of challenges. While the majority of academic literature in the area focuses specifically on the aspect of file sharing within the Internet as it negatively impacts sales within the recording sector, this study aims to assess the Internet’s wider impacts on the broader music industry. In the same time that record sales have plummeted, the live music sector has thrived, potentially presenting alternative business models and opportunities. This paper will discuss a variety of recent Internet-related developments including the rise of legal digital distribution, key economic implications, general welfare effects, changes in consumer preference and social phenomena as they relate to both the recording and live entertainment sectors. -
Taylor Swift Jay-Z / Beyoncé Eagles Kenny Chesney Justin Timberlake
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 277.3 Taylor Swift 124.99 80,322 2,168,706 10,271,531 27/40 Messina Touring Group 2 166.4 Jay-Z / Beyoncé 128.23 54,085 1,298,038 6,935,409 24/30 Live Nation 3 166.0 Eagles 172.13 21,428 964,245 3,688,308 45/53 Creative Artists Agency 4 114.4 Kenny Chesney 88.15 32,443 1,297,731 2,860,007 40/42 Dale Morris & Associates 5 110.0 Justin Timberlake 138.87 19,795 791,780 2,748,832 40/50 WME 6 105.0 Ed Sheeran 92.42 54,119 1,136,497 5,001,537 21/24 Paradigm Talent Agency 7 97.8 Journey / Def Leppard 97.79 17,246 1,000,272 1,686,460 58/60 CAA / Artist Group International 8 95.3 Pink 138.46 18,120 688,558 2,508,798 38/46 Marshall Arts 9 88.3 “Springsteen On Broadway” 508.93 4,231 173,461 2,153,146 41/183 Thrill Hill Productions 10 79.0 Drake 116.46 35,706 678,410 4,158,145 19/43 WME 11 73.3 Luke Bryan 73.66 19,893 994,648 1,465,269 50/51 WME 12 61.5 U2 140.39 25,768 438,059 3,617,680 17/27 Live Nation Global Touring 13 60.6 Bruno Mars 133.41 26,730 454,415 3,566,036 17/31 WME 14 59.4 Luis Miguel 110.28 11,976 538,901 1,320,654 45/64 WME 15 58.7 Billy Joel 120.94 23,121 485,533 2,796,155 21/21 Artist Group International 16 53.7 Trans-Siberian Orchestra 58.04 16,234 925,345 942,297 57/94 WME 17 48.5 Kevin Hart 73.48 11,185 659,908 821,856 59/62 WME 18 47.7 Dave Matthews Band 66.53 19,365 716,489 1,288,333 37/46 Paradigm Talent Agency 19 46.3 Dead & Company 76.82 20,801 603,225 1,597,977 29/34 WME 20 45.6 Shania Twain 85.80 12,642 530,979 -
YEAR in REVIEW 2019 Event at Web- Ster Hall After Its Reopening
BACK IN BUSI- NESS: Bishop Briggs plays an YEAR IN REVIEW 2019 event at Web- ster Hall after its reopening. (Getty Images) CONTINUED FROM PAGE 51 our expectations. From show count, Verizon launching in 14 venues during the audience reaction, 2019 football season, while AT&T rolled it economic impact out at the Dallas Cowboys’ AT&T Stadium in the neighbor- in Arlington, Texas. In the digital realm, the hood, it has been a $1.1 billion esports sector made a deeper truly rewarding and move into traditional venues such as newly humbling experience renovated TD Garden in Boston, and the for our team,” says Overwatch League is developing a network Geoff Gordon, re- of buildings to host events around the world, gional president for even as it eyes building custom arenas for its Live Nation Philadel- events in the next year. phia. “The Met has Check out some of the year’s other top really been about the stories: convergence of the growth of the city with an amazing building — 94 feet across, 65 deep and 80 high — OPENING ACTS that deserved this.” rivals the dimensions of New York’s Radio THE MET PHILADELPHIA — The latest The revamped venue includes a spa- City Music Hall. The building hosted 164 addition to the city’s live music scene opened cious lobby, plus velour theater seating, 25 shows in its inaugural season and as of with a bang on Dec. 3, 2018, with a Bob bars, a ring of deluxe box seats, wrap- October had donated more than $74,337 Dylan show at the reclaimed historic hall around balconies, gently sloped upper to the School District of Philadelphia, part on the northern fringe of Philly’s Center decks and a surprisingly intimate show- of a pledge to give 25 cents of every ticket City. -
Top 200 Concert Grosses
2017 YEAR END | TOP 200 CONCERT GROSSES Artist Tickets Sold Artist Tickets Sold Date Facility/Promoter Support Capacity Gross Date Facility/Promoter Support Capacity Gross 05/20/17 U2 The Lumineers 123,164 $15,784,565 07/29/17 Metallica Avenged Sevenfold 60,509 $6,384,282 05/21/17 Rose Bowl Stadium 61,582 Rose Bowl Stadium Gojira 63,285 Pasadena, CA 100% Pasadena, CA 95% 2 shows Live Nation Global Touring 35.00 - 280.00 1 Live Nation 58.00 - 158.00 23 07/21/17 Phish 227,385 $15,041,405 06/30/17 Dead & Company 79,489 $6,357,746 07/22-30 Madison Square Garden Arena 18,175 07/01/17 Wrigley Field 43,428 08/01-06 New York, NY 96% Chicago, IL 91% 13 shows Live Nation 54.00 - 74.00 2 2 shows Live Nation 65.00 - 85.00 24 06/28/17 U2 The Lumineers 110,642 $14,568,805 06/20/17 U2 The Lumineers 49,827 $6,286,385 06/29/17 MetLife Stadium 55,321 FedEx Field 49,827 East Rutherford, NJ 100% Landover, MD 100% 2 shows Live Nation Global Touring 35.00 - 280.00 3 Live Nation Global Touring 35.00 - 280.00 25 10/03/17 U2 Noel Gallagher’s High Flying Birds 117,098 $13,860,111 05/17/17 U2 Mumford & Sons 50,072 $6,268,805 10/04/17 Foro Sol 58,594 Levi’s Stadium 50,072 Mexico City, MEXICO 99% Pesos Santa Clara, CA 100% 2 shows Live Nation Global Touring / OCESA/CIE 400.00 - 4,500.00 (253,198,950)4 Live Nation Global Touring 35.00 - 280.00 26 06/03/17 U2 The Lumineers 105,078 $13,435,925 06/18/17 U2 The Lumineers 56,570 $6,259,880 06/04/17 Soldier Field 52,539 Lincoln Financial Field 56,570 Chicago, IL 100% Philadelphia, PA 100% 2 shows Live Nation Global Touring