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The Art of Quotation. Forms and Themes of the Art Quote, 1990–2010
The Art of Quotation. Forms and Themes of the Art Quote, 1990–2010. An Essay Nina Heydemann, Abu Dhabi I. Introduction A “Japanese” Mona Lisa? An “improved” Goya? A “murdered” Warhol? In 1998, the Japanese artist Yasumasa Morimura staged himself as Mona Lisa.1 Five years later, the British sibling duo Jake and Dinos Chapman ‘rectified’ Francisco de Goya’s etching series „The Disas- ters of War“ by overpainting the figures with comic faces.2 In 2007, Richard Prince spoke about his intention in the 1990s of having wanted to murder Andy Warhol.3 What is it in artists and artworks from the past that prompts so many diverse reactions in contempo- rary art today? In which forms do contemporary artists refer to older works of art? And what themes do they address with them? This paper is an extract of a dissertation that deals with exactly these questions and analyses forms and themes of art quotes.4 Many 1 In the series „Mona Lisa – In Its Origin, In Pregnancy, In The Third Place“ Yasumasa Morimura raised questions of his Japanese identity and hybrid sexuality based on Leonardo da Vinci’s masterwork. 2 Jake Chapman quoted in the Guardian: "We always had the intention of rectifying it, to take that nice word from The Shining, when the butler's trying to encourage Jack Nicholson to kill his family – to rectify the situation". Jones 2007, 11 or online at <http://www.theguardian.com/culture/2003/mar/31/artsfeatures.turnerprize2003> (15.12.2014). 3 Interview with Richard Prince in Thon – Bodin 2007, 31. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Mark Dean Education 2017-2020 Encounter, London Centre for Spiritual Direction 2007-2010 Diphe Contextual Theology, St Mellitus
Mark Dean Education 2017-2020 Encounter, London Centre for Spiritual Direction 2007-2010 DipHE Contextual Theology, St Mellitus College 1992-1994 MA Fine Art, Goldsmiths' College 1989-1991 PGDip Youth & Community Work, Thames Polytechnic 1977-1980 BA (Hons) Fine Art, Brighton Polytechnic Solo Exhibitions & Projects 2020 Stations 2020, Arts Chaplaincy Projects (online project with socially distanced contributors) 2019 Where We Are, Laban Theatre, London (video and dance collaboration) 2019 All Angels, Marlborough College Chapel 2019 Color Motet, Austin Forum, London 2019 Pastiche Mass, Arts Chaplaincy Projects, London 2017 Stations of the Resurrection, St Paul's Cathedral, London (dance by Lizzi Kew Ross & Co) 2017 Stations of the Cross, St Stephen Walbrook, London 2014 Christian Disco, Museum Boijmans Van Beuningen, Rotterdam 2011 My Mum (V2-Sensitive), Beaconsfield, London 2010 The Beginning of The End, Beaconsfield, London 2007 Scorpio Rising 2, Holy Trinity & St Mary, Berwick-upon-Tweed 2006 Masochistic Opposite, Matthew Bown Gallery, London 2005 (Version) for Lightsilver, Beaconsfield, London 2004 Disco Maquette, Sketch, London 2002 The Return of JacKie & Judy (+Joey), Laurent Delaye Gallery, London 2002 MarK Dean, Volker Diehl Gallery, Berlin 2001 MarK Dean, IKON Gallery, Birmingham 2001 MarK Dean, Evolution, Leeds International Film Festival 2000 Ascension, Laurent Delaye Gallery, London 2000 MarK Dean, Imago 2000, Casa de las Conchas, Salamanca 1999 Dust, Laurent Delaye Gallery, London 1996 MarK Dean, City Racing, London Selected -
Where's the Criticality, Tracey? a Performative Stance Towards
Where’s the Criticality, Tracey? A Performative Stance Towards Contemporary Art Practice Sarah Loggie 2018 Colab Faculty of Design and Creative Technologies An exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Creative Technologies Karakia Timatanga Tukua te wairua kia rere ki ngā taumata Hai ārahi i ā tātou mahi Me tā tātou whai i ngā tikanga a rātou ma Kia mau kia ita Kia kore ai e ngaro Kia pupuri Kia whakamaua Kia tina! TINA! Hui e! TAIKI E! Allow one’s spirit to exercise its potential To guide us in our work as well as in our pursuit of our ancestral traditions Take hold and preserve it Ensure it is never lost Hold fast. Secure it. Draw together! Affirm! 2 This content has been removed by the author due to copyright issues Figure A-1 My Bed, Tracey Emin, 1998, Photo: © Tracey Emin/Tate, London 2018 R 3 Figure B-1, 18-06-14, Sarah Loggie, 2014, Photo: © Sarah Loggie, 2018 4 Abstract Tracey Emin’s bed is in the Tate Museum. Flanked by two portraits by Francis Bacon, My Bed (1998) is almost inviting. Displayed on an angle, it gestures for us to climb under the covers, amongst stained sheets, used condoms and empty vodka bottles - detritus of Emin’s life. This is not the first time My Bed has been shown in the Tate. The 2015-17 exhibitions of this work are, in a sense, a homecoming, reminiscent of the work’s introduction to the British public. -
Gillian Wearing Biography
GILLIAN WEARING BIOGRAPHY Born in Birmingham, United Kingdom, 1963 Lives and works in London, United Kingdom. Education: Goldsmiths' College, University of London, B.A. (Hons.) Fine Art, 1990 Chelsea School of Art, B.TECH Art & Design, 1987 Solo Exhibitions: 2014 Gillian Wearing, Regen Projects, Los Angeles, CA, December 11, 2014 – January 24, 2015 Gillian Wearing, Maureen Paley, London, UK, October 13 – November 16, 2014 Rose Video 05 | Gillian Wearing, The Rose Art Museum, Brandeis University, Waltham, MA, November 11, 2014 – March 8, 2015 We Are Here, The New Art Gallery Walsall, Walsall, UK, 18 July – 12 October 2014 2013 Gillian Wearing, Museum Brandhorst, Munich, Germany, March 21 – July 7, 2013. PEOPLE: Selected Parkett Artists’ Editions from 1984-2013, Parkett Space, Zurich, Switzerland, February 9 – March 11, 2013. 2012 Gillian Wearing, Whitechapel Art Gallery, London, United Kingdom, March 28 – June 17, 2012; travels to K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany, September 8 – January 6, 2013; Pinakothek der Moderne, Munich, Germany, March – July 2013. 2011 Gillian Wearing: People, Tanya Bonakdar Gallery, New York, NY, May 5 – June 24, 2011 2009 Gillian Wearing: Confessions/ Portraits, Videos, Musée Rodin, Paris, France, April 10 – August 23, 2009 2008 Gillian Wearing: Pin-Ups and Family History, Regen Projects, Los Angeles, CA, July 12 – August 23, 2008 2007 Gillian Wearing: Family Monument, special project curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica de Arte Contemporanea di Trento, -
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected] MATTHEW HIGGS Born 1964 in Wakefield, West Yorkshire, England Lives and works in New York Education 1984-87 Newcastle-upon-Tyne Polytechnic, BA (Hons Fine Art) 1983-84 Blackburn School of Art (Foundation) Solo Exhibitions 2016 Lost For Words, Murray Guy, New York 2015 Matthew Higgs and Clive Hodgson, Wilkinson, London 2014 Matthew Higgs, Ian Wallace: Reading Works, The Apartment, Vancouver 2013 MLMH (two person exhibition with Margaret Lee), Murray Guy, New York 2012 MHML (two person exhibition with Margaret Lee), The Green Gallery, Milwaukee, WI 2010 Showdown, The Apartment, Athens, Greece 2009 Art in Crisis – Pictures in Peril, Murray Guy, New York Never Look Back, Glenn Horowitz Bookseller, East Hampton, NY Beginnings, Middles and Ends (with Gedi Sibony), Galerie Senn, Vienna 2008 Art Is To Enjoy, Wilkinson, London Are You Happy, The Apartment, Vancouver 2007 EX LIBRIS: Matthew Higgs and Peter Wuethrich, University Gallery Umass, Amherst, MA Jack Hanley, Los Angeles 2006 What goes around comes around, Murray Guy, New York 2004 Priceless, The Suburban, Oak Park, IL 2003 Art Isn’t Easy, Murray Guy, New York 2002 Not Worth Reading, Anthony Wilkinson Gallery, London 2000 Look Now, Pay Later, Murray Guy, New York 1999 Anthony Wilkinson Gallery, London 1997 There’s a painting on the wall (a collaboration with Chris Ofili), Anthony Wilkinson Fine Art, London 1996 There’s a painting on the wall (a collaboration with Peter Doig), Anthony Wilkinson Fine Art, London Selected Group Exhibitions 2016 Foundation Barbin Presents Redeux Sort Of, Kai Matsumiya Gallery, New York 2014 Not for All My Little Words (curated by Tim Hawkinson), Marc Straus, New York Manic Panic, Shoot the Lobster, New York. -
Biobibliography
Biobibliography Douglas Park born: 23-01-1972, United Kingdom visual artist, writer (of literary prose and critical essays, both mostly art connected), exhibition curator and multiple practices and roles combined http://www.myspace.com/douglas_park https://www.facebook.com/douglasrpark [email protected] +44 7813 271150 Every effort has been made to title and describe each entry; in some instances, the same items fall into several categories, hence apparent repetition. Group Exhibitions (excluding exhibitions in “Curation” category, even if personally appeared in) 1990: Boxes & Totems, curated by Jane England, England & Co Gallery, London An Art Fair Frieze, curated by Simon Cutts, Galleria Victoria Miro, Florence 1991: Art in Boxes, curated by Jane England, England & Co Gallery, London 1996-’97: untitled group exhibition, curated by City Racing, London, Life / Live, U.K art-scene survey, curated by Hans Ulrich Obrist & others, Musee d’Art Moderne de la Ville de Paris, touring to Centro Culturelle de Belem, Lisbon 1999: The Manchurian Candidate, curated by Ciara Ennis & David Goldenberg, Flexible Response / ESP / Homeless H.Q, London 2000: Hand Jobs, with Michael Landy & Gillian Wearing, The Approach, London 2001: City Racing 1988-’98: A Partial Account, curated by Matthew Higgs & others, Institute of Contemporary Arts, London 2002: Its Only Words, curated by Esther Windsor, Mirror, London Blow by Blow, with April Durham, Olive Martin & Michelle Naismith, Zoo Galerie, Nantes Drunks, curated by Gavin Broad & Natural Light, Vincent -
Mike Nelson Full
MIKE NELSON BORN 1967 Loughborough, United Kingdom Lives and works in London EDUCATION 1992-93 Chelsea College of Art & Design, MA Sculpture 1986-90 Reading University, BA (Hons) Fine Art - first class SOLO EXHIBITIONS 2019 ‘PROJEKTÖR (Gürün Han)’, Protocinema, Istanbul, Turkey ‘Tate Britain Commission’, Tate Britain, London, United Kingdom 2018 Officine Grandi Riparazioni, Turin, Italy ‘Lionheart’, The New Art Gallery Walsall, Walsall, England 2017 ‘A52’, Capri, Düsseldorf, Germany ‘Procession, process. Progress, progression. Regression, recession. Recess, regress’, Galleria Franco Moero, Torino, Italy 2016 ‘Cloak’, Nouveau Musée National de Monaco, Monaco ‘Sensory Spaces 8’, Museum Boijmans Van Beuningen, Rotterdam ‘Imperfect Geometry for a Concrete Quarry’, Kalkbrottet, Limhamn, Malmö ‘Tools That See’, Neugerriemschneider, Berlin, Germany 2015 303 Gallery, New York, NY Artangel, London, United Kingdom 2014 ‘Studio apparatus for Kunsthalle Münster’, Kunsthalle Münster, Germany ’80 Circles through Canada’ Tramway, Glasgow ‘Amnesiac Hide’ The Power Plant, Toronto, Canada 2013 ‘Mike Nelson’ Contemporary Art Gallery, Vancouver, Canada 'More things (To the memory of Honoré de Balzac)', Matt's Gallery, London 'M6', Eastside Projects, Birmingham, United Kingdom 2012 Malmo Konsthall, Malmo, Sweden 2011 54th Venice Biennale, British Pavilion, Venice, Italy 2010 303 Gallery, New York, NY 2009 'Triptych', Douglas Hyde Gallery, Dublin, Ireland ‘The caves of misplaced geometry’, Galleria Franco Noero, Torino, Italy ‘Kristus och Judas: a structural -
Ceal Floyer Full
CEAL FLOYER BORN 1968 Lives and work in Berlin EDUCATION 1997 Awarded Philip Morris scholarship, Künstlerhaus Bethanien, Berlin 1991–94 BA Goldsmiths College, London AWARDS AND GRANTS 2009 Nam June Paik Art Center Prize 2007 Nationalgalerie Prize for Young Art 2006 Working Grant from ‘Kunst & Nutzen’, Bremerhaven, Germany, Nov 2005 - Dec 2006 2002 The Paul Hamlyn Award 1997 Philip Morris Scholarship, Kuenstlerhaus, Bethanien, Berlin, Germany SOLO EXHIBITIONS 2021 goeben, Berlin, Germany Lisson Gallery, East Hampton, NY Galleria Massimo Minini, Brescia, Italy 2020 “Unrequited Line”, Y8 KUNSTRAUM + YOGA, Hamburg, Germany 2019 “Things”, University of Michigan Museum of Art, Ann Arbor, MI "Exercises in Harmony 3", Kunsthal 44Møen, Askeby, Denmark 2018 Lisson Gallery, London, UK Esther Schipper, Berlin, Germany Neuer Berliner Kunstverein, Berlin, Germany 2017 303 Gallery, New York, NY 2016 On Occasion, Aargauer Kunsthaus, Aarau, Germany Aspen Art Museum, Aspen, CO 2015 Kunstmuseum Bonn, Germany Esther Schipper, Berlin, Germany “Four Floors”, Kunst-Werke institute, Berlin, Germany “Til I Get It Right”, Samdani Art Foundation, Dhaka, Bangladesh 2014 Ceal Floyer, Museion Bozen, Bolzano, Italy Ceal Floyer, Lisson Gallery, Milan, Italy 2013 Ceal Floyer, Kabinett für Aktuelle Kunst, Bremerhaven, Germany Ceal Floyer, Kunstverein Köln, Germany 2011 303 Gallery, New York, NY Esther Shipper, Berlin, Germany Project Art Center, Dublin, Ireland DHC/ART foundation for contemporary Art, Montreal, Canada CCA, Tel Aviv, Israel 2010 Museum of Contemporary -
Deconceptualizing Artists' Rights
Deconceptualizing Artists’ Rights STEVEN G. GEY* TABLE OF CONTENTS I. INTRODUCTION .................................................................................................... 38 II. THE NEW CASE AGAINST MORAL RIGHTS STATUTES ........................................... 41 A. The Theory and Justification of Moral Rights Protection .......................... 42 B. The Pragmatic Objections to Moral Rights ............................................... 45 1. Society’s Interest in Destroying Art .................................................... 46 2. Society’s Interest in Favoring Curatorial Decisions About Art ............................................................................................ 49 3. Society’s Interest in Allowing Others To Modify an Artist’s Work ................................................................................. 52 4. Society’s Interest in Recognizing Multiple Authorship ....................... 53 5. The Failure of Pragmatic Arguments Against Moral Rights .............. 54 III. MORAL RIGHTS AND THE END OF ART: THE UNEASY RELATIONSHIP BETWEEN ART THEORY AND THE LAW REGARDING ART .................................................................................................. 55 A. The End of Art or the Proliferation of Art? ................................................ 56 B. The End of Art and Destruction-as-Artistic-Creation ................................ 62 C. Reconceptualizing Moral Rights Statutes .................................................. 67 IV. WHY ART (AND ARTISTS) STILL -
Nature, Art and Indifference Rob Bartram
Nature, art and indifference Rob Bartram To cite this version: Rob Bartram. Nature, art and indifference. cultural geographies, SAGE Publications, 2005, 12 (1), pp.1-17. 10.1191/1474474005eu320oa. hal-00572144 HAL Id: hal-00572144 https://hal.archives-ouvertes.fr/hal-00572144 Submitted on 1 Mar 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. cultural geographies 2005 12: 1–17 Nature, art and indifference Rob Bartram Department of Geography, University of Sheffield This paper explores possibilities associated with contemporary explanations of nature through a con- sideration of the nature-based art of Damien Hirst. I argue that this art poses fresh and challenging questions with the potential to destabilize dominant explanations of nature. His art affords nature the transformative qualities that rupture both its unproblematical differentiation from society and the belief that nature can be represented as an objectified truth through art. We can best explore these ideas in relation to Hirst’s art by ‘using’ an interpretative strategy akin to Baudrillard’s ‘mysterious rules of indifference’ – the exploration of art’s capacity to activate and trigger metaphors, motifs and plays on meaning that form the ebb and flow of the cultural sign system, where attention is paid to the relational order between the components of meaning, rather than the material composition of specific objects. -
Emmanuelle Waeckerle
EMMANUELLE WAECKERLE www.ewaeckerle.com [email protected] www.ucreative.ac.uk www.thebookroom.net [email protected] · Biography Born in Rabat, Morocco. Lives and works in London. 1994-1996 Slade school of Art, MA Fine Art / Media 1992-1993 University of Greenwich, Cert Ed Art and Design 1987-1991 City of London Polytechnic, DADS Fine Art Photography · employment - 0.5 Reader in photography and relational practices at UCA Farnham - Lead academic and director of bookRoom research cluster and bookroom press at UCA Farnham · Teaching 1999 current - University college for the creative arts, Farnham, BA/MA Photography, PHD 1996-2000 - Kent Institute of Art and Design, Maidstone, BA and MA Visual Communication 1997 - Surrey Institute, Croydon College, BA Photomedia 1996-1997 - Slade school of Fine Art; Research assistant in Media / Electronic Media 1993- 2006 - Lambeth College, Film Video and Photography Access course · selected exhibitions/performances and other projects 2015 On walking and reading and thinking, exhibition with Thomas Evans, David Rule, the saison poetry library, southbank centre, 13th Jan / 1st March, London 2014 - bookRoom at Small publishers fair, Conway hall, Nov 2013 - CODEX; paper, pixel and beyond, curating and chairing talk and panel discussion with Alessandro Ludovico, Delphine Bedel, Colin Sackett. London art book fair, 24th Sept, Whitechapel gallery, London - bookRoom display at Whitechapel international book fair, 22/25 september London - PRAELUDERE in Neufelden performance , die Station, Austria, 6th September - PRAELUDERE in Haan performance, ATELIER IM OF, 4th May Haan, Germany - PRAELUDERE im Munich performance, KUNST IM BAU 5 , Munich, 9th February 2013 - bookRoom at Small publishers fair, Conway hall, Nov 2013, launch of bookroom press first publications by Simon Aeppli, Nicky Hamlyn and Vicky Churchill.