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Celebrating Fifty Years of Music
CELEBRATING FIFTY YEARS OF MUSIC ANNUAL REPORT www.lcm.ac.uk @LeedsMusic WELCOME Old School jazz musicians placed great store in positioning We will further diversify our curriculum in the years ahead, LEEDS COLLEGE of MUSIC themselves historically within the music, best summed and our footprint in Quarry Hill is set to expand considerably, up in the expression ‘know where you come from, know with this year’s Skyline Library the first of a number ANNUAL REPORT 2015/16 where you’re going, know where you’re at’. Throughout of major projects. 2015/16, Leeds College of Music did exactly that, as we celebrated our opening in 1965, embraced the challenges and These projects will bring LCoM closer to the city core at a 03 Introduction opportunities of the here and now, and plotted our future time of renewed cultural energy in Leeds, driven by the city’s direction with the launch of our strategic plan 2015-20. bid for European Capital of Culture in 2023. It is an aspiration 04 2015/16: The Year at a Glance we wholeheartedly endorse, along with new initiatives such 06 Legacy Big Band Our plan is built around three quality pillars: exceptional as the Leeds BID, with whom we collaborated fruitfully in learning, musical discovery and collaboration, supported 2015/16. As a small specialist institution, collaboration is 08 Artistic Output by a further three growth pillars of sustainability, team in our organisational DNA. As a music conservatoire, it is 10 Alumni Activity development and exemplary facilities. These pillars provide in our artistic genes too. -
September 2014
September 2014 America The Beautiful! different hospitality experience. We gladly copied their model 2014 NATIONAL SMOOTH of starting the weekend with a full-fledged dinner that not DANCERS CONVENTION only allowed more people to enjoy a welcoming experience but Hosted by The Palomar Chapter which also added nearly 3 hours of dancing to our opening A MESSAGE FROM PETER & MARSHA HANSEN evening. -Thanks also to Mike Cowlishaw of the San Diego Chapter A lot of thank you’s are in order for the success of 2014 and Dennis Acosta of the Bakersfield Chapter for agreeing to NSD Convention that was held in Palm Springs over Labor provide the music for 2 of our sessions. Their smooth expertise Day weekend, but with your indulgence, we would like to was very welcome. start with a huge thank you to the members of the Palomar -Thanks to the Southern California chapters (San Diego, Chapter. We think it was evident to all in attendance that the San Fernando Valley and Los Angeles) for hosting our post Chapter put together a terrific team effort in all aspects. We dance hospitalities. had a lot of learning on the job, as it had been 14 years since -We enjoyed watching the competitors and formation teams the Palomar Chapter had hosted a Convention; most of our who entertained us throughout the weekend and we appreciate current members were not even members at that time. We the time and effort they spent in preparation for these events. couldn’t be prouder of the job that our members did and hope -Many dancers also participated in the Jack & Jill contests you all will join us in applauding a job well done. -
It's a Bird...It's a Plane...It's Superman
It's a Bird...It's a Plane...It's Superman It's a Bird... It's a Plane... It's Superman is a musical composed by Charles Strouse, with lyrics by Lee Adams and book by David Newman and Robert Benton. It is based on the comic It's a Bird... It's a book character Superman created by Jerry Siegel and Joe Shuster and published by DC Comics. Plane... It's Superman Contents Synopsis Production history TV special Original Broadway cast Original West End cast Musical numbers Awards and nominations Original Broadway Cast Original Broadway production Recording References Music Charles Strouse External links Lyrics Lee Adams Book David Newman Synopsis Robert Benton Basis Superman The plot revolves around Superman's efforts to defeat Dr. Abner Sedgwick, a ten-time Nobel Prize-losing scientist who seeks to avenge the scientific world's dismissal of his brilliance by by Jerry Siegel attempting to destroy the world's symbol of good. Additionally, Superman comes into romantic conflict with Max Mencken, a columnist for the Daily Planet newspaper, who resents Lois and Joe Shuster Lane's attraction to Superman, and later teams up with Sedgwick to destroy Superman. Productions 1966 Broadway 1975 ABC TV Production history special 2007 Los The musical opened on Broadway at the Alvin Theatre on March 29, 1966.[1] Directed by Harold Prince with choreography by Ernest Flatt, it starred Bob Holiday as Clark Kent and Angeles Concert Superman, Patricia Marand as Lois Lane, Jack Cassidy as Max Mencken, and Linda Lavin as Sydney. The production received generally positive reviews, but it failed to catch on with the 2010 Dallas theater-going public and closed on July 17, 1966 after 129 performances. -
Quadrophenia and Mod(Ern) Culture Series: Palgrave Studies in the History of Subcultures and Popular Music
P. Thurschwell (Ed.) Quadrophenia and Mod(ern) Culture Series: Palgrave Studies in the History of Subcultures and Popular Music ▶ Explores the importance of Quadrophenia to British cultural history and subcultural studies from the 1970s onwards ▶ Examines the interaction of Quadrophenia with class, culture, identity, genre, gender and sexuality ▶ Contains interviews with Frank Roddam, film director, and Ethan Russell, photographer This collection explores the centrality of The Who’s classic album, and Franc Roddam’s cult classic film of adolescent life, Quadrophenia to the recent cultural history of Britain, to British subcultural studies, and to a continuing fascination with Mod style and culture. The interdisciplinary chapters collected here set the album and film amongst critical contexts including gender and sexuality studies, class analysis, and the film and album’s urban 1st ed. 2018, XV, 268 p. 9 illus., 4 illus. in geographies, seeing Quadrophenia as a transatlantic phenomenon and as a perennial color. adolescent story. Contributors view Quadrophenia through a variety of lenses, including the Who’s history and reception, the 1970s English political and social landscape, the adolescent novel of development (the bildungsroman), the perception of the film through Printed book the eyes of Mods and Mod revivalists, 1970s socialist politics, punk, glam, sharp suits, Hardcover scooters and the Brighton train, arguing for the continuing richness of Quadrophenia’s ISBN 978-3-319-64752-4 depiction of the adolescent dilemma. The volume includes new interviews with Franc ▶ 109,99 € | £99.99 Roddam, director of Quadrophenia, and the photographer Ethan Russell, who took the ▶ *117,69 € (D) | 120,99 € (A) | CHF 130.00 photos for the album’s famous photo booklet. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
"The Who Sings My Generation" (Album)
“The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone. -
Host's Master Artist List
Host's Master Artist List You can play the list in the order shown here, or any order you prefer. Tick the boxes as you play the songs. Feeder Lily Allen Steps John Legend Gerry & The Pacemakers Liberty X Georgie Fame Bobby Vee Buddy Holly Beach Boys Animals Vengaboys Johnny Tilloson Hollies Blue Troggs Supremes Akon Gorillaz Britney Spears Chemical Brothers Johnny Kidd & The Pirates Sonny & Cher Elvis Presley Peggy Lee Ken Dodd Beyonce Jeff Beck Avril Lavigne Chuck Berry Lulu Del Shannon Spencer Davis Group Sugababes Backstreet Boys Daft Punk Dion Warwick Pink Doors Robbie Williams Steely Dan Louis Armstrong Chubby Checker Shirley Bassey Abba Destiny's Child Andy Williams Nelly Furtado Paul Anka Blink 182 Copyright QOD Page 1/101 Team/Player Sheet 1 Good Luck! Spencer Davis Peggy Lee Nelly Furtado Steps Ken Dodd Group Shirley Bassey Dion Warwick Gorillaz Bobby Vee Blue Johnny Kidd & Blink 182 Sonny & Cher Lulu Avril Lavigne The Pirates Jeff Beck Elvis Presley Feeder Vengaboys Britney Spears Copyright QOD Page 2/101 Team/Player Sheet 2 Good Luck! Lily Allen Blue Avril Lavigne Liberty X John Legend Peggy Lee Backstreet Boys Lulu Sugababes Buddy Holly Troggs Beach Boys Sonny & Cher Robbie Williams Blink 182 Johnny Kidd & Louis Armstrong Akon Abba Chuck Berry The Pirates Copyright QOD Page 3/101 Team/Player Sheet 3 Good Luck! Johnny Kidd & Robbie Williams Troggs Paul Anka Shirley Bassey The Pirates Blink 182 Johnny Tilloson Lulu Hollies Britney Spears Dion Warwick Lily Allen Peggy Lee Pink Del Shannon Sugababes Destiny's Child Chubby Checker -
BUILDING: Senate Offices Open After Anthrax Scare
NC_A_9_A9_LA_1_01-23-02_we_1_CMYK 2002:01:22:21:06:30 LOS ANGELES TIMES THE NATION NA / WEDNESDAY, JANUARY 23, 2002 A9 BUILDING: Senate Offices Open After Anthrax Scare Continued from A1 It might have been the remains achieved,” Dr. Patrick Meehan of and a protective suit—left behind contaminated in an attack in which of the chlorine dioxide gas used to the CDC said at a news conference. by the cleanup crew—was dis- deadly spores were sent through decontaminate the place, or maybe “But as with any public health covered above a hallway ceiling the U.S. mail, killing five people. the thorough scrubbing delivered problem, we cannot eliminate any outside the Daschle suite, prompt- Left behind in the rush to get this weekend by work crews trying risk entirely.” ing another flurry of precautions. out were senators’ briefcases, com- to restore a building weeks in hi- Still, the staffers came back. The delay made Tuesday’s home- puter files, personal checkbooks bernation. Whatever it was, it was Daschle said he knew of no one in coming all the sweeter. and half-empty cups of coffee. The giving some people a headache and the Hart building’s 5,000-member “So this is a great day. It’s good Washington work force that serves others a sore throat, and some work force to resign out of safety to be back,” Daschle said. “It’s half the U.S. Senate was abruptly aides said they were less concerned concerns. But a twinge of ambiva- good to be confident that we can displaced, flung all over the Capitol about the anthrax than the stuff lence was in evidence. -
A Symposium on Quadrophenia
Here by the Sea and Sand: A Symposium on Quadrophenia sponsored by the Centre for Modernist Studies, the Centre for Visual Fields, the Centre for Research into Childhood and Youth, University of Sussex, and the Interdisciplinary Network for the study of Subcultures, Popular Music and Social Change Thursday 10 July 6-8 Showing of Quadrophenia at Duke of York’s Cinema, Brighton Franc Roddam (director of Quadrophenia) and Alan Fletcher (story consultant on the film) will lead a Q and A session after the showing. Friday 11 July 9:00-9:45 Registration: Fulton Building, University of Sussex (All talks in Fulton A) 9:45-10:30 Conference welcome by Pam Thurschwell followed by Paolo Hewitt reading from The Sharper Word: A Mod Anthology 10:30-11:45 Mods and Quads: International perspectives Christine Feldman-Barrett (Griffith University, Australia): Beyond Brighton, Beyond Britain: Quadrophenia and the Post-1960s Mod Diaspora Suzanne Coker: Quad to Run: on Quadrophenia and Born to Run Simon Wells: 11:45-12:15 Coffee/Tea break 12:15-1:30 “You’re watching movies trying to find the feelers”: Quadrophenia as Cult Film Dolores Tierney (University of Sussex) :Quadrophenia as a ‘new’ cult musical Stephen Glynn (De Montfort University): “Dressed Up Better Than Anyone”: Quadrophenia and the Cult Film Experience Andy Medhurst (University of Sussex): From Soho down to Brighton: Capital, Coast and Quadrophenia 1:30-2:15 Lunch 2:15-3:30 The Who in History Keith Gildart (University of Wolverhampton): Class, Youth and Dirty Jobs: Exploring continuity and change -
JUDI SILVANO Vocalist, Composer, Lyricist
Website: judisilvano.com Booking: [email protected] Email: [email protected] Tel: 914 213-2992 JUDI SILVANO Vocalist, Composer, Lyricist JUDI SILVANO’S WOMEN’S WORK By Lynn Jordan, March 2009 Judi Silvano is a traditional Jazz singer, whose release “Woman’s Work” showcases her bright voice against a simple backdrop of piano, drums and bass in an intimate live performance. Rosemary Clooney, Peggy Lee with a pinch of Ella Fitzgerald are good points of reference for her vocal style. Silvano is not afraid to be playful and light on such songs as “Not To Worry” and “New Dance” where she scats convincingly, and she can also handle a song with more depth such as “Inside A Silent Tear” and the lovely “Why Do I Still Dream of You”, which is the standout track and her best vocal performance. The backing band’s musicianship is excellent, and they exercise restraint where other musicians may have gone overboard with solos. This CD is pleasant listen, and perfect for those who can appreciate a singer with a clean, unfussy voice that is not afraid to take some chances for her craft. Judi Silvano: Women’s Work - 4 STARS DOWN BEAT MAGAZINE Caught live at New York’s Sweet Rhythm in March 2006, JSilvano gives a masterful performance. The album title nods not only to the bold, vibrant all-female ensemble, but to the repertoire, which was penned exclusively by women. Far more than a concept album, Women’s Work finds the singer at the peak of her creative game. Silvano displays a firm knowledge of jazz history and vocal technique, subtly coloring the songs with a well-placed shere, a cheery squeak there. -
“Quiet Please, It's a Bloody Opera”!
UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun. -
The Playlist!
THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel.