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News Deserts and Ghost Newspapers: Will Local News Survive?
NEWS DESERTS AND GHOST NEWSPAPERS: WILL LOCAL NEWS SURVIVE? PENELOPE MUSE ABERNATHY Knight Chair in Journalism and Digital Media Economics Will Local News Survive? | 1 NEWS DESERTS AND GHOST NEWSPAPERS: WILL LOCAL NEWS SURVIVE? By Penelope Muse Abernathy Knight Chair in Journalism and Digital Media Economics The Center for Innovation and Sustainability in Local Media School of Media and Journalism University of North Carolina at Chapel Hill 2 | Will Local News Survive? Published by the Center for Innovation and Sustainability in Local Media with funding from the John S. and James L. Knight Foundation and the University of North Carolina at Chapel Hill Office of the Provost. Distributed by the University of North Carolina Press 11 South Boundary Street Chapel Hill, NC 27514-3808 uncpress.org Will Local News Survive? | 3 TABLE OF CONTENTS Preface 5 The News Landscape in 2020: Transformed and Diminished 7 Vanishing Newspapers 11 Vanishing Readers and Journalists 21 The New Media Giants 31 Entrepreneurial Stalwarts and Start-Ups 40 The News Landscape of the Future: Transformed...and Renewed? 55 Journalistic Mission: The Challenges and Opportunities for Ethnic Media 58 Emblems of Change in a Southern City 63 Business Model: A Bigger Role for Public Broadcasting 67 Technological Capabilities: The Algorithm as Editor 72 Policies and Regulations: The State of Play 77 The Path Forward: Reinventing Local News 90 Rate Your Local News 93 Citations 95 Methodology 114 Additional Resources 120 Contributors 121 4 | Will Local News Survive? PREFACE he paradox of the coronavirus pandemic and the ensuing economic shutdown is that it has exposed the deep Tfissures that have stealthily undermined the health of local journalism in recent years, while also reminding us of how important timely and credible local news and information are to our health and that of our community. -
“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
Report for America's Host Newsroom Partners for 2021-2022 (Current And
Report for America’s host newsroom partners for 2021-2022 (current and new) State Newsroom Beat(s) Anchorage Daily News / AK adn.com Healthcare and public health in Alaska AK KCAW Coverage of Sitka and surrounding communities AK Fairbanks Daily News-Miner Health care in rural Alaska AK KUCB Regional reporting in the Eastern Aleutians 1) Child wellness and mental health in Alabama 2) AL AL.com educational opportunity in Birmingham AL Montgomery Advertiser Alabama's rural "Black Belt" region AL WBHM Education in Birmingham, AL AR Southwest Times Record Food insecurity and poverty in Fort Smith, AR KAWC Colorado River Public AZ Media Latino communities in Yuma County African-American and Latino communities in South AZ The Arizona Republic Phoenix Arizona Center for AZ Investigative Reporting Health care crises on the Arizona-Mexico border AZ Nogales International Eastern Santa Cruz County, AZ AZ TucsonSentinel.com Government accountability and equity issues in Tucson State-by-state data journalism to serve legislative CA Associated Press--Data reporters nationwide Growth and development in San Diego County's CA inewsource backcountry Inequality and income disparities in the Mission District CA Mission Local of SF CA Radio Bilingüe, Inc. San Joaquin Valley Latino community Education, childhood trauma and the achievement gap CA Redding Record Searchlight in and around Redding The effect of environmental regulation on salmon runs, wildfires, the economy and other issues in Mendocino CA The Mendocino Voice County, CA Childhood poverty in San -
Hip-Hop Timeline 1973 – Kool Herc Deejays His First Party in the Bronx
Hip-hop Timeline ➢ 1973 – Kool Herc deejays his first party in the Bronx, where his blending of breaks is first exhibited. The break dancers in attendance began to discover their style and form. ➢ 1975 – Grandmaster Flash begins the early forms of Turntabilism by blending and mixing, while Grandwizard Theodore invents what we now know as scratching. The first Emcee crews are formed. ➢ 1979 – The Sugarhill Gang, under the guidance of record label owner and former vocalist Sylvia Robinson, release Rapper’s Delight, the first commercially recognized rap song. *There is much debate over the first recorded rap song, but it’s widely believed to have been done sometime in 1977 or 1978. ➢ 1980 – Kurtis Blow releases the first best selling hip-hop album, The Breaks, and becomes the first star in hip-hop music. ➢ 1983 – Herbie Hancock, in collaboration with pioneer DeeJay GrandMixer DST (now known as GrandMixer DXT), creates the Grammy Award-winning song Rockit, which is the first time the public ever hears a DeeJay scratching on record. Pioneer hip-hop duo Run DMC releases their first single Sucker Emcee’s. ➢ 1988 – This year is considered the first golden year in hip-hop music with releases such as Public Enemy’s It Takes A Nation of Millions to Hold Us Back, Big Daddy Kane’s Long Live The Kane, Slick Rick’s The Great Adventures of Slick Rick, Boogie Down Production’s By All Means Necessary, Eric B And Rakim’s Follow the Leader and the first highly regarded non-New York hip-hop record, N.W.A.’s Straight Outta Compton. -
UNCF's Fundraiser Moves to Virtual Space
The Charlotte Post Life! THURSDAY, SEPTEMBER 3, 2020 SECTION B Hornets launch voter initiative for elections By Ashley Mahoney [email protected] FILE PHOTO The Charlotte Hornets are the latest professional sports franchise to unveil a voting initiative. UNCF’s annual Women Who Lead luncheon will take place Sept. 26 with a virtual format. “Swarm the Polls,” announced by Hornets Sports & Entertainment on Sept. 1, is designed to educate people about the importance of voting, how to prop- erly register, and encourage them to vote. Similar to UNCF’s fundraiser the Carolina Panthers’ “Your Vote Counts” initiative, “Swarm The Polls” targets voters in the Carolinas and creates a specific space on the Hornets’ website with voting resources where people can check their reg- istration status, find a polling place, request an ab- moves to virtual space sentee ballot and use links to register. “Swarm the Polls” extends across the Hornets, By Herbert L. White to www.uncf.org/mawwll. Glenda Baskin Glover, inter- Spectrum Center, the G-League Greensboro Swarm [email protected] The event will also include a vir- national president of Alpha Kappa and the Hornets Venom GT, a digital gaming team. tual HaTitude competition to de- Alpha and Beverly Evans Smith, Sports venues like Spectrum Center, Bank of Amer- The Women Who Lead luncheon termine the fiercest headgear. You national president and CEO of ica Stadium and Bojangles’ Coliseum were approved is a virtual affair. must be registered for the lunch- Delta Sigma Theta. as early voting sites due to the COVID-19 pandemic. The annual UNCF fundraiser is eon and go to www.uncf.org/hati- The luncheon has also added a Mecklenburg County voters can cast ballots at any Sept. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Communication Skill Essential for Parents
The Charlotte Post THURSDAY,Li SEPTEMBERfe 24, 2020 SECTION! B Alexander marks 30 years STOCK PHOTO at The Park Keeping the lines of communication open is a key asset for parents to help their children cope with change. By Ashley Mahoney [email protected] Bishop Claude Alexander is celebrating 30 years Communication skill with The Park Church. His milestone will be celebrated this weekend with a drive-through on Sept. 26 from 4-5 p.m. at The Park Church In- dependence, 800 Briar Creek Road. The essential for parents celebration will continue on Sept. 27 at 9:45 a.m., which will be accessible on- Talk to kids early and often about pandemic and social pressures line at www.theparkministries.org, www.facebook.com/theparkchurch- By Ashley Mahoney being willing to share and imple- going on,” he said. “We’re living in charlotte, www.youtube.com/ThePark- [email protected] ment tips. the age of technology, where with Alexander Church1 and the church’s mobile app. Above all, parents need to talk to the swipe of a finger you can lit- Being a parent feels harder in Alexander, who is also The Charlotte Post Founda- their kids about what they are ex- erally find out any and everything 2020. tion’s 2020 Luminary, left his hometown of Jackson, periencing. that’s going on in the world. They Jaren Doby, a li- Mississippi to pursue a degree in philosophy at “We cannot assume that children may be already knowledgeable of censed therapist with Morehouse College in Atlanta. He earned his under- understand what’s going on or are what’s happening, but it’s impor- Novant Health Psy- graduate degree in 1985, followed by a master’s in completely aware of what is hap- tant to teach good communication chiatric Associates in divinity from Pittsburgh Theological Seminary in pening at this particular time and practices by asking the questions, Huntersville and 1988. -
The Untimely Death of Prince Markie Dee, MOURNING American Rap
Senate Resolution No. 1158 BY: Senator PARKER MOURNING the untimely death of Prince Markie Dee, American rap legend, songwriter, producer, actor, and radio personality WHEREAS, It is the sense of this Legislative Body to honor and pay tribute to those musical geniuses whose commitment and creative talents have contributed to the entertainment and cultural enrichment of their community and the entire State of New York; and WHEREAS, It is with profound sorrow and deep regret that this Legislative Body records the passing of Prince Markie Dee, noting the significance of his inspired life and accomplishments; and WHEREAS, Prince Markie Dee, a founding member of the pioneering hip-hop trio the Fat Boys, died on Thursday, February 18, 2021, at the age of 52; and WHEREAS, Born Mark Anthony Morales on February 19, 1968, in Brooklyn, New York, he teamed up with Darren Robinson (the Human Beatbox) and Damon Wimbley (Kool Rock Ski) and performed under the name The Disco 3 before later becoming the Fat Boys; and WHEREAS, The group launched their career in 1983, when they won a talent contest at Radio City Music Hall; by the end of the decade, the group had become one of rap's premier pop culture ambassadors with the simultaneous release of their platinum-selling fourth album "Crushin'" and their breakout comedy film "Disorderlies" in the summer of 1987; and WHEREAS, This extraordinary trio popularized beatboxing and their goofy sense of humor and affable demeanors made them essential to bringing rap music to the mainstream; and WHEREAS, Their first -
Download Artist's CV
FROELICK GALLERY Willie Little Born 1961 Education 1984 Bachelor of Arts from the University of North Carolina-Chapel Hill Solo Exhibitions 2020 The Shacks My Daddy Built, Froelick Gallery, Portland, OR America’s Social Dilemma, Emory and Henry College, Portland, OR 2019 And Miles to Go Before We Sleep, Froelick Gallery, Portland, OR 2018 Kinfolks, Nodder Doll/Living Doll, Froelick Gallery, Portland, OR Nodder Doll/Living Doll, SFMOMA Artists Gallery, San Francisco, CA Welcoming Willie Little, Froelick Gallery, Portland, OR 2017 Rice Polak Gallery, Provincetown, MA 2016 10th Annual Black History Exhibition, Arts Center of Greenwood, Greenwood, SC 2015 Blood, Rice Polak Gallery, Provincetown, MA 2014 In the Hood, The New Gallery of Modern Art, Charlotte, NC 2011 Rice/ Polak Gallery, Provincetown, MA Totems to a Past: Pounder Kone’ Artspace, Los Angeles, CA 2010 Juke Joint Installation, Diggs Gallery, Winston Salem State University 2009 Juke Joint Installation, YMI Cultural Center, Asheville, NC In Mixed Company, California African American Museum, Los Angeles, CA Rice/Polak Gallery, Provincetown, MA 2008 In Mixed Company, Levine Museum of the New South, Charlotte, NC Joie Lassiter Gallery, Charlotte, North Carolina 2007 Rice/ Polak Gallery, Provincetown, MA 2005 Rice/Polack Gallery, Provincetown, MA 2003-4 Juke Joint, Traveling Installation: Smithsonian Institution, Arts & Industries Gallery, Washington DC American Jazz Museum, Kansas City, Missouri Rice Polak Gallery, Provincetown, MA 2002 Juke Joint, Traveling Installation: African- American -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Electoral Support Still Elusive for Black Women Candidates
What to look for when the Hornets finally take the court for 2020-21 THE VOICE OF THE BLACK COMMUNITY SINCE 1906 TheThe CharlotteCharlotte PostPost WEEK OF DECEMBER 3, 2020 VOLUME 47, NUMBER 13 WWW.THECHARLOTTEPOST.COM $1.50 Pandemic pushes teachers away, out By Jennifer Bringle CAROLINA PUBLIC PRESS For more than a decade, Chasity Robinson worked as an elementary school teacher in Cumberland County. When the COVID-19 pan- demic hit in March, she was sud- denly thrust into the world of virtual learning, both as a teacher and as the parent of a first grader. “I was being asked to do 10 times more than I normally would in the classroom while still trying to par- ent and keep my kid alive,” she said. “I would have meetings at the same time that he was supposed to be in class. I felt that I wasn’t doing COURTESY JESSICA HOLMES anything well, and I surely wasn’t Former Democratic state secretary of labor candidate Jessica Holmes lost her statewide race by a small margin in November. Out of nearly 20 Black teaching effectively.” women to run for legislative, judicial or Council of State positions in 2020, only six were elected. So, before the start of the 2020- 21 school year, Robinson made the difficult decision to leave teaching and pursue a home business full time. Electoral support still elusive “The resources were nonexistent, and even though I worked for an amazing principal, I knew that I wouldn’t be able to survive men- for Black women candidates tally through it,” she said. -
Banlieue Violence in French Rap
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-03-22 Je vis, donc je vois, donc je dis: Banlieue Violence in French Rap Schyler B. Chennault Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the French and Francophone Language and Literature Commons, and the Italian Language and Literature Commons BYU ScholarsArchive Citation Chennault, Schyler B., "Je vis, donc je vois, donc je dis: Banlieue Violence in French Rap" (2007). Theses and Dissertations. 834. https://scholarsarchive.byu.edu/etd/834 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. "JE VIS, DONC JE VOIS, DONC JE DIS." BANLIEUE VIOLENCE IN FRENCH RAP by Schyler Chennault A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of MA in French Studies Department of French and Italian Brigham Young University April 2007 ABSTRACT "JE VIS, DONC JE VOIS, DONC JE DIS." BANLIEUE VIOLENCE IN FRENCH RAP Schyler Chennault Department of French and Italian Master's Since its creation over two decades ago, French rap music has evolved to become both wildly popular and highly controversial. It has been the subject of legal debate because of its violent content, and accused of encouraging violent behavior. This thesis explores the French M.C.'s role as representative and reporter of the France's suburbs, la Banlieue, and contains analyses of French rap lyrics to determine the rappers' perception of Banlieue violence.