The Public Life of Dorothy Macardle

Total Page:16

File Type:pdf, Size:1020Kb

The Public Life of Dorothy Macardle PAGE 4 IRISH LITERARY SUPPLEMENT • SPRING 2021 Who Speaks for the Irish in the Courts? BY TONY CROWLEY Lee’s succinct formulation), this raises the a means through which Irish speakers could rather than switching between two lang- important question with which Phelan’s access justice, the policy became an uages, with the ideal of equal proficiency in ARY PHELAN ’S Irish Speakers, research engages. Which is this: If the instrument of Anglicization. Indeed, one of one or both, multilingual speakers have MInterpreters and the Courts, 1754- British state was so unremittingly hostile to the most compelling elements of this book variable levels of linguistic competence that 1921 , presents an illuminating and signifi- the Irish language (which it was), why and is the way in which it illustrates the means they apply according to context? Evidently, cant story based on voluminous research in how were interpreters used in Irish courts through which this goal was achieved in the the binary either/or of, for example, census a wide range of materials ranging from from the first record of a salaried interpreter law. For as the evidence shows, Irish returns, could not measure this practice, nor newspaper articles to parliamentary papers, in 1754 through to the establishment of the speakers were constantly bullied, ridiculed could a legal system which makes provision county archives, grand jury presentment Irish Free State? The answers to that ques- and humiliated in the courts as the state for interpretation only if a speaker is mono- books, correspondence with Dublin Castle, tion, as it turns out, are surprising in some reinforced the message about the legitimacy lingual Irish. Yet as Phelan’s detailed find- and an impressive number of cultural his- respects, predictable, if revealingly so, in of English with measures ranging from ings show repeatedly, the overwhelming tories from Ireland’s long nineteenth cen- others, and of general significance for the straightforward refusal of evidence in Irish pressure to use English in the courts, and tury. The dry and slightly forbidding title of ways in which we think about linguistic to the use of summons servers, civil bill the reluctance to provide interpretation, the work conceals what is by any standards history not just in Ireland but more broadly. officers or even policemen as interpreters combined to make justice inaccessible pre- a fascinating account of one aspect of the The stipulation that all participants in (all of whom hardly attracted the trust of cisely because participants did not fit the process by which English became the domi- the legal process be given free and fair Irish speakers). Which is not to say that the either/or model of monolingualism/biling- nant language in Ireland. This is a detailed access to the proceedings, through interpre- state did not engage fully with Irish ualism. A cúpla focal of English sufficed and important study which raises questions tation if necessary, seems commonsensical speakers when it suited its purpose; for for the courts to deem the speaker com- beyond its specific remit and illuminates to a contemporary audience. But in fact this interpretation in relation to the census, petent in the language and thus not in need central issues of language and power past principle was not settled in British law until governmental commissions, or the right to of the services of an interpreter, even if the and present. 1916 ( The King v. Lee Kun ), though it had an old age pension, the state appears to have competence was understood to be weak— if been invoked by the Secretary of the Gaelic been happy to pay. you can speak bad English it will do us,” League in a letter to the Chief Secretary of And yet, even given the parsimony of Mary Malone was advised at Ballinrobe Mary Phelan . Ireland 1897: central state provision, and the institutional petty sessions in 1870 (“is fearr Béarla IRISH SPEAKERS , INTERPRETERS AND THE COURTS , hostility towards Irish, one of the significant briste ná Gaeilge cliste”). But if, as case 1754-1921. Every person has a perfectly legal right and perhaps surprising points that Phelan’s after case suggests, people did have some FOUR COURTS PRESS IN ASSOCIATION WITH THE to be examined in the language he research indicates is the geographic and English, which they used in specific, limit- IRISH LEGAL HISTORY SOCIETY , 2019. €55. knows best, it being held that it would historical extent of interpretation in Irish ed, contexts, but not sufficient to sustain be unfair to submit a man to exami- courts. For example, focusing on grand jury them during a potentially difficult legal As early as 1613, State Papers reported nation and cross-examination by a hos- reports, a commission of enquiry, and gov- process, then how are we to categorize them that in the assizes, it was “very inconvenient tile advocate in a language with which ernmental papers for 1807, 1841-43, and in terms of the monolingual/bilingual that the judges are unacquainted with the he was but imperfectly acquainted. 1898-1901, Phelan demonstrates that in- model? Maps, censuses and statistics tend to Irish language, and cannot understand the terpretation practice was much more exten- portray language users in Ireland in black or witnesses that speak no English, whereby The dangers of linguistic injustice were sive than previous work has suggested. This white terms, but what if the reality was they cannot so well judge the case.” We clear, as Edward O’Reilly noted in the is an important finding since if the use of more complex? know little of the means by which such preface to his Sanas Gaoidhilge Sags- interpretation is a measure of the survival of This question is hardly developed in difficulties were addressed, though the beurla: An Irish English Dictionary (1817): Irish, then it may be that earlier conceptions Phelan’s study, and there are a couple of remedy was presumably a set of ad hoc “the mistake of a single word in the evi- about the “disappearance” of the language other issues that detract from the work. For arrangements put in place according to local dence, may cause the acquittal of a mur- in specific areas of the country are over- example, it bears the mark of its origins in circumstances. The situation changed with derer, or the murder of an innocent.” For stated. On the other hand, it may raise a doctoral research, and, more problemati- the introduction of The Administration of some victims of the British legal system, broader issue that Phelan’s work touches on cally, the theoretical approach to language Justice (Language) Act (Ireland) in 1737, that danger was fully realized; Myles Joyce, in passing but doesn’t explore directly. and power (largely consisting of an adapta- formally entitled “An Act that all pro- wrongly executed for his alleged role in the The issue arises from an apparent con- tion of Bourdieu’s stance) is confined to a ceedings in courts of justice within this Maamtrasna murders, is but the most tradiction: Traditional accounts of the late chapter rather than being up front and kingdom shall be in the English language.” egregious example. “death” of the Irish language paint a bleak central. But those caveats aside, Irish The act followed similar legislation in Eng- It is likely, as Phelan demonstrates, that picture of overwhelming decline, and yet Speakers, Interpreters and the Courts 1754- land (1731) and Wales (1733) and although the origins of paid interpretation in the legal Phelan’s evidence appears to indicate that 1921 is a rich, detailed and often fascinating ostensibly directed towards the proscription process in eighteenth-century Ireland began even in the courts, with all the difficulties account of the topic; it marshals a prodi- of Latin and French in the legal process, the at a relatively low level. And the unlikely that they imposed on Irish speakers, gious volume of evidence in support of an consequences for Irish were clear and long- agent of progressive practice in this respect interpretation was still required to a sur- argument that remains pertinent. For as lasting; the Act remains on the Statute book was the much maligned (rightly so for the prising degree at the turn of the twentieth Supreme Court Justice Hardiman noted in in Northern Ireland. most part) grand jury system. It was the century. But what if the linguistic situation 2001, “only a person of unusual indepen- The 1737 Act was part of the general locally constituted grand juries, dealing in Ireland in the long nineteenth century is dence of mind and pertinacity will attempt process by which the English language was with Irish speakers on a day to day basis, not best characterized through the tra- to conduct his or her legal business through elevated above Irish over a considerable that introduced provision for salaried ditional framework of the either/or model of the medium of Irish.” In Northern Ireland, period of time and through a variety of interpreters in criminal cases at the assize monolingualism/bilingualism? What if ling- of course, they wouldn’t, as yet, get the means (economic, political, and cultural). and quarter session courts (litigants in civil uistic practice in this period is better framed chance. • But given that “the whole state apparatus cases always had to pay their own interpre- in terms of the relatively recent concept of —University of Leeds was an agency of anglicisation” (in Joe tation costs). Minimal state provision translanguaging, specifically the idea that followed later, though rather than acting as The Public Life of Dorothy Macardle BY DONAL HALL 1959, as the memory of her faded, her from Dundalk, her mother, Minnie, was an member of Cumann na mBan is repeated in books went out of print and her reputation imperialist from England; Macardle herself this book.
Recommended publications
  • The Plough and the Stars – Act 3 - Summary
    The Plough and the Stars – Act 3 - Summary Some five months have elapsed since the action in the pub in Act 2. It is Easter Week 1916 and Jack has taken part in the rising. We are back at the front of the Georgian building, which has been subdivided into tenement dwellings, one of which is the Clitheroes’ home. From this perspective we can see that the building, which would have been elegant and well maintained in its day, is now suffering from age and neglect. The beautiful Georgian front door is barely hanging on its hinges and the glass in the fanlight above it is broken, save one pane. The windows – except for the Clitheroes’ – are dirty and have ragged, grimy curtains. Five stone steps lead from the front door down to the footpath. To the left of the house is a laneway. At the corner of the street is a streetlight. Mrs Gogan is helping Mollser to a chair, which stands on the path to the left of the front steps. She wraps a shawl around Mollser’s shoulders and tells her that the sun will do her a world of good. She is vainly trying to detect some improvement in her Aoife O’Driscoll www.aoifesnotes.com Page I daughter’s condition and asks her if she is feeling comfortable. Tiredly and weakly, Mollser says that she is fine. Mrs Gogan asks her how she is feeling and Mollser says that she’s all right except for a horrible, sinking feeling. Mrs Gogan dismisses this and says it might just be that her stomach is out of order.
    [Show full text]
  • Was Sinn Féin Dying? a Quantitative Post-Mortem of the Party's
    Was Sinn Féin Dying? A Quantitative Post-Mortem of the Party's Decline and the Emergence of Fianna Fáili Donnacha Ó Beacháin [email protected] Dr. Donnacha Ó Beacháin is Lecturer and Marie Curie Fellow at the School of Law and Government, Dublin City University ABSTRACT: This article calls for a reappraisal of the consensus surrounding the split within Sinn Féin in 1926 that led to the foundation of Fianna Fáil. It demonstrates that quantitative factors cited to demonstrate Sinn Féin’s “terminal” decline – finances, cumann numbers, and election results – and to explain de Valera’s decision to leave Sinn Féin and establish a rival republican organisation, Fianna Fáil, do not provide sufficient objective grounds to explain the republican leader’s actions. This article demonstrates that Sinn Féin’s election results during the period in question (1923-1926) were encouraging and the decline in finances and cumann numbers can be explained by the fact that the base year used to compare progress was 1923, an election year. Moreover, this article compares the performance of Sinn Féin to the first five years of Fianna Fáil (1926-1931) to show that what has been interpreted as terminal decline can also be attributed to normal inter-election lulls in party activity. Correspondingly, subjective factors – e.g. personal rivalries, differences in ideology, organisational style and levels of patience in terms of achieving political power – were most likely the determining factors rather than organisational decline. 1 Introduction A consensus has emerged in recent years regarding the series of events, and the underlying circumstances, which led to the Sinn Féin split and the resultant establishment of Fianna Fáil.
    [Show full text]
  • Class During the Irish Revolution: British Soldiers, 1916, and the Abject Body
    Class During the Irish Revolution: British Soldiers, 1916, and the Abject Body James Moran They sent me to the gallery or round the music-’alls, But when it comes to fightin’, Lord! They’ll shove me in the stalls! -Rudyard Kipling, ‘Tommy’.1 Introduction At the age of 88, James Connolly’s daughter, Nora, wrote about her father’s death. She recalled that, after the execution, there came a knock at the family’s door, and on the doorstep a young British soldier presented himself. He appeared perhaps sixteen or seventeen years old, and Connolly’s widow thought he might be trying to desert. However, when she asked what he wanted, the young man replied: ‘I want you to forgive me’. He continued: I was one of the squad that killed James Connolly. It was only afterwards that I heard how he had worked for the working people. I am a miner. My father is a miner, and my grandfather was a miner – they were both very busy in the trade union. How can I go back home? They would know about James Connolly even if I didn’t. I haven’t been home on leave. I can’t go home. I’d let something slip and they’d know I killed James Connolly. Oh, why was I chosen to kill a man like that? In response, Connolly’s widow gave the reassurance that her dead husband had offered his forgiveness at the time of the execution, because he ‘realised you were being forced, he realised you were only a working-class boy’.2 Of course, it is difficult to verify the story at this distance or to identify the soldier: there are no lists of the men who made up the 1916 firing squads, with the individuals simply having been plucked from their morning’s parade and then ordered to perform the executions.3 Yet certain details of Nora Connolly’s story do ring true.
    [Show full text]
  • Colour in the Plays of Sean O'casey
    “To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face”: Colour in the Plays of Sean O’Casey To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face: Colour in the Plays of Sean O’Casey Ryan K Evans This thesis is submitted for the degree of Master of Philosophy August 2019 English and Creative Writing “To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face”: Colour in the Plays of Sean O’Casey Declaration This thesis has not been submitted in support of an application for another degree at this or any other university. It is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated. Many of the ideas in this thesis were the product of discussion with my supervisors Tony Pinkney and Tony Sharpe. Ryan Evans Lancaster University, UK Ryan K Evans July 2019 ii “To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face”: Colour in the Plays of Sean O’Casey Abstract This thesis examines the presence and use of colour in the plays of Sean O’Casey and argues that while a portion of colour in the drama is aesthetic, another portion is intentionally utilized as a means to provide additional contextual commentary, be it cultural, religious, political, or artistic in nature. This practice stems, I argue, in part because of O’Casey’s tendency towards an appreciation for beautiful things stemming from his artistic leanings.
    [Show full text]
  • Dorothy Macardle
    Dorothy Macardle: ‘The Irish Republic’ author who was much more than de Valera’s propagandist Dorothy Macardle was much more than de Valera's mouthpiece: she was a politically persuasive and stoically independent woman, writes Leeann Lane, the author of a new biography Dorothy Macardle is best known for writing the first full-scale account of the Irish revolutionary period from an anti-Treaty viewpoint, The Irish Republic (1937). She is also known now, to an increasing extent, for the Gothic fiction she produced in the 1940s and early 1950s as a result of the republication of same by Tramp Press. A teacher, a playwright, a novelist and a political propagandist, Macardle was a multifaceted woman who has remained too often below the radar of historical recognition. Commissioned by Éamon de Valera, The Irish Republic established Macardle as one of the key Irish political propagandists of her era. However, it would be reductive and historically inaccurate to conflate Macardle's political viewpoints with those of de Valera or to view her as someone who docilely served his political desire to legitimise his stance on the Treaty. While Macardle's political relationship with de Valera was one she valued and maintained throughout her life, she was not merely a subsidiary or helpmate to him; she was a strong and principled woman never afraid to assert her point of view. By considering her political thought purely through the prism of de Valera, the paradigm of women in a supportive rather than proactive role in the history of the Irish revolution, and the state that formed in its wake, is reinforced yet again.
    [Show full text]
  • The Government's Executions Policy During the Irish Civil
    THE GOVERNMENT’S EXECUTIONS POLICY DURING THE IRISH CIVIL WAR 1922 – 1923 by Breen Timothy Murphy, B.A. THESIS FOR THE DEGREE OF PH.D. DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH HEAD OF DEPARTMENT: Professor Marian Lyons Supervisor of Research: Dr. Ian Speller October 2010 i DEDICATION To my Grandparents, John and Teresa Blake. ii CONTENTS Page No. Title page i Dedication ii Contents iii Acknowledgements iv List of Abbreviations vi Introduction 1 Chapter 1: The ‗greatest calamity that could befall a country‘ 23 Chapter 2: Emergency Powers: The 1922 Public Safety Resolution 62 Chapter 3: A ‗Damned Englishman‘: The execution of Erskine Childers 95 Chapter 4: ‗Terror Meets Terror‘: Assassination and Executions 126 Chapter 5: ‗executions in every County‘: The decentralisation of public safety 163 Chapter 6: ‗The serious situation which the Executions have created‘ 202 Chapter 7: ‗Extraordinary Graveyard Scenes‘: The 1924 reinterments 244 Conclusion 278 Appendices 299 Bibliography 323 iii ACKNOWLEDGEMENTS I wish to extend my most sincere thanks to many people who provided much needed encouragement during the writing of this thesis, and to those who helped me in my research and in the preparation of this study. In particular, I am indebted to my supervisor Dr. Ian Speller who guided me and made many welcome suggestions which led to a better presentation and a more disciplined approach. I would also like to offer my appreciation to Professor R. V. Comerford, former Head of the History Department at NUI Maynooth, for providing essential advice and direction. Furthermore, I would like to thank Professor Colm Lennon, Professor Jacqueline Hill and Professor Marian Lyons, Head of the History Department at NUI Maynooth, for offering their time and help.
    [Show full text]
  • The Novel and the Short Story in Ireland
    The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anthony Halpen April 2016 Anthony Halpen Institute of Irish Studies The University of Liverpool 27.03.2016 i ABSTRACT The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Anthony Halpen, The Institute of Irish Studies, The University of Liverpool. This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger).
    [Show full text]
  • Dorothy Macardle and the Irish Mother: Feminist Writings and the Disruption of Nationalist Myth
    1 DOROTHY MACARDLE AND THE IRISH MOTHER: FEMINIST WRITINGS AND THE DISRUPTION OF NATIONALIST MYTH A Master of Arts Thesis presented by Céillie Clark-Keane to The Department of English In partial fulfillment of the requirements for the degree of Master of Arts in the field of English Northeastern University Boston, Massachusetts May, 2015 2 DOROTHY MACARDLE AND THE IRISH MOTHER: FEMINIST WRITINGS AND THE DISRUPTION OF NATIONALIST MYTH by Céillie Clark-Keane ABSTRACT OF MASTER OF ARTS THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the College of Social Sciences and Humanities of Northeastern University May, 2015 3 ABSTRACT Dorothy Macardle was an author and activist in early twentieth-century Ireland, during the War for Independence and, after, during the early years of the Free State. Despite her status as a successful writer and her recognized involvement in these political movements at the time, Macardle and her published works are often overlooked by scholarship today. This thesis attempts to recover Macardle and her works by exploring Macardle’s commitment to feminist ideals in her literary fiction as well as her conservative historical publications. In order to do so, this thesis considers four key texts published by Macardle: “The Portrait of Roisin Dhu” (1924), The Tragedies of Kerry (1923), The Irish Republic (1937), and The Unforeseen (1946). Placing these seemingly disparate texts in conversation with one another, this thesis suggests that, throughout Macarlde’s works, the author-activist
    [Show full text]
  • WB Yeats and the Legacy of Censorship
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library 'I Sing What Was Lost and Dread What Was Won': W. B. Yeats and the Legacy of Censorship Author(s): Lauren Arrington Source: Irish University Review, Vol. 38, No. 2 (Autumn - Winter, 2008), pp. 222-242 Published by: Edinburgh University Press Stable URL: https://www.jstor.org/stable/40344296 Accessed: 07-05-2020 12:33 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Edinburgh University Press is collaborating with JSTOR to digitize, preserve and extend access to Irish University Review This content downloaded from 78.16.160.210 on Thu, 07 May 2020 12:33:58 UTC All use subject to https://about.jstor.org/terms Lauren Arrington 'I Sing What Was Lost and Dread What Was Won': W. B. Yeats and the Legacy of Censorship The historiography of theatre censorship has recently undergone a transformation. Received wisdom formerly held that since there was no legislative censorship of theatres, no censorship occurred, but work by Joan FitzPatrick Dean and Peter Martin has significantly revised the understanding of the way that censorship operates.
    [Show full text]
  • Earth-Bound Were Written by Dorothy Macardle While She Was Held a Political Prisoner in Dublin’S Kilmainham Gaol and Mountjoy Prison
    ADVANCE INFORMATION EEEARTH---B-BOUND AND OOOTHER SSSUPERNATURAL TTTALES Dorothy Macardle “’Tis these places are haunted,” he said, “by the old Chieftains and Kings.” Originally published in 1924, the nine tales that comprise Earth-Bound were written by Dorothy Macardle while she was held a political prisoner in Dublin’s Kilmainham Gaol and Mountjoy Prison. The stories incorporate themes that intrigued her throughout her life; themes out of the myths and legends of Ireland; ghostly interventions, dreams and premonitions, clairvoyance, and the Otherworld in parallel with this one. It is so easy to dismiss them, as some have, merely as part of the narrative of “Irish nationalism” of the time, but it is the Pub. Date: September 2020 supernatural elements that make them much more. She would revisit these Retail Price: €15.00 themes in later works such as her classic haunted house novel The Uninvited Cover Art: Brian Gallagher (1941). To this new edition of Macardle’s debut collection, reprinted for the first Paperback time in ninety years, we have added four more tales of the supernatural. ISBN: 978-1-78380-738-3 166 pages, 129mm x 198mm Praise for EarthEarth----BoundBound “Macardle is a fascinating example of the bamboozling complexity of history. So many of her beliefs seem to clash, and it is the sites of these collisions that make her work so rich . This latest reissue of her earliest short stories provides a beautifully presented and valuable resource for anyone interested in Irish history, culture or literature.” – Elske Rahill, Dublin Inquirer “Beautifully written, with a fine air for the music of language and vivid descriptions of the landscape.” DOROTHY MACARDLE (1889-1958)— – Peter Tennant, Black Static historian, playwright, journalist, and novelist—was born in Dundalk, Co.
    [Show full text]
  • Sean O' Casey's the Plough and the Stars
    International Journal of Humanities and Social Science Vol. 4, No. 12; October 2014 Sean O’ Casey’s The Plough and the Stars: Women’s Woes during the Easter Rising Mashhoor Abdu Al-Moghales Department of English Faculty of Education Taiz University, Taiz Republic of Yemen Department of English Faculty of Science and Arts KKU, Bisha Saudi Arabia Abstract Sean O’Casey (1880-1964) is known for his support for the working class, especially women. Through many of his writings, he tackles issues that address their suffering and agonies. In The Plough and the Stars (1926), he is concerned with the suffering of women due to the follies of their men and their political leaders during the Easter Rising. He aims at drawing the attention of those leaders to the agonies of women so that they stop fighting and blood shedding. Thus, this article focuses on the woes of women and how women are left alone in their homes under torture. It also attempts to contrast the agonies of those women with the patriotism of their men, which is the real cause behind their turmoil. Keywords: Violence, Easter Rising, Woes of Women, Sean O’Casey and The Plough and the Stars Introduction Many turbulent changes and threats, starting with the First World War, the atomic attacks and finally the deadliest terror attacks have endangered the lives of people in this increasingly globalised world. This cyclic violence has continued to envelop the modern world, thereby subverting the very concept of nationalism, which in turn, severely affects the lives of its individuals, families and especially women.
    [Show full text]
  • Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960
    Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960 Meaney, Reading the Irish Woman.indd 1 15/07/2013 12:33:33 Reappraisals in Irish History Editors Enda Delaney (University of Edinburgh) Maria Luddy (University of Warwick) Reappraisals in Irish History offers new insights into Irish history, society and culture from 1750. Recognising the many methodologies that make up historical research, the series presents innovative and interdisciplinary work that is conceptual and interpretative, and expands and challenges the common understandings of the Irish past. It showcases new and exciting scholarship on subjects such as the history of gender, power, class, the body, landscape, memory and social and cultural change. It also reflects the diversity of Irish historical writing, since it includes titles that are empirically sophisticated together with conceptually driven synoptic studies. 1. Jonathan Jeffrey Wright, The ‘Natural Leaders’ and their World: Politics, Culture and Society in Belfast, c.1801–1832 Meaney, Reading the Irish Woman.indd 2 15/07/2013 12:33:33 Reading the Irish Woman Studies in Cultural Encounter and Exchange, 1714–1960 GerArdiNE MEANEY, MARY O’Dowd AND BerNAdeTTE WHelAN liVerPool UNIVersiTY Press Meaney, Reading the Irish Woman.indd 3 15/07/2013 12:33:33 reading the irish woman First published 2013 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2013 Gerardine Meaney, Mary O’Dowd and Bernadette Whelan The rights of Gerardine Meaney, Mary O’Dowd and Bernadette Whelan to be identified as the authors of this book have been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
    [Show full text]