Open Source Yearbook 2018
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AI Media Analytics Readme
Avid® | AI Media Analytics Version 2018.9 ReadMe Important Information Avid® recommends that you read all the information in this ReadMe file thoroughly before setting up an Avid | AI Media Analytics environment. This ReadMe describes the required installation and configuration for running Avid | AI Media Analytics using Microsoft Azure Video Indexer. Additional information on MediaCentral | Cloud UX and MediaCentral | Asset Management is available online in guides. For more information about Azure Video Indexer, refer to Microsoft documentation. Important: Search the Avid Knowledge Base at http://www.avid.com/learn-and-support for the most up-to-date ReadMe file, which contains the latest information that might have become available after the documentation was published. Revision History Date Revised Changes Made September 28, 2018 First publication Contents About Avid | AI Media Analytics . 2 Installing the Media Analytics Packages. 4 Assigning Media Analytics Rights . 7 (Optional) Enabling the Media Analytics Processing Trigger . 8 (Optional) Enabling Media Analytics Processing for Additional Asset Types. 9 Creating Provider Configuration Profiles . 11 Triggering Media Analytics Processes by Using a Watch Folder Import. 16 Triggering Media Analytics Processes in MediaCentral | Cloud UX . 19 Monitoring Media Analytics Processes in the Process App . 20 Searching for Media Analytics Results in the Search App . 21 Displaying Media Analytics Results in the Markers Tab . 24 About Avid | AI Media Analytics About Avid | AI Media Analytics Avid | AI Media Analytics provides a framework that automates content indexing, such as facial detection, scene recognition, and speech-to-text conversion, by using third-party capabilities. The current version provides support for Microsoft Cognitive Services (Azure Video Indexer) and includes a Media Analytics API for additional providers. -
CV Pedro Huichalaf
Abogado, Magíster © Derecho Informático y de las Telecomunicaciones Pedro Mariano Huichalaf Roa @huichalaf Lord Cochrane 184, depto. 1116 Santiago Centro Rut: 13.021.045-7 PedroHuichalaf Fecha nacimiento: 29-09-1976 Estado civil: Soltero Nacionalidad Chilena www.culturadigital.cl Móvil: +569 99183176 [email protected] Asesor jurídico parlamentario en tecnología y telecomunicaciones. Abogado división jurídica de la Subsecretaría de Telecomunicaciones Director de ONG META http://www.ongmeta.org Formación académica 1982-1994 Educación Básica y Media completa Colegio Rubén Castro, avda. El Bosque 1388 Viña del Mar Grado Licenciado 1995-2004 Estudio y egreso de la Carrera de Derecho con distinción Universidad de Valparaíso, Errazuriz 2120, Valparaíso. Nota 7.0 2005-2006 Memoria de grado Nota 7.0 distinción máxima Distinción máxima Confección y calificación de Memoria de Grado titulada “Derecho a la Privacidad y Nuevas Tecnologías de la Información y las Comunicaciones”. Nota 7.0 2007-2007 Práctica profesional Nota 7.0 distinción máxima Distinción máxima Práctica Profesional en Corporación de Asistencia Judicial de Valparaíso, Abril a Noviembre, sección Civil-Laboral. 2008-2008 Diplomado en Derecho Informático Nota 6.0 Diplomado en la Universidad de Chile en Santiago. Marzo a Monografía Diplomado Septiembre. Desarrollo monografía titulada “Evolución de la Sociedad Civil en las Políticas Tecnológicas del Estado”. Este diplomado forma parte del Magíster en Derecho de la Informática y de las Telecomunicaciones. 2009-2009 Diploma de excelencia Reconocimiento En práctica profesional por temporada año 2008 entregado Mejor postulante por Corporación de Asistencia Judicial de Valparaíso. Año 2008 2010-2010 Diplomado en Derecho de las Telecomunicaciones Diplomado en la Universidad de Chile en Santiago. -
A Java Implementation of a Portable Desktop Manager Scott .J Griswold University of North Florida
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 1998 A Java Implementation of a Portable Desktop Manager Scott .J Griswold University of North Florida Suggested Citation Griswold, Scott .,J "A Java Implementation of a Portable Desktop Manager" (1998). UNF Graduate Theses and Dissertations. 95. https://digitalcommons.unf.edu/etd/95 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 1998 All Rights Reserved A JAVA IMPLEMENTATION OF A PORTABLE DESKTOP MANAGER by Scott J. Griswold A thesis submitted to the Department of Computer and Information Sciences in partial fulfillment of the requirements for the degree of Master of Science in Computer and Information Sciences UNIVERSITY OF NORTH FLORIDA DEPARTMENT OF COMPUTER AND INFORMATION SCIENCES April, 1998 The thesis "A Java Implementation of a Portable Desktop Manager" submitted by Scott J. Griswold in partial fulfillment of the requirements for the degree of Master of Science in Computer and Information Sciences has been ee Date APpr Signature Deleted Dr. Ralph Butler Thesis Advisor and Committee Chairperson Signature Deleted Dr. Yap S. Chua Signature Deleted Accepted for the Department of Computer and Information Sciences Signature Deleted i/2-{/1~ Dr. Charles N. Winton Chairperson of the Department Accepted for the College of Computing Sciences and E Signature Deleted Dr. Charles N. Winton Acting Dean of the College Accepted for the University: Signature Deleted Dr. -
Report on the 2020 FOSS Contributor Survey
Report on the 2020 FOSS Contributor Survey The Linux Foundation & The Laboratory for Innovation Science at Harvard Frank Nagle Harvard Business School David A. Wheeler The Linux Foundation Hila Lifshitz-Assaf New York University Haylee Ham Jennifer L. Hoffman Laboratory for Innovation Science at Harvard Acknowledgments This report and the research behind it would not have been possible without the leadership of the Core Infrastructure Initiative’s Advisory Committee, composed of Josh Corman, Steve Lipner, Audris Mockus, Henning Piezunka, and Sam Ransbotham. Frank Nagle would also like to thank his fellow co-directors of the Core Infrastructure Initiative, Jim Zemlin at the Linux Foundation and Karim Lakhani at the Laboratory for Innovation Science at Harvard, for their counsel and direction throughout this project. Gratitude and thanks to Michael Dolan and Kate Stewart at the Linux Foundation for their ongoing commitment to this undertaking. Thank you to James Dana for laying the initial groundwork for this survey. Finally — and perhaps, most importantly — thank you to all the individuals who contribute to FOSS projects. Without their tireless efforts, our core digital infrastructure and the feats enabled by it would not be sustainable. REVISED: This report has been updated since its original release on 8 December 2020. This second version, released on 10 December 2020, corrects errors found in the original text and graphics. Contents Executive Summary 4 Introduction 7 Methodology 9 Overview of Findings 10 Demographics 10 Figure 1: Gender -
Gestaltungspotenzial Von Digitalen Compositingsystemen
Gestaltungspotenzial von digitalen Compositingsystemen Thorsten Wolf Diplomarbeit Wintersemester 03/04 1. Betreuer Herr Prof. Martin Aichele 2. Betreuer Herr Prof. Christian Fries Fachhochschule Furtwangen Fachbereich Digitale Medien „Das vielleicht größte Missverständnis über die Fotografie kommt in den Worten ‚die Kamera lügt nicht‛ zum Ausdruck. Genau das Gegenteil ist richtig. Die weitaus meisten Fotos sind ‚Lügen‛ in dem Sinne, daß sie nicht vollkommen der Wirklichkeit entsprechen: sie sind zweidimensionale Abbildungen dreidimensionaler Objekte, Schwarzweißbilder farbiger Wirklichkeit, ‚starre‛ Fotos bewegter Objekte. … “ [Kan78] S. 54f Für Mama und Papa, of course. Eidesstattliche Erklärung i Eidesstattliche Erklärung Ich, Thorsten Wolf, erkläre hiermit an Eides statt, dass ich die vorliegende Diplomarbeit selbstständig und ohne unzulässige fremde Hilfe angefertigt habe. Alle verwendeten Quellen und Hilfsmittel sind angegeben. Furtwangen, 24. Februar 2004 Thorsten Wolf Vorwort iii Vorwort In meiner Diplomarbeit „Gestaltungspotenzial von digitalen Compositingsystemen“ untersuche ich den vielseitigen visuellen Bereich der Medieninformatik. In der vorliegenden Arbeit sollen die gestalterischen Potenziale von digitalem Compositing ausgelotet werden. Hierzu untersuche ich theoretisch wie praktisch die digitalen Bildverarbeitungsverfahren und –möglichkeiten für analoge und digitale Bildquellen. Mein besonderes Augenmerk liegt hierbei auf dem Bereich der Bewegtbildgestaltung durch digitale Compositingsysteme. Diese Arbeit entstand in enger Zusammenarbeit mit der Firma on line Video 46 AG, Zürich. Besonderen Dank möchte ich Herrn Richard Rüegg, General Manager, für seine Unterstützung und allen Mitarbeitern, die mir in technischen Fragestellung zur Seite standen, aussprechen. Des weiteren bedanke ich mich bei Patrischa Freuler, Marian Kaiser, Marianne Klein, Jörg Volkmar und Tanja Wolf für ihre Unterstützung während der Diplomarbeitszeit. Für die gute Betreuung möchte ich meinen beiden Tutoren, Herrn Prof. Martin Aichele (Erstbetreuer) und Prof. -
Excerpts of Chapters From
Excerpts of Chapters from A Practical Guide to Ubuntu Linux® FOURTH EDITION Mark G. Sobell ISBN-13: 978-0-13-392731-3 CopyrightExcerpt © 2015 Mark G. Sobell Upper Saddle River, NJ • Boston • Indianapolis • San Francisco New York • Toronto • Montreal • London • Munich • Paris • Madrid Capetown • Sydney • Tokyo • Singapore • Mexico City Blank Excerpt 3 Step-by-Step Installation 3Chapter3 In This Chapter Objectives Booting Ubuntu and Running a After reading this chapter you should be able to: Live Session. 56 Run a live session and use gnome-disks to view and Automatic Boot Sequence . 56 change disk partitioning Running a Live Session. 59 Install Ubuntu from a live session Installing from a Live Session . 60 Install Ubuntu using the Server Image Installing from the Desktop Modify system behavior using boot parameters Boot Menu . 61Excerpt Modify partitions during installation The ubiquity Graphical Installer. 61 The ubiquity Advanced Partitioning List the requirement and considerations for a dual- Screen. 67 boot configuration Advanced Installation. 71 Modifying Boot Parameters (Options) . 75 debian-installer: The Ubuntu Textual Installer . 78 gnome-disks: The GNOME Disk Utility . 88 Setting Up a Dual-Boot System . 91 5555 56 Chapter 3 Step-by-Step Installation Chapter 2 covered planning the installation of Ubuntu: determining the requirements; planning the layout of the hard disk; obtaining the files you need for the installation, including how to download and burn or write Desktop and Server Images to installa- tion media; and collecting information about the system. This chapter focuses on installing Ubuntu. Frequently the installation is quite simple, especially if you have done a good job of planning. -
Présentation Ligne De Commande
Kit de survie en lignes de commandes ... pour les nuls. Ceci est la version légèrement corrigée, étendue et complétée de la présentation du jeudi 2 juin 2018. Pourquoi la ligne de commande ? La ligne de commande est une chose qui a, pour des raisons marketting et en lien avec la massification de l'usage de l'outil informatique, peu à peu disparue alors qu'elle faisait partie intégrante des ordinateurs dans les années 80 et jusqu'en 1995 pour le grand public. Actuellement, la ligne de commande est perçue par les néophytes comme un objet de toute puissance ou de diabolisation. Les stéréotypes véhiculés par les media traditionnels associent souvent la ligne de commande, et in extenso le terminal, à un outil de hacker. Alors que cela a été pendant longtemps le quotidien de beaucoup d'utilisateurs. Posons un peu de vocabulaire : Linux est un noyau c'est à dire un binaire qui communique avec le matériel. Autour de lui est le système GNU (pour GNU is Not Unix). Le système GNU a été pensé dans les années 80 comme étant une alternative Libre au système (gratuit) mais propriétaire Unix. Dans les années 80, à la préhistoire informatique, les systèmes d'ordinateurs n'avaient pour ainsi dire pas d'interface graphique (et encore moins de souris) : un noyau, un interpréteur de commande (shell) et quelques utilitaires suffisaient à faire un ordinateur fonctionnel. Ici le système Microsoft Disk Operating System fonctionnant avec les fichier : msdos.sys et io.sys (l'équivalent du noyau), config.sys et autoexec.bat, à partir de là l'interpréteur de commande (ou shell) : COMMAND.COM s'exécute et affiche l'image précédente. -
An User & Developer Perspective on Immutable Oses
An User & Developer Perspective on Dario Faggioli Virtualization SW. Eng. @ SUSE Immutable OSes [email protected] dariof @DarioFaggioli https://dariofaggioli.wordpress.com/ https://about.me/dario.faggioli About Me What I do ● Virtualization Specialist Sw. Eng. @ SUSE since 2018, working on Xen, KVM, QEMU, mostly about performance related stuff ● Daily activities ⇒ how and what for I use my workstation ○ Read and send emails (Evolution, git-send-email, stg mail, ...) ○ Write, build & test code (Xen, KVM, Libvirt, QEMU) ○ Work with the Open Build Service (OBS) ○ Browse Web ○ Test OSes in VMs ○ Meetings / Video calls / Online conferences ○ Chat, work and personal ○ Some 3D Printing ○ Occasionally play games ○ Occasional video-editing ○ Maybe scan / print some document 2 ● Can all of the above be done with an immutable OS ? Immutable OS: What ? Either: ● An OS that you cannot modify Or, at least: ● An OS that you will have an hard time modifying What do you mean “modify” ? ● E.g., installing packages ● ⇒ An OS on which you cannot install packages ● ⇒ An OS on which you will have an hard time installing packages 3 Immutable OS: What ? Seriously? 4 Immutable OS: Why ? Because it will stay clean and hard to break ● Does this sound familiar? ○ Let’s install foo, and it’s dependency, libfoobar_1 ○ Let’s install bar (depends from libfoobar_1, we have it already) ○ Actually, let’s add an external repo. It has libfoobar_2 that makes foo work better! ○ Oh no... libfoobar_2 would break bar!! ● Yeah. It happens. Even in the best families distros -
VFX Prime 2018-19 Course Code: OV-3103 Course Category : Career VFX INDUSTRY
Product Note: VFX Prime 2018-19 Course Code: OV-3103 Course Category : Career VFX INDUSTRY Indian VFX Industry grew from INR 2,320 Crore in 2016 to reach INR 3,130 Crore in 2017.The Industry is expected to grow nearly double to INR 6,350 Crore by 2020. Where reality meets and blends with the imaginary, it is there that VFX begins. The demand for VFX has been rising relentlessly with the production of movies and television shows set in fantasy worlds with imaginary creatures like dragons, magical realms, extra-terrestrial planets and galaxies, and more. VFX can transform the ordinary into something extraordinary. Have you ever been fascinated by films like Transformers, Dead pool, Captain America, Spiderman, etc.? Then you must know that a number of Visual Effects are used in these films. Now the VFX industry is on the verge of changing with the introduction of new tools, new concepts, and ideas. Source:* FICCI-EY Media & Entertainment Report 2018 INDUSTRY TRENDS VFX For Television Episodic Series SONY Television's Show PORUS showcases state-of-the-art Visual Effects to be seen on Television. Based on the tale of King Porus, who fought against Alexander, The Great to stop him from invading India, the show is said to have been made on a budget of Rs500 crore. VFX-based Content for Digital Platforms like Amazon & Netflix Popular web series like House of Cards, Game of Thrones, Suits, etc. on streaming platforms such as Netflix, Amazon Prime, Hot star and many more are unlike any conventional television series. They are edgy and fresh, with high production values, State-of-the-art Visual Effects, which are only matched with films, and are now a rage all over the world. -
Avid Technology Announces Q2 2020 Results
Avid Technology Announces Q2 2020 Results August 3, 2020 68% Year-Over-Year Subscription Revenue Growth Driven by Continued Increase in Paid Subscriptions with Net Increase of 24,000 Subscriptions in the Quarter Operating Income Increased 214% Year-Over-Year from Improved Gross Margin and Significantly Reduced Operating Expenses BURLINGTON, Mass., Aug. 03, 2020 (GLOBE NEWSWIRE) -- Avid® (NASDAQ: AVID), a leading technology provider that powers the media and entertainment industry, today announced its second quarter 2020 financial results. During the second quarter, the Recurring Revenue components of the company’s business were resilient despite the COVID-19 global pandemic. The Company reported record subscription revenue of $16.4 million, up 68% year-over-year and maintenance revenue was stable, resulting in 8.5% year-over-year growth in Annual Contract Value. Also, in the quarter, Avid significantly improved its profitability as a result of higher gross margin coupled with a more efficient cost structure. The year-over-year improvement in gross margin of 760 basis points was a result of a greater portion of revenue coming from higher-margin software in the quarter and benefits from expense reductions in non-material cost of sales. Profitability was also enhanced by the $11 million year-over-year reduction in operating expenses in the quarter, which the Company will continue to closely manage towards the target of at least a $30 million reduction for fiscal 2020. For the second quarter, total revenue declined year-over-year, as the non-Recurring Revenue portions of the Company’s business related to product and professional services continued to be negatively impacted by weaker demand as a result of the COVID-19 global pandemic, which has caused the postponement or cancellation of many live music and major sporting events, and the temporary suspension of many film and television productions. -
Avid Media Composer Basics Guide • 0130-07971-02 • September 2009
Avid® Media Composer® Basics Guide ™ make manage move | media Avid ® Legal Notices Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. This product is subject to the terms and conditions of a software license agreement provided with the software. The product may only be used in accordance with the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 5,077,604; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,634,020; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,719,570; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,180; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,905,841; 5,929,836; 5,930,445; 5,946,445; 5,986,584; 5,987,501; 6,016,152; 6,018,337; 6,023,531; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,130,676; 6,134,607; 6,141,691; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271; 6,489,969; 6,512,522; 6,532,043; 6,546,190; 6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824; 6,618,547; 6,636,869; 6,665,450; 6,678,461; 6,687,407; 6,704,445; 6,747,705; 6,763,134; 6,766,063; 6,791,556; 6,810,157; 6,813,622; 6,847,373; 6,871,003; 6,871,161; 6,901,211; 6,907,191; 6,928,187; 7,043,058; 7,081,900; 7,103,231; 7,266,241; 7,280,117; RE40,107; 7,403,561; 7,433,519; 7,512,885; 7,545,957; D352,278; D392,267; D392,268; D392,269; D395,291; D396,853; D398,912. -
Avid DS - Your Future Is Now
DSWiki DSWiki Table Of Contents 1998 DS SALES BROCHURE ............................................. 4 2005 DS Wish List ..................................................... 8 2007 Unfiltered DS Wish List ............................................. 13 2007 Wish Lists ....................................................... 22 2007DSWishListFinalistsRound2 ........................................... 28 2010 Wish List ........................................................ 30 A ................................................................. 33 About .............................................................. 53 AchieveMoreWithThe3DDVE ............................................. 54 AmazonStore ......................................................... 55 antler .............................................................. 56 Arri Alexa ........................................................... 58 Avid DS - Your Future Is Now ............................................. 59 Avid DS for Colorists ................................................... 60 B ................................................................. 62 BetweenBlue&Green ................................................... 66 Blu-ray Copy ......................................................... 67 C ................................................................. 68 ColorItCorrected ...................................................... 79 Commercial Specifications ............................................... 80 Custom MC Color Surface Layouts ........................................