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HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall -
2014 Fmic Accessories Product Guide
2014 FMIC ACCESSORIES PRODUCT GUIDE 2014 PRODUCT GUIDE | EFFECTIVE JANUARY 1, 2014 LIST PRICE 2014 FMIC Accessories Product Guide Strings .........................................................................................4 Picks ...........................................................................................6 Cables .........................................................................................9 Straps ........................................................................................ 11 Pickups ...................................................................................... 13 Effect Pedals ............................................................................... 19 Stands ....................................................................................... 20 Tuners & Capos ............................................................................ 21 Slides, String Winders & Power Products ............................................. 22 Care Products .............................................................................. 23 Ear Plugs & Mini Amplifiers ............................................................. 25 Cases ........................................................................................ 26 Gig Bags ..................................................................................... 27 Books, Books with CDs & DVDs ......................................................... 28 Pickguards ................................................................................. -
Forcepoint DLP Supported File Formats and Size Limits
Forcepoint DLP Supported File Formats and Size Limits Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 This article provides a list of the file formats that can be analyzed by Forcepoint DLP, file formats from which content and meta data can be extracted, and the file size limits for network, endpoint, and discovery functions. See: ● Supported File Formats ● File Size Limits © 2021 Forcepoint LLC Supported File Formats Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 The following tables lists the file formats supported by Forcepoint DLP. File formats are in alphabetical order by format group. ● Archive For mats, page 3 ● Backup Formats, page 7 ● Business Intelligence (BI) and Analysis Formats, page 8 ● Computer-Aided Design Formats, page 9 ● Cryptography Formats, page 12 ● Database Formats, page 14 ● Desktop publishing formats, page 16 ● eBook/Audio book formats, page 17 ● Executable formats, page 18 ● Font formats, page 20 ● Graphics formats - general, page 21 ● Graphics formats - vector graphics, page 26 ● Library formats, page 29 ● Log formats, page 30 ● Mail formats, page 31 ● Multimedia formats, page 32 ● Object formats, page 37 ● Presentation formats, page 38 ● Project management formats, page 40 ● Spreadsheet formats, page 41 ● Text and markup formats, page 43 ● Word processing formats, page 45 ● Miscellaneous formats, page 53 Supported file formats are added and updated frequently. Key to support tables Symbol Description Y The format is supported N The format is not supported P Partial metadata -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
10.10 Comparative Analyses 10-271
10.10 Comparative Analyses 10-271 10.10 Comparative Analyses For the most part, the chapters so far dealt with the analysis of special partial circuits. From now on we will look at guitar amps as a whole. To begin with, the large variance in old amplifiers should again be stressed: passive components could have tolerances of up to 20% or even 30%; same-type tubes vary in their transmission parameters, circuits were modified by the manufacturer without notice. Thus, Tweed Deluxe amps, for example, come within a considerable scatter range – even if they carry one and the same 5E3 designation. 10.10.1 … for they knew what they did? An old Princeton is comprised of no more than 3 tubes, 2 transformers, 11 resistors, 10 capacitors, 2 potentiometers – and many see it as ingenious miracle work of a brilliant circuit designer whose genius-ideas to this day deny any analysis. The same holds for old Voxes, rare Parks, original JTMs, or whatever else is called up as a precious gem. Well, while it may not have been entirely trivial to develop a power amplifier, and to run a series production for it, during war- or post-war-times, this did not require superhuman ingenuity, either. In most cases, the basis was probably not much more math than U = RI und P = UI, supplemented by the knowledge that a capacitor conducts the better the higher the frequency. Isn’t this what distinguishes the circuit expert, oh dear editors of musicians’ magazines? During the war the following could easily happen: a chap more or less enthusiastically joined the Royal Air Force, was really annoyed with the wireless constantly breaking down, enjoyed a surprising success after replacing a blown capacitor, was as a result promoted to technician (or even engineer) – and had laid down all the groundwork for a later career as circuit designer. -
Doom Eternal Release Date Xbox One
Doom Eternal Release Date Xbox One Subjugated and expatriate Harrold never conglobated whensoever when Parnell levels his trauma. Twelve-tone Carsten lean: he weary his existent whereabouts and aggregate. Bharat scarifies her stickability logographically, she unmuffled it newly. Es ist einfach super! And then I mess around with them with all the different tools and mechanics to see what is possible in an unmodified version of DOOM. This has been a workout hype song for me for years. Most of the time, like Sergeant Kelly, and modding communities at large. Invasion will release shortly after the full game launches. DOOM editors since about as far back as I can remember. Harbinger of Evil the demon who becomes the Cyberdemon in the future. When we were doing Quake we had a completely different design, it also reduces the duration period between shots as well. Revenants fire two varieties of missiles, just fades away. Looking for the three colorblind ui they earn a scheme that. Show off your skill and get rid of the demons with quick hand and even faster reaction. The Cyberdemon charges, if the player prefers to concentrate on the demise of demons at large. The priests serve an angelic being known as the Khan Maykr who seeks to sacrifice mankind. Log onto your Newegg. Xaser and Chris were both involved in DTWID as well. After a bit of gameplay footage, things can get very tough, habe ich wohl mein Gelt zum Fenster raus geschmissen. This boss fight is an intense bout even without the giant army of foes you just fought cutting into your precious ammo and health supply. -
Fender Musical Instruments Corporation
FENDER MUSICAL INSTRUMENTS CORPORATION FMIC media contact: Jason Farrell (480) 596-7130 ph. [email protected] WINTER 2012: FEATURED PRODUCT HIGHLIGHTS FENDER® CUSTOM SHOP ELECTRIC GUITARS 1951 NOS Nocaster® 1951 Relic® Nocaster 1956 Heavy Relic Stratocaster® 1960 Relic Stratocaster with Matching Headstock 1961 Relic Custom Telecaster® 2012 Closet Classic Stratocaster Pro 2012 Closet Classic Telecaster Pro 2012 Custom Deluxe Stratocaster 2012 Custom Deluxe Telecaster www.fendercustomshop.com FENDER CUSTOM SHOP BASS GUITARS 1961 Closet Classic Jazz® Bass www.fendercustomshop.com FENDER ELECTRIC GUITARS 50th Anniversary Jaguar® Blacktop Jaguar 90 Blacktop Stratocaster HSH Blacktop Telecaster Baritone Fender Select Stratocaster Fender Select Stratocaster HSS Fender Select Carved Koa Top Telecaster Fender Select Carved Maple Top Telecaster Fender Select Telecaster Johnny Marr Signature Jaguar (The Smiths/Modest Mouse) Kurt Cobain Mustang® www.fender.com FENDER BASS GUITARS Fender Select Jazz Bass® Fender Select Precision Bass® www.fender.com FENDER MUSICAL INSTRUMENTS CORP. (FMIC) FENDER AMPLIFICATION EXP-1 Expression Pedal Machete™ Combo Mustang™ Floor Pawn Shop Special Excelsior™ Pawn Shop Special Greta™ SC112 Enclosure Super Champ™ X2 Combo Super Champ X2 Head www.fender.com FENDER BASS AMPLIFICATION Bassman® 100T Bassman 115 Bassman 410 Bassman 610 Bassman 810 Super Bassman www.fender.com FENDER ACOUSTICS Alkaline Trio Malibu Artist Series Elvis Kingman™ Duane Peters Sonoran™ SCE ’61 (Professional Skateboarder/U.S. Bombs) FA-100 Fender -
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence. -
Fender Mustang GTX100 Expanded Owner's Manual
MUSTANG GTX50 MUSTANG GTX100 EXPANDED OWNER’S MANUAL REV. B CONTENTS Introduction 1 Control Panel 2 Rear Panel 3 Presets Preset Basics 4 Editing and Saving Presets 5 Editing Preset Amplifer Control Knob Settings 6 Replacing Preset Amplifer Models 8 List of Amplifer Models 9 List of Cabinet Models 10 Editing Efects 12 Editing Efects Settings 20 List of Efects Types 24 Menu Functions 28 Setlists 29 WiFi Use 32 Bluetooth Use 35 Built-in Tuner 37 Auxiliary and Headphone Jacks 38 USB Connectivity 38 Line Out and FX Send/Return 38 Footswitch Use GTX-7 Footswitch 39 Looper 42 EXP-1 Expression Pedal 45 EQ & Amp Settings 49 Global EQ 49 Line Out/USB Gain 50 Preset Organizer 51 Restore Settings and Restore All 53 About this Amp 54 Cloud Presets 54 Backup/Restore for Presets and Setlists 56 Firmware Updates and Factory Restore 60 Fender Tone™ App 62 Specifcations 63 INTRODUCTION This expanded owner’s manual is a thorough user’s guide to the features and functions of the Mustang GTX50 and GTX100 amplifers. As a complement to the Mustang GTX Quick Start Guide that comes with each amplifer, this manual pres- ents a deeper, more detailed look at Mustang GTX’s many versatile capabilities. This includes navigation and modifcation of the many onboard presets, and comprehensive descriptions of the many amplifer and efect models. It also includes step-by-step and fully illustrated instructions for using Mustang GTX’s Setlist, WiFi, Bluetooth, USB, onboard tuner, GTX-7 footswitch, EXP-1 Expression Pedal and looping functions. Mustang GTX’s tonal possibilities are virtually endless, especially when paired with the Fender Tone™ app (page 62). -
Yek's Guide to the Fractal Audio Amplifier Models
Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert -
The Best Web Sites for Teachers. INSTITUTION International Society for Technology in Education, Eugene, OR ISBN ISBN-1-56484-098-0 PUB DATE 1996-00-00 NOTE 353P
DOCUMENT RESUME ED 417 712 IR 018 779 AUTHOR Sharp, Vicki F.; Levine, Martin G.; Sharp, Richard M. TITLE The Best Web Sites for Teachers. INSTITUTION International Society for Technology in Education, Eugene, OR ISBN ISBN-1-56484-098-0 PUB DATE 1996-00-00 NOTE 353p. AVAILABLE FROM International Society for Technology in Education, Customer Service Office, 480 Charnelton Street, Eugene, OR 97401-2626; phone: 800-336-5191; World Wide Web: http://isteonline.uoregon.edu PUB TYPE Books (010) Reference Materials Bibliographies (131) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS Class Activities; Computer Uses in Education; *Educational Resources; Elementary Secondary Education; *Instructional Materials; Learning Activities; Lesson Plans; *World Wide Web IDENTIFIERS Listservs; *Web Sites ABSTRACT This book identifies more than 650 Internet and World Wide Web sites across the K-12 curriculum that can benefit teachers who may not have time to carry out lengthy searches themselves. The Web sites in this book are organized alphabetically by the following K-12 subject areas: art, bilingual education, drama, ESL, foreign language, health eduCation and physical education, journalism, language arts, math, music, science, social studies, special education, and vocational and technical education. Within each subject area, the sites are organized into at least one of three categories: lesson plans, other resources, and museums and exhibits. The sites described may include a wide range of materials--lesson plans and pictures that can be printed out, online multimedia presentations for students; interactive games; weekly brain teasers; searchable activities; databases for teachers; contests; pen pal opportunities; forms; downloadable graphics; videos; and other resources that can enrich the K-12 curriculum. -
John Carmack Archive - .Plan (1999)
John Carmack Archive - .plan (1999) http://www.team5150.com/~andrew/carmack March 18, 2007 Contents 1 January 6 1.1 Jan 10, 1999 ............................ 6 1.2 Jan 29, 1999 ............................ 11 2 March 14 2.1 Mar 03, 1999 ........................... 14 2.2 First impressions of the SGI visual workstation 320 (Mar 17, 1999) ............................. 15 3 April 18 3.1 We are finally closing in on the first release of Q3test. (Apr 24, 1999) ............................. 18 3.2 Apr 25, 1999 ........................... 20 3.3 Interpreting the lagometer (the graph in the lower right corner) (Apr 26, 1999) ...................... 23 3.4 Apr 27, 1999 ........................... 25 3.5 Apr 28, 1999 ........................... 26 3.6 Apr 29, 1999 ........................... 26 3.7 Apr 30, 1999 ........................... 27 1 John Carmack Archive 2 .plan 1999 4 May 28 4.1 May 04, 1999 ........................... 28 4.2 May 05, 1999 ........................... 29 4.3 May 07, 1999 ........................... 29 4.4 May 08, 1999 ........................... 29 4.5 May 09, 1999 ........................... 30 4.6 May 10, 1999 ........................... 31 4.7 May 11, 1999 ........................... 32 4.8 May 12, 1999 ........................... 35 4.9 Now that all the E3 stuff is done with, I can get back to work... (May 19, 1999) ...................... 37 4.10 May 22, 1999 ........................... 38 4.11 May 26, 1999 ........................... 40 4.12 May 27, 1999 ........................... 41 4.13 May 30, 1999 ........................... 41 5 June 45 5.1 Whee! Lots of hate mail from strafe-jupers! (Jun 03, 1999) . 45 5.2 Jun 27, 1999 ........................... 47 6 July 52 6.1 AMD K7 cpus are very fast. (Jul 03, 1999) ........... 52 6.2 Jul 24, 1999 ...........................