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cTlif g'nliimltiis Dl5|inlth Fritfay, April 30, 1993 Otterbein makes ‘Big River’ better than it is By Michael Grossberg The acting is superb. So is tlie lioiiK! tube “civilized.” Dispdich Thcaicr Critic singing (guided by vocal director Riciardson and Moore’s stir THEATER REVIEW Craig Johnson), the lively pit orches ring durts (Mnddy Water, River in Big Riwr falls short of the ait- tra (conducted by music director the Ra'ni and especially Worlds istry and depOi of Into Vie WooiL% Big River, Otterbein College's stii- David DeVenney), Rob John.son’s AjKiii) rellect their grawing lioiids Sweeney Todd, Evita, A Chorm ilent production of the musical picturesque scenic design, Katie of tinst ind friendship. Line and Man of La Mancha — all adaptation of I luck Finn's adven Robbins’ rags-io-nouvean riche- The show’s underlying spiritual first-i’ank Broadway musicals that tures. Directed by John Stefano. style 19th-century costumes and ity is caiveyed with grice and long- have received first-class I’evivals at Jim............................Ron Richardson lighting designer Fred Thayer’s biu'- suffering strength by the black OUerbein College in recent yeai-s. I luck Finn.....................Corey Moore slaves ii Cmssing Over and by iH- ;• Yet, Otterbein’s rousing produc nished sunsets, hazy sunrises and King...............................Keith Weirich ice’s Duighter (’Tonya Watson) in tion of Bitj River, which opened last (h'amatic atmosjiheric effects. Duke................................ Todtl Crain night at Westeiwille’s Cowan Hall, is The cast’s soaidng baritones, the gosjel-style How Blest We Air.. Mark'Twain..............Daryl Toziipone I iwlished and professional that one plmigent tenois and lilting sopranos Hov ble.ssed indeed is Otterbein Tom Sawyer......................losh Gildrie ('iisily overlooks tlie show’s folksy, make Miller’s catchall coimti^-west- to have such a strong supporting- Pap Finn.......................Nick Koeslers fiimiiy-oiiented vulgaiizations. -
RICHARD ISRAEL Phone: (323) 493-5532 -- Email: [email protected] Richardisraeldirector.Com
RICHARD ISRAEL phone: (323) 493-5532 -- email: [email protected] richardisraeldirector.com • Los Angeles Drama Critics Circle Milton Katselas Award for Career or Special Achievement In Direction • LA Stage Alliance Ovation Award Winner for Best Direction of A Musical, VIOLET • LA Stage Alliance Ovation Award Winner for Best Direction of A Musical, FLOYD COLLINS • LA Stage Alliance Ovation Award Winner for Outstanding Musical in a Large Venue, FLOYD COLLINS • LA Stage Alliance Ovation Award Winner for Outstanding Musical in a Small Venue, 110 IN THE SHADE Upcoming: She Loves Me San Diego Musical Theatre 2020 Rocket Science (In Development) CCM Incubator 2020 Mamma Mia 5-Star Theatricals 2020 A Man Of No Importance The Actor’s Co-op 2020 Film Experience Into Light Musical Short Film 2019 • Honorable Mention – Independent Shorts Awards – Best First Time Director Big Little Lies (Theatrical Coordinator) HBO FILMS/Jean Marc Vallee 2016 NY Theatre Jewel In The Desert (Kevin McCollum-Prod.) In Development 2019 A Very Brady Musical (Broadway & Beyond) In Development 2019 Home Street Home (Kevin McCollum-Prod.) New York Workshop 2018 From Foster Care To Fabulous NY Fringe Festival 2016 Regional and L.A.: Evita In Concert Palos Verdes Performing Arts 2019 The Mollyhouse The Montalban Theatre 2019 The World Goes Round Reprise 2.0 2018 Calvin Berger The Hudson Backstage 2018 Violet The Actor’s Co-Op 2018 • Winner, LA Stage Alliance Ovation Award for Direction of a Musical • Nominated, LA Stage Alliance Ovation Award for Best Production of -
Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
Theatre UAB 2015-2016 Season College of Arts and Sciences Department of Theatre DANCING at LUGHNASA Frank and Joan Dawson, Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season College of Arts and Sciences Department of Theatre DANCING AT LUGHNASA Frank and Joan Dawson, Michael J. and Mary Anne Freeman by Brian Friel and Directed by Jack Cannon W.B. Philips, Jr. The Sirote Theatre present October 14 - 17 at 7:30pm & October 18 at 2:00pm l STUPID F*CKING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7:30pm & November 21 at 2:00pm THE HUMAN RIGHTS PROJECT by Robert Earl Price Directed by Karla Koskinen The Sirote Theatre February 17- 20 at 7:30pm & February 21 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March13 at 2:00pm & March 14-17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven Sater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 6 - 9 at 7:30pm & April 10 at 2:00pm ] ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions in the Alys Robinson Stephens Performing Arts Center OVATIONUAB Theatre UAB Faculty and Administrative StatI (Sponsored by Theatre Advisory Committee) Kelly Dean Allison, Professor .................................................... .. , ......... Chair Opening nights at Theatre UAB are OVATION nights. OVATION UAB features Valerie Accetta, Assistant Professor ..... ....... ... Head of Musical Theatre Performance refreshments and conversation with the director and designers before the show , as well Jack Cannon, Assistant Professor ........................................ Acting/Intro to Theatre as a post-performance party with the cast and crew. -
The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS
The Maple Shade Arts Council Summer Theatre THE MAPLE SHADE announces our summer children's show ARTS COUNCIL Once Upon A Mattress PROUDLY PRESENTS PERFORMANCES: August 6 @ 7:30PM August 7 @ 7:30PM August 8 @ 2:00PM and 7:30PM Tickets: $10—adults $8—children/senior citizens Visit www.msartscouncil.org to purchase tickets today! For more information about the Summer Theatre program and how to register for next year, email [email protected] Bring in your playbill or ticket to July 10, 11, 12, 17, 18, 19 @ 7:30PM 114-116 E. MAIN ST. receive a 15% discount off your Maple Shade High School MAPLE SHADE, NJ 08052 bill. Valid before or after the (856)779-8003 performances on July 10-12 and Auditorium 17-19. Not valid with any other coupons, offers, or discounts. 2014 Sponsors OUR MISSION STATEMENT The Maple Shade Arts Council wishes to express our sincere gratitude to the many sponsors to our organization. The Maple Shade Arts Council is a non-profit organization We appreciate your support of the Arts Council. comprised of educators, parents, and community members whose objective is to provide artistic programs and events that will be entertaining, educational, and inspirational for the community. The Arts Council's programming emphasizes theatrical productions and workshops, yet also includes programming for the fine and performing arts. Maple Shade Arts Council Executive Board 2014 President Michael Melvin Vice President Jillian Starr-Renbjor Secretary AnnMarie Underwood Treasurer Matthew Maerten Publicity Director Rose Young Fundraising Director Debra Kleine Fine Arts Director Nancy Haddon *ALL CONCESSIONS WILL BE SOLD PRIOR TO THE SHOW BETWEEN 6:45PM-7:25PM—THERE WILL ONLY BE A BRIEF 10 MINUTE BATHROOM/SNACK BREAK AT INTERMISSION. -
URINETOWN Music & Lyrics by Mark Hollmann Book & Lyrics by Greg Kotis
So if you’ve got to go, you’ve got to go through me! URINETOWN music & lyrics by Mark Hollmann book & lyrics by Greg Kotis Managing Artistic Director Caleb Marshall Director ofInterim Education Director & Programming of Education Heather Alana Hibbert Burns NKPG Services Ltd. is honoured to be a sponsor of the Canadian College of Performing Arts! We look forward to watching and supporting the CCPA’s upcoming performances and programs. NKPG Specializes in Canadian and US taxes. We provide tax planning and accounting services to individuals and corporations. CONTACT US Derrold Norgaard, FCPA [email protected] Grant Kratofil, CPA [email protected] 202-4400 Chatterton Way T: 250-598-6998 Victoria, BC V8X 5J2 F: 778-265-6155 From the College Directors Since March of 2020, we have all had to forge a way forward. Our work changed overnight, and we could look back at our own naivete in the ‘before time’ with a longing nostalgia. Perhaps once in a generation there is an event that so deeply impacts the very nature of life on this planet that it becomes their defining moment. As a society we have had to forge a way forward. As educators we have had to forge a way forward, as education is essential to our future. As live performers, we are working to forge a way forward in an industry that was the first to close and will be the last to fully return; and yet ‘live performance’ is so crucial and necessary to expressing our very soul and the struggles we confront. Our season theme is not rebuilding or reshaping our world. -
American Spiritual Program Fall 2009
Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr. -
Theatre UAB 2014-2015 Season the University of Alabama at Birmingham Department of Theatre CLYBOURNEPARK Frank and Joan Dawson, by Bruce Norris Michael J
------ -------- ------------- - - --- Theatre UAB 2014-2015 Season The University of Alabama at Birmingham Department of Theatre CLYBOURNEPARK Frank and Joan Dawson, by Bruce Norris Michael J. and Mary Anne Freeman Directed by Dennis McLemon and The Sirote Theatre W.B. Philips, Jr. October 15 - 1~ at 7:30pm & October 19 at 2:00pm THE TROJAN WOMEN Adapted from Euripides Directed by Rebecca Harper The Odess Theatre November 12 - 15 & 19- 21 at 7:30pm & November 22 at 2:00pm IN THE NEXT ROOM (OR, THE VIBRATOR PLAY) by Sarah Ruhl Directed by Jack Cannon The Sirote Theatre February 18- 21 at 7:30pm & February 22 at 2:00pm THEATRE UAB TWELFTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March 9-13 at 7:30pm & March 14 at 2:00pm AVENUEQ Music and Lyrics by Robert Lopez and Jeff Marx Book by Jeff Whitty Directed by Valerie Accetta The Sirote Theatre April 8 - 11 at 7:30pm & April 12 at 2:00pm j ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions The Sirote Theatre in the Alys Robinson Stephens Performing Arts Center OVATIONUAB Theatre UAB Production Staff (Sponsored by Theatre Advisory Committee) Opening nights at Theatre UAB are OVATION nights. OVATION UAB features Production Manager/Technical Director. ........................................ Ed Zuckerman refreshments and conversation with the director and designers before the show, as well Costume Studio Supervisor ....................................................... Sharon Morgan as a post-perfo rman ce party with the ca t and crew. Stage Electrics Director. ............................................................... Sarah Jordan ,, Properties Master. .............................................................. J. Marc Quattlebaum But that not all. -
Danielle Erin Rhodes
Joshua Denning Height: 6' 0.5” Hair: Brown Weight: 167 Eyes: Brown NATIONAL AND INTERNATIONAL TOURS The Lion King (Germany) Simba (Adult) Julie Taymor, Dir. We Will Rock You (Switzerland) Britney Ben Elton, Dir. Dora The Explorer (1st National) Benny Nickelodeon/Clear Channel REGIONAL THEATER Priscilla Queen of the Desert Tick/Mitzi ZACH Theatre, Abe Reybold, Dir. Les Miserables Enjolras, u/s Jean Valjean ZACH Theatre, Matt Lenz, Dir. Next To Normal Dr. Fine/ Dr. Madden ZACH Theatre, Dave Steakley, Dir. Rent Angel ZACH Theatre, Dave Steakley, Dir. Hairspray Seaweed ZACH Theatre, Dave Steakley, Dir. Tommy The Lover ZACH Theatre, Dave Steakley, Dir. Gospel at Colonus Eteocles ZACH Theatre, Dave Steakley, Dir. White Christmas Ensemble ZACH Theatre, Nick Demos, Dir. Rent Benny Weston Playhouse, Bill Castellino, Dir. Carousel Billy Bigelow Mary Moody Northen Theatre, McKelvey, Dir. The Sound Of Music Captain Von Trapp Zilker Theatre Productions, M.S. Tatum, Dir. In The Blood Reverend D Black Arts Movement, Carla Nickerson, Dir. Jesus Christ Superstar Jesus Cultural Arts Playhouse, B. Grossman, Dir. Once On This Island Daniel Seaside Music Theatre, Harry Bright, Dir. Over Here! Sam Eifler Theatre, John Leffert, Dir. A Chorus Line Ritchie CCM Hot Summer Nights, Richard Hess, Dir. Oliver Ensemble CCM Hot Summer Nights, Richard Hess, Dir. Miss Saigon Ensemble Theatre Under The Stars, B. Lumpkin, Dir. West Side Story Pepe, u/s Bernardo Human Race Theatre Company, Moore, Dir. 7 Brides for 7 Brothers Caleb Music Theatre Louisville, John Leffert, Dir. Two By Two Ham Music Theatre Louisville, Jim Hesselman, Dir. Once Upon A Mattress The Jester Music Theatre Louisville, Jim Hesselman, Dir. -
The Journal of the Dramatists Guild of America, Inc
The Journal of the Dramatists Guild of America, Inc. The the ageissue 2016 NOV/DEC $7 USD €10 EUR www.dramatistsguild.com FrontCOVER.indd 1 10/5/16 12:57 PM To enroll, go to http://www.dginstitute.org SEP/OCTJul/Aug DGI 16 ad.indd FrontCOVERs.indd 1 2 5/23/168/8/16 1:341:52 PM VOL. 19 No 2 TABLE OF NOV/DEC 2016 2 Editor’s Notes CONTENTS 3 Dear Dramatist 4 News 7 Inspiration – KIRSTEN CHILDS 8 The Craft – KAREN HARTMAN 10 Edward Albee 1928-2016 13 “Emerging” After 50 with NANCY GALL-CLAYTON, JOSH GERSHICK, BRUCE OLAV SOLHEIM, and TSEHAYE GERALYN HEBERT, moderated by AMY CRIDER. Sidebars by ANTHONY E. GALLO, PATRICIA WILMOT CHRISTGAU, and SHELDON FRIEDMAN 20 Kander and Pierce by MARC ACITO 28 Profile: Gary Garrison with CHISA HUTCHINSON, CHRISTINE TOY JOHNSON, and LARRY DEAN HARRIS 34 Writing for Young(er) Audiences with MICHAEL BOBBITT, LYDIA DIAMOND, ZINA GOLDRICH, and SARAH HAMMOND, moderated by ADAM GWON 40 A Primer on Literary Executors – Part One by ELLEN F. BROWN 44 James Houghton: A Tribute with JOHN GUARE, ADRIENNE KENNEDY, WILL ENO, NAOMI WALLACE, DAVID HENRY HWANG, The REGINA TAYLOR, and TONY KUSHNER Dramatistis the official journal of Dramatists Guild of America, the professional organization of 48 DG Fellows: RACHEL GRIFFIN, SYLVIA KHOURY playwrights, composers, lyricists and librettists. 54 National Reports It is the only 67 From the Desk of Dramatists Guild Fund by CHISA HUTCHINSON national magazine 68 From the Desk of Business Affairs by AMY VONVETT devoted to the business and craft 70 Dramatists Diary of writing for 75 New Members theatre. -
Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions. -
PDF Program Download
Interlochen, Michigan 224th Program of the 59th Year * FESTIVAL 2021 MUSICAL THEATRE SHOWCASE Thursday, May 27, 2021 10:00am, Corson Auditorium “Bye Bye Blackbird” from FOSSE ............................... Music by Ray Henderson Lyrics by Mort Dixon Charlotte Krieger and Company “All Falls Down” from CHAPLIN .............. Music and Lyrics by Christopher Curtis Lindsay Gross “Stay” from THE NOTEWORTHY LIFE OF HOWARD BARNES ... Music by Michael Kooman Lyrics by Christopher Dimond Audree Hedequist “Singin’ in the Rain” from SINGIN’ IN THE RAIN ....... Music by Nacio Herb Brown Lyrics by Arthur Freed Student Choreographers: Mia McManamy, Charlotte Krieger “Nowadays/Hot Honey Rag” from CHICAGO .................... Music by John Kander Lyrics by Fred Ebb Paris Manzanares and Myles Mathews Student Choreographer: Myles Mathews “Don’t Wanna Be Here” from ORDINARY DAYS ..... Music & Lyrics by Adam Gwon JT Langlas “No One Else” from NATASHA, PIERRE AND THE GREAT COMET OF 1812 ......... Music and Lyrics by Dave Malloy Mia McManamy “Run, Freedom, Run” from URINETOWN ...................... Music by Mark Hollmann Lyrics by Mark Hollmann and Greg Kotis Scout Carter and Company “Forget About the Boy” from THOROUGHLY MODERN MILLIE ........................... Music by Jeanine Tesori Lyrics by Dick Scanlan Hannah Bank and Company Student Choreographer: Nicole Pellegrin “She Used to Be Mine” from WAITRESS ........ Music and Lyrics by Sara Bareilles Caroline Bowers “Change” from A NEW BRAIN ......................... Music and Lyrics by William Finn Shea Grande “We Both Reached for the Gun” from CHICAGO .............. Music by John Kander Lyrics by Fred Ebb Theo Gyra and Company Student Choreographer: Myles Mathews “Love is an Open Door” from FROZEN ............ Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez Charlotte Krieger and Daniel Rosales “Being Alive” from COMPANY ...............