SHLAA 2013 Discarded Sites Low Res

Total Page:16

File Type:pdf, Size:1020Kb

SHLAA 2013 Discarded Sites Low Res Strategic Housing Land Availability Assessment Discarded Sites List March 2013 1 Introduction The Strategic Housing Land Availability Key Service Centres: Assessment (SHLAA) process identifies sites that are considered potentially suitable Aspatria Cockermouth for residential development. Maryport Silloth Wigton The SHLAA: Main Report (March 2013) demonstrates that there is enough Local Service Centres: deliverable and developable housing sites available to meet the housing targets set out Abbeytown Allonby in the emerging Local Plan . Brigham Broughton Broughton Moor Dearham Some sites have been discarded and have Flimby Great Clifton not been included in the main report. This Kirkbride Prospect SHLAA Discarded Sites List (March 2013) Thursby document identifies those discounted sites Rural Villages: The reasons why a particular site has been excluded is set out in the tables included in Anthorn Blencogo this document. Maps are also provided Blennerhasset* Blitterlees showing the locations of these sites. Bolton Low Houses Bothel The discarded sites are presented by Bowness on Solway* Branthwaite settlement, following the settlement hierarchy Bridekirk Broughton Cross proposed in the emerging Local Plan. Camerton Crosby Crosby Villa* Dean Principle Service Centre: Deanscales* Dovenby Eaglesfield Fletchertown Workington (including Harrington, Seaton, Gilcrux Glasson Stainburn and Siddick) Greysouthern Hayton* Ireby Kirkbampton Langrigg Little Bampton Little Clifton Mawbray not under construction, have been removed Mockerkin* Newton Arlosh as these sites are assumed to be Oughterside* Oulton deliverable and count towards the 5 year Papcastle Pardshaw land supply calculation . Parsonby Plumbland • A large number of sites put forward for Port Carlisle* Skinburness consideration were less than 0.3ha . Given Tallentire* Torpenhow the strategic nature of the SHLAA, these Ullock Waverton* sites have been discounted. It is Westnewton acknowledged that subject to the usual planning constraints, many of these smaller *No sites have been discarded within these sites (although not all), and particularly settlements and therefore, no maps have been those located within existing settlement included in this document. boundaries, may be suitable for residential development. Smaller sites are also likely Sites were discounted using the to make a greater contribution to housing methodology outlined in the SHLAA: Main delivery in the rural villages. Nevertheless Report (March 2013) . In most instances the for the purposes of this study, these sites reasons for elimination falls into one of the have been discounted. following categories: • Sites falling within Flood Zone 3 • The site is already developed for housing. • Loss of an important/valued site e.g. public • The site is already developed for other open space, playing fields, green amenity uses. space, some employment sites. • New greenfield housing sites located in the • Issues with access i.e. no apparent or open countryside (i.e. not adjoining a appropriate access; too narrow recognised settlement) for which there is no • Inappropriate for residential development sustainability argument. due to the close proximity of incompatible • Sites with planning permission, whether or uses such as industrial sites • Significant landscape impact issues respond to consultation. Such sites are considered unavailable. • Archaeologically sensitive locations In a number of instances economic In some situations there may be solutions viability has also been used as a basis for available to overcome the reasons why a site the exclusion of sites, due to: has been discounted, for example: • An alternative means of access within the control of the applicant which may • Questionable viability due to multiple ownership / land acquisitions needed to not be otherwise apparent develop the site / difficult to assemble / • A new landowner may come forward legal issues • Engineering solutions that overcome utilities capacity constraints • Unviable costs regarding contamination, or • Residential layouts and/or landscaping other necessary works which are not schemes that would mitigate landscape/ outweighed by development potential. visual impact Although The SHLAA: Main Report (March Given that the SHLAA is not a policy 2013) sets out the Authority’s assessment of document, the fact that a site has been economic viability, sites categorised as discounted from the SHLAA does not ‘marginal’ or even ‘unviable’ have come constitute a material planning consideration. forward for consideration in recent years, Proposals for future residential development confirming the Authority’s approach of only upon discarded sites, by way of a planning discounting the most constrained of sites. application or through the site allocations process, will be considered on their own Some other sites which were considered to merits. have potential for housing, identified by the Local Authority, have had to be eliminated Landowners and agents are advised to from the process because the landowner has consult the tables included in the document, been resistant to development or has failed to which will give an indication as to why their site has been discarded. Landowners/agents/developers are strongly advised to contact the local planning authority to explore the scope/cost of any potential mitigation measures before formally submitting proposals for the development of discarded sites. Discarded sites: Principal Service Centre Workington Map 1: Workington (North) Map 2: Workington (South) Map 3: Workington (Harrington) Map 4: Workington (Stainburn) Map 5: Workington (Seaton) Map 6: Workington (Siddick ) SHLAA Ref Location Settlement Site Site Comments Area Capacity AAWK08 Land off Oxford St Oxford St Workington 0.02 1 Less than 0.3ha AAWK17 Land off Minster Minster Close Workington 0.04 1 Less than 0.3ha Close N11.WK13 21a Carlton Road Carlton Road Workington 0.06 2 Less than 0.3ha AAWK10 Land off High St High Street Workington 0.07 2 Less than 0.3ha AAWK07 Land off New South New South Workington 0.1 3 Less than 0.3ha Watt St Watt St N11.WK22 Former opera house Pow Street Workington 0.1 3 Less than 0.3ha AAWK44 Land at Grey Street Grey Street Workington 0.11 4 Less than 0.3ha AAWK06 Land adjacent to Far Moss Workington 0.13 4 Less than 0.3ha Northside Post Office AAWK16 Land off Grasmere Grasmere Workington 0.15 5 Less than 0.3ha Avenue Avenue N11.WK11 Former Dairy Hall Brow Workington 0.17 6 Less than 0.3ha N11.WK07 Social Club Jane St Workington 0.2 7 Less than 0.3ha EXWK36 Westfield Public Wastwater Av Workington 0.23 8 Less than 0.3ha. House Has planning permission AAWK43 Land at Bolton Street Bolton Street Workington 0.26 9 Less than 0.3ha N11.WK16 Rear of Northside Workington 0.27 9 Less than 0.3ha Primary School N11.WK09 Cavendish House Elizabeth Workington 0.29 10 Less than 0.3ha Street EXWK16 Land to the rear of Stainburn Workington 0.32 11 Site has planning 53 Stainburn Road Road permission N11.WK20 Land adj Northside Workington 0.8 27 Site lies within flood zone 3. Primary School Substandard means of access. Lies within PADHI zone AAWK21 Land off Solway Rd Solway Rd Workington 0.8 27 Residential development incompatible with nearby industrial use. AAWK42 Land adj Derwent Barepot Workington 0.88 29 Inadequate access. View Contamination and works associated with reservoir retaining wall renders development unviable AAWK09 Land adjacent to High Street Workington 1.04 37 Substandard access - Poultry Houses inadequate visibility AAWK04 Land north of St Maryport Rd Workington 1.06 37 Site divorced from Helens Industrial settlement. Amenity issues Estate from adjacent industrial uses. AAWK45 Land at Calva Farm Calva Brow Workington 1.16 41 Divorced from Settlement. Poor access. N11.WK05 Land off Solway Rd Workington 1.34 47 Adjacent industrial uses and within PADHI zone - better suited to industrial/ employment AAWK24 Site adj Moss Bay Mossbay Workington 1.58 56 Lies within southern link Metals Road road safeguarding area AAWK19 Moorclose Park and Furness Road Workington 1.68 59 Beneficial use - public open Gardens space. Loss of green corridor between estates AAWK02 Land at Stanley Stanley Street Workington 1.85 65 Site has planning Street permission N11.WK06 Land to the rear of Mossbay Workington 2.06 77 Current used as a sports Solway House Road playing field. Lies within PADHI zone SHLAA Ref Location Settlement Site Site Comments Area Capacity EXWK02 Land off Maryport Maryport Road Workington 2.46 92 Divorced from settlement. Road Lies within outer PADHI zone N11.WK17 Playing Fields Moorclose Workington 2.86 107 Fire station HQ site with Road permission AAWK26 Land adj The Ranch Moss Bay Rd Workington 3.45 138 Currently in beneficial use - sports/open space. Part of site may be developable AAWK01 Land at Port of Derwent Howe Workington 13.29 532 Insurmountable Workington contamination constraints. Isolated location. N11.WK21 Land at Newlands High Street Workington 0.6 20 Site has planning Hall permission. Development commenced EXRU87 Land at Furnace Furnace row Workington 0.05 2 Less than 0.3ha Row (Distington) EXRU149 1 Windscales Windscales Workington 0.06 2 Less than 0.3ha Avenue Avenue (Distington) EXRU98 Former High Duty A597 Workington 3.54 142 Divorced and poorly related Alloys Social Club (Distington) to existing settlement pattern. Unsustainable location for housing EXWK01 Land at Grayson Workington 0.08 3 Less than 0.3ha House (Harrington) EXWK25 Land adj A597 A597 Workington 0.18 6 Less than 0.3ha (Harrington) N11.WK04
Recommended publications
  • Borderlines 2019
    Borderlines Carlisle Book Festival 2019 www.borderlinescarlisle.co.uk THURSDAY 26TH SEPTEMBER TO TUESDAY 8TH OCTOBER supported by Borderlines 2019 Borderlines 2019 brochure B.indd 1 22/07/2019 17:59:40 FESTIVAL AT A GLANCE Events | Workshops | Poetry & Performance Unless otherwise stated, all of our events are 55 minutes long to allow enough travel time in between venues. Thursday 26th September Joanne Harris, The Strawberry Thief 5.30pm, Crown & Mitre Ballroom, £10 Ashley Cooper, Images from Sponsored by Truffles of Brampton a Warming Planet 7.30pm, Tullie House, £7 Scary Little Girls, Salon du Chocolat Carlisle One World Event 8pm, Crown & Mitre Ballroom, £10 Saturday 28th September Saturday 5th October SpeakEasy, Freiraum Adele Parks Masterclass, 20 Tips for Getting 7.30pm, Cakes & Ale Café, Free - ticketed entry That Novel Written – No excuses! Sunday 29th September 10am - 1pm, Crown & Mitre Boardroom, £25 Zosia Wand, Readers’ Party Razwan Ul-Haq, Arabic Calligraphy: 5.30pm, Cakes & Ale Café, £6 including tea and cake Traditional Materials and Conceptual Art 10 - 11.30am, Tullie House Community Room, £12 Monday 30th September Sponsored by Architects Plus Natalie Haynes, Troy Story 7.30pm, Stanwix Arts Theatre, £8 Alan Brown, Overlander: A Bikepacking Journey Tuesday 1st October 10.30am, Tullie House, £7 Iain Matthews & Ian Clayton, Words and Music Malcolm Carson, Poetry Breakfast 7.30pm, Stanwix Arts Theatre, £8 10.30am - 12pm, Tullie House Function Room, Wednesday 2nd October £5 including refreshments Helen Weston, Writing as Therapy
    [Show full text]
  • UNIVERSITY of LEEDS the LIBRARY Archives of the Queen Square and Park Square Galleries, Special Collections MS 712 Part I: Collective Exhibitions
    Handlist 74 UNIVERSITY OF LEEDS THE LIBRARY Archives of the Queen Square and Park Square Galleries, Special Collections MS 712 Part I: Collective exhibitions Mrs Sarah Gilchrist opened her commercial gallery in Queen Square, Leeds, in 1964; the enterprise flourished and she moved it to new premises in Park Square, Leeds, in 1968. She retired in 1978 though the gallery has continued under different aegis. In 1981 she was awarded an honorary degree by the University of Leeds and in the summer of 1984 through the timely intervention of Mr Stephen Chaplin of the University's Department of Fine Art, she most kindly agreed to give the accumulated archive of her galleries up to the date of her retirement to the Brotherton Library. The archive illustrates the relationship between artist and gallery, and between gallery and collector; it also illuminates taste and patronage in Yorkshire in the third quarter of the 20th century. This first part of a complete catalogue refers to collective exhibitions; further parts will deal. with one-man exhibitions, a picture lending scheme and other matters. Each catalogue will have indexes of exhibitors and of correspondents. This handlist was formerly issued in four parts, as handlists 74, 76, 84 and 85 Compiled October 1985 Digitised May 2004 CATALOGUE 1. First collective exhibition, 'Five Australian painters', April-May 1964 Work by:- Charles Blackman, Arthur Boyd, Louis James, John Perceval and Kenneth Rowell. 1-39 Correspondence, 1964. 51 ff. 40 Invitation to private view, 15 April 1964. 41 Priced catalogue, 1964. 42-43 Two photographs of exhibits, [1964]. 44-45 Mounted press-cuttings, 1964.
    [Show full text]
  • Jay Drinkall – Storm Index Montez Press Writers Grant -4ºC in March
    Jay StoDrinkall r m Index Jay Drinkall – Storm Index Montez Press Writers Grant -4ºC in March. In the north of England spring conceals winter like a knife. Ascending slowly, vapours rise from the high ground ahead. The storm they are calling the BEAST FROM THE EAST has rolled chaotically in, snow is baked onto the mountainside in crystalline swirls. Everything is wracked in ice. Clough is the dialect word for steep valley or ravine. From Old English clōh, itself thought to stem from the Proto-Germanic klanhaz (‘cleft’, ‘sluice’, ‘abyss’). Many slice this scrunchy, sprawling mountain: one between each named protrusion of its southerly faces. We’re climbing the western edge of one gradu- ated panhandle called Saddle Fell. Wolf Fell threatens directly to the west, separated craggily from our outcrop by White Stone Clough. The gentler slopes of Burnslack protrude benignly to the east, their roundness belying the twist of a steep ravine below. Desperation is knowing I am red. With this morning’s coffee the climb has made me embarrassingly ruddy. I half- hope the man I’m with – let’s call him Keir – won’t look back to catch my eye. He doesn’t. Farm specifically ‘sheep farm’, which is how Keir dismisses our surroundings. He hates sheep, not as individ- uals but for what they represent en masse: you might call it the ovine-industrial complex. He is frown- ing at the convincingly rugged landscape, one aggressively shaped by agro-industry and then cunningly re-packaged as wilderness. Still, it was first carved by a deep and glacial memory.
    [Show full text]
  • Notices and Proceedings: North West of England: 18 October 2017
    OFFICE OF THE TRAFFIC COMMISSIONER (NORTH WEST OF ENGLAND) NOTICES AND PROCEEDINGS PUBLICATION NUMBER: 2781 PUBLICATION DATE: 18/10/2017 OBJECTION DEADLINE DATE: 08/11/2017 Correspondence should be addressed to: Office of the Traffic Commissioner (North West of England) Hillcrest House 386 Harehills Lane Leeds LS9 6NF Telephone: 0300 123 9000 Fax: 0113 249 8142 Website: www.gov.uk/traffic-commissioners The public counter at the above office is open from 9.30am to 4pm Monday to Friday The next edition of Notices and Proceedings will be published on: 25/10/2017 Publication Price £3.50 (post free) This publication can be viewed by visiting our website at the above address. It is also available, free of charge, via e-mail. To use this service please send an e-mail with your details to: [email protected] Remember to keep your bus registrations up to date - check yours on https://www.gov.uk/manage-commercial-vehicle-operator-licence-online NOTICES AND PROCEEDINGS Important Information All correspondence relating to public inquiries should be sent to: Office of the Traffic Commissioner (North West of England) Suite 4 Stone Cross Place Stone Cross Lane North Golborne Warrington WA3 2SH General Notes Layout and presentation – Entries in each section (other than in section 5) are listed in alphabetical order. Each entry is prefaced by a reference number, which should be quoted in all correspondence or enquiries. Further notes precede sections where appropriate. Accuracy of publication – Details published of applications and requests reflect information provided by applicants. The Traffic Commissioner cannot be held responsible for applications that contain incorrect information.
    [Show full text]
  • Allerdale Unclassified Roads - Published January 2021
    Allerdale Unclassified Roads - Published January 2021 • The list has been prepared using the available information from records compiled by the County Council and is correct to the best of our knowledge. It does not, however, constitute a definitive statement as to the status of any particular highway. • This is not a comprehensive list of the entire highway network in Cumbria although the majority of streets are included for information purposes. • The extent of the highway maintainable at public expense is not available on the list and can only be determined through the search process. • The List of Streets is a live record and is constantly being amended and updated. We update and republish it every 3 months. • Like many rural authorities, where some highways have no name at all, we usually record our information using a road numbering reference system. Street descriptors will be added to the list during the updating process along with any other missing information. • The list does not contain Recorded Public Rights of Way as shown on Cumbria County Council’s 1976 Definitive Map, nor does it contain streets that are privately maintained. • The list is property of Cumbria County Council and is only available to the public for viewing purposes and must not be copied or distributed. STREET NAME TOWN DISTRICT ROAD NUMBER Abbey Close WORKINGTON ALLERDALE U2412 Abbotsford Place MARYPORT ALLERDALE U2741 Abbotsford Place [Back Lane] MARYPORT ALLERDALE U7099/14 Access leading to Netto off Moss Bay Road WORKINGTON ALLERDALE U7169 Acorn Street
    [Show full text]
  • Get Book Sheila Fell: a Passion for Paint
    H1KDJSQQRMQM ^ PDF « Sheila Fell: A Passion for Paint Sh eila Fell: A Passion for Paint Filesize: 3.01 MB Reviews A fresh e-book with a new viewpoint. Better then never, though i am quite late in start reading this one. I am happy to explain how here is the very best ebook i actually have study during my individual lifestyle and may be he greatest pdf for actually. (Diana Flatley) DISCLAIMER | DMCA 63RUGCFLZGRE // Kindle Sheila Fell: A Passion for Paint SHEILA FELL: A PASSION FOR PAINT Lund Humphries Publishers Ltd. Hardback. Book Condition: new. BRAND NEW, Sheila Fell: A Passion for Paint, Cate Haste, Frank Auerbach, Born into a mining family in rural Cumberland, British painter Sheila Fell (1931-79) studied at Carlisle College of Art, then at St Martin's School of Art in London. Though she spent her adult life in London, her artistic inspiration came from the dramatic images of the landscape of her childhood in the tough northern fells, which she interpreted with a unique intensity, authenticity and expressive power. With her narrow focus on place, she found a poetic language to express the interdependence of earth, people and work, and the universal struggle between nature and humanity's precarious survival in an unforgiving landscape. Talented, determined and charismatic, Sheila Fell was one of the very few women artists to achieve national recognition in the 1950s and 1960s and was one of the youngest artists ever to be elected a Royal Academician in 1974. L.S. Lowry praised her as the best landscape painter of the age and became her lifelong supporter and patron.
    [Show full text]
  • MODERN BRITISH and IRISH ART Ӏ New Bond Street, London Ӏ Wednesday 22 November 2017
    Including PropertyIncluding Benedict from of Estate Read the 22 November 2017 Wednesday MODERN BRITISH AND BRITISH IRISHMODERN ART MODERN BRITISH AND IRISH ART Ӏ New Bond Street, London Ӏ Wednesday 22 November 2017 Lot 88 MODERN BRITISH AND IRISH ART Including Property from the Estate of Benedict Read Wednesday 22 November 2017 at 3pm 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Friday 17 November +44 (0) 20 7447 7447 London Monday to Friday 8.30am to 6pm 9am to 5pm +44 (0) 20 7447 7401 fax Matthew Bradbury +44 (0) 20 7447 7447 Saturday 18 November To bid via the internet please +44 (0) 20 7468 8295 11am to 5pm visit bonhams.com [email protected] As a courtesy to intending Sunday 19 November bidders, Bonhams will provide a 11am to 5pm Please note that bids should be Penny Day written indication of the physical Monday 20 November submitted no later than 4pm +44 (0) 20 7468 8366 condition of lots in this sale if 9am to 5pm on the day prior to the sale. [email protected] a request is received up to 24 Tuesday 21 November New bidders must also provide hours before the auction starts. 9am to 5pm proof of identity when submitting Christopher Dawson This written indication is issued Wednesday 22 November bids. Failure to do this may result +44 (0) 20 7468 8296 subject to Clause 3 of the Notice 9am to 1pm in your bid not being processed. [email protected] to Bidders. SALE NUMBER Bidding by telephone will only Ingram Reid 23963 be accepted on a lot with +44 (0) 20 7468 8297 a lower estimate or of or in [email protected] CATALOGUE excess of £1,000 £20.00 James Flower Live online bidding is +44 (0) 20 7468 5862 ILLUSTRATIONS available for this sale [email protected] Front cover: Lot 35 Please email bids@bonhams.
    [Show full text]
  • 2014 International 05.04.2014 > 20.07.2014 Art Exhibitions 2014
    International 04 Art Exhibitions 2014 International 05.04.2014 > 20.07.2014 Art Exhibitions 2014 Francis Bacon and Henry Moore 1 Terror & Beauty Art Gallery of Ontario In Francis Bacon and Henry Moore: Opposite page Terror and Beauty, the Art Gallery of Francis Bacon Ontario brings two giants of 20th Portrait of Isabel Rawsthorne century British art together in a major 1966, Oil on canvas exhibition of sculpture and paintings, 81 x 69 cm featuring over 60 works by the two Tate Modern, London highly influential artists as well as a © Estate of Francis Bacon / number of photographs and drawings SODRAC (2013) dating from the Second World War. 1 Henry Moore Although they were neither friends nor Helmet Head and Shoulders collaborators, painter Francis Bacon 1952, Bronze (1909-1992) and sculptor Henry Moore 19 x 20.5 x 15 cm (1898-1986) were contemporaries who Tate Modern, London shared an obsession with expressing © The Henry Moore Foundation. themes of suffering, struggle and All Rights Reserved, DACS / survival in relation to the human body. 2 SODRAC (2013) 2 Guest curated for the AGO by Dan Adler, Henry Moore associate professor of art history at York Reclining Figure Toronto University, ‘Francis Bacon and Henry 1951, Plaster cast, 228.5 cm (L) Moore: Terror and Beauty’ is the first Art Gallery of Ontario, Toronto Canadian exhibition of Bacon's work. Courtesy Craig Boyko, AGO © The Henry Moore Foundation. The presentation also includes never- All Rights Reserved, DACS / before-seen Moore artworks, from both SODRAC (2013) the AGO collection and elsewhere. 3 Loans for the exhibition have been Francis Bacon secured from several institutions Second Version of Triptych including MoMA, Tate Britain and the 1944, 1988, Oil and alkyds on Museum of Contemporary Art, canvas 3 Chicago.
    [Show full text]
  • Fiona Armstrong Fiona Armstrong, a Broadcaster and Writer, Is Now
    Fiona Armstrong ‘Maryport’ Zaffar Kunial Fiona Armstrong, a This exciting documentary was made in 1979 by Zaffar is the current Poet-in- broadcaster and writer, Granada TV, directed by Denis Mitchell and presented Residence for the is now presenting by Ray Gosling. Ray Gosling visits Maryport and talks to Wordsworth Trust. He was ‘Border Life’ a current the local people about their feelings on life now and born in Birmingham but lived affairs programme for how it was during the depression. The film contains in Sheffield before moving to ITV Border. This sees her interviews with many Maryport citizens, so audience Grasmere. During his time at making films on subjects members may recognise people they know in the film! Grasmere he will be working from prisons to We are grateful to Lord Bragg and Grevel Lindop for on his first collection of poetry and will run the butterflies. She also tracking down the film, and to ITV and Park Circus Ltd monthly Dove Cottage Poets workshops. His session works as a newscaster for making the film available. at the festival continues our association with the with BBC News, and writes columns for Scottish and Wordsworth Trust. American newspapers. As a producer she has made Cate Haste films on subjects ranging from politics to countryside Cate Haste’s latest Neil Curry issues. One of her loves is fishing and she fronted a biography/monograph on the Neil Curry has lived for many series, ‘Fiona on Fishing’. She has made more than artist Craigie Aitchison: A Life years in Cumbria. Among his twenty films on clan and borderland families.
    [Show full text]
  • Complete ICA Exhibitions List 1948
    1 Date Title Artists / Description 1948 40 Years of Modern Art 1907-1947: Jankel Adler, Jean Arp, Francis Bacon, Balthus, John Banting, 10 Feb – 6 Mar a Selection from British Eugene Berman, Pierre Bonnard, Constantin Brancusi, Georges Collections Braque, Edward Burra, Alexander Calder, Marc Chagall, Georgio de Chirico, Robert Colquhoun, John Craxton, Salvador Dali, Paul Held at the Academy Hall, Oxford Delvaux, André Derain, Charles Despiau, Frank Dobson, Raoul St Dudy, Jacob Epstein, Max Ernst, Lyonel Feininger, Lucian Freud, Naum Gabo, Henri Gaudier-Brzeska, Alberto Giacometti, Duncan Grant, Juan Gris, Barbara Hepworth, Ivon Hitchens, Frances Hodgkins, Edgar Hubert, Augustus John, Wassily Kandinsky, Paul Klee, Oscar Kokoschka, John Lake, Wifredo Lam, Louis Le Brocquy, Fernand Leger, Wilhelm Lembruck, Wyndham Lewis, Jean Lurçat, Rene Magritte, Aristide Maillol, Franz Marc, Louis Marcoussis, André Masson, Henri Matisse, Robert MacBride, F E McWilliam, Joan Miro, Amadeo Modigliani, Piet Mondrian, Henry Moore, Paul Nash, Ben Nicholson, Eduardo Paolozzi, Victor Pasmore, Pablo Picasso, John Piper, Man Ray, Ceri Richards, William Roberts, Peter Rose Pulham, Georges Rouault, William Scott, Walter Sickert, Matthew Smith, Stanley Spencer, Graham Sutherland, Chiam Soutine, Tves Tanguy, Pavel Tchelitchev, John Tunnard, Maurice Utrillo, Edouard Vuillard, Edward Wadsworth, Christopher Wood, Jack Yeats, Ossip Zadkine 1948/1949 40,000 Years of Modern Art: a List of artists only includes the artists from the ‘Art of Our 20 Dec - 29 Jan Comparison of
    [Show full text]
  • Frank Auerbach Catherine Lampert
    FRANK AUERBACH Catherine Lampert FRANK AUERBACH Speaking and Painting With 100 illustrations, 78 in colour Contents Preface 6 1. Finding a Home in England 10 2. Forging a Reputation 54 3. ‘Painting is My Form of Action’ 84 Frontispiece: Head of Julia, 1981 4. First published in the United Kingdom in 2015 by 118 Thames & Hudson Ltd, 181a High Holborn, London wc1v 7qx The Best Game Frank Auerbach: Speaking and Painting 5. © 2015 Thames & Hudson Ltd, London Text © 2015 Catherine Lampert Idiom and Subject 166 Works by Frank Auerbach © 2015 Frank Auerbach All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, Conclusion 206 including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978-0-500-23925-4 Printed and bound in China by Toppan Leefung Printing Limited Notes 216 • Selected Bibliography 227 To find out about all our publications, please visit www.thamesandhudson.com Chronology 229 • List of Illustrations 231 There you can subscribe to our e-newsletter, browse or download our current catalogue, and buy any titles that are in print. Permissions 234 • Acknowledgments 235 • Index 236 Chapter One Finding a Home in England Berlin childhood Born on 29 April 1931, Frank Helmut Auerbach, an only child of older parents, recalls being coddled in a way that even at a young age felt suffocat- ing. This stemmed not only from the memory of being dressed in a blue velvet suit but also from the fact that his daily life was rather isolated from other children, with little freedom to play unwatched.
    [Show full text]
  • 'Earliest Known Portrait of African in Persian Art'
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2487 | antiquestradegazette.com | 10 April 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art $1.9m record for British coin ‘Earliest known portrait set in Dallas of African in Persian art’ by Roland Arkell The record for a British coin has been Among the highlights of broken again with the sale at Heritage in Dallas of an Edward VIII proof pattern last week’s Islamic and £5 for $1.9m (£1.39m). The largest Indian art sales in London denomination from the fabled 1937 was this late Safavid ‘abdication’ sets almost doubled the portrait of a mercenary in previous high for a British issue set just six months ago in Monaco. the Persian army painted Despite extensive preparations for an in the cosmopolitan city of Edward VIII coinage (records at the Royal Isfahan c.1680-90. Mint suggest that more than 200 dies for It could be the earliest coins, medals and seals were prepared), the plans for general circulation in January 1938 known portrait of an African were cut short by the events of December 1937. figure in Persian art and Only a handful of trial proofs survive.
    [Show full text]