Qiao Chen Solomon Education Teaching Experience
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Cello Concerto (1990)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Piano Concerto No. 1 in C minor with Trumpet and String Orchestra, Op. 35 (1933) Dmitri Alexeyev (piano)/Philip Jones (trumpet)/Jerzy Maksymiuk/English Chamber Orchestra ( + Piano Concerto No. 2, Unforgettable Year 1919, Gadfly: Suite, Tahiti Trot, Suites for Jazz Orchestra Nos. 1 and 2) CLASSICS FOR PLEASURE 382234-2 (2007) Victor Aller (piano)/Murray Klein (trumpet)/Felix Slatkin/Concert Arts Orchestra ( + Hindemith: The Four Temperaments) CAPITOL P 8230 (LP) (1953) Leif Ove Andsnes (piano)/Håkan Hardenberger (trumpet)/Paavo Järvi/City of Birmingham Symphony Orchestra ( + Britten: Piano Concerto and Enescu: Legende) EMI CLASSICS 56760-2 (1999) Annie d' Arco (piano)/Maurice André (trumpet)/Jean-François Paillard/Orchestre de Chambre Jean François Paillard (included in collection: "Maurice André Edition - Volume -
Fanfare Interview and Reviews 2021
! This article originally appeared in Issue 44:4 (Mar/Apr 2021) of Fanfare Magazine. Feature Article by David DeBoor Canfield A New Version of Pictures at an Exhibition with Conductor Levon Ambartsumian Formerly Professor of Violin at the Moscow Conservatory, Levon Ambartsumian founded the ARCO Chamber Orchestra in Moscow in 1989. However, upon coming to the United States, the violinist-conductor gained a position at the University of Georgia’s Hodgson School of Music, and refurbished ARCO at that institution, bringing over from Russia five of its most important members to assist him. Ambartsumian was quite thoroughly interviewed regarding his development as a violinist and conductor, and on his impressions of various schools of violin playing, in the fascinating interviews done by my colleague Jerry Dubins in 43:1 and 42:3, so in the interview below, conducted in November of 2020, I attempted to explore facets of this versatile musician’s career and work not already covered. First of all, I’d like to explore your tenure at the Jacobs School of Music in Bloomington, an institution that happens to be my own alma mater. Could you tell us anything about your experiences here? I came to Indiana University in the fall of 1993 to fill in for an ailing Joseph Gingold. After one academic year Mr. Gingold seemed to have recovered and returned to teaching, but in the following academic year, another IU Professor of Violin, Nelli Shkolnikova, asked me to replace her while she went on sabbatical. After that, I left the U.S. for a few months in 1995 but then received three invitations from the universities of Kansas, Houston, and Georgia. -
35 ARCO Chamber Orchestra
HUGH HODGSON SCHOOL OF MUSIC ARCO Chamber Orchestra Tuesday, April 9, 2019 7:30 PM Hodgson Concert Hall PROGRAM Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 12 in A Major, KV 414 Allegro Andante Allegretto Evgeny Rivkin, piano INTERMISSION Franz Schubert (1797-1828) Fantasie in F minor for piano four- hands, Op. 103, D. 940 arranged for violin and string orchestra by Efrem Podgaits US premiere Allegro molto moderato Largo Scherzo. Allegro vivace Finale. Allegro molto moderato Levon Ambartsumian, violin Mikhail Glinka (1804-1857) Valse – Fantasie arranged for chamber orchestra by Igor Kholopov Tempo di valse 34 35 PROGRAM NOTES on two other piano concertos, No. 11 piano four hands repertoires, Fantasie in he said, “It’s all in Kamarinskaya, just as and No.13 for his debut concert in F minor is one of fineset and well-known the whole oak is in the acorn. And for a By Yeasol Kang 1783. He intended a home performance work. The music is dedicated to his long time Russian composers will draw with string quartet, so he scored No. 12 pupil, Karoline Esterhay, whom he was from this rich source, for it will need WOLFGANG AMADEUS MOZart lightly, using strings with optional wood- in love with. Schubert wrote the piano much time and much strength to exhaust (1756-1791) wind parts. four hands so he could be close to her. all its wealth.” Because of nature of the composition, the Piano Concerto No. 12 in A Major, Mozart was enthusiastic about those two players sit right beside each other, Perhaps Glinka’s visit to Italy has set KV 414 three concertos, saying that “they are breathe together, and the performers’ the path for the opera. -
FANFARE Interview and Reviews 2019
From Russia with Violin: An Interview with Levon Ambartsumian ! Prokofiev Violin Sonatas, Five Melodies Audio CD; Single Phoenix USA ! With three dozen albums to his name, ranging from familiar, mainstream repertoire by Vivaldi, Bach, Mozart, Haydn, Schubert, Mendelssohn, Brahms, Saint-Saëns, Chausson, and Richard Strauss, to 20th-century Modernist works by Schnittke, Vasks, Mikhail Bronner, Efrem Podgaits, Andrei Eshpai, and others, readers are bound to recognize violinist Levon Ambartsumian from a number of those releases that have been previously reviewed. Today, Ambartsumian is Regent’s and Franklin Professor of Violin at the University of Georgia Hugh Hodgson School of Music. Prior to that, in 1995, he was a visiting professor at Indiana University School of Music, where he replaced the legendary American violinist and teacher Joseph Gingold. As you probably guessed from his name, however, Ambartsumian traces his roots to Armenia, where his parents came from, and to Russia, where he was born in Moscow in 1955. And in 1978, he began a 15-year tenure, teaching at the Moscow Tchaikovsky Conservatory. Ambartsumian is himself an alumnus of the Moscow Central Music School and the Moscow Tchaikovsky Conservatory, where one of his teachers was the illustrious Leonid Kogan. In 1977 he won First Prize at the Zagreb International Violin Competition, established by Henryk Szeryng. Two years later he was a prize-winner at the Montreal International Competition, and in 1981 he won the All-Union Violin Competition in Riga. Ambartsumian has appeared in concert and recital in the major cities across the U.S., Russia, Eastern Europe, Canada, Italy, France, Germany, Greece, Spain, Portugal, Brazil, China, Japan, and South Korea, having collaborated as a soloist with conductors and composers such as Valery Gergiev, Vladimir Fedoseev, Maxim Shostakovich, Aram Khachaturian, Alfred Schnittke, Karen Khachaturian, and many others. -
Newburgh Music Festival
2017 NEWBURGH MUSIC FESTIVAL JUNE 15th to JUNE 25th The Newburgh Music Festival is a 10 day long immersive young artist program devoted to solo repertoire, chamber music, and art song. Program includes daily private lessons, coaching sessions, masterclasses, lectures, and performances. newburghmusicfestival.com 2017 Newburgh Music Festival A word from our Artistic Director: The idea of creating a music festival has been present in my mind for a long while; mainly inspired by programs I was fortunate to be a part of since my late teens. There was always something deeply compelling and addictive about being united with different people by a single and upmost strong desire - striving to make music to the best of our ability and sharing this experience collaboratively. This is how I imagine a universal love being born. To feel wholly present and intricately connected to other musicians is something I am striving to create here, for more musicians to experience, younger and older alike. Why Newburgh, NY? One December day in 2015 I allowed myself to share this idea with David Ludwig, the creative power behind Queen of the Hudson Concert Series. The response that followed was not what I had expected -David in all seriousness suggested it might be possible to bring it to fruition in Newburgh. And here we are… Our inaugurating season during the summer of 2016 consisted of three chamber music concerts dedicated to composers of four different geographic locations: Russia, Germany and France united with Spain during the last performance. The experience of working with extraordinary musicians, while overseeing the mountains on the opposite shore of the Hudson river and observing the moon sneak out from behind them slowly, but with full determination, was a source of profound inspiration.