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Laura M. Kramer, Assistant Director Four Hundred Sixty-Eighth Program of the 2008-09 Season Elliott Bark, David Werfelmann, Electronics Assistants ____________________ New Music Ensemble David Dzubay, Director & Conductor Chih-Chiang Lin, Assistant Conductor Michael Gandolfi, Guest Composer ________________ Recital Hall Saturday Evening December Sixth Eight O’Clock music.indiana.edu Program Intermission Birthday Flourish (1988) . Elliott Carter Geppetto’s Workshop (1997) . Michael Gandolfi (born 1908) I. A Piece of Magic Wood that Laughs (born 1956) Wes Miller, Trumpet and Cries Like a Child Doug Reneau, Trumpet II. Pinocchio Frolics with Punch and Judy, Julia Filson, Horn Which Incites the Menacing Fire-Eater Chris Porter, Trombone III. The Talking Cricket Warns Pinocchio Derrick Wallace, Trombone of the Dangers Ahead Chih-Chiang Lin, Conductor IV. Pinocchio Ignores the Talking Cricket’s Warning and is Chased by the Fox and the Cat Daniel Stein, Flute Fantaisie (1933) . Olivier Messiaen Jooeun Pak, Piano (1908-1992) Bella Hristova, Violin Réflexions (2004) . Elliott Carter Edward Niedermeier, Piano Daniel Stein, Piccolo/Flute/Alto Flute I-Jeng Yeh, Flute/Piccolo Le merle noir (1952) . Olivier Messiaen Sarah Huebsch, Oboe I-Jeng Yeh, Flute Keith Sorrells, English Horn Timothy Best, Piano Amanda Cook, E-Flat Clarinet/Clarinet Jennifer Hughson, Bass Clarinte/Contrabass Clarient Zach Hague, Bassoon Selena Yamamoto, Bassoon/Contrabassoon Pièce pour piano et quatuor à cordes (1991) . Olivier Messiaen Julia Filson, Horn Liana Gourdjia, Violin Madison Roberts, Horn Bella Hristova, Violin Wes Miller, Trumpet Rose Armbrust, Viola Doug Reneau, Trumpet Eric Allen, Cello Chris Porter, Trombone Edward Niedermeier, Piano Derrick Wallace, Trombone Brian Blume Percussion Kyle Acuncius, Percussion Mosaic (2004) . Elliott Carter Andy Smith, Percussion Jooeun Pak, Piano Daniel Stein, Flute/Piccolo/Alto Flute Kristie Withers, Harp Sarah Huebsch, Oboe/English Horn Liana Gourdjia, Violin Amanda Cook, Clarinet/Bass Clarinet Sarah Saviet, Violin Emily Granger, Harp Bella Hristova, Violin Kristie Withers, Harp Rose Armbrust, Viola Liana Gourdjia, Violin Dash Nesbitt, Viola Rose Armbrust, Viola Eric Allen, Cello Eric Allen, Cello Kevin Kunkel, Cello Matthew Pennington, Bass Matthew Pennington, Bass David Dzubay, Conductor David Dzubay, Conductor.

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1 the Roots of Birtwistle's Theatrical Expression
Cambridge University Press 978-0-521-89534-7 - Harrison Birtwistle’s Operas and Music Theatre David Beard Excerpt More information 1 The roots of Birtwistle’s theatrical expression: from Pantomime to Down by the Greenwood Side With six major operas, around eight music dramas, and a body of incidental music to his name, Harrison Birtwistle has made a significant contribution to contemporary opera and music theatre during a period that spans more than forty years. This study is concerned not only to reflect the importance of these stage works by examining them in some detail but also to convey their varied musical and intellectual worlds. Previous studies have rightly focused on Birtwistle’s perennial concerns, such as myth, ritual, cyclical journeys, varied repetition, verse–refrain structures, instrumental role-play, layers and lines.1 These characteristics highlight consistency throughout Birtwistle’s oeuvre and are a mark of his formalist stance. By contrast, this book is motivated by a belief that the stage works – in which instrumental and physical drama, song and narrative are combined – demand interpre- tation from multiple, inter-disciplinary perspectives. While not denying obvious or important relations between works, what follows is rather more focused on differences: Birtwistle’s choice of contrasting narrative subjects, his collaborations with nine librettists, his varied pre-compositional ideas and working methods, his experience with different directors, producers and others, all distinguish one stage work from another. A recurring theme is therefore a consideration of ways in which Birtwistle’s initial concepts are informed, altered or conveyed differently in each case. Moreover, as ideas evolve, from the composer’s musical sketches to the final production, mul- tiple meanings accrue that are particular to each drama.
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CAL PERFORMANCES PRESENTS Saturday, January 26, 2013, 8pm Hertz Hall Eco Ensemble David Milnes, conductor PROGRAM Harrison Birtwistle (b. 1934) Secret Theatre (1984) flute, piccolo Tod Brody percussion Loren Mach oboe Kyle Bruckmann piano Ann Yi clarinet Bill Kalinkos violin 1 Antoine van Dongen bassoon, contrabassoon David Granger violin 2 Dan Flanagan trumpet Brad Hogarth viola Ellen Ruth Rose horn Alicia Telford cello Felix Fan trombone Hall Goff double bass Richard Worn INTERMISSION Ivan Fedele (b. 1953) La Chute de la Maison Usher (1995) Music for the film of the same name by Jean Epstein (1928) soprano Ann Moss harp Naomi Hoffmeyer flute, alto flute, piccolo Stacey Pelinka piano Ann Yi oboe Kyle Bruckmann violin 1 Antoine van Dongen clarinet 1 Bill Kalinkos violin 2 Dan Flanagan clarinet 2, bass clarinet Peter Josheff viola Ellen Ruth Rose bassoon David Granger cello Felix Fan horn Alicia Telford double bass Richard Worn percussion Loren Mach Cal Performances’ 2012–2013 season is sponsored by Wells Fargo. CAL PERFORMANCES 5 PROGRAM NOTES PROGRAM NOTES Harrison Birtwistle (b. 1934) Manchester College of Music in the early 1950s premiered at the 1968 Aldeburgh Festival, it in- tend to unfold, as biographer Michael Hall has Secret Theatre (1984) where he joined with composers Alexander corporates all the music of Tragoedia, setting it pointed out, “in one long continuous move- Goehr and Peter Maxwell Davies to found the in a kaleidoscopic array of more than one hun- ment…structured so as to gradually bring into Shortly before his 75th birthday, composer New Music Manchester Group—a seminal en- dred short numbers (arias, chorales, dances, sce- the foreground something that had originally Harrison Birtwistle (Sir Harrison to his fans, semble for the performance of new music out- nic music, and so forth).
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Jonathan Cross. Harrison Birtwistle: Man, Mind, Music
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