The Legend of Betsy Ross 5
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Colonial Flags 1775-1781
THE AMERICAN FLAG IS BORN American Heritage Information Library and Museum about A Revolutionary Experience GRAND UNION BETSY ROSS The first flag of the colonists to have any During the Revolutionary War, several patriots made resemblance to the present Stars and Stripes. It was flags for our new Nation. Among them were Cornelia first flown by ships of the Colonial Fleet on the Bridges, Elizabeth (Betsy) Ross, and Rebecca Young, all Delaware River. On December 3, 1775 it was raised of Pennsylvania, and John Shaw of Annapolis, Maryland. aboard Capt. Esek Hopkin's flagship Alfred by John Although Betsy Ross, the best known of these persons, Paul Jones, then a navy lieutenant. Later the flag was made flags for 50 years, there is no proof that she raised on the liberty pole at Prospect Hill, which was made the first Stars and Stripes. It is known she made near George Washington's headquarters in flags for the Pennsylvania Navy in 1777. The flag Cambridge, MA. It was the unofficial national flag on popularly known as the "Betsy Ross Flag", which July 4, 1776, Independence Day; and it remained the arranged the stars in a circle, did not appear until the unofficial national flag and ensign of the Navy until early 1790's. June 14, 1777 when the Continental Congress Provided as a Public Service authorized the Stars and Stripes. for over 115 Years COLONIAL THIRD MOUNTAIN REGIMENT The necessity of a common national flag had not been thought of until the appointment of a committee composed of Benjamin Franklin, Messrs. -
Mary Pickersgill: the Woman Who Sewed the Star-Spangled Banner
Social Studies and the Young Learner 25 (4), pp. 27–29 ©2013 National Council for the Social Studies Mary Pickersgill: The Woman Who Sewed The Star-Spangled Banner Megan Smith and Jenny Wei Just imagine: you live in a time before electricity. There are no sewing machines, no light bulbs, and certainly no television shows to keep you entertained. You spend six days a week working 12-hours each day inside your small home with four teenage girls and your elderly mother. This was the life of Mary Pickersgill, the woman who sewed the Star-Spangled Banner. This image is the only known likeness of Mary Pickersgill, Each two-foot stripe of the flag was sewn from two widths of though it doesn’t paint an accurate picture of Mary in 1813. British wool bunting. The stars were cut from cotton. Though Visitors who see this image in the “Star-Spangled Banner” the flag seems unusually large to our eyes (nearly a quarter of online exhibition” (amhistory.si.edu/starspangledbanner) the size of a modern basketball court), it was a standard “gar- often envision Mary as a stern grandmother, sewing quietly rison” size meant to be flown from large flagpoles and seen in her rocking chair. No offense to the stern grandmoth- from miles away. ers of the world, but Mary was actually forty years Mary Pickersgill had learned the art of flag making younger than depicted here when she made the from her mother, Rebecca Young, who made a Star-Spangled Banner, and was already a suc- living during the Revolution sewing flags, blan- cessful entrepreneur. -
Betsy Ross US Flag
CS 112 Design of the Betsy Ross US Flag Problem. Reproduce the US flag for the original 13 states designed by Betsy Ross. See the following figures for her flag and the current specifications for the US flag. I assume the current specifications comefromthe her flag but with 50 stars replacing 13. The flag of Betsy Ross has three separate parts: the 13 red and white stripes, the blue rectangle andthecircle of 13 white stars. I realize that I can reuse the functions fillRectangle() and fillStar() from the previous lab. So my design will focus on a function to draw a circle of 13 white stars in the upper left corner of the flag. I will call this function drawCircleOfStars(). The figure indicates that the center of the circle is the centerof the blue rectangle. I will use the current specifications for the US flag for the Betsy Ross flag. I decidetouse as the diameter of the circle of stars the value C - E - F from the current specification. Of course I must multiply C-E-F /2 by a constant SIZE, say of 200 pixels. I will call this value of C-E-F /2 circleRadius. The specification also gives the diameter of a star as K. So the radius of eachstaris K/ 2 . I will name this value starRadius. The letters A through L refer to the values on the above specification in the right figure. The angle between two adjacent stars in the circle is 2 π/ 13. I will name this variable dt for change of angle t. -
Historic Flag Presentation
National Sojourners, Incorporated Historic Flag Presentation 16 July 2017 1 Table of Contents Table of Contents 2 Type of Program 4 Program Description and Background Information 4 Origin of a Historic Flag Presentation 4 What is a Historic Flag Presentation? 4 Intended Audience of a Historic Flag Presentation 4 Number required to present a Historic Flag Presentation 5 Presentation Attire 5 List of Props Needed and Where Can Props Be Obtained 5 List of Support Equipment (computer, projector, screen, etc.) 5 Special Information 5 Script for an Historic Flag Presentation 6-20 Purpose 6 General Flag Overview 6 Bedford Flag—April 1775 6 Rhode Island Regiment Flag—May 1775 8 Bunker Hill Flag—June 1775 8 Washington’s Cruisers Flag—October 1775 8 Gadsden Flag—December 1775 8 Grand Union Flag—January 1776 9 First Navy Jack—January 1776 9 First Continental Regiment Flag—March 1776 9 Betsy Ross Flag—May 1776 9 Moultrie Flag—June 1776 9 Independence Day History 9 13-Star Flag—June 1777 10 Bennington Flag—August 1777 10 Battle of Yorktown 10 Articles of Confederation 10 15-Star Flag (Star-Spangled Banner)—May 18951 11 20-Star Flag—April 1818 11 Third Republic of Texas Flag—1839-1845 11 Confederate Flag—1861-1865 12 The Pledge to the Flag 11 1909 12 48-Star Flag—September 1912-1959 13 2 World War I 12 Between the Wars 13 World War II 13 Battle of Iwo Jima 13 End of World War II 13 Flag Day 14 Korean War 14 50-Star Flag—July 1960-Present 14 Toast to the Flag 15 Old Glory Speaks 16 That Ragged Old Flag 17 3 Type of Program The Historic Flag Presentation is both a patriotic and an educational program depending on the audience. -
Betsy Ross's 5-Pointed Star - How Did She Do That?
Betsy Ross's 5-pointed star - How did she do that? 1952 Betsy Ross stamp depicting her meeting with the Flag Committee composed of George Washington, Robert Morris, and George Ross Elizabeth Griscom Ross (January 1, 1752 – January 30, 1836) There is some debate as to whether Betsy Ross really sewed the first U.S. American Flag but it is generally acknowledged that she was an integral part in redefining its final design. Betsy Ross's daughter, Rachel Fletcher, testified in 1870, "[The committee] showed her [Betsy Ross] a drawing roughly executed, of the flag as it was proposed to be made by the committee, and that she saw in it some defects in its proportions and the arrangement and shape of the stars. That she said it was square and a flag should be one third longer than its width, that the stars were scattered promiscuously over the field, and she said they should be either in lines or in some adopted form as a circle, or a star, and that the stars were six-pointed in the drawing, and she said they should be five-pointed." Source: http://www.ushistory.org/betsy/ Evidently the committee thought that it would be too hard to create 5-pointed stars so they designed 6- pointed stars. Betsy educated these famous men by showing them a simple folding with only one scissors cut that produced an eloquent 5-pointed star. 1. Use the instructions on the next page to create your own "perfect" pentagram. 2. Use the picture of the fold lines on the third page to try to work out (and come to class ready to explain your reasoning of) why this works? We found several "make a 5-pointed star with only one cut" recipes on line. -
For Which It Stands DVD Guide
For Which It Stands A DVD about the history of the fl ag of the United States, the signifi cance and meaning of our fl ag, and respecting and caring for our fl ag. Teacher’s Guide For the 20-minute linear video and Interactive enhancements associated with segments of the video The American Legion P. O. Box 1055 Indianapolis, Indiana 46206 www.legion.org FOR WHICH IT STANDS Credits For Content Consultant The American Legion John J. Patrick, Ph.D. Mike Buss Indiana University, Program Coordinator, Flag Bloomington Education, Americanism and Children & Youth Scriptwriter Division Doug Anderson This is a publication of Ronald Engel Director of The American Legion Deputy Director, Americanism and Photography P. O. Box 1055 Children & Youth Division Indianapolis, Indiana 46206 Rob DeVoe (317) 630-1249 Marty Justis www.legion.org Director, Production Crew Americanism and Brett Lodde Children & Youth Division Jason Morris Copyright 2005 by Joel Wanke Duane R. Mercier The American Legion Audiovisual Production All rights reserved. Manager, Music/Sound Mix Public Relations Division Patrick Hurley Director of Multimedia The text of this publication, or any part thereof, may Producer/Director/ Michael Freeman not be reproduced, stored in or introduced into a Video Editor retrieval system, or transmitted, in any form or by Luke Hale DVD Programming any means (electronic, mechanical, photocopying, recording, or otherwise), without the written permis- Instructional Designer/ Brandon Penticuff sion of the copyright owner. These materials are not Teacher’s Guide Writer Graphics for resale. However, classroom teachers can repro- Alan Backler, Ph.D. duce these materials for use in their own classrooms. -
PHILADELPHIA WOMEN and the PUBLIC SPHERE, 1760S-1840S
“THE YOUNG WOMEN HERE ENJOY A LIBERTY”: PHILADELPHIA WOMEN AND THE PUBLIC SPHERE, 1760s-1840s By KATHARINE DIANE LEE A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Nancy Hewitt and Paul G. E. Clemens And approved by _______________________________________ _______________________________________ _______________________________________ _______________________________________ New Brunswick, New Jersey May 2016 ABSTRACT OF THE DISSERTATION “The Young women here enjoy a liberty”: Philadelphia Women and the Public Sphere, 1760s-1840s by KATHARINE DIANE LEE Dissertation Director: Nancy Hewitt This dissertation examines women’s access to and participation in the community life of Philadelphia in the decades surrounding the American Revolution. It argues against the application of separate spheres to late-colonial and early national Philadelphia and proposes that women were heavily integrated into nearly all aspects of the city’s public life. Women from diverse backgrounds were actively involved in commerce, politics, protest, intellectual and legal debates, social institutions, wartime developments, educational advancements, and benevolent causes. They saw themselves and were viewed by their peers as valuable members of a vibrant and complex city life. If we put aside assumptions about women’s limited relationship to the public sphere, we find a society in which women took advantage of a multitude of opportunities for participation and self-expression. This project also examines the disparity between the image of the ideal housewife and the lived experience of the majority of female Philadelphians. Idealized descriptions of Revolutionary women present a far more sheltered range of options than those taken advantage of by most actual women. -
Make a Five-Pointed “Betsy Ross” Star
Make a Five-Pointed “Betsy Ross” Star While historians have not been able to gather any evidence that Betsy Ross was involved in sewing the first American flag; there is proof in the form of receipts that she did make flags for the Pennsylvania State Navy. The story of her involvement with George Washington and the first flag comes from the story she told her grandson, William J. Canby, at the time of her death. Part of this story was presented to the Pennsylvania Histori- cal Society in 1870. In the words of Mr. Canby, “In the drawing (of the flag) they (the stars) were made with six points. Mrs. Ross at once said that this was wrong; the stars should be five pointed; they were aware of that, but thought there would be some difficulty in making a five pointed star. “Nothing easier” was her prompt reply and folding a piece of paper in the proper manner, with one clip of her ready scissors she quickly displayed to their astonished vision the five pointed star; which accord- ingly took its place in the national standard.” How did Betsy Ross make a five-pointed star in one snip of her scissors? This is one of several ways she may have done it. (Instructions courtesy of The Figure A Betsy Ross House, Philadelphia, Pennsylvania). Make a Five-Pointed “Betsy Ross” Star 10" Materials: Paper (8½x11 inches), Scissors Figure A. Cut 1 inch off one of the end of the paper to make an 8½x10 inch sheet 8½" of paper. -
Download Free PDF Version
Bonus Materials Important People in American History Teacher Guide Core Knowledge Language Arts Knowledge Core PRESCHOOL PRESCHOOL Important People in American History Teacher Guide Bonus Materials PRESCHOOL Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Copyright © 2013 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts, Listening & Learning, and Tell It Again! are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. References herein should not be regarded as affecting the validity of said trademarks and trade names. -
Ibrahim Complaint & Statement of Facts
STATEMENT OF FACTS Your affiant, is a Senior Special Agent with the U.S. Department of Justice Office of the Inspector General (“DOJ-OIG”) and have been since May 2010. From October 2004 to May 2010 I was a Special Agent with DOJ-OIG. Prior to that I was a Special Agent with the U.S. Secret Service. During my approximately 18 years as a federal law enforcement officer, I have gained experience with Presidential, Vice-Presidential, and other dignitary protective operations, as well as significant experience investigating crimes related to public corruption, conflicts of interest, fraud, conspiracy against rights, obstruction of justice, and false statements. Additionally, since August 2009, I have been a digital forensic examiner and have conducted forensic imaging and analysis of over 150 computer and mobile devices. I am currently assigned to an investigation and prosecution of Mark Sami IBRAHIM’s, (hereinafter “IBRAHIM”) activities at the United States Capitol on January 6, 2021. As a Senior Special Agent, I am authorized by law or by a Government agency to engage in or supervise the prevention, detention, investigation, or prosecution of a violation of Federal criminal laws. Unless otherwise stated, the information in this Affidavit is either personally known to me, has been provided to me by other individuals, or is based on a review of various documents, records, and reports. Because this Affidavit is submitted for the limited purpose of establishing probable cause to support an application for an arrest warrant, it does not contain every fact known by me or the United States. The dates and times listed in this Affidavit should be read as “on or about” dates and times. -
Martha Washington Goes Shopping
MARTHA WASHINGTON GOES SHOPPING: MASS CULTURE’S GENDERING OF HISTORY, 1910-1950 by EMILY M. WESTKAEMPER A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Nancy Hewitt and T. J. Jackson Lears and approved by Dr. T. J. Jackson Lears Dr. Nancy Hewitt Dr. Bonnie G. Smith Dr. Jennifer Scanlon New Brunswick, New Jersey October 2009 2009 Emily Westkaemper ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION Martha Washington Goes Shopping: Mass Culture’s Gendering of History, 1910-1950 By EMILY M. WESTKAEMPER Dissertation Directors: Nancy Hewitt and T. J. Jackson Lears This dissertation expands the definition of women’s social activism to include the innovative work of activists, intellectuals, and corporations creating popular historical narratives. As twentieth century American women assumed new social, political, and economic roles, popular media sentimentalized historical figures like Martha Washington as models for present-day domesticity, constructing colonial and antebellum womanhood as historical precedents for contemporary gendered and racialized divisions of labor. Magazines, advertisements, radio programs, films, and product packaging idealized the middle-class female consumer’s domestic role as a timeless contribution to American democracy, encouraging contemporary women to continue privileging familial over political roles. At the same time, women advertisers, magazine editors, department store executives, radio writers, and popular historians responded, constructing more dynamic narratives of progress in women’s status, both in their own work and in their collective efforts on behalf of women’s professional rights. -
Washington Provided Her with a Sketch of an Idea He Had for the American Flag
Washington provided her with a sketch of an idea he had for the American flag. Ross changed the star from a 6-pointed star to a 5-pointed star. The flag developed consisted of 13 stars arranged in a circular pattern on a blue background in the upper left corner with 13 horizontal stripes, 7 being red and 6 being white. It was not until July 4, 1960 that our current flag was adopted when Hawaii became the 50th star to be added to flag. If this new Country had a flag, they had to have a song! On March 4, 1931, the Star-Spangled Banner was adopted as the national anthem. Francis Scott Key During the war of 1812, Key along with John Stuart Skinner, a British Happy Independence Day! Prisoner Exchange Agent, dined aboard the HMS Tonnant as the guest of Vice Proclaim Liberty throughout all the land unto all the inhabitants thereof! Admiral Alexander Cochrane, Rear Admiral George Cockburn, and Major General Robert Ross. Skinner and Key were trying to negotiate the release of prisoners, one UPPER EAST AND KNOXVILLE AREA ASSOCIATIONS WELCOME NEW KNIGHTS! of whom was Dr. William Beanes. Because of Key’s knowledge of strength and The Upper East and Knoxville Area York Rite Associations completed their positions of British units and the intent of Britain to invade Baltimore, Key was Spring Festivals recently with a total of 51 being Knighted. Shown in the unable to return to his own ship and was forced to watch the bombarding of the photographs below are the classes, with Upper East Association on left and Knoxville American forces at Fort McHenry during the Battle of Baltimore on the night of Area Association on right.