Art News and Reviews.Brooklyn Museum First With Matisse and Cezanne Exhibition exhibited the Acad¬ be shown is ".Sunset-Point Sublime." utge, but it c*n be s.-en from her fac-¦ hits in Philadelphia 2 Kelekian Collection Hu ll in that sic- was not the t\pe of woman emy of the Fine Arts, the Chicago Art 11 is pi -tiirec will not have to be con- In Pitts¬ siden.! for entrance as He who would vuco (1 on the stay Museum, the Carnegie Institute, on by tiie jury and also In other Pictures l>.v Both View is an invi: <1 exhibitor, but the works "The ro>;il blo-xl m.'x'o it rather diffl- burgh. in Boston many .¦vjlt for cities of the United Statee. will be judged among: tne thousand or when she demanded recognition Across tlie Bridge. m re others to be snown ir determin¬ her former high position In the county ing the bestowal of the three prise*. and at court. Not only did she want ANCIENT RELICS FOUND Another artist making his home at her name kept &nonymr>tfc, but I also did when J went to Russia, as I did not IN LONDON EXCAVATION . By HKVRV MvBHlUK). 1'olorado Springs also will exhibit at the show. He Is William J. Pot¬ wart It known Hiat I w is In touch with Tn th< mitlsi of our is it Pittsburgh mur¬ life, Brooklyn. ter, who sent a this family, whose hueband was .OLIVER UERFORD. has Spar.ish subject. dered by the Bolsheviks. Consequent 1- Engineer Sinks Shaft and Gets It would have been very dangerous ti-" Greco-Roman THE name of Matisse is not un- Objects. SPANISH ANTIQUE ART mc In Moscow If It were lino w n thern familiar to readers of these that I had this beautiful friendship wit:: Sptctal CuliIf to Tim Nctv iitK Heo-UJi PLACED ON VIEW HERE Madame X. My many opportunities of < /''?/, by Tijb New York Hhui.d. columns. Nor yet is the name her character -culminated In the cpyriaht, .-.tudying N>«- VorU Herald Bureau. Cey.artne. At the time of the first con- which is now on exhibition at Laureano Medina Collection bust, I on don. April 3. exhibition in this country.of' Knoedler & Co.. who with great gener- works down when At -lent reilca of great historic value 1 o works cf Matisse it was thought Shown at American Galleries. osity brought ail my accident In i the exhibition closed at the Numismatic have been found Spain, consisting of ancient t- Cezanne shows enough pai> drn, a mining engineer, was using tn« biographical ksculptures and art object*, lias The first exhibition of the paintings with .* material was assembled to be- of Billot the American artist, l;nd for r< ..>»:»r«.'h work In line help been placed on view In the galleries 01" Torrey, j when he made the discovi ry. in their first into the t'.ie will be opened to the public at the new profession gtnners steps American Art Association and at H« had sunk a bhaft to what Is known new the an Meanard Galleries, n xt Tuesday. Tb> , atmosphere. But one co.-inot a'- same time important collection ot a« the when he came to collection of Mr. Torrey's oils, which London grave) ways be helping- beginners. One can- antique laces belonging Col. Leo; across thirty-fix silver coins of varlo .< of was vlll he shown, comprises many of his riot always he reciting the Ostorreith Belgium shown. late*, one as far back as the Itoman "pedigree- The art in the Laureano best paintings and represents a varied of Matisse and Cezanne. One owes a Spanish Me- period, Going a little farther he camo ili.ia collection touches upon ror-'t of assemblage of subjects calculated to dis¬ portion of one's time to the intelligent play hf.s talents to the best advantage. ;icross two women's rings of the Tudor tj»e phases that are apt to excite visitors of what are believed members of one's class. And after a to that Although Mr. Torrey Is well known to period and pieces land of romance. There ar>' iu have chain.s worn monk* as while there comes a sad moment when s< the collectors, his achievements havf been by ulptures in woojl and Ivory, decorative well as bits of mediaeval til**. for the of all concerned it furniture, tiles, massive silver not been heralded to the public, with advantage aiiy the result that his abilities have not In another place above the London becomes necessary to separate those ¦»hvines and processional crosses, br;isx 'Flower Piece*' by Carle J. Blenncr at John Levy Oallt:rie&. some f.ne Roman v»*i v ^tHe received extended discussion. gravel objects of one's little group who te-it contem¬ live lamp-, watches, fans, brocadt-s. a Samlarware and mirrors. He littf r eelvedi recognition in nun. r- found. Including p:aie porary art contemporary life from .¦mi.roideries, carpets That (led terra cotta), with a fine glaze. B by was once the richest 011 ous foreign salons, where hia virility those who test it by the standards of Spain country them, hias. are mussy. Color printers i epresentod by some of her uniall and of touch and of conception lew the Roman strata he found the o'.u- ¦art 11 as well aft the most romantic is attractive beach scenes and some originality the . should take to heart the late Col. Roose¬ by and execution, as well as his r.-t of all the objects, whlqh was a small past. eu^ily proved by its art. which has an and i<'s attractive works. When technique, Hut the race is not always to the swift velt's nuvxlm. "Don't flinch." larger have given him a place among modern gold ornament, three-quarters of an imh opulence both of invention and execiv- Miss Walter expands her canvases too « - long, with enamel quatrefoils. This oi rather If the swiftest do gain the tlon that is doubly Impressive in these waste into and landscape painter*. consolation.'* to mu- TCrnest I.nwsun, one of the foremost much, spaees creep them, Mr. com's from liainent 1» believed to have been part of prizes there remain democratic days. is even the becomes Torrey New England f' painters of landscap" In America, drawing objectionable. of a that lias been o* a collar. Although there is noth ng Ilk> um directors. After the race has been The Include "The .Misers," In the Thi> small beach scenes, however, are family productive in is paintings showing liis most recent work members that attained eminence ic in the British Museum, authorities there the debris to be assorted > Cjuentln Matsys, a variant upon the The color that is I delightful, with the genuine ozone in many jf id the trophies to bo hung, and there is Daniel Galleries. rich jri scholastic life. Early he decld- '1 to there belleVe it Is an example of some ante ibjeet In the Plnacoteca at Ho it..s ttii'Rl from lilt! seu. :i (,;. t<> ..!; itudentK con¬ become un arti3t and to of ihe best Grecian ware, dating from degree <»f honor, not to be underestl- Mower Arellano and Butler an weak Europe >gna subjects by temporary painting, is again in evidence. Mljss M)ii; signs agreeable to He his courses of about 400 or SOO ft. C. ted. even about that. Cezjnne Is deed t Isenbrandt. series of and >1. H. Grin is. study. pursued trlptvNi by Adrien A LawsoiVPUts a life and vitality Into the lanti?cape8. instruction in several art of tin It Is expected that other d.fK-ovei s and Matisse Is enrolled among the mitl- 'itins of .1 "Water Fete" u seven¬ also a is versatile. Other COptres but by ;.»...... » :ii ke the picture hold its landscaplst, old world and '"'urnlng to hi- naMve will be mm;.' on the plot of land, j? aged rich, the Brooklyn Museum teenth century artist proves tlia ti when in exhibitors arc Murray MacKay, Mor¬ Is the first.if not the first. own, von iiung comparative land began his career by a devot (1 but a very small part of It has as yet bei n among tast. for athletics was as in as time on the tis Hall PancoMt, George W. Plckneii. American museums 'Lady In An Armchair," by Henri Matisse, in the Kclekian collection pronounced shadow, but goes Unpres- unostentatious application to art. He excavated. ninong 14 display Seville then as it is in New York now formula i.-< In hi- Alice Kent, Stoddard and Irving R a exhibition in the Brooklyn Museum. sionlstlc softened down the art of these geniuses in significant It is a stirring and presentment monumental of the Wile.'-. manner. is quaint work, and the phases Tills due to the chance that of an animated scene. Th?.Gothic prim¬ the of the scene i: was enabled to composition and poetry accept the loan of the is strong in the works of Matisse, Ce¬ other* the Saint Theresa. But Mrs. itives include two important count for more. Wharton Harris SSaheriek, who in the of a example* OPENING SESSION TO-MORROW AT 2:30 P. M. Keleklan collection modern art for zanne, Picasso and others of Hie most Poole is of a different type ; intense and by the Catalan, Veros, and an im¬ new canvases artist of the moment in the Babcock few weeks, and the Keleklan collection One of the best of his modern. intensely modern. Her hand alone would pressive series of sanctuary panels by Is called "Morning Light," a picture of Galleries, js a native of Pennsylvania, From a strictly Journalistic point of be a sufficient clue to her Borassa which formed the remarkable hills and lake bathed in a mellow and studied at the Pennsylvania Academy modernity, glow. M. view the excitement of this matter He* It is excellently painted. The family .'ettinij for an altar in the Church of San There Is a "High Bridge," which is part of Fine Arts, under William Chase and not so much in the case of Matisse. resemblance of this hand to the hand Juan in Segovia. of every Lawson exhibition, very rich in Miss Cecelia Beaux. His subjects were that's an old story.as in the l'act that in the portrait of her mother, Mrs. Df These pieces come from distinguished color, and a vigorous study of "Birch found in widely separated districts, on a museum now houses Matisse.that's Acosta. can be traced, and tends Spanish among whom be which is an unusual for Cape Cod. In Chester Valley, Pennsyl¬ easily collectors, may Woods," subject vania. and in southern where 42-44 East 58th St. (Between Madison & Park Aves.) ( M.K.iioedler*S:Co. new. It tempts one to enter upon a to make one believe in both. cited the Marquis de Corvera of Mur- this painter. Alabama, of the of museums. If cia, de Aceves of the Mr. Eslierick was head of the art de¬ study psychology Kojas Seville, partment in the School of Organic Edu¬ such collective entities as museums may Marquis Delgado de Vlllalonga of Palma Abraham Neumann, who is* exhibiting "A Veritable Museum be said to have psychologies, but this MORE RUSSIAN ART ON VIEW. r.nd Don Rlcardo Uoinbart of Barce¬ cation. Announce an Exhibition / in the Aluasmann Gallery, is from Po¬ of temptation will be stoutly withstood. It lona. land, and his pastels show many pictur¬ is astonishing how easy it is to put The exhibition in the Ivingoro Gail- The rare laces of the Osterreith collec¬ features of that land. He Is a NOTES AND ACTIVITIES leries of the of esque of temptation hahind one In the city of work the well known tion will prove of special Interest to well trained draughtsman, rather more Art and churches. Besides, Mr. Kelekian is be¬ Russian painter includes his "Black Sea museum curators and to serleus students clever in his interiors than in his land¬ IN THE WORLD OF ART Spanish Antiquities" Plratca." the "Blind ginning to be Impatient as to what New Musician" and the of this art, for it was assembcld by Col. scapes, which sometimes have h>w York, anOrient, tl;e memory of which lies deep late in life, after he had a ionic training GALLERY chines that the business men use,'this a In Russian poputar feeling and express In architectural design. After few is the tor a ...... again eighteenth century itself in a hundred minutiie of costume. yt ir« of Intensive work Marin Rave up Now on View ih our Galleries at large part of the world of art. decorative art, Bnd Idiom. The and devoted himself to water It I in legend etching began, believe, the dining roots of my art are embedded In the eolor. It was in this medium that his roonis where men are most prone to while the branches reach its first receive Oriental soll,» Individuality fo'iiv^ complete Impressions, It is said, and where out far into the Occident. In the East development. And now he has come painted chairs first began to l»e insisted art is stereotyped. In Russia it is In back to etching With a mature and nb- upon by autocratic inteiior decorators. movement, and the movement is con¬ folutely unique vision. He has carried Then it spr»ad to the halls and vesti¬ stantly gathering Impetus and awaken- the medium far beyond the confines of 45 WEST 44 STREET bules, the salons, and I dare say, by ing other influences to new life in a new tin commercial making of prints and. this time It has reached the sleeping time. I want my art to mirror the soul lr-ivinK behind all but a few daring C.W.Kraushaar quarters; certainly all the visible por¬ of Russia, its joys and sorrows, mad¬ ecnnoisseurs, has created things that nniTiwnwiwiiiK tions of the houses one are get* into ness and passion. Just as unbalanced challenge the very fundamentals of the eighteenth centurlsh. So the Messrs. is our art. I as is our racial character, art. Jo Art Teacher*, and Students Art Galleries Pey:e and Poole, who have eighteenth do not believe in copying nature, but in Aiti.itu, century wares to sell. m»y he consid¬ it with all Its spiritual high EXHIBITION ered in luck. Or it is transposing It's a continuous performance at the 680 Fifth Avenue perhaps practi¬ and low lights." for at One never can tell. son Fine Arts Galleries tills spring, DEVOE cality. was born in Kharkoff. the a in a rich ltuia hm lierc to be Repin d'Angleterre Bildes, variety brought from Spain the do;v> of the present exhibition of Maurice B. and Charles E. Mr. Peyre as a sculptor has ai. the and received his first of a Netherlandish retlcello . Hold. over of poor pea?arts, stiches; It comprises 2,000 items, the Academy the Allied Artists of Amer- ARTISTS' MATERIALS Exhibition of French graces, and in fact is a regular education as an apprentice of the church similar to the lin es worn In the por¬ and (v. i y one of the phases t( art that little Clodlon. Ills ate of his ar- lea will take possession for the hanging, for Studio «£. Outdoor umc pieces groups decorators. Bafer he perfected traits by Hornthorst, Franz Hals and orie nssocirUs with the idea of the land which will be ;n- School, playing with the various fruits in Kleff and Petrograd Na- a rare band of sixteenth cen¬ of romance secme to of tlielr annual show, Cupids tlstic studies other*; bo represented. on April 9. of the season (to typify the seasons, t'onal Academies of Art. Vladimir Stas- tury Italian needlepoint that follows the Damask shawls, beloved of the H"norltan, augurated with a reception tncluMg Paintings of art and From a small group of forty odd this course), and sometimes gambolling the celebrated Russian pattern* of the celebrated Bllzabett.i huiif? f: on. the railings , there ura from Prendergast sov, malcony to a member- Sketchisd A A TVRE with goats and other artistic animals. had the influence and an of cabinet*, tables society has steadily grown April 4 to 23 music critic greatest Paranoic, example antique antique carved chairs, and !t> roster now reads; They are of a slie to look well upon a his Ideas of nationalism in art. lace of a character found in the rind chests: iron grills from ship of 120, upon pillow wrought like a list of the membership of! Requisites small hall table, or upon the various in da < candle- almost costumes Flemish portraits* ting Sp.'iniah astles, andirons and veil At Ifit Galleries in a room that call for the Vatlonal Academy. Are for *«!? at equipped oj Gifford Beal spaces drawing about 1660. -ilrks. laces and pottery va«i and the board of retoit Art Hvpply F'ordt some little in the of ROBERT REID'S NEW PICTURES. « . Vt a recent meeting of elegance way plates, well 1 io*n adornment. The execution of them is Ther^ seem t> bo works oLart governors the following MAXCFACTCRED BY X. EXHIBITIONS OF THE WEEK. enough were elected to JOSEPH BRUMMER playful and sure, worthy, as has already Two subjects by Robert Reld, A.. of an ecclesiastical nature to fit out Sev¬ painters and sculptors at the international ex- membership in the A. A. A.: Robert 43 East 57th Street been hinted, of the best French tradi¬ will be shown The Brown Kobertson Galleries have eral ( hurcht s. These Include two large Devoe& Raynolds Co.inc. tions. hlblt to be held by the Carnegie Insti¬ (Jothio carvings of limestone, evidently Aiken, Waymand Adams, Ernest Albert, month. Mr. Reld, on view a collection of by Jr. Karl Anderson, Horace Brown, John Schultheis Mr. Poole supplies full length por- tute in Pittsburgh this placed prints fr< m a portal and dating from the fif¬ near Warren Davis. Dicken¬ trslts to the exhibition that will prob¬ who has been making hts home the I'rt>vlnceto*n ktoup of printers from teenth century. There Is a thirteenth Cost'gan, Sidney for almost two years, son, Edward Frank I>e Haven ably And final restlnn places In the same Colorado Springs wood blocks. a deal century Romany polyptych carved from Dtlfner, a work on can¬ Evidently great Abastania ft. I,eger Eberle. George 1*. & Co. drawing room* with Mr. has recently completed wood a and Child" sur¬ Newcomb-Macklin Gal ler ies Peyre's sculp¬ of earnest effort has gone into the mak¬ flemish "Virgin Fisher, Lillian Genth, tures. He even accepts sitters from vas. which he has entitled "Moon rounded by a cliolr of musician angels En ills. Anna e In a Waldo Howell. Virtor Iflggins. PaletteArtCo. . In crinolines and does all the Phantoms." It is a stud%of pile ing: of these prints and in number on flemish artist Felicia 'hlciigo and painted wood by a H. l^ith Rom. Carl Picture Frame Makers furbelows and flounccs with great noil- the famed "Garden of the Gods," and of Instances happy results have been of (lie sixteenth century; an early Flem¬ William Ritchell, Everything in Artists' Materials an at- Rut B. Rn" 11, W. Granvllle- Exhibition Frames Paintings cha lance. this peculiar formation has been achieved. The artists have worked both ish tryptyuh depicting the "Adoration," gitis, Henry {lit ludir a Dittinguiihed for a number of Smith and Robert Spencer. The forth¬ An exception to the period and to traction for tourists In color and in slmnle black and white, and countless copes and vestments. Outfits Antique Mirrora « moon ravs on the coming exhibition will certainly show Complete Sketching Mezzotints the furbelow is the portrait of the ar¬ years. At times the and a* a rule it Is the division that There also is a steel helmet Inlaid with tist's wife, Mrs. Poole, which nek brim? out fantastic human shapes and two steel shields that date added vigor with these new members Decorative Novelties and happens, eschewed color that succeeded best. gold their debut in the A. A. A. Pictures Picture Frames not unstrangely, to Iv th^ best portrait on the surface and Mr Reld has repro- Among these William Zorach. John frnm tii" late fifteenth century. These making 233 Fifth New York !u the d this effect on his can- Cameras Photo Supplies Ave., collection. The lady Is robed need striking Storrs, John Held, Jr. Hunt Dledrlch three plc'-s were found in the treasure Catalogue* to Art neater*. Other Prints simply In midnight black and stands vas. the Cordoba and One of the most Interesting art sales and Bertram Martinann stand out as of (Jonstalo family, week was Iterorator* and \rtl»t« upon a at the Por several years Mr. Reld has not are to have to made In New York during the Ave. b-ilcony midnight hour, having found what they went forth to «o they thought belonged X. from the collection 327 Fifth (33d St.) 142 FULTON STREET gazing presumably upon the bleak walls entered the exhibit although he has "To a ti e last >f the .Moorish kings, Koabdil el that of Madame J V_ seek. Mr. Zoraeh's Swimmer" works in sculpture by Mrs. Clare Ju»t K«v of Broadway of the town of Avlla In Spain. These been on the Invitation list. For tills some matter of fact Chlco. who was captured and kept pris¬ of may ptixzie people Sheridan. As n contract to the busts of wills have caused others than Mrs. occasion he was urged to send two who desire to know what everything oned by Gonz.ilo d<- Cordoba. HAVE COME TO TOWN! Poole to musf, in their time. His other work which will the various leaders of the Bolshevik THE DADAS Among pictures. means, but it will be apt to fascinate control of Russia, this At the at same time that It faction now in Paintings them the puzzle* It Is my opinion that snow is more n marble and bronze t»y Jr., has a. portrait bust by Wood Block Prints them. John Held, delightful hearabl- front the Impressionist* than Mrs. Sheridan represents all that can bo often re¬ SOCIETE talent, as lias been enough from the realists. I think I am not In marble of the ANONYME,inc. with tlie Provincetown Printer* marked In the**1 (olumnit, and unites alone in the Certainly the expressed poignant iot (Muaeum of Modern Art) nl-o opinion ai guish of one who suffered In her EM Torrey luimor, quaint fancy and good work¬ snows of Twachtman do not lack ap-1 Bol¬ Pastels and Points in his compositions. One of and those of W. M. HlnfST caste and class through the rise of During April and May 8th Exhibition 19 East 47th Street Dry manship preclation, sheviks to power. his prints, gone Hays, seems spe¬ seem to be growing In favor. Mr. of At The d< signed to fill a need of the Hinder i;oes in for snows with singular Concealed behind the pseudonym Molzahn PAUL HELLEU Scott c& Fowles cially Madame X. lies the history of a well Campendonk, Klee, times. It with deep sympathy . and bus retired to Norway, portrays xciuslveness known Russian woman and refugee in - a scene in one of those obsolete bar¬ where h>' can be sure of having the right Mesnard Galleries Schwitters, Stuckenberg BROWN ROBERTSON »/>rde'i. wn> attracts.; Mr* Sheridan GALLERY Art Galleries rooms and shows some g'ntlemen qualf- kind. Ills litnt group of pictures, now Tour Donas , w 'he FVdsom Oalleries. shows h" rcison r*t her trobtttty of character 28 Fast (»4th Street Insr "lager ith great .gusto. on vi'-w In which 415 Madinon Ave. (4Alh St.) John Htorr*.. who made a first ap¬ that he is giving Increased consideration nnd the extraordinary situation In this winter in New Aork as to and the trees In his pictures th - ft'issiari woman found herself. Be¬ 590 FIFTH AVENUE pearance d"'Hin. and substance. en artist, and who achieved success with llwavs are placed effectively. He |.« also reft of family, friends ilia print*, exhibit. two that seem to simplifying his means. lie »tlll uses, Madame X. wbs the real beginning of PAINTINGS Exhibition exceed la suren«as of style any tfiat canvases that are unnecee- Mrs. Sher dan's Interest in what the Special Portraits sqpietimes, meant. It was after of Early English he showed earlier In the season. One partly large, hut on the whole his exhl- Russian revolution of thtnl Is entitled "The Woman I tition Indicates progress she made this charming study of Bryson Burroughs Earbizon Paintings but It Is not a portrait study. Madame X. that Mr*. Sheridan mef Prints Love," nnd Japanese It Is rather what the French call a Ten artists, headed by Hugh IT. Kameneff Trols, envoy to London, and B. Snell and Korhel to and Paintings Drawings Henry Pronzes Paul Mam Mario her go to Russia in Color by hip study of manners. Hreckenrldge and f*hi!de Ilassatn, are who encpurnged to Hunt DlMrlch contributes a design of exhibiting In Hjo Powell Galleries. The make a study of those in power. April 5th 23d No* cm Krrr > icm printed on silver paper; forceful contribution In t>v collec¬ Speaking of Madame X. the Rus«ia" ON VIEW "(Jreyhound^" mod sold MONTROSS ALWAYS Bertram Hartmann is Imaginative n tion is a si ill Ilff pairing b\ Mi Hi e. refugee In tendon. Mis Sheridan Gallery ARLINGTON GALLERIES usual, am) Mr. /orach's color print «nrldae nn a'rangement of fruit «nc "that Madame nns extremely sensitive. 55' Fifth Ave.. New York > > Invi \\emic at 'Pt1- 5tr ClausenArtRooms "Hnilliu; Reside'* being decorative I- ro kery in brilliant color, and with !v Inr lived «he1t«>r,Hl Hfo nnd ;>7t Marfan r Mood ber veins. SI < ant' 7 I<» >ln