DOCSLIB.ORG

Patrick Godfrey

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Patrick Godfrey PATRICK GODFREY Films: His Dark Materials The Butler Bad Wolf (hdm) Ltd Tom Hooper Breathe Mr Tolland Andy Serkis Imaginarium In Memory Older John Al Clayton Turtle Canyon Media Mr Turner Lord Egremont Mike Leigh Thin Man Films Final Prayer Father Calvino Jenn Handorf Metrodome Distribution Les Miserables Gillernormand Tom Hooper Working Title Dimensions The Professor Sloane U'ren Sculptures Ltd. Shadows In The Sun Dr Calder David Rocksavage Giant Films The Duchess Neville Saul Dibb Querty Films Passage John Barrow John Walker P T V Productions The History Boys Sleepy Don Nick Hytner Fox Searchlight Pictures Brothers Of The Head James Spencer Lon Pepe/ Keith Fulton Marlin Films Ltd The Headsman Bertram Simon Aeby Allegro Film Oliver Twist Bookseller Roman Polanski R. P. Productions The Importance Of Being Earnest Merriman Oliver Parker Miramax The Count Of Monte Cristo M. Morell Kevin Reynolds Touchstone Pictures My Brother Tom Father Felix Dom Rotheroe British Screen Productions Ever After Leonardo Da Vinci Andy Tennant 20th Century Fox The Gambler Professor Ohlkin Karolly Maak Canal Plus Image International Remains Of The Day Spencer James Ivory Columbia Pictures Corporation The Trial Usher David Jones B B C Films Girl On A Swing Coroner Gordon Hesler Minedream Ltd Dr Lombrosow Manifesto Dusan Makavejev London Cannon Films On The Black Hill Auctioneer Andrew Grieve Britsh Film Institute Maurice Simcox James Ivory Merchant Ivory Films Clockwise Headmaster Christopher Morahan Moment Films A Room With A View Mr eager Dr James Ivory Merchant Ivory Films Heat And Dust Dr Saunders James Ivory Merchant Ivory Films Television: Da Vinci's Demons Cosimo Various B B C Worldwide Productions Doc Martin Iii Mr Cleary Ben Bolt Buffalo Pictures Ltd Fallen Angel Hugh Trevor David Dury Wark Clements & Co The Shell Seekers Enderby Piers Haggard Gate Television Productions Trial & Retribution I X Mr Gordon Tristram Powell La Plante Productions My Family Mr Hall Derwi Hamphries D L T Entertainment Heartbeat Fred Caldwell Albert Barker Granada Foyles War Sir E. Bannerman Jeremy Silberston Greenlit Productions The Falklands Play Michael Foot Michael Samuels B B C 4 Lives Of Animals Prof Of Philosophy Alex Harvey B B C 4 Doctors Arthur Steve Kelly B B C Midsomer Murders Dudley Carew Peter Smith Bentley Productions Hearts And Bones Guest Various United Casualty Larry Clarke Patrick Tucker B B C Patrick Godfrey 1 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA Kavanagh Ross Harkins Tristram Powell Carlton Bramwell Bishop Tim Whitby Whitby Davison Productions A Dance To The Music Of Time Gerneral Conyers Christopher Morahan Y T V The Bill - Old Codgers Stanley Parks Martin Hutchins Thames Deatoin's New Year Show German Pilot David Tyler B B C Shades Ed John Alexander Meridian The Beast In Man Davidsons Malcolm Mckay B B C Branwell Bishop Of Stepney David Tucker Carlton Landing On The Sun Tite Nick Renton B B C Dandelion Dead Griffiths Tim Fywell L W T You Me And It Charles Ed Bennett B B C The Lives And Times Of Henry Pratt Colonel Boyce Uppingham Adrian Shergold Granada Inspector Morse Dr Creer Stuart Orme Zenith Medics Albert Cliffid Richard Standeven Granada Sherlock Holmes Prof Woodward Neil Combey Anglia My Friend Walter The beefeater Gavin miller Portobello Productions Redemption Fernald Malcolm Mckay B B C Do Not Disturb Mr Alderney Nick Renton B B C Come Home Charlie And Face Them Gibson Roger Bamford L W T Poirot Lord Estair Andrew Grieve I T V Nicholas Nickleby Kenwigs Jim Goddardp C4 Shadow Of The Noose Lawson Walton Seb. Graham Jones B B C Pulaski Director Roger Bamford B B C The New Statesman Tory Chief Whip Geoff Sax Yorkshire A Perfect Spy Chairman Peter Smith B B C The Interogation Of john Spt sidebotham Nick Renton B B C The Devils Disciple Lawyer Hawkins David Jones B B C Miss Marple S- "nemesis" Mr Schuster David Tucker B B C The Charmer Mr Norris Alan Gibson L W T Auf Wiedersehn Pet Geoffrey Oxlade Roger Bamford Central Pericles Helicanus David Jones B B C The Three Sisters Kulyghin Trevor Nunn Thames Anthony And Cleopatra Maecenas Trevor Nunn A T V Hobson's Choice Prosser Michael Simpson B B C Noah Ham Joy Harrington B B C Hotel Paradiso Maxine Rosemary Hill B B C Caucasian Chalk Circle Lieutenant Ron Eyre B B C Good Soldier Schweik Lukash Michael Simpson B B C Six Wives Of Henry V I I I Wriothesley Naomi Capon B B C Cyrano De Bergerac Marquis Cedric Messina B B C Dr Knock Simpson/ Scipio Herbert Wise B B C Katherine Mansfield Murry's Guest Alan Cooke B B C Ballet Shoes Actor Tim Coombe B B C Knights John Clare David Jones B B C Theatre: Witness For The Prosecution Justice Wainwright Lucy Bailey London County Hall Half Life Patrick Nancy Meckler Bath Theatre Royal Here We Go Older Man Dominic Cooke National Theatre As You Like It Adam Polly Findlay National Theatre The Broken Heart Amyclas Caroline Steinbeis Shakespeare’s Globe Donkey Heart Alexander Nina Raine Donkey Heart Productions The Collaborators Vasilly Nicholas Hytner National Theatre Cause Celebre Judge Thea Sharrock The Old Vic Master Builder Brovik Travis Preston Almeida Theatre Co The Crucible Giles Corey Tim Sheeder Regent's Park Open Air Love's Labours Lost Nathaniel Dominic Dromgoole Globe Theatre / U S Tour The Frontline Ragdale Matthew Dunster Globe Theatre Timon Of Athens Flavius Lucy Bailey Globe Theatre As You Like It Adam/oliver Sam West Sheffield Crucible Enemies The General Michael Attenborough Almeida His Dark Materials Farder Coram Nick Hytner National Theatre The Three Sisters Chebutykin Katie Mitchell National Theatre Patrick Godfrey 2 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA Lying Kind Balthazar Anthony Nielson Royal Court The Lady's Not For Burning Chaplain Sam West Minerva, Chichester Battle Royal Lord Liverpool Howard Davis Royal National Theatre The Iceman Cometh Cecil Lewis Howard Davis Almeida Old Vic & Broadway The Winter's Tale Old Shepherd David Freeman Globe Theatre The Maid's Tragedy Calianaxt Lucy Bailey Globe Theatre Mary Stuart Paulet Howard Davis National Theatre The Importance Of Being Earnest Canon Chasuble Terry Hands Birmingham Rep/ Old Vic Agammemnon's Children Various Laurence Boswell Gate Theatre Galileo Priuli Jonathan Kent Almeida Theatre Phoenix Otto Dominic Dromgoole Bush Theatre Walpurgis Night Vova Dalia Ibelhauthait Gate Theatre Uncle Vanya Serebryakov Peter Egan Renaissence Tour Barbarians Pavlin David Jones R S C Romeo And Juliet Friar laurence Terry Hands R S C Hamlet Polonius Ron Daniels R S C Nicholas Nickelby Kenwigs Trevor Nunn / J. Caird Aldwych/ New York Summerfolk Dudakov David Jones Aldwych/ New York Section Nine Somerset Charles Marowitz Stratford Devils Disciple Major Swindon Jack Gold Aldwych Twelfth Night Antonio Trevor Nunn R S C Bewitched Boyet Terry Hands Stratford/ Aldwych Macbeth Ross Trevor Nunn Rsc Stratford Loves Labours Lost Torres David Jones Aldwych/ New York The Three Sisters Kolyghin Trevor Nunn Stratford/ Tour Merry Wives Shallow Trevor Nunn Stratford Cymbeline Belarius David Jones Stratford Baal Pillar David Jones Stratford The Cherry Orchard Firs Clare Venables Crucible The Ruling Class Sir Charles Gurney Ian Kelgren Liverpool Playhouse Wild Oats Ephraim Smooth Clifford Williams Aldwych/ Globe Too True To Be Good Doctor Clifford Williams Aldywch/ Piccadilly Saints Day The Postman David Jones St Martins Life Price Vicar Peter Gill Royal Court Inside Out Chaplain/ Convict Lindsay Anderson Royal Court School For Scandal Sir Benjamin Backbite John Barton Haymarket Theatre Patrick Godfrey 3 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA.
Load more

Recommended publications
  • Demarcating Dramaturgy
    Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement.
    [Show full text]
  • Download Publication
    Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects .
    [Show full text]
  • Caryl Churchill …………………………………
    UNIVERSITÀ DEGLI STUDI DI VERONA DIPARTIMENTO DI CULTURE E CIVILTÀ SCUOLA DI DOTTORATO DI SCIENZE UMANISTICHE DOTTORATO DI RICERCA IN STUDI FILOLOGICI, LETTERARI E LINGUISTICI XXXI CICLO / 2015 TITOLO DELLA TESI DI DOTTORATO A Map of the World The 4-Way Street of British Political Theatre 1968-1985 S.S.D. L-ART/05 DISCIPLINE DELLO SPETTACOLO Coordinatore: Prof. Paolo Pellegrini Tutore: Prof. Nicola Pasqualicchio Dottorando: Dott. Carlo Vareschi Contents Abstract ……………………………………………………….. p. 3 Introduction .....……………………………………………….. p. 5 Chapter 1 CAST ……………………………………………… p. 17 1.1 In the Beginning there was CAST (p. 18); 1.2 Rebels with a Cause (p. 21); 1.3 Revolutionaries on a State Pay-Roll (p. 49); 1.4 The Rise and Fall (p. 82); 1.5 The End (p. 93) Chapter 2 David Edgar ……………………………………… p. 107 2.1 Public Theatre in a Private Age (p. 108); 2.2 A Belief in Collaborative Production (p. 109); 2.3. An Aspiration to a Wider Audience (p. 113); 2.4 An Open Attitude to Form (p. 115); 2.5 A Concern with the Public World (p. 120); 2.6 Unlike Arnold Wesker or Brendan Behan (p. 123); 2.7 Unlike Bond, Arden and Brecht (p. 124); 2.8 Unlike Shaw (p. 125); 2.9 Dick Deterred (p. 127); 2.10 Destiny (p. 144); 2.11 Our Own People (p. 155) Chapter 3 Caryl Churchill ………………………………….. p. 173 3.1 Far from the Madding Crowd (p. 178); 3.2 Churchill’s Newspeak (p. 188); 3.3 Sometimes it’s Hard to be a Woman (p. 192); Snakes and Ladders (p. 211) Chapter 4 Howard Barker ………………………………….
    [Show full text]
  • Lyceum Theatre, Sheffield
    26-THE STAGE and TELEVISION TODAY, March 8, 1990 THE STAGE ._ ; ,.-: .~ .... I - I II'": - - • " "' ~'-"-' - " Curtain rises on a bright new future RADFORD-once the bun of music haJl comedians - i now By GEOFF MELLOR Bbouncing back as a (ouri t centre. The ciTy is near to Haworth, home of came the muCh travelled Peter Tod, the Br ntes; die Dales are but a bus who resigned last year to become bo ride away, and die Worth Valley of the re-vamped Birmingham Hip- Railway gets endlu iasts from a wide area all teamed up. ~~~~o~~k~;;: ;:s~ein~~ In die ciry iu;clf the National her last year, fresh from die hot seat at Museum of Photography attracts many the 0 w Towngate Tbeatre in Basil­ visitors with its historic exhibit, don, where she was Theatre Director. camera obscura and 1max cinema with Married, with a young family, Ana­ its gmnt screen. maria wa the only woman n the bort Next door to the Photography Museum Lands the Libr.u-y Tbeatre, a list j~t n' ~rci~::!t a~:e~. fB~~~~ rasildon she wa head of the marketing =~;:5-S:;~a~:ti~:s tI~u~sedn:X department a1 the National Theatre in apparently earmarked for Cinerama fUm bow . (I alway thougbt Ciner­ ~~~fntb~n~~ ~~ as%dw.::! ama had its chips wben die Lond n o rthern base. Casino closed, but curator Colin Ford Anamaria welcomed m to her smart jand his camero! crew seem intent on office high up in the Alhambra Theatre reviving it in Bradford as a museum and told me of her ambitious plans for piece.) theatre in Bradford.
    [Show full text]
  • Speech Communication: 1974
    DOCUMENT RESUME ED 102 624 CS 500 992 AUTHOR Kennicott, Patrick C., Ed. TITLE Bibliographic Annual in Speech Communication: 1974. Volume 5. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE 74 ROTE 307p.; For related documents see CS 500 993-997 AVAILABLE FROM Speech Communication Association, Statler Hilton Hotel, New York, New York 10001 ($8.00 member, $9.00 nonmember) EDRS PRICE MF-$0.76HC-$15.86 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; Bibliographies; *Communication (Thought Transfer); Doctoral Theses; *Educational Research; Higher Education; *Sass Media; Research Tools; *Speech; Theater Arts ABSTRACT This annotated bibliography is an annual volume devoted to maintaining a record of graduate work in speech communication, providing abstracts of doctoral dissertations, and making subject area bibliographies available. The contents of this volume include "Studies in Sass Communication: A Selected Bibliography, 1973" by Roland C. Johnson and Kenneth J. Ksobiech; "Behavioral Studies in Communication, 1973: A Selected Bibliography" by 1aomas N. Steinfatt; "A Selected Bibliography of Rhetorical Studies, 1973" by Michael C. Leff; "A Selected Bibliography of Public Address, 1973w by Harold Mixon; "Bibliography of Studies iv. Oral Interpretation, 1973" by James We Carlsen; "A Bibliography of Theatrical Craftsmanship, 1973" by Christian Moe and Jay E. Raphael; "Abstracts of Doctoral Dissertations in the Field of Speech Communication, 1973" by Cal H. Logue; and "Graduate Theses and Dissertations in the Field of Speech Communication, 1973." Also included is an "Index to Academic Departments Reporting Masters Theses and Doctoral Dissertations," by Flora Lisa Miller. UM) U.S. DIIIPARTMINT Of HEALTH. IP 12 EDUCATION I WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEENREPRO DUCED EXACTLY AS RECEIVEDFROM THE PERSON OR ORGt.NIZATION ORIGIN 11111M111M1111.
    [Show full text]
  • ~Lagfblll COMPANIES INC
    May 2000 Brooklyn Academy of Music 2000 Spring Season BAMcinematek Brooklyn Philharmonic 651 ARTS Saint Clair Cemin, L'lntuition de L'lnstant, 1995 BAM 2000 Spring Season is sponsored by PHiliP MORR I S ~lAGfBlll COMPANIES INC. ~81\L1 ,nri ng ~A~~On Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents The Royal Shakespeare Company Don Carlos Running time: by Friedrich Schiller approximately Translated by Robert David MacDonald 3 hours 15 minutes, BAM Harvey Lichtenstein Theater including one May 16-20, 2000, at 7:30pm intermission Director Gale Edwards Set design Peter J. Davison Costume design Sue Willmington Lighting design Mark McCullough Music Gary Yershon Fights Malcolm Ranson Sound Charles Horne Music direction Tony Stenson Assistant director Helen Raynor Company voice work Andrew Wade and Lyn Darnley Production manager Patrick Frazer Costume supervisor Jenny Alden Company stage manager Eric Lumsden Deputy stage manager Pip Horobin/Gabrielle Saunders Assistant stage manager Thea Jones American stage manager R. Michael Blanco The play Setting: Spain, the spring of 1568. Act One takes place at the Queen's court in Aranjuez; the remainder of the play is set in the Royal Palace , Madrid. Presented by arrangement with the Royal Shakespeare Theatre, Stratford-upon-Avon, England. RIC Leadership support is provided by The Peter Jay Sharp Foundation. ROYAL SHAKESPEARE BAM Theater is sponsored by Time Warner Inc. and Fleet Bank. COMPANY Additional support provided by The Shubert Foundation, Inc. Official Airline: British Airways. RSC major support provided by Pfizer Inc. This production was first produced with the assistance of a subsidy from the Arts Council of England.
    [Show full text]
  • Download Publication
    Arts Council O ( ;KI,;AT BKITAI N Critical Judgments Thirty-sixth annual report and accounts 1980/81 Thirty-sixth Annual Report and Accounts 198 1 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W1V OA U Designed by Duncan Firth Printed by Watmoughs Limited, Idle, Bradford ; and Londo n Cover : Reproduction of the Arts Council 's corporate seal, designed by Reynolds Ston e and engraved by George Friend . Cartoons (on pages 6 and 8) by Ban x from the exhibition The Arts Council-what it does . Contents 4 Chairman 's Introductio n 5 Secretary-General's Report 9 Regional Department 10 Drama 15 Music 18 Visual Arts 20 Dance 22 Literature 23 Housing the Arts 24 Trainin g 25 Educatio n 26 Personnel and Administratio n 27 Scotlan d 31 Wales 35 Membership of Council and Staf f 36 Council, Committees and Panel s 41 Annual Accounts , Funds and Exhibition s The objects for which th e Arts Council of Great Britai n is established are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts t o the public throughout Great Britain ; and 3 To co-operate with government departments , local authorities and other bodies to achiev e these objects . Chairman's Introductio n Having now completed would, for a variety of reasons, not be renewed . The four years as Chairman decisions were taken in the knowledge that they of the Arts Council I fee l would be unpopular in many quarters and arous e that this is a convenien t sharp controversy .
    [Show full text]
  • Theatre Archive Project: Interview with Barbara Eifler
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Barbara Eifler – interview transcript Interviewer: Katie Hopkinson 4 December 2009 Stage Manager and Executive Director of the Stage Management Association. Carmen; Chester Mystery Plays; Earls Court; English Theatre in Frankfurt; English Touring Theatre; Equity; Greg Hersov; John Tams; Mike Kay; Munich Biennale with Jonathan Moore; Northern Mystery Plays; opera; Orchard Theatre; Pete Goodwin; rehearsals; repertory theatre; Royal College of Music; Royal Exchange Theatre; Royal Opera House; SMA magazine; spectacular theatre and opera; stage management; Stage Management Association; stage management contract; subsidised repertory theatre; Theatre Clwyd; The Crucible Theatre, Sheffield; The Everyman Theatre, Cheltenham; VE Day celebrations in Hyde Park; Francesca Zambello's Tosca. KH: OK, just to start off, can you describe your earliest memories of the theatre? BE: Oh, my earliest memories of going to the theatre are probably – because I grew up in Italy - and it was probably going to Milan, to the theatre, because I lived about 40 miles from Milan and there wasn’t a theatre in the town where I was growing up, and I do remember going to see Brecht’s Berliner Ensemble with Helene Weigel who was still alive then, playing Mother Courage. I think that was probably one of my earliest ones. KH: Oh right! That’s fascinating. So did you go much then? BE: Not that much because it was, you know, not that easy, because it was a bit of a distance. But so as a teenager I did go to various things. I do remember the Berliner Ensemble more than once and going to see shows done by Georgio Strehler who was a very famous Italian theatre-maker, his Tempest, and that must all have been in the seventies before I left home.
    [Show full text]
  • Arts Council Exhibitions
    Arts Council OF GREAT BRITAI N A Year of Achievement Thirty-third annual report and accounts 1977178 Thirty-third Annual Report and Accounts 19 7 8 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London WI V OA U Designed by Geoffrey Penna Printed in England by Shenval Pres s Cover picture : Ballet Master, Vassilie Trunoff, taking morning class in one of the two large studios in the London Festival Ballet's ne w headquarters, Festival Ballet House. Photo: John Dempsey. (Courtesy Londo n Evening News) Contents 6 Chairman's Introductio n 7 Secretary-General 's Report 11 Regional Developmen t 12 Drama 15 Music and Dance 18 Visual Art s 21 Literatur e 23 Touring 24 Arts Centres 25 Community Arts 26 Performance Art 26 Festivals 26 Housing the Art s 27 Training 27 Research and Informatio n 28 Marketing 29 Scotland 33 Wales 36 Membership of Council and Staff 37 Council, Committees and Panels 45 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britai n is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the publi c throughout Great Britain ; and 3 To co-operate with government departments, loca l authorities and other bodies to achieve these objects . J ! orcl 1 flrtrhl jr o , Vice-Chairnren i ya w . a X 11lf 4 0 If lolm Craft Char lr, ()0101 111 ' lark Phity ,` Musfearrel1kmceDirer!or Literature Direcio r Direr or, ,! !+mrr+r r 4 Chairman's Introductio n Looking back on my first year as Chairman my overriding impression i s of the richness, diversity and vitality of the nation's arts activities .
    [Show full text]
  • Artist Development and Training in the Royal Shakespeare Company a Vision for Change in British Theatre Culture
    Artist Development and Training in the Royal Shakespeare Company A Vision for Change in British Theatre Culture Volume I Lyn Darnley A thesis submitted to the Faculty of Arts of Royal Holloway College, University of London for the degree of PhD Department of Drama and Theatre Arts Royal Holloway College University of London Egham TW20 OEX March 2013 Declaration of Authorship I, Lyn Darnley, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________________ Date: ________________________________ Contents Volume I Page Abstract ......................................................................................................... 1 Introduction ................................................................................................... 2 Chapter One: The Royal Shakespeare Company and Training .............. 16 Chapter Two: Training and the Shakespeare Memorial Theatre ............. 38 Chapter Three: Cicely Berry....................................................................... 72 Chapter Four: Training and Ensemble under Adrian Noble .................. 104 Chapter Five: The Pilot Programme December 2003 ............................. 140 Chapter Six: Training for the Comedies Ensemble – 2005 ................... 192 Chapter Seven: The Complete Works Festival 2006-2007 ..................... 234 Chapter Eight: Achievements, Challenges and Moving Forwards ....... 277 Bibliography .............................................................................................
    [Show full text]
  • Brian Protheroe Actor
    Brian Protheroe Actor Showreel Agents Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Film Production Character Director Company HAMPSTEAD Rory Joel Hopkins Reliance Entertainment Productions 6 Ltd THE FEVER Gayev Carlo Gabriel Shawn Fever Productions Nero THE BIOGRAPHER Jeremy Gibbon Phillip Saville First Biography Films DECEIT Professor Walker Claudia Florio THE BIGGEST BANK Gang Member Ralph Thomas ROBBERY SUPERMAN Co-Pilot Richard Donner Stage Production Character Director Company HAMLET Claudius David Thacker Bolton Octagon THE ROUNDABOUT Lord Kettlewell Hugh Ross Park Theatre | 49th St Theatre, NY United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company OTHELLO/MERCHANT OF VENICE Brabantio/Aragon Iqbal RSC Khan/Polly Findlay TWELFTH NIGHT Feste Jonathan Sheffield Crucible Munby THIS MAY HURT A BIT Max Stafford Out Of Joint Clark AN INSPECTOR CALLS Arthur Billing David Thacker Bolton Octagon LONG DAY's JOURNEY INTO James Tyrone David Thacker Bolton Octagon NIGHT THE LION THE WITCH AND THE The Professor / Father Rupert Goold Kensington Gardens WARDROBE Christmas BROKEN GLASS Stanton Iqbal Khan Vaudeville Theatre MOONLIGHT AND MAGNOLIAS Flemming Mark Watermill Theatre Rosenblatt BROKEN GLASS Stanton Iqbal Khan Tricycle Theatre NOISES OFF Lloyd Ian Talbot Birmingham Rep THE CONVICTS OPERA Lockit and Bartlby Max Stafford Out of Joint Clark THE LORD
    [Show full text]
  • University of Warwick Institutional Repository
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/56107 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. ROLE (RE)CONSIDERED A re-evaluation of the relationship between teacher-in-role and acting By Judith Ackroyd-Pilkington A thesis submitted in fulfilment for the PhD University of Warwick Arts Education January 2002 CONTENTS Introduction setting the scene 7 - rehearsing re-considerations 11 - the context of the piece 13 - thesis structure 17 Section One: Exposition Methodological Approach Research Considerations 23 - choosing case study 26 issues 0 f data analysis 28 - Research Method 35 1. Theoretical Research 2. Fieldwork: Research of Practice 37 selection of case studies 37 - preparing for case studies 40 - preparing for observation 41 preparing for interviews 44 the fieldwork process 46 3. Testing the hypothesis 47 4. Presenting the data 48 Section Two: Rising Action Destabalising Distinctions and Definitions introduction 50 - definitions 57 - contexts & audience relationships 86 - functions and aims 95 skills 117 approaches 130 - assumptions 150 2 Section Three: Climax Case Studies - introduction to case studies 160 Cecily O'Neill introduction to Cecily O'Neill 166 context of
    [Show full text]