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Wanderings Newsletter of the OUTDOORS CLUB INC
Wanderings newsletter of the OUTDOORS CLUB INC. http://www.outdoorsclubny.org ISSUE NUMBER 108 PUBLISHED TRI-ANNUALLY Jul-Oct 2014 The Outdoors Club is a non-profit 501(c) (3) volunteer-run organization open to all adults 18 and over which engages in hiking, biking, wilderness trekking, canoeing, mountaineering, snowshoeing and skiing, nature and educational city walking tours of varying difficulty. Individual participants are expected to engage in activities suitable to their ability, experience and physical condition. Leaders may refuse to take anyone who lacks ability or is not properly dressed or equipped. These precautions are for your safety, and the wellbeing of the group. Your participation is voluntary and at your own risk. Remember to bring lunch and water on all full day activities. Telephone the leader or Lenny if unsure what to wear or bring with you on an activity. Nonmembers pay one-day membership dues of $3. It is with sorrow that we say goodbye to Robert Kaye, the brother of Alan Kaye, who died in January. We have been able to keep the dues the same, and publish the Newsletter because of Robert’s benevolence to the Club. Robert wanted to make sure that the Club would continue after Alan’s death. Please join Bob Susser and Helen Yee on Saturday, October 18th, at the New York Botanical Gardens for a memorial walk in honor of Robert Kaye. CHECK THE MAILING LABEL ON YOUR SCHEDULE FOR EXPIRATION DATE! RENEWAL NOTICES WILL NO LONGER BE SENT. It takes 4-6 weeks to process your renewal. Some leaders will be asking members for proof of membership, so please carry your membership card or schedule on activities (the expiration date is on the top line of your mailing label). -
A Retrospective of Preservation Practice and the New York City Subway System
Under the Big Apple: a Retrospective of Preservation Practice and the New York City Subway System by Emma Marie Waterloo This thesis/dissertation document has been electronically approved by the following individuals: Tomlan,Michael Andrew (Chairperson) Chusid,Jeffrey M. (Minor Member) UNDER THE BIG APPLE: A RETROSPECTIVE OF PRESERVATION PRACTICE AND THE NEW YORK CITY SUBWAY SYSTEM A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Emma Marie Waterloo August 2010 © 2010 Emma Marie Waterloo ABSTRACT The New York City Subway system is one of the most iconic, most extensive, and most influential train networks in America. In operation for over 100 years, this engineering marvel dictated development patterns in upper Manhattan, Brooklyn, and the Bronx. The interior station designs of the different lines chronicle the changing architectural fashion of the aboveground world from the turn of the century through the 1940s. Many prominent architects have designed the stations over the years, including the earliest stations by Heins and LaFarge. However, the conversation about preservation surrounding the historic resource has only begun in earnest in the past twenty years. It is the system’s very heritage that creates its preservation controversies. After World War II, the rapid transit system suffered from several decades of neglect and deferred maintenance as ridership fell and violent crime rose. At the height of the subway’s degradation in 1979, the decision to celebrate the seventy-fifth anniversary of the opening of the subway with a local landmark designation was unusual. -
Saint Demetrios of Thessaloniki
Master of Philosophy Faculty of Arts University of Glasgow Saint Demetrios of Thessaloniki By Lena Kousouros Christie's Education London Master's Programme September 2000 ProQuest Number: 13818861 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818861 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ^ v r r ARV- ^ [2,5 2 . 0 A b stract This thesis intends to explore the various forms the representations of Saint Demetrios took, in Thessaloniki and throughout Byzantium. The study of the image of Saint Demetrios is an endeavour of considerable length, consisting of numerous aspects. A constant issue running throughout the body of the project is the function of Saint Demetrios as patron Saint of Thessaloniki and his ever present protective image. The first paper of the thesis will focus on the transformation of the Saint’s image from courtly figure to military warrior. Links between the main text concerning Saint Demetrios, The Miracles, and the artefacts will be made and the transformation of his image will be observed on a multitude of media. -
Morris-Jumel Mansion and the American Colonial Revival
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Morris-Jumel Mansion and the American Colonial Revival Ken Moss CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/258 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Morris-Jumel Mansion and the American Colonial Revival Kenneth Moss Advisor – Professor Gregory Downs May 1, 2011 Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York. Table of Contents List of Illustrations i Introduction 1 Motivations and the Proprietary Model 18 Objects and Structures 52 Conclusion 72 Bibliography 79 i List of Illustrations Figure 1: Morris-Jumel Mansion, First Floor Hall, 1886. Photograph. Morris-Jumel Mansion, Gladys Brooks Commemorative Archive Figure 2: Washington's Bedroom, circa 1916. Postcard. Morris-Jumel Mansion, Gladys Brooks Commemorative Archive. Figure 3: Jumel Mansion, Dining Room, Circa 1910. Photograph. Morris-Jumel Mansion, Gladys Brooks Commemorative Archive. Introduction On November 19, 1904 an unlikely face-off occurred at the headquarters of the New York City Parks Department, the Arsenal, in Central Park. It was the latest volley in a battle that had raged in government and in the press for more than a year. The decision at hand was so grave it had deadlocked in the New York State legislature with each house supporting a different protagonist. -
Notes CHAPTER 1 6
notes CHAPTER 1 6. The concept of the settlement house 1. Mario Maffi, Gateway to the Promised originated in England with the still extant Land: Ethnic Cultures in New York’s Lower East Tonybee Hall (1884) in East London. The Side (New York: New York University Press, movement was tremendously influential in 1995), 50. the United States, and by 1910 there were 2. For an account of the cyclical nature of well over four hundred settlement houses real estate speculation in the Lower East Side in the United States. Most of these were in see Neil Smith, Betsy Duncan, and Laura major cities along the east and west coasts— Reid, “From Disinvestment to Reinvestment: targeting immigrant populations. For an over- Mapping the Urban ‘Frontier’ in the Lower view of the settlement house movement, see East Side,” in From Urban Village to East Vil- Allen F. Davis, Spearheads for Reform: The lage: The Battle for New York’s Lower East Side, Social Settlements and the Progressive Movement, ed. Janet L. Abu-Lughod, (Cambridge, Mass.: 1890–1914 (New York: Oxford University Blackwell Publishers, 1994), 149–167. Press, 1967). 3. James F. Richardson, “Wards,” in The 7. The chapter “Jewtown,” by Riis, Encyclopedia of New York City, ed. Kenneth T. focuses on the dismal living conditions in this Jackson (New Haven, Conn.: Yale University ward. The need to not merely aid the impover- Press, 1995), 1237. The description of wards in ished community but to transform the physi- the Encyclopedia of New York City establishes cal city became a part of the settlement work. -
NYC Park Crime Stats
1st QTRPARK CRIME REPORT SEVEN MAJOR COMPLAINTS Report covering the period Between Jan 1, 2018 and Mar 31, 2018 GRAND LARCENY OF PARK BOROUGH SIZE (ACRES) CATEGORY Murder RAPE ROBBERY FELONY ASSAULT BURGLARY GRAND LARCENY TOTAL MOTOR VEHICLE PELHAM BAY PARK BRONX 2771.75 ONE ACRE OR LARGER 0 00000 00 VAN CORTLANDT PARK BRONX 1146.43 ONE ACRE OR LARGER 0 01000 01 ROCKAWAY BEACH AND BOARDWALK QUEENS 1072.56 ONE ACRE OR LARGER 0 00001 01 FRESHKILLS PARK STATEN ISLAND 913.32 ONE ACRE OR LARGER 0 00000 00 FLUSHING MEADOWS CORONA PARK QUEENS 897.69 ONE ACRE OR LARGER 0 01002 03 LATOURETTE PARK & GOLF COURSE STATEN ISLAND 843.97 ONE ACRE OR LARGER 0 00000 00 MARINE PARK BROOKLYN 798.00 ONE ACRE OR LARGER 0 00000 00 BELT PARKWAY/SHORE PARKWAY BROOKLYN/QUEENS 760.43 ONE ACRE OR LARGER 0 00000 00 BRONX PARK BRONX 718.37 ONE ACRE OR LARGER 0 01000 01 FRANKLIN D. ROOSEVELT BOARDWALK AND BEACH STATEN ISLAND 644.35 ONE ACRE OR LARGER 0 00001 01 ALLEY POND PARK QUEENS 635.51 ONE ACRE OR LARGER 0 00000 00 PROSPECT PARK BROOKLYN 526.25 ONE ACRE OR LARGER 0 04000 04 FOREST PARK QUEENS 506.86 ONE ACRE OR LARGER 0 00000 00 GRAND CENTRAL PARKWAY QUEENS 460.16 ONE ACRE OR LARGER 0 00000 00 FERRY POINT PARK BRONX 413.80 ONE ACRE OR LARGER 0 00000 00 CONEY ISLAND BEACH & BOARDWALK BROOKLYN 399.20 ONE ACRE OR LARGER 0 00001 01 CUNNINGHAM PARK QUEENS 358.00 ONE ACRE OR LARGER 0 00001 01 RICHMOND PARKWAY STATEN ISLAND 350.98 ONE ACRE OR LARGER 0 00000 00 CROSS ISLAND PARKWAY QUEENS 326.90 ONE ACRE OR LARGER 0 00000 00 GREAT KILLS PARK STATEN ISLAND 315.09 ONE ACRE -
In New York City
Outdoors Outdoors THE FREE NEWSPAPER OF OUTDOOR ADVENTURE JULY / AUGUST / SEPTEMBER 2009 iinn NNewew YYorkork CCityity Includes CALENDAR OF URBAN PARK RANGER FREE PROGRAMS © 2009 Chinyera Johnson | Illustration 2 CITY OF NEW YORK PARKS & RECREATION www.nyc.gov/parks/rangers URBAN PARK RANGERS Message from: Don Riepe, Jamaica Bay Guardian To counteract this problem, the American Littoral Society in partnership with NYC Department of Parks & Recreation, National Park Service, NYC Department of Environmental Protection, NY State Department of Environmental Conservation, Jamaica Bay EcoWatchers, NYC Audubon Society, NYC Sierra Club and many other groups are working on various projects designed to remove debris and help restore the bay. This spring, we’ve organized a restoration cleanup and marsh planting at Plum Beach, a section of Gateway National Recreation Area and a major spawning beach for the ancient horseshoe crab. In May and June during the high tides, the crabs come ashore to lay their eggs as they’ve done for millions of years. This provides a critical food source for the many species of shorebirds that are migrating through New York City. Small fi sh such as mummichogs and killifi sh join in the feast as well. JAMAICA BAY RESTORATION PROJECTS: Since 1986, the Littoral Society has been organizing annual PROTECTING OUR MARINE LIFE shoreline cleanups to document debris and create a greater public awareness of the issue. This September, we’ll conduct Home to many species of fi sh & wildlife, Jamaica Bay has been many cleanups around the bay as part of the annual International degraded over the past 100 years through dredging and fi lling, Coastal Cleanup. -
THE CLOISTERS ARCHIVES Collection No. 43 the Harry Bober
THE CLOISTERS ARCHIVES Collection No. 43 The Harry Bober Papers Processed 1995, 2013 The Cloisters Library The Metropolitan Museum of Art Ft. Tryon Park 99 Margaret Corbin Dr. New York, NY 10040 (212) 396-5365 [email protected] 0 TABLE OF CONTENTS PREFACE…….…………………………………………..……………….….…………………2 ADMINISTRATIVE INFORMATION…….……………….………….………………….……3 HARRY BOBER TIME LINE…….…………………………………………………….………4 HARRY BOBER BIBLIOGRAPHY…….…………………………………..…………….……5 SCOPE AND CONTENT NOTE…….………………………………………….………..……..8 SERIES DESCRIPTIONS…….………………………………………………………….…….10 CONTAINER LISTS Series I. Card Files…………….……………………………………………..……..13-30 Series II. Research Files………….……………………………………...…………31- 72 Series III. Publications ………….…………………………………………….…..73 Series IV. Slides………….……………………………………………..….………..74-77 Series V. Glass Plate Negatives………….…………………………………….………..78 Series VI. Negative Films………….………………………………………..………79-81 Series VII. Oversize Material………….……………………………….....……....…82-83 Series VIII. 1974 Messenger Lectures, Recordings (tapes and CDs) …………....…..…84 1 PREFACE In 1991, the papers of Harry Bober were donated to the Metropolitan Museum of Art by his sons, David and Jonathan Bober. The collection was delivered to the Medieval Department of the museum, where it was housed until its transfer to The Cloisters Archives during the summer of 1993. Funding for the first year of a two-year processing project was provided through the generosity of Shelby White and Leon Levy. The first year of the project to process the Harry Bober Papers began in August of 1994 and ended in August of 1995, conducted by Associate Archivist Elaine M. Stomber. Tasks completed within the first year included: rehousing the collection within appropriate archival folders and boxing systems; transferring original folder titles to new folders; conservation repair work to the deteriorating card file system; creating a container list to Bober's original filing system; transferring published material from research files; and preparing a preliminary finding aid to the collection. -
Aroundmanhattan
Trump SoHo Hotel South Cove Statue of Liberty 3rd Avenue Peter J. Sharp Boat House Riverbank State Park Chelsea Piers One Madison Park Four Freedoms Park Eastwood Time Warner Center Butler Rogers Baskett Handel Architects and Mary Miss, Stanton Eckstut, F A Bartholdi, Richard M Hunt, 8 Spruce Street Rotation Bridge Robert A.M. Stern & Dattner Architects and 1 14 27 40 53 66 Cetra Ruddy 79 Louis Kahn 92 Sert, Jackson, & Assocs. 105 118 131 144 Skidmore, Owings & Merrill Marner Architecture Rockwell Group Susan Child Gustave Eiffel Frank Gehry Thomas C. Clark Armand LeGardeur Abel Bainnson Butz 23 East 22nd Street Roosevelt Island 510 Main St. Columbus Circle Warren & Wetmore 246 Spring Street Battery Park City Liberty Island 135th St Bronx to E 129th 555 W 218th Street Hudson River -137th to 145 Sts 100 Eleventh Avenue Zucotti Park/ Battery Park & East River Waterfront Queens West / NY Presbyterian Hospital Gould Memorial Library & IRT Powerhouse (Con Ed) Travelers Group Waterside 2009 Addition: Pei Cobb Freed Park Avenue Bridge West Harlem Piers Park Jean Nouvel with Occupy Wall St Castle Clinton SHoP Architects, Ken Smith Hunters Point South Hall of Fame McKim Mead & White 2 15 Kohn Pedersen Fox 28 41 54 67 Davis, Brody & Assocs. 80 93 and Ballinger 106 Albert Pancoast Boiler 119 132 Barbara Wilks, Archipelago 145 Beyer Blinder Belle Cooper, Robertson & Partners Battery Park Battery Maritime Building to Pelli, Arquitectonica, SHoP, McKim, Mead, & White W 58th - 59th St 388 Greenwich Street FDR Drive between East 25th & 525 E. 68th Street connects Bronx to Park Ave W127th St & the Hudson River 100 11th Avenue Rutgers Slip 30th Streets Gantry Plaza Park Bronx Community College on Eleventh Avenue IAC Headquarters Holland Tunnel World Trade Center Site Whitehall Building Hospital for Riverbend Houses Brooklyn Bridge Park Citicorp Building Queens River House Kingsbridge Veterans Grant’s Tomb Hearst Tower Frank Gehry, Adamson Ventilation Towers Daniel Libeskind, Norman Foster, Henry Hardenbergh and Special Surgery Davis, Brody & Assocs. -
Reverend Billy & the Stop Shopping Choir
REVEREND BILLY & THE STOP SHOPPING CHOIR Rev and his choir now enrapture large audiences with sermons to which Jesus himself would have said Amen. - Kurt Vonnegut CONTACT: Thomas O. Kriegsmann, President E [email protected] T 917.386.5468 www.arktype.org ABOUT REVEREND BILLY & THE CHOIR Reverend Billy and the Stop Shopping Choir is a New York ter exorcisms, retail interventions, and cell phone operas. City based radical performance community, with 50 per- forming members and a congregation in the thousands. Outdoors, they have performed in Redwood forests, be- tween cars in traffic jams at the entrance to the Holland They are wild anti-consumerist gospel shouters and Tunnel, on the Staten Island Ferry, at Burning Man and Earth-loving urban activists who have worked with commu- Times Square and Coney Island, and on the roof of Car- nities on four continents defending community, life and negie Hall in a snowstorm. Under Savitri’s direction, the imagination. The Devils over the 15 years of their “church” choir has released CD’s, books and TV shows, among them have remained the same: Consumerism and Militarism. In the eight episodes of The Last Televangelist, created with this time of the Earth’s crisis - we are especially mindful of shooter-editor Glenn Gabel. In 2007 they co-produced with the extractive imperatives of global capital. Their activist Morgan Spurlock the acclaimed film What Would Jesus performances and concert stage performances have always Buy? - appearing on over 100 screens nationally and which worked in parallel. The activism is content for the play. has been broadcasted on Sundance Channel. -
879-5500 Schedule of Exhibitions
The Metropolitan Museum of Art 82nd Street and Fifth Avenue New York, New York 10028 (212)879-5500 Schedule of Exhibitions - December 1982 NEW EXHIBITIONS Dec. 3 Opening of the Living Room from the Francis Little House (Permanent Designed by Frank Lloyd Wright installation) Installation of the living room from the house Frank Lloyd Wright designed for Francis Little in Wayzata, Minn., acquir ed by the Metropolitan when the house was torn down in 19 72. Room will be installed with much of its original furniture designed by Wright. The installation is made possible through the generosity of Saul P. Steinberg and Reliance Group Holdings, Inc. (In The American Wing) Dec. 3 (Through Feb. 27) Frank Lloyd Wright at the Metropolitan Museum An exhibition of about 100 objects from the Museum's collec tion of Frank Lloyd Wright material: architectural drawings, furniture, antique photographs, ceramics, engravings, fragments and graphics. Exhibition is made possible through the generos ity of Saul P. Steinberg and Reliance Group Holdings, Inc. (In The American Wing; galleries adjacent to Francis Little Eoom installation) Dec. 3 Installation of the Museum's Annual Christmas Tree and Baroque (Through Jan. 9) Creche Display Nineteenth consecutive annual display of the Museum's famous Christmas tree and collection of 200 18th-century Baroque Neapolitan creche figures presented to the Museum by Loretta Hines Howard in 1964. The installation is made possible by Reliance Group Holdings, Inc. (In the Medieval Sculpture Court, main floor) Dec. 7 Annual Christmas Display at The Cloisters (Through Jan. 9) At Christmas each year the whole of The Cloisters becomes suffused with holiday fragrances, flowers, candlelight and music. -
Painted Wood: History and Conservation
PART FOUR Investigations and Treatment 278 Monochromy, Polychromy, and Authenticity The Cloisters’ Standing Bishop Attributed to Tilman Riemenschneider Michele D. Marincola and Jack Soultanian 1975, Standing Bishop was acquired for The Cloisters collection, the Metropolitan Museum of IArt, New York. This piece—considered at purchase to be a mature work of Tilman Riemenschneider (ca. 1460–1531), a leading German mas- ter of Late Gothic sculpture—was intended to complement early works by the artist already in the collection. The sculpture (Fig. 1) is indisputably in the style of Riemenschneider; furthermore, its provenance (established to before 1907) includes the renowned Munich collection of Julius Böhler.1 The Standing Bishop was accepted as an autograph work by the great Riemenschneider scholar Justus Bier (1956), who was reversing his earlier opinion. It has been compared stylistically to a number of works by Riemenschneider from about 1505–10. In the 1970s, a research project was begun by art historians and conservators in Germany to establish the chronology and authorship of a group of sculptures thought to be early works of Riemenschneider. The Cloisters’ sculptures, including the Standing Bishop, were examined as part of the project, and cross sections were sent to Munich for analysis by Hermann Kühn. This research project resulted in an exhibition of the early work of Riemenschneider in Würzburg in 1981; The Cloisters sent two sculptures from its collection, but the loan of the Standing Bishop was not requested. Certain stylistic anomalies of the figure, as well as several Figure 1 technical peculiarities discussed below, contributed to the increasing suspi- Standing Bishop, attributed to Tilman cion that it was not of the period.