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Documentary Films Audiences in Europe Findings from the Moving Docs Survey
1 Credit: Moving Docs DOCUMENTARY FILMS AUDIENCES IN EUROPE FINDINGS FROM THE MOVING DOCS SURVEY HUW D JONES July 2020 2 CONTENTS Project team .............................................................................................................................................................................. 3 Acknowledgements ................................................................................................................................................................... 4 Foreword ................................................................................................................................................................................... 5 Key findings ............................................................................................................................................................................... 6 Introduction .............................................................................................................................................................................. 8 Study method ............................................................................................................................................................................ 9 1. Who watches documentaries? ........................................................................................................................................ 11 2. Where are documentaries viewed? ............................................................................................................................... -
The Look of Silence
THE LOOK OF SILENCE A film by Joshua Oppenheimer Executive Produced by Errol Morris and Werner Herzog Produced by Final Cut for Real Awards and Official Selection Grand Jury Prize - Venice Film Festival 2014 Critics Prize (FIPRESCI) - Best Film of Venice Film Festival 2014 European Critics Prize (FEDEORA) - Best European and Mediterranean Film of Venice Film Festival 2014 Online Critics Prize (Mouse d’Oro) - Best Film of Venice Film Festival 2014 Human Rights Nights Award - Venice Film Festival 2014 Best World Documentary (Cinephile Prize) - Busan International Film Festival 2014 Grand Prize (DOX Award) - CPH:DOX 2014 Best Documentary - Denver Film Festival 2014 Prize of the Danish Arts Council - 2014 Don Quixote Prize - Tromsø International Film Festival 2015 Audience Award - Angers Premiers Plans 2015 True Life Fund Recipient - True/False Film Festival 2015 Peace Film Award - Berlin International Film Festival 2015 Best Documentary - Danish Film Academy Award (Robert Prize) 2015 Best Documentary - Danish Film Critics’ Award (Bodil Prize) 2015 Audience Award: Festival Favorite - SXSW Film Festival 2015 2014 / 103 min / not yet rated PUBLICITY CONTACTS New York Los Angeles Online Field Susan Norget Film Promotion Fredell Pogodin & Associates Brigade Marketing Drafthouse Films Susan Norget Fredell Pogodin/Josh Haroutunian Jim Gerlach Sumyi Antonson [email protected] [email protected] [email protected] [email protected] 212.431.0090 323.931.7300 646.862.3151 310.351.1185 SYNOPSIS The Look of Silence is Joshua Oppenheimer’s powerful companion piece to the Oscar®- nominated The Act of Killing. Through Oppenheimer’s footage of perpetrators of the 1965 Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of the killers. -
THE ACT of KILLING Press Notes
Final Cut for Real Presents THE ACT OF KILLING A film by Joshua Oppenheimer Executive produced by Errol Morris and Werner Herzog Official Selection Telluride Film Festival 2012 Toronto Film Festival 2012 Berlin Film Festival 2013 – Winner, Audience Award and Ecumenical Prize (Panorama) True/False Film Festival 2013 SXSW Film Festival 2013 New Directors/New Films 2013 IndieLisboa Film Festival 2013 – Amnesty International Award Los Angeles Film Festival 2013 Human Rights Watch Film Festival 2013 122 mins. / Unrated www.drafthousefilms.com New York Press Contact: Los Angeles Press Contact: Online PR: Field PR Contact: Susan Norget Film Promotion Inside Job Brigade Marketing Sumyi Antonson Susan Norget/Emilie Spiegel Laura Kim/James Lewis Jim Gerlach Drafthouse Films [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] 646-862-3151 310-351-1185 212-431-0090 213-280-2273/323-828-2424 SYNOPSIS In this chilling and inventive documentary, executive produced by Errol Morris (The Fog Of War) and Werner Herzog (Grizzly Man), the filmmakers examine a country where Indonesian death squad leaders are celebrated as heroes, challenging them to reenact their real-life mass-killings in the style of the American movies they love. The hallucinatory result is a cinematic fever dream, an unsettling journey deep into the imaginations of mass-murderers and the shockingly banal regime of corruption and impunity they inhabit. Shaking audiences at the 2012 Toronto and Telluride Film Festivals, The Act of Killing is an unprecedented film and, according to The Los Angeles Times, "could well change how you view the documentary form." THE FILM In a country where killers are celebrated as heroes, the filmmakers challenge unrepentant death squad leaders to dramatize their role in genocide. -
Download Back Catalogue
BACK CATALOGUE DOCUMENTARIES Anaïs Clanet Partner, Head of Sales & Acquisitions [email protected] +33 6 83 22 18 06 RESERVOIR DOCS 2 rue Charles Renouvier – 75020 Paris T : 33 1 48 70 46 56 SUMMARY SUMMARY .............................................................................................................................................. 2 FOCUS ON CINEMA .............................................................................................................................. 4 The Prince and The Dybbuk.................................................................................................................... 4 Cinecittà Babilonia ................................................................................................................................... 5 Hitler’s Hollywood ................................................................................................................................... 6 Because I Am Genius ! Lorenza Mazzetti ............................................................................................... 7 Fritz Lang .................................................................................................................................................. 8 The Dying of the Light ............................................................................................................................ 9 ART & CULTURE ..................................................................................................................................10 FEATURES...................................................................................................................................................... -
Venice Gap- Financing Market
31.08 – 02.09.2018 LABIENNALE.ORG VENICE GAP- BOOK OF PROJECTS FICTION AND DOCUMENTARY FINANCING FEATURE FILMS MARKET AND VR IMMERSIVE STORY PROJECTS 75. Mostra Internazionale d’Arte Cinematografica THE VENICE PRODUCTION BRIDGE La Biennale di Venezia Venice Gap-Financing Market La Biennale di Venezia and its Director General Fiction and Documentary collaborators for Book of Projects WELCOMES THE 46 SELECTED Andrea Del Mercato Feature Films and VR Immersive Valentina Bellomo TEAMS AND THEIR PROJECTS Story Projects Erika Giorgianni TH Artistic Director Maria Chiara Manci TO THE 5 EDITION OF THE VENICE of the Cinema Department Consultants Chiara Marin Alberto Barbera Eva Morsch Kihn Sara Mazzucchi GAP-FINANCING MARKET. Lucas Rosant Alessandro Mezzalira Venice Production Bridge Michel Reilhac Nikolas Montaldi Pascal Diot Liz Rosenthal Savina Neirotti Collaborators The Venice Gap-Financing Market (VGFM) has been constantly adjusting [email protected] Violetta Bava itself to follow the evolution of the industry with the long-term www.labiennale.org Matthieu Darras aim of enabling producers and directors to complete their projects. Francesco Giai Via Naomi Roth Three years ago we opened the VGFM not only to Fiction and Documentary Projects coming from across the world, but importantly to TV and Web Series and to VR Immersive Story Projects and this brought the response and success we had hoped for. Today, seeing the worldwide multiplication of markets and festivals dedicated to TV and Web Series, we have decided for now to shift the spotlight and to focus our attention even more on VR Immersive Story Projects, which are becoming a cornerstone of the Venice Production Bridge, as well as of the whole Venice International Film Festival with its dedicated competition. -
Performing Identity in Contemporary Documentary Film
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Performing Identity in Contemporary Biographical Documentary by Adam James Vaughan ORCID ID: 0000-0003-1780-3603 Thesis for the degree of Doctor of Philosophy May 2019 University of Southampton Abstract Faculty of Arts and Humanities Film Studies Thesis for the degree of Doctor of Philosophy Performing Identity in Contemporary Biographical Documentary by Adam James Vaughan My thesis addresses the role performance plays in contemporary documentary. I focus on case studies where performance techniques (reconstruction, use of actors) are used and my discussion analyses the distinctive effects that are created. A distinction is made between performance and performative, as defined by J.L. -
THE ACT of KILLING a Film by Joshua Oppenheimer
Final Cut for Real Presents THE ACT OF KILLING A film by Joshua Oppenheimer Executive produced by Errol Morris, Werner Herzog and André Singer Official Selection Telluride Film Festival 2012 Toronto Film Festival 2012 CPH:DOX 2012 Winner of DOX:AWARD, the Grand Prize of CPH:DOX 115 mins. Denmark/Norway/UK HD 16:9 5.1 Dolby www.theactofkilling.com www.facebook.com/actofkilling Sales Contact: Cinephil Philippa Kowarsky / Ori Bader [email protected] / [email protected] Tel Aviv office: +972 3 5664129 Mobile: +972 54 4961114 Quotes "If we are to transform Indonesia into the democracy it claims to be, citizens must recognize the terror and repression on which our contemporary history has been built. No film, or any other work of art for that matter, has done this more effectively than THE ACT OF KILLING. [It] is essential viewing for us all." - National Human Rights Commission of Indonesia "An extraordinary portrayal of genocide. To the inevitable question: what were they thinking, Joshua Oppenheimer provides an answer. It starts as a dreamscape, an attempt to allow the perpetrators to reenact what they did, and then something truly amazing happens. The dream dissolves into nightmare and then into bitter reality. An amazing and impressive film." - Errol Morris “I have not seen a film as powerful, surreal, and frightening in at least a decade... It is unprecedented in the history of cinema." - Werner Herzog "An absolute and unique masterpiece." - Dusan Makavejev “Every now and then a non-fiction film comes along that is unlike anything else I have seen: Buñuel's LAND WITHOUT BREAD, Werner Herzog's FATA MORGANA, Hara's THE EMPEROR’S NAKED ARMY MARCHES ON. -
A Film by Joshua Oppenheimer
Final Cut for Real Presents THE ACT OF KILLING A film by Joshua Oppenheimer Executive produced by Errol Morris, Werner Herzog and André Singer AWARDS Berlinale Panorama Audience Award for Best Documentary 2013 Berlinale Panorama Prize of the Ecumenical Jury 2013 2013 Danish Academy Award for Best Documentary (Robert Prize) 2013 Special Prize of the Danish Film Critics Association – Sær-Bodil Grand Prize - Sheffield Doc/Fest 2013 Audience Award - Sheffield Doc/Fest 2013 Grand Prize - CPH:DOX 2012 Aung San Suu Kyi Award for Best Film - Burma Human Rights Human Dignity Film Festival 2013 Grand Prize - DocsBarcelona 2013 Grand Prize - Biografilm Festival Italy, 2013 Grand Prix (Documentaire) - Festival de Cinéma Valenciennes 2013 Grand Prize - Documenta Madrid 2013 Grand Prize - Human Rights Film Festival Burma 2013 Audience Award - Documenta Madrid 2013 Grand Prix - Beldocs Belgrade International Documentary Film Festival 2013 Audience Award for Best Feature Film - FICUNAM Mexico City 2013 Critics Prize - Istanbul Independent Film Festival 2013 Grand Prize - Grimstad Short and Documentary Film Festival 2013 Audience Award - Planete + Doc Warsaw 2013 Grand Prix of Lower Silesia - Planete + Doc 2013 Best Film - Prague One World Festival 2013 Movies That Matter Award - ZagrebDox 2013 Gilda Vieira de Mello Prize - Geneva International Human Rights Film Festival 2013 Basil Wright Prize, Royal Anthropological Institute Film Festival, 2013 Amnesty International Award - IndieLisboa 2013 OFFICIAL SELECTION Telluride Film Festival 2012 Toronto International -
THE LOOK of SILENCE a Film by Joshua
THE LOOK OF SILENCE A film by Joshua Oppenheimer Executive Produced by Errol Morris, Werner Herzog, and André Singer Produced by Final Cut for Real Select Awards and Festivals Grand Jury Prize - Venice Film Festival 2014 Critics Prize (FIPRESCI) - Best Film of Venice Film Festival 2014 European Critics Prize (FEDEORA) - Best European and Mediterranean Film of Venice Film Festival 2014 Online Critics Prize (Mouse d’Oro) - Best Film of Venice Film Festival 2014 Human Rights Nights Award - Venice Film Festival 2014 Official Selection - Telluride Film Festival 2014 Official Selection – New York Film Festival 2014 Best World Documentary (Cinephile Prize) - Busan International Film Festival 2014 Grand Prize (DOX Award) - CPH:DOX 2014 Best Documentary - Denver Film Festival 2014 Don Quixote Prize - Tromsø International Film Festival 2015 Audience Award - Angers Premiers Plans 2015 True Life Fund Recipient - True/False Film Festival 2015 Peace Film Award - Berlin International Film Festival 2015 Best Documentary - Danish Film Academy Award (Robert Prize) 2015 Best Documentary - Danish Film Critics’ Award (Bodil Prize) 2015 Audience Award: Festival Favorite - SXSW Film Festival 2015 Audience Award – Sheffield Doc/Fest 2015 2014 / 103 min / PG-13 PUBLICITY CONTACTS New York Los Angeles Online Susan Norget Film Promotion Fredell Pogodin & Associates Brigade Marketing Susan Norget Fredell Pogodin / Josh Haroutunian Jim Gerlach [email protected] [email protected] [email protected] 212.431.0090 323.931.7300 646.862.3151 Field Kyle Thorpe PR Drafthouse Films Participant Media Kyle Thorpe Sumyi Antonson Laura Kim [email protected] [email protected] [email protected] 323.656.1303 310.351.1185 213.280.2273 SYNOPSIS The Look of Silence is Joshua Oppenheimer’s powerful companion piece to the Oscar®- nominated The Act of Killing.