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Bibliographie 1. Michel Tremblay : Ouvrages Analysés 1.1 Pièce De Théâtre À Toi, Pour Toujours, Ta Marie-Lou

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Bibliographie 1. Michel Tremblay : Ouvrages Analysés 1.1 Pièce De Théâtre À Toi, Pour Toujours, Ta Marie-Lou Bibliographie 1. Michel Tremblay : ouvrages analysés 1.1 Pièce de théâtre À toi, pour toujours, ta Marie-Lou. Ottawa : Leméac, 1971. Albertine, en cinq temps. Ottawa : Leméac, 1984. Belles-sœurs. Montréal : Leméac, 1972. Damnée Manon, sacrée Sandra, suivi de Surprise ! Surprise !. Montréal : Leméac, 2004. En pièces détachés. Montréal : Leméac, 1994. Hosanna, suivi de Duchesse de Langeais. Montréal : Leméac, 1973. L’oratorio de Noël, Montréal : Leméac, 2012b. Le vrai monde ?. Montréal : Leméac, 2013. Les Anciennes odeurs. Ottawa : Leméac, 1988. Les héros de mon enfance. Montréal : Leméac, 1976. Messe solennelle pour une pleine lune d’été. Ottawa : Leméac, 1996. Nelligan. Montréal : Leméac, 2009. Sainte Carmen de la Main. Montréal : Leméac, 1989. Trois petits tours... Ottawa : Leméac, 1986. 1.2 Romans C’t’à ton tour, Laura Cadieux. Montréal : Québec, Bibliothèque québécoise, 1997. Cahier noir. Montréal : Leméac, 2003. Chroniques du Plateau-Mont-Royal. Montréal : Thesaurus Leméac, Actes du Sud, 2012a. 2. Michel Tremblay : d’autres ouvrages de l’auteur cités dans le texte Bonjour, là, bonjour. Montréal : Leméac, 1992. Demain matin, Montréal m’attend. Montréal : Leméac, 1995. Douze coups de théâtre. Montréal : Leméac, 1992. Encore une fois, si vous permettez. Montréal : Leméac, 1998. Le Paradis à la fin de vos jours. Montréal : Leméac, 2008. Un ange cornu avec des ailes de tôle. Montrél : Leméac, 1994. Les vues animées, suivi de Les loups se mangent entre eux. Ottawa : Leméac, 1990. 3. Outils de la méthodologie adaptée. Ouvrages théoriques, illustratifs et critiques 3.1 Écrits sur le théâtre. Études, monographies, dictionnaire Barthes, Roland. Écrits sur le théâtre. Paris : Seuil, 2002. Bélair, Michel. In Tremblay, Michel. À toi, pour toujours, ta Marie-Lou. Ottawa : Leméac, 1971. Boulanger, Luc. Pièce à convictions. Entretiens avec Michel Tremblay. Ottawa : Leméac, 2001. Cardinal, Jacques. « Exorciser l’immonde. Parole et sacré dans Sainte Carmen de la Main de Michel Tremblay ». Voix et Images, Volume 26, 2000, n° 1, automne. 221 Chassay, Jean-François. « Sainte Carmen de la Main (1976) : Éloge du faux ». In David, Gilbert, Lavoie, Pierre (eds.). Le Monde de Michel Tremblay. Tome I : Théâtre. Morlanwelz : Éditions Lansman, 2003. Chestier, Aurore. « Du corps au théâtre au théâtre-corps ». Corps, 2007/1, n° 2. Filion, Pierre. « La fin de la nuit ». In Tremblay, Michel. Damnée Manon, sacrée Sandra, suivi de Surprise ! Surprise !. Montréal : Leméac, 2004. Fonseca, Christiane. « Passion, fatalité et divin dans la tragédie racinienne ». Cahiers jungiens de psychoanalyse, 2010/1, n° 131. Fréchette, Carole. « Grandeur et misère : Le retour du père sur la scène québécoise ». Jeu, 1987, n° 45. Godin, Jean-Cléo. « Albertine, en cinq temps (1984) : Albertine et la maison de l’enfance ». In David, Gilbert, Lavoie, Pierre (eds.). Le Monde de Michel Tremblay. Tome I : Théâtre. Morlanwelz : Éditions Lansman, 2003. Huffman, Shawn. « Tissus du désir : Le travestissement et l’affectivité dans le théâtre de Michel Tremblay ». Voix et Images, 2007, Volume 32, n° 2. Jarque, Alexandra. « Le père, le fils et le dramaturge : Impératif présent ». Jeu, 2004, n° 111. Larrue, Jean-Marc. « Trois petits Tours... (1969) Demain matin, Montréal m’attend (1970) : Du déplacement comme procédé dramatique ». In David, Gilbert, Lavoie, Pierre (eds.). Le Monde de Michel Tremblay. Tome I : Théâtre. Morlanwelz : Éditions Lansman, 2003. Mailhot, Laurent. « Les Anciennes Odeurs (1981) : Une pièce intimiste et romanesque ». In David, Gilbert, Lavoie, Pierre (eds.). Le Monde de Michel Tremblay. Tome I : Théâtre. Morlanwelz : Éditions Lansman, 2003. Mégevand, Martin. « L’éternel retour du chœur ». Littérature, 2003, n°131 : Masques, intertextes. Nägele, Rainer. « L’Autre Scène : entre(nt) Brecht et Artaud », Revue de littérature comparée, 2004/2, n° 310. Paliès, Jean-Luc. « Théâtre, les deux écritures et "le silence sonore" », Insistance, 2005/1, n° 1. Pavis, Patrice. Dictionnaire du théâre. Paris : Armand Colin, 2014. Perelli-Contos, Irène. « Théâtre et littréture, théâtre et communication ». Nuit blanche, magazine littéraire, 1994, n° 55, mars-avril-mai. Romilly, Jacqueline de. La tragédie grecque. Paris : Presses universitaires de France, 1982. Turbide, Roch. « Michel Tremblay : Du texte à la représentation. Entretien ». Voix et Images, 1982/2, n° 7. Ubersfeld, Anne. Lire le théâtre. Paris: Belin, 2001. 3.2 Études littéraires et philosophiques. Outils de la métaréflexivité Abraham, Bénédicte. « Les "Fragments d’un discours amoureux" de Roland Barthes ». Communication au Séminaire sur le structuralisme français, réalisé en juin 2009, à Dresde . Texte publié en 2010 sur Hal Archives Ouvertes [en ligne], accessible sur https://hal.archives-ouvertes.fr/hal-00447801, consulté le 10 octobre 2017. Allimann, Odile, Revaz, Émilie. La mise en abyme dans les arts. Énoncé théorique de master sous la direction du professeur Nicola Braghieri. Lausanne : École Polytechnique Fédérale de Lausanne, 2015. Barthes, Roland. Essais critiques. Paris : Seuil, 1981. Barthes, Roland. Le plaisir du texte. Paris : Seuil, 2014. 222 Barthes, Roland. Le bruissement de la langue : Essais critiques IV. Paris : Seuil, 1984. Barthes, Roland. Les fragments d’un discours amoureux. Paris : Seuil, 1977. Bathes, Roland. Roland Barthes par Roland Barthes. Paris : Seuil, 1975. Baudelaire, Charles. « Mœsta et errabunda ». Les fleurs du mal et autres poèmes. Paris : Garnier-Flammarion, 1964. Brochu, André. Rêver la lune : l’imaginaire de Michel Tremblay dans les Chroniques du Plateau Mont-Royal. Montréal : Hurtubise HMH, 2002. Duportail, Guy-Félix. Les institutions du monde de la vie I, Merleau-Ponty et Lacan. Grenoble : Millon, 2008. El Bouanani, Fatima. « Roland Barthes : plaisir du texte, plaisir de la vie » [en ligne], accessible sur http://www.e- litterature.net/publier2/spip/IMG/html_Roland_Barthes.html, consulté le 20 mars 2018. « Études des personnages ». Fiche de lecture. lePetitLittéraire.fr, http://excerpts.numilog.com/books/9782806216328.pdf, consulté le 8 septembre 2017. Fiorentino, Francesco. « "La Duchesse de Langeais" et la critique de la passion romantique ». L’Année balzacienne, 2000/1, n° 1. Gauthier, Manon. In Tremblay, Michel : C’t’à ton tour, Laura Cadieux. Genette, Gérard. Palimpsestes : La littérature au second degré. Paris : Seuil, 1992. Giné, Janer. « Lamartine y los hombres de la Iglesia ». Ull Crític, 1992, n° 2. Jouve, Vincent. « Réflexion et métaphore chez Roland Barthes », Carnets [en ligne], 2016, n° 6, accessible sur http://carnets.revues.org/761, consulté le 19 juin 2017. Mailhot, Laurent. Ouvrir le livre. Montréal : Héxagone, 1992. Mailhot, 2003. Rochelau, Alain-Michel. « Marcel, Manon et les autres... ou la folie dans l’œuvre de Michel Tremblay ». Québec français. Volume Français standardisé ou français naturel ?, automne 1993, n° 91. Pomel, Fabienne. « Présentation : refléxions sur le miroir ». In Pomel, Fabienne (dir.). Miroirs et jeux de miroirs dans la littérature médiévale. Rennes : Presses universitaires de Rennes, 2003. Sartre, Jean-Paul. L’être et le néant : l’essai d’ontologie phénoménologique. Paris : Gallimard, 1973. Tasserit, Claude. Corps et lecture chez Roland Barthes. Mémoire de Master sous la direction de Michel Boulanger, École nationale supérieure des bibliothèques, Villeurbanne : 1986. Thomson, Clive. « Gérard Genette, Palimspestes : la littérature au second degré, Paris, Éditions du Seuil, 1982, 468 p. ». Études littéraires, Volume 19, La parodie : théorie et lecture, n° 1, printemps-été, 1986. Vandeninden, Élise. « Comment le texte touche le corps ». Études littéraires. Volume 41, 2010, n° 2. 3.3 Psychanalyse. Études et articles Anzieu, Didier. Le Moi-Peau. Paris : Dunod, 1995a. Anzieu, Didier. Une peau pour les pensées. Entretiens avec Gilbert Tarrab. Paris : Apsygée, 1991. Anzieu, Didier. Contes à rebours, Paris : Les Belles Lettres, Archimbaud, 1995b. 223 Aouillé, Sophie, Bruno, Catherine, Bruno, Pierre, Callegari, Sabine. « Père et Nom(s)- du-Père (3e partie) ». Psychanalyse, 2009/2, n° 15. Castanet, Didier. « Fantasme et réel ». L’en-je lacanien, 2007/2, n° 9. Castarède, Marie-France. « Avant-propos ». In Marie-France Castarède et al., Au commencement était la voix, ERES « La vie de l’enfant », 2005. Castarède, Marie-France. « L’enveloppe vocale », Psychologie clinique et projective 2001/1, n° 7. Chidiac, Nayla. « Écrire le silence : ateliers d’écriture thérapeutique », Cliniques, 2013/1, n° 5. 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