Violence, Trauma, Mental Health, and Substance Use Among Homeless Youth Juggalos

Total Page:16

File Type:pdf, Size:1020Kb

Violence, Trauma, Mental Health, and Substance Use Among Homeless Youth Juggalos Violence, Trauma, Mental Health, and Substance Use Among Homeless Youth Juggalos Robin Petering, Harmony Rhoades, Hailey Winetrobe, David Dent & Eric Rice Child Psychiatry & Human Development ISSN 0009-398X Child Psychiatry Hum Dev DOI 10.1007/s10578-016-0689-5 1 23 Your article is protected by copyright and all rights are held exclusively by Springer Science +Business Media New York. This e-offprint is for personal use only and shall not be self- archived in electronic repositories. If you wish to self-archive your article, please use the accepted manuscript version for posting on your own website. You may further deposit the accepted manuscript version in any repository, provided it is only made publicly available 12 months after official publication or later and provided acknowledgement is given to the original source of publication and a link is inserted to the published article on Springer's website. The link must be accompanied by the following text: "The final publication is available at link.springer.com”. 1 23 Author's personal copy Child Psychiatry Hum Dev DOI 10.1007/s10578-016-0689-5 ORIGINAL ARTICLE Violence, Trauma, Mental Health, and Substance Use Among Homeless Youth Juggalos Robin Petering1 · Harmony Rhoades1 · Hailey Winetrobe1 · David Dent1 · Eric Rice1 © Springer Science+Business Media New York 2016 Abstract Insane Clown Posse is a musical duo whose Introduction fans are known as Juggalos. Many homeless youths (HY) identify as Juggalos, most likely because the group’s music Insane Clown Posse (ICP) is a musical duo whose fans embraces poverty and being an outsider in mainstream are known as Juggalos. Although there has never been society. Juggalos are stereotyped as being violent, under- an oicial count of Juggalos and it is diicult to estimate educated, poor, racist, crime-committing youth, and in the number of fans based on record sales, one of the pri- 2011 the FBI oicially labeled Juggalos as a gang. How- mary Juggalo-based news resources estimates there may ever, little is known about the intersection of HY and Jug- be 1–2 million Juggalos in the United States [1]. Addition- galos. A convenience sample of Los Angeles-area, drop-in ally, annual statistics in the United States suggest that there service-seeking HY completed a self-administered ques- are 1.6 million homeless youths (HY) [2]. HY are typi- tionnaire (N = 495). In the sample, 15 % of HY identiied cally deined as unaccompanied individuals aged 12 years as Juggalos. Juggalo-identifying youth were more likely to or older (up to age 17, 21, or 25, depending on the deini- have experienced childhood trauma, including physical and tion) who live in shelters, on the streets, or in other unsta- sexual abuse and witnessing community violence. Multi- ble living conditions without family support [3, 4]. These variable models revealed that identifying as a Juggalo was two populations intersect, meaning that many HY identify associated with increased odds of recent methamphetamine as Juggalos [5], and many Juggalos frequently face housing use, ecstasy use, chronic marijuana use, and prescription insecurity and are at risk of homelessness [6, 7]. drug misuse. Juggalos were also more likely to experi- In 2011, the FBI oicially labeled Juggalos as a gang, ence suicidal ideation, attempt suicide, recently engage in speciically stating that “many Juggalo subsets are com- interpersonal violence, become injured during a ight, and prised of transient and homeless individuals” and that have unprotected sex. In conclusion, Juggalos constitute they “pose a threat to communities due to violence, drug a unique subpopulation of HY. Implications for Juggalo- use/sales and general destructive and violent nature” [8]. speciic trauma-informed services, rather than punitive, are Although recognized as a gang in only four states, many discussed as well as the potential for future research regard- Juggalo subsets exhibit gang-like behavior and engage in ing resiliency associated with Juggalo identiication. criminal activity and violence [9]. It is unclear how the original threat assessment was validated. Although there Keywords Homeless youth · Juggalos · Violence · are many anecdotal reports from law enforcement and Trauma · Mental health · Substance use criminal justice agencies across the nation, it appears that to date no empirical data has been collected on Juggalos. Despite the attention drawn to Juggalos and their intersec- tion with America’s HY population, no empirical research * Robin Petering has ever considered this population. The current study [email protected] explored experiences that distinguish Juggalo-identifying 1 School of Social Work, University of Southern California, HY from non-Juggalo-identifying HY using the irst known Los Angeles, CA, USA survey data collected on this population. 1 3 Author's personal copy Child Psychiatry Hum Dev History of ICP and Juggalo Culture “tells kids with nothing that being poor is cooler than being rich and that being a loser, a scrub, and a Juggalo is ini- ICP, composed of Joe “Violent J” Bruce and Joseph nitely better than being a winner” [11]. Using slang famil- “Shaggy 2 Dope” Utsler, was formed in 1981 in Detroit, iar to many marginalized youth, ICP invites all “scrubs, Michigan. Although ICP has been releasing music for misits, and losers” to join their “Juggalo family.” more than 20 years, the group never achieved mainstream To date, no research has explored Juggalos and their popularity in the music industry. Despite being relatively intersection with the HY population. Most current knowl- overlooked by popular culture and the media, the musi- edge about Juggalos has come from law enforcement cal group is known to have one of the most dedicated fan reports or anecdotal evidence. In light of the law enforce- bases. Insane Clown Posse has roots in the Midwest but ment and popular media’s focus on the violent and criminal their fan base seems to reach across the country [1]. Fans of behaviors of Juggalos, it is important to generate empirical the group are referred to as Juggalos, individuals who have evidence about Juggalos. This information may be particu- taken a unique space in popular culture. The term Juggalo larly important for improving the lives of HY, because the originated from a live ICP performance of the song “The criminalization of Juggalos is an issue that directly afects Juggla,” during which Violent J addressed the audience as HY [1]. To our knowledge, the current study is the irst Juggalos [10]. The positive response resulted in ICP using to explore the demographics and behaviors of HY who the word Juggalo to refer to themselves, their friends, fam- identify as Juggalos. This study aims to increase overall ily members, and ICP fans or fans of other musical groups understanding of this subpopulation to develop and design included on ICP’s record label, Psychopathic Records. targeted interventions that support HY who identify as The reputation of Juggalos is probably better known Juggalos. than the music of ICP. Juggalos are frequently seen wearing black and white clown face paint similar to the band mem- bers. Juggalos are known to wear Juggalo and ICP cloth- Methods ing and have ICP-related tattoos, many of which feature the band’s signature “Hatchet Man” symbol, which resembles A sample of 495 HY accessing services from 2 day-ser- the silhouette of a running cartoon man holding a hatchet vice drop-in centers for HY in Hollywood and Venice, CA in one of his hands. Juggalos are stereotyped as being igno- were approached for study inclusion across two waves of rant, poor, racist, and violent [11]. data collection, from November 2012 to February 2013 and from May to June 2013. All behavioral health infor- HY and Juggalos mation was taken from each participant’s baseline assess- ment, rather than-follow up surveys for those participants Violent J’s life experiences may provide clues as to why that had been included in earlier waves of the study. The many HY may identify with ICP and Juggalos. Violent J’s research team approached all youths who entered the ser- childhood experiences mirror those of many youths on the vice agencies during the data collection period and invited streets. According to his biography, Violent J grew up on them to participate in the study. The selected agencies public assistance in the worst neighborhoods in Detroit, provided weekday services to HY between the ages of 12 watched his mother be physically beaten by his biological and 25, including basic needs, medical and mental health father, and was later physically and sexually abused by his services, case management, and referrals and connections stepfather [10]. At a young age, he was exposed to severe to other programs such as housing services. Each youth community violence, drugs, and alcohol. signed a voluntary assent or consent form. A consistent pair Violence at home and in the community is a common of research staf members was responsible for all recruit- theme in the early life trajectories of many HY [12]. HY ment to prevent HY from completing the survey multiple are more likely to have been physically abused or neglected times during each data collection period per site. The aver- than their housed peers [12], and escaping a violent family age response rate across both sites was 75.76 %. Any par- environment is a major reason for becoming homeless in ticipant who did not respond to the main outcome variable, the irst place [13–16]. HY also abuse substances at much identifying as a Juggalo, was excluded from the analysis. higher rates than their non-homeless peers [17], with rates The inal sample consisted of 495 participants between 17 of alcohol abuse and dependence between 16 and 21 % and and 28 years old. Although two participants were outside of drug abuse and dependence between 18 and 24 % [18, 19].
Recommended publications
  • Gang Definitions, How Do They Work?: What the Juggalos Teach Us About the Inadequacy of Current Anti-Gang Law Zachariah D
    Marquette Law Review Volume 97 Article 6 Issue 4 Summer 2014 Gang Definitions, How Do They Work?: What the Juggalos Teach Us About the Inadequacy of Current Anti-Gang Law Zachariah D. Fudge [email protected] Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Criminal Law Commons Repository Citation Zachariah D. Fudge, Gang Definitions, How Do They Work?: What the Juggalos Teach Us About the Inadequacy of Current Anti-Gang Law, 97 Marq. L. Rev. 979 (2014). Available at: http://scholarship.law.marquette.edu/mulr/vol97/iss4/6 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. FUDGE FINAL 7-8-14 (DO NOT DELETE) 7/9/2014 8:40 AM GANG DEFINITIONS, HOW DO THEY WORK?: WHAT THE JUGGALOS TEACH US ABOUT THE INADEQUACY OF CURRENT ANTI-GANG LAW Precisely what constitutes a gang has been a hotly contested academic issue for a century. Recently, this problem has ceased to be purely academic and has developed urgent, real-world consequences. Almost every state and the federal government has enacted anti-gang laws in the past several decades. These anti-gang statutes must define ‘gang’ in order to direct police suppression efforts and to criminally punish gang members or associates. These statutory gang definitions are all too often vague and overbroad, as the example of the Juggalos demonstrates.
    [Show full text]
  • To View the Official Program!
    20 years of the gathering of the juggalos... On this momentous occasion, we Gather together not just to celebrate the 20th Annual Gathering of the Juggalos, but to uphold the legacy of our Juggalo Family. For two decades strong, we have converged at the height of the summer season for something so much more than the concerts, the lights, the sounds, the revelry, and the circus. There is no mistaking that the Gathering is the Greatest Show on Earth and has rightfully earned the title as the longest running independent rap festival on this or any other known planet. And while all these accolades are well-deserved and a point of pride, in our hearts we know...There is so much more to this. A greater reason and purpose. A magic that calls us together. That knowing. The spirit of the tribe. The call of the Dark Carnival. The magic mists that float by as we gaze through the trees into starry skies. We are together. And THAT is what we celebrate here, after 20 long, fresh, hilarious, incredible, tremendously karma-filled years. We call this the Soopa Gathering because we are here to celebrate the superpowers of the Juggalo Family. All of us here together and united are capable of heroics and strength beyond measure. We are Soopa. We are mighty. For we have found each other by the magic of the Carnival—standing 20 years strong on the Dirtball as we see into the eternity of Shangri-La. Finding Forever together, may the Dark Carnival empower and ignite the Hero in you ALL..
    [Show full text]
  • Dark Carnival and Juggalo Heaven: Inside the Liminal World of Insane Clown Posse, Advances in Social Sciences Research Journal, 1(2), 84-98
    Advances in Social Sciences Research Journal – Vol.1, No.2 Publication Date: March 09, 2014 DOI: 10.14738/assrj.12.94 Halnon, K. B. (2014). Dark Carnival and Juggalo Heaven: Inside the Liminal World of Insane Clown Posse, Advances in Social Sciences Research Journal, 1(2), 84-98 Dark Carnival and Juggalo Heaven: Inside the Liminal World of Insane Clown Posse Karen Bettez Halnon Sociology, Pennsylvania State University, ABington, USA; [email protected] ABSTRACT In 2012 the FBI Profiled horrorcore raP grouP Insane Clown Posse (ICP) and its Juggalo fans as a gang. In January 2014, ICP and the American Civil Liberties Union (ACLU) sued the FBI in Detroit Federal Court. Toward a timely corrective sociological account, this PaPer offers its findings derived from over ten years of concert fieldwork observation, hundreds of informal interviews, and in-depth (DVD, CD, band, and fan site) music media analysis. It provides a marginal insider-outsider account of ICP’s Dark Carnival, focused on its rituals, traditions, and mythology that create a Proto-utopian surrogate family of accePtance and belonging, identity reversal, and ethical guidance for many who have suffered from unpoPularity, abuse, other familial dysfunction, and/or who do not fit in where they are. Utilizing Bakhtinian carnival concePts, thick descriPtion and abundant quotation, the Paper exemPlifies sociology’s debunking quality, or the sociological axiom that things are often quite different than Presumed. The PaPer concludes by underscoring the troubling dangers of criminalization. Keywords: Carnival, Unpopularity, Rituals, Criminal Profiling, Sociological DeBunKing, BaKhtin, Surrogate Family. DARK CARNIVAL AND JUGGALO HEAVEN “They uncrowned and renewed the estaBlished power and unofficial truth.
    [Show full text]
  • A Solution from Hell American Juggalo Pitchfork'd Cavell As Educator Someone Please Chat Us
    A Solution from Hell American Juggalo Pitchfork’d Cavell as Educator Someone Please Chat Us ! " # $ %&"&' )&*+,,-$ '&* './&" Number Twelve fall 2011 The Shaltzes, The Juggalo IX‚, 2010, archival inkjet print, 24 × 36". American Juggalo Kent Russell ’d been driving for seventeen hours, much of it on two-lane I highways through Indiana and then southern Illinois. Red-green corn sidled closer to the road until it stooped over both shoulders. That early in the morning, a mist was tiding in the east. I figured I had to be close. A couple of times I turned off the state road to drive past family plots where the houses were white, right-angled ideals. On many of these plots were incongruous strips of grass—home- spun cemeteries. I wondered what it would be like to grow up in a place like this. Your livelihood would surround you, waving hello every time the wind picked up. You wouldn’t be able to see your neighbors, but you’d for sure know who they were. You’d go to one of the Protestant churches seeded in the corn, take off your Sunday best to shoot hoops over the garage, and drink an after-dinner beer on your porch swing, certain of your regular Americanness. And one day you’d get buried feet from where you lived, worked, and died. Doubt about the trip unfurled inside me as the odometer crawled on. I couldn’t have told you why I was doing this. Back on IL-1 I looked to my right and saw an upside-down SUV in the corn.
    [Show full text]
  • GOTJ 2021 Program
    luv rises from the ash like the spirit of the butterfly... A stirring arises from the ash as the earth awakens and trembles. A flicker of hope bursts into flame. And in this flash of light and heat, the world for once seems right again. Psychopathic Records proudly presents the 21st Annual Gathering of the Juggalos! Luv rises from the ash like the Butterfly as we join together once more in reunion, in celebration, for the mighty Dark Carnival! Join us for this truly epic 24-hour-a-day Family Reunion that will not only feature 3 days and nights of concerts, sideshows, late-night parties, wrestling, competitions, seminars, and more, but also the most anticipated concert of our time: ICP's Bizzar / Bizaar show!!! This will be a Gathering for the True Juggalos. The chosen. The Family! It will be a new fire. A new moment in Juggalo history, as we rebuild, refresh, renew, and rise, igniting the spark of our new dawn together. The time has come for a new beginning. Quietly, distant in the woods, you can hear the sound and feel the ground tremble with the vibrations of music and laughter—moments that last Forever. The mighty Wagons of the Dark Carnival creak and moan as they reawaken and roll on. Listen closely and you will hear... the call... of the Butterfly. Whoop whoop! welcome home... to the 21st Annual Gathering of the Juggalos! 3 GENERAL INFO Welcome Juggalos to the 21st Annual Gathering of the Juggalos! Peep out all the info below so you know what’s crackin! LEGEND VALLEY Legend Valley is a 120 acre privately owned and fenced-in outdoor music venue, located at 7585 Kindle Road, Thornville Ohio 43076.
    [Show full text]
  • ABQ Free Press, March 9, 2016
    VOL III, Issue 5, March 9, 2016 New Mexico’s best alternative newspaper ABQ’s Latest Melee: Bus Rapid Transit PAGE 8 Conflict of Interest In City Hall Crisis Deal? PAGE 5 Our Endorsement In the GOP Food Fight PAGE 21 The Crêpe of Things to Come P AGE 27 Nob Hill Med Pot PAGE 5 Wrestling with Destiny PAGE 31 2 • March 9, 2016 • ABQ FREE PRESS www.freeabq.com ABQ FREE PRESS • March 9, 2016 • 3 NEWS www.abqarts.com EditoR’S A&E Pick Editor: [email protected] Arts: [email protected] Will the Real Bernie Sanders Stand Up? News: [email protected] Advertising: [email protected] A letter writer to the Washington Post questioned whether photos BY SA‘HastaMANTHA ANNE CARRILLO La Fantasía’ Classes for that presidential candidate Bernie Sanders published on his website On Twitter: @FreeABQ depicting him as an early advocate of Black civil rights in 1962 are Editor really him. Dan Vukelich WorK The photographer, Danny Lyon, who now lives in Bernalillo and (505) 345-4080. Ext. 800 ce is a contributor to ABQ Free Press, says they are in fact Sanders. Associate Editor, News Critics allege Sanders padded his resume and that the student in PlaY Dennis Domrzalski &What Will You learn todaY? these two photos is another activist named Bruce Rappaport, who (505) 306-3260 died in 2006. Managing Editor/Arts Editor Lyon, a student at the University of Chicago in 1962 and who, as Samantha Anne Carrillo the official photographer of the Student National Coordinating (505) 345-4080 ext. 804 Committee, documented the civil rights movement both in the North and South throughout the 1960s, says see for yourself.
    [Show full text]
  • Psychopathic Records Hurricane of Diamonds Album Download Discografie Psychopathic Records - Psychopathic Records Discography
    psychopathic records hurricane of diamonds album download Discografie Psychopathic Records - Psychopathic Records discography. Psychopathic Records este o casă de discuri americană independentă, cu sediul în Farmington Hills , Michigan ,specializată în muzică hip hop . Deținut demembrii Insane Clown Posse Joseph Bruce și Joseph Utsler , casa a fost fondată de grup și managerul lor Alex Abbiss în 1991. Cunoscută atunci sub numele de Inner City Posse, grupul a lansat primul album al etichetei, Dog Beats , în acel an. De la înființare, eticheta a prezentat 23 de artiști și formații din Statele Unite , în principal în Detroit, Michigan . Două etichete subsidiare acum dispărute, Ax & Smash Records și Urban Music Zone, au fost create sub Psychopathic Records. În 2007, Psychopathic a fondat a treia marcă filială, Hatchet House . 9 Pistolas. Having worked with the Insane Clown Posse and their in-house producer, Mike E. Clark, since the time the evil clowns opened the Riddle Box (1995), Legz Diamond is Psychopathic Records' great jack of all trades, willing to lend his voice, spoken word, or guitar to any juggalo-aimed release that needs it. Practically no one was asking for a Legz solo album, so this debut effort may seem like ICP giving their weed carrier or duffle-bag boy a gift, but the humble, humorous, and hatchet-minded 9 Pistolas is a quirky blast, like a nerdy journey through Wonka land with ICP's very own Mayer Hawthorne. The title track shuffles with some 1940s-style gangster cool, "Mary Jane" gives bud smokers an infectious singalong
    [Show full text]
  • Where to Look for Signs of Gang Involvement
    HOW GA NGS AFFECT OUR COM M UNITY GANG VS TAGGER Definition of a Gang Where to Look for GRAFFITI Three or more people with Signs of Gang common interests, bonds, & Involvement: GANG GRAFFITI: activities characterized by ♦ CLOTHING ( worn in an •TERRITORIAL criminal or delinquent unusual way, colors, logos, •OFTEN THREATENING MESSAGE conduct engaged in numbers, symbols, initials) •NOT USUALLY ARTISTIC collectively or individually. — hats, wrist bands, neck bands, shirts, IDENTIFIES: • belts, buckles, lanyards, •GANG NAME Did You Know? dew rags, pants, shoes, The majority of gang shoe laces, shoe tongues •GANG SET ♦ affiliates/members in our JEWELRY •STREET NAME community are adults (18 — symbols, initials, years of age and older). They logos constitute about 89% of the ♦ TATTOOS total gang population —names, symbols, identified in the Colorado numbers, abbreviations ♦ Springs area. Juveniles GRAFFITI —names, symbols, (under the age of 18) hold colors, numbers, approximately 11% of the abbreviations, area gang affiliation/membership. codes Of that 11% : Other Gang Identifiers TAGGER GRAFFITI: Males constitute ♦♦♦ Whistles •NOT USUALLY TERRITORIAL approximately 90% of the ♦♦♦ Gestures •NOT USUALLY A THREATENING MES- juveniles in gangs, while ♦♦♦ Hand Signs SAGE females make up about 10%. ♦♦♦ Staring (Mad Doggin’) •USUALLY ARTISTIC •IDENTIFIES: •TAGGER CREW Identifying Gang What Parents Should •STREET NAME Behavior Know In terms of identifying Why do kids join gangs? someone who is claiming a particular gang affiliation, • For adventure & it is very important to look excitement • for multiple signs. A For a sense of belonging and attachment single sign, in isolation, is • often not a credible way to To gain respect or to attract girl/boy friends identify gang affiliation • To feel powerful accurately.
    [Show full text]
  • Blues Music and the Art of Narrative Self-Invention
    UNIVERSITY OF CALIFORNIA Los Angeles The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Kimberly Renee Mack 2015 © Copyright by Kimberly Renee Mack 2015 ABSTRACT OF THE DISSERTATION The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention by Kimberly Renee Mack Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Richard A Yarborough, Chair My dissertation examines representations of black American blues musicians in contemporary American fiction, drama, and popular music, and it argues that blues music can be examined as a narrative art rooted in the tradition of fictionalized autobiographical self- fashioning. I contend that the contemporary, multi-racial, literary and musical characters in my project who participate in so-called “authentic” blues expression create, sometimes consciously and sometimes unwittingly, a fiction on top of a fiction. This project questions the belief held by many blues scholars, critics, and fans that blues music is a racially essentialized form instead of a narrative tradition made possible through carefully constructed autobiographical and biographical fictions. ii My project makes two important interventions into traditional discussions of blues production and the representations of blues figures in 20th- and 21st-century American literature. First, it destabilizes racial, socio-cultural, temporal, and gendered blues tropes by shifting blues expression from an innate skill to a storytelling art form through which its makers invent themselves. Second, this study allows for a different, interdisciplinary approach to autobiographical and biographical expression.
    [Show full text]
  • Opinion and Order Granting Defendants' Motion to Dismiss
    UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION MARK PARSONS, et. al., Plaintiffs, v. Case No. 14-10071 UNITED STATES DEPT. OF JUSTICE, et. al., Defendants. / OPINION AND ORDER GRANTING DEFENDANTS’ MOTION TO DISMISS Now before the court is a Motion to Dismiss filed by Defendants United States Department of Justice (“DOJ”) and Federal Bureau of Investigation (“FBI”). (Dkt. # 37.) The matter is fully briefed, and the court finds that a hearing is unnecessary. See E.D. LR 7.1(f)(2). For the reasons discussed below, the court will grant Defendants’ Motion. I. BACKGROUND As alleged in the complaint, “Juggalos” are “fans of the musical group Insane Clown Posse (“ICP”)[1] and other bands on ICP’s independent record label, Psychopathic Records.” (Dkt. # 1, Pg. ID 2.) ICP’s music is generally referred to as “horrorcore hip hop” which “uses very harsh language to tell nightmare-like stories . .” (Id.) Juggalos often paint their faces to look like clowns, and wear distinctive symbols, including the “hatchetman” logo, which depicts a person with wild hair wielding a butcher’s meat cleaver. (Id.) The complaint alleges that “[m]any Juggalos embrace ‘Juggaloism’ as a philosophy, an identity, [and] a way of life. ICP’s lyrics, through their description of a ‘Dark Carnival,’ address themes of good and evil, heaven and hell, and acceptance and tolerance of others.” (Id. at Pg. ID 6.) These Juggalos observe “the moral code” of the Carnival, and see themselves as social outcasts, seeking support from one another. (Id. at Pg. ID 7.) “Based on these shared values, Juggalos strongly identify with one another and often refer to themselves as a ‘family.’” (Id.) According to Plaintiffs, Juggalos gather to listen to ICP’s performances, share ideas expressed in the ICP performances, and express their support for the band.
    [Show full text]
  • National Wrestling Alliance from Wikipedia, the Free Encyclopedia
    National Wrestling Alliance From Wikipedia, the free encyclopedia The National Wrestling Alliance (NWA) is the largest governing body for a group of independent professional wrestling promotions and sanctions various NWA championships, including four championships of “World Title' stature. The NWA has been in operation since 1948, and is the sole governing body for most of professional wrestling. It operates as a talent and brand name franchiser for the inter-regional "territory" system. Table of Contents History........................................................................................................................................................1 Classic Territory System Era.................................................................................................................1 1940's................................................................................................................................................1 1950s.................................................................................................................................................3 1960s.................................................................................................................................................3 1970's................................................................................................................................................4 Decline of the Classic Territory System................................................................................................4 Early
    [Show full text]
  • Insane Clown Posse Theater, G-Thing, and Big Freedia: Queen of Bounce
    June 10, 2013 Fuse Expands Current Programming Line-Up With Three Brand New Series: Insane Clown Posse Theater, G-Thing, and Big Freedia: Queen of Bounce Network Announces Second Season of Warped Roadies NEW YORK, June 10, 2013 (GLOBE NEWSWIRE) -- Fuse, the national music television network of The Madison Square Garden Company, today announced that it will be expanding its music-related programming line-up with the launch of three all new original series -- Insane Clown Posse Theater, G-Thing and Big Freedia: Queen of Bounce (working title). Following a successful first season, Fuse is also set to begin production on the second season of Warped Roadies.These new shows — all rooted in music -- reinforce Fuse's mission to bring strong, vibrant music content to the television landscape. Production for the second season of Warped Roadies will start with the first stop on the Vans Warped Tour 2013, which kicks off on June 15th. This season will shadow old and new cast members as they hit the road for America's largest tour. Following the young crew from city to city, the show gives viewers a behind-the-scenes look at the legendary Vans Warped Tour and the lives of the men and women who make it possible. Warped Roadies is produced by Magilla Entertainment (Bayou Billionaires, Moonshiners, Long Island Medium) with executive producers Matthew Ostrom, Brian Flanagan, Laura Palumbo Johnson and co-executive producers Stacey Angeles and Brent Burnette. For the first of three brand new shows, Fuse has taken its own digital video series, featuring hip hop duo Insane Clown Posse commenting on today's top music videos, and created Insane Clown Posse Theater, a weekly 30-minute linear program.
    [Show full text]