Annual Report 1976
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Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
National Security Advisor SAIGON EMBASSY FILES KEPT by AMBASSADOR GRAHAM MARTIN: Copies Made for the NSC, 1963-1975 (1976)
Gerald R. Ford Presidential Library & Museum National Security Advisor SAIGON EMBASSY FILES KEPT BY AMBASSADOR GRAHAM MARTIN: Copies Made for the NSC, 1963-1975 (1976) SUMMARY DESCRIPTION Copies of State Department telegrams and White House backchannel messages between U.S. ambassadors in Saigon and White House national security advisers, talking points for meetings with South Vietnamese officials, intelligence reports, drafts of peace agreements, and military status reports. Subjects include the Diem coup, the Paris peace negotiations, the fall of South Vietnam, and other U.S./South Vietnam relations topics, 1963 to 1975. QUANTITY 4.0 linear feet (ca. 8000 pages) DONOR Gerald R. Ford (accession number 82-73) ACCESS Open. The collection is administered under terms of the donor's deed of gift, a copy of which is available on request, and under National Archives and Records Administration general restrictions (36 CFR 1256). COPYRIGHT President Ford has donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. The copyrights to materials written by other individuals or organizations are presumed to remain with them. Works prepared by U.S. Government employees as part of their official duties are in the public domain. Prepared by Karen B. Holzhausen, November 1992; Revised March 2000 [s:\bin\findaid\nsc\saigon embassy files kept by ambassador graham martin.doc] [This finding aid, found at https://www.fordlibrarymuseum.gov/library/guides/findingaid/ nsasaigon.asp, was slightly adapted on pp. 6-7 by the Bayerische Staatsbibliothek in July 2018 to serve as a guide to the microfilm edition published by Primary Source Media.] 2 VIETNAM WAR CHRONOLOGY (Related to this collection) August 21, 1963 Ngo Dinh Nhu's forces attack Buddhist temples. -
The BCCI Affair
The BCCI Affair A Report to the Committee on Foreign Relations United States Senate by Senator John Kerry and Senator Hank Brown December 1992 102d Congress 2d Session Senate Print 102-140 This December 1992 document is the penultimate draft of the Senate Foreign Relations Committee report on the BCCI Affair. After it was released by the Committee, Sen. Hank Brown, reportedly acting at the behest of Henry Kissinger, pressed for the deletion of a few passages, particularly in Chapter 20 on "BCCI and Kissinger Associates." As a result, the final hardcopy version of the report, as published by the Government Printing Office, differs slightly from the Committee's softcopy version presented below. - Steven Aftergood Federation of American Scientists This report was originally made available on the website of the Federation of American Scientists. This version was compiled in PDF format by Public Intelligence. Contents EXECUTIVE SUMMARY ................................................................................................................................ 4 INTRODUCTION AND SUMMARY OF INVESTIGATION ............................................................................... 21 THE ORIGIN AND EARLY YEARS OF BCCI .................................................................................................... 25 BCCI'S CRIMINALITY .................................................................................................................................. 49 BCCI'S RELATIONSHIP WITH FOREIGN GOVERNMENTS CENTRAL BANKS, AND INTERNATIONAL -
Full Press Release
Press Contacts Patrick Milliman 212.590.0310, [email protected] Alanna Schindewolf 212.590.0311, [email protected] THE MORGAN HOSTS MAJOR EXHIBITION OF MASTER DRAWINGS FROM MUNICH’S FAMED STAATLICHE GRAPHISCHE SAMMLUNG SHOW INCLUDES WORKS FROM THE RENAISSANCE TO THE MODERN PERIOD AND MARKS THE FIRST TIME THE GRAPHISCHE SAMMLUNG HAS LENT SUCH AN IMPORTANT GROUP OF DRAWINGS TO AN AMERICAN MUSEUM Dürer to de Kooning: 100 Master Drawings from Munich October 12, 2012–January 6, 2013 **Press Preview: Thursday, October 11, 10 a.m. until 11:30 a.m.** RSVP: (212) 590-0393, [email protected] New York, NY, August 25, 2012—This fall, The Morgan Library & Museum will host an extraordinary exhibition of rarely- seen master drawings from the Staatliche Graphische Sammlung, Munich, one of Europe’s most distinguished drawings collections. On view October 12, 2012– January 6, 2013, Dürer to de Kooning: 100 Master Drawings from Munich marks the first time such a comprehensive and prestigious selection of works has been lent to a single exhibition. Johann Friedrich Overbeck (1789–1869) Italia and Germania, 1815–28 Dürer to de Kooning was conceived in Inv. 2001:12 Z © Staatliche Graphische Sammlung München exchange for a show of one hundred drawings that the Morgan sent to Munich in celebration of the Staatliche Graphische Sammlung’s 250th anniversary in 2008. The Morgan’s organizing curators were granted unprecedented access to the Graphische Sammlung’s vast holdings, ultimately choosing one hundred masterworks that represent the breadth, depth, and vitality of the collection. The exhibition includes drawings by Italian, German, French, Dutch, and Flemish artists of the Renaissance and baroque periods; German draftsmen of the nineteenth century; and an international contingent of modern and contemporary draftsmen. -
Ammi Phillips's Portraits with Animals
Atntni Phillips's Portraits with Anitnals by Leigh Rehner Jones and Shirley A. Mearns mmi Phillips (1788-1865), the nineteenth-century portrait artist, spent most of his working life in the Hudson Valley, where he painted its people-and yes, a few of its animals , too. Two years ago, his POTtrait of a GiTl in a Red DTess sold A I for $682,000, a record price for a work by this extraordinarily pro lific artist who painted more than five hundred portraits during a career spanning at least fifty years. 2 Nineteen of the surviving portraits by Ammi Phillips depict ani mals, and these are some of the most appealing works by the Con necticut-born artist. The child he painted in Portrait of a Gid in a Red DTess is charming; equall y charming is the brown-and-white beagle like dog at her feet. Together they make an especiall y winning double portrait. While the people in Phillips's portraits are sometimes identified, more frequently their names are unknown. This anonym ity extends as we ll to the animals in his paintings. Cats and dogs are nearly always found with child ren, but in two portraits of adults, a horse and a team of oxen are painted which are undoubtedly clues to the sitters' professions. 62 The Hudson Valley Regional Review, September 1987, Volu me 4, Number 2 D r. Cornelius Allerton (1779-1855) was painted about 1825 in Pine Plains, Dutchess County, New York, where he practiced medicine. He was recalled later as having "perceptive faculties of high order" and as "quick and correct in diagnosis, and a bold yet carefuI prac titioner. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 107 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 107 CONGRESS, FIRST SESSION Vol. 147 WASHINGTON, TUESDAY, MAY 8, 2001 No. 62 Senate The Senate met at 9:30 a.m. in execu- The senior assistant bill clerk read gest be divided equally among the tive session and was called to order by the following letter: three Senators. the Honorable LINCOLN CHAFEE, a Sen- U.S. SENATE, The ACTING PRESIDENT pro tem- ator from the State of Rhode Island. PRESIDENT PRO TEMPORE, pore. Without objection, it is so or- Washington, DC, May 8, 2001. dered. PRAYER To the Senate: Mr. REID. I suggest the absence of a The Chaplain, Dr. Lloyd John Under the provisions of rule I, paragraph 3, quorum. Ogilvie, offered the following prayer: of the Standing Rules of the Senate, I hereby The ACTING PRESIDENT pro tem- appoint the Honorable LINCOLN CHAFEE, a Almighty God, thank You for the ex- pore. The clerk will call the roll. citing expectation that surges within Senator from the State of Rhode Island, to perform the duties of the Chair. The legislative clerk proceeded to us when we realize that You want to STROM THURMOND, call the roll. bless us with Your love, strength, and President pro tempore. Mr. DORGAN. Mr. President, I ask wisdom. It is Your way always to go Mr. CHAFEE thereupon assumed the unanimous consent that the order for beyond what You have done before. chair as Acting President pro tempore. the quorum call be rescinded. -
Mark Tobey in 40 Years Explores Artist’S Groundbreaking Contributions to American Modernism
PRESS RELEASE First U.S. Retrospective of Mark Tobey in 40 Years Explores Artist’s Groundbreaking Contributions to American Modernism Organized by the Addison Gallery of American Art, Mark Tobey: Threading Light presents extraordinary breadth, nuance, and radical beauty of artist’s work Andover, Massachusetts (September 27, 2017) – The first comprehensive retrospective of Mark Tobey in the U.S. in 40 years will open at the Addison Gallery of American Art on November 4, 2017. Organized by the Addison Gallery of American Art, Mark Tobey: Threading Light traces the evolution of Tobey’s groundbreaking style and his significant, yet Eventuality, 1944. Tempera on paper mounted on board; 10 x 14 15/16 in. under-recognized, contributions to Addison Gallery of American Art abstraction and mid-century American modernism. Comprised of 67 paintings spanning the 1920s through 1970, Threading Light includes three exceptional works from the Addison’s renowned collection of American art and major loans from the Museum of Modern Art, Whitney Museum of American Art, Smithsonian American Art Museum, Tate Modern, and Centre Pompidou, among numerous other collections. Organized by the Addison and guest curator Debra Bricker Balken, who also authored the accompanying catalogue, Threading Light opened earlier this year at the Peggy Guggenheim Collection in Venice during the 2017 Venice Biennale, and will be on view at the Addison, which is located on the campus of Phillips Academy in Andover, MA, from November 4, 2017, through March 11, 2018. “As an institution dedicated to provoking new discourse and insights into the field of American art, we are delighted to share with our visitors a groundbreaking re-appraisal of one of the foremost American artists to emerge from the 1940s, a decade that saw the rise of Abstract Expressionism,” said Judith F. -
Postwar & Contemporary
PostWar & Contemporary Lot 3401- 3527 Auction: Saturday, 30 June 2018, 2pm Preview: Sat. 16 June, 11.30 am to 7pm Sun. 17 to Sun. 24 June 2018, 10 am to 7pm Silke Stahlschmidt Clarisse Doge Tel. +41 44 445 63 42 Tel. +41 44 445 63 46 [email protected] [email protected] Further editing: Fiona Seidler und Tatjana Schäfer The condition of the works are only partly and in particular cases noted in the catalogue. Please do not hesitate to contact us for a detailed condition report. 3401* AURÉLIE NEMOURS (1910 Paris 2005) Untitled. Ca. 1950. Pastel on paper. Monogrammed on the reverse: N. 22 x 20.5 cm. Provenance: - Galerie Lahumière, Paris. - Purchased from the above by the present owner, since then private collection Southern Germany. CHF 3 000 / 5 000 (€ 2 500 / 4 170) | 3 PostWar & Contemporary 3402 PIERRE LESIEUR (1922 Paris 2011) Autobus à Londres. 1958. Oil on canvas. Signed and dated lower left: Lesieur 58. 85 x 81.5 cm. The authenticity of this work has been confirmed by Mrs. Michelle Lesieur, May 2018, Paris. We thank Michelle and Sarah Lesieur for their kind assistance. Provenance: By descent to the present owner, since then private collection Switzerland. CHF 2 800 / 3 800 (€ 2 330 / 3 170) | 4 3403 FLORE SIGRIST (Strasbourg 1985 - lives and works in France) Jardins 2. 2002. The discovery of the extraordinary artist Flore Sigrist discovered for herself the Acrylic on canvas. Flore Sigrist, with her expressive and vivid laws of colour and materials without an Signed, dated, titled, described and art, occurred when she was just seven academic background. -
ANNUAL REPORT 1971 Library of Congress Catalog Card Number 70-173826
National Gallery of Art /> • ,v ^ ' ' \\4< - AS* " ; „ % t . «\ i #00&A%0^ : v : B - 2. ^ "l 'i'> - y "t #gga^ •kit' •••••• . ' -Y J"' " „V. NATIONAL GALLERY OF ART ANNUAL REPORT 1971 Library of Congress Catalog Card Number 70-173826. All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565. Designed by Susan Lehmann. Photographs on pages 2, 31, 53, 57, 58, 65 and 69 (top) by Jan Paul; photographs on pages 1, 4 and 6 by Lee Mann; all other photographs by the photographic staff of the National Gallery of Art, Henry B. Seville, Chief. Printed in the United States of America. FOREWORD ^SCa* Year ^71, covering the period July 1, 1970 to June 30, 1971, marks the second year for which the Trustees of the National Gallery of Art are issuing an Annual Report in its new format, independent of the Gallery's Studies in the History of Art. During the year, a total of 333 works of art were acquired through purchase or gift, 14 exhibitions were held, and the Gallery's national services reached out to an unprecedented number of people in 4,418 communities and in all fifty states. It was a year characterized as well by the appointment of many new members to the Gallery's staff. The Trustees elected a new As- sistant Director, Mr. Charles Parkhurst, formerly director of the Baltimore Museum of Art; a new Secretary and General Counsel, Mr. E. James Adams (formerly Administrator); and a new Administra- tor, Mr. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
The Ronald S. Lauder Collection Selections from the 3Rd Century Bc to the 20Th Century Germany, Austria, and France
000-000-NGRLC-JACKET_EINZEL 01.09.11 10:20 Seite 1 THE RONALD S. LAUDER COLLECTION SELECTIONS FROM THE 3RD CENTURY BC TO THE 20TH CENTURY GERMANY, AUSTRIA, AND FRANCE PRESTEL 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 1 THE RONALD S. LAUDER COLLECTION 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 2 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 3 THE RONALD S. LAUDER COLLECTION SELECTIONS FROM THE 3RD CENTURY BC TO THE 20TH CENTURY GERMANY, AUSTRIA, AND FRANCE With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Alessandra Comini, Stuart Pyhrr, Elizabeth Szancer Kujawski, Ann Temkin, Eugene Thaw, Christian Witt-Dörring, and William D. Wixom PRESTEL MUNICH • LONDON • NEW YORK 001-023-NGRLC-FRONTMATTER 01.09.11 08:52 Seite 4 This catalogue has been published in conjunction with the exhibition The Ronald S. Lauder Collection: Selections from the 3rd Century BC to the 20th Century. Germany, Austria, and France Neue Galerie New York, October 27, 2011 – April 2, 2012 Director of publications: Scott Gutterman Managing editor: Janis Staggs Editorial assistance: Liesbet van Leemput Curator, Ronald S . Lauder Collection: Elizabeth Szancer K ujawski Exhibition designer: Peter de Kimpe Installation: Tom Zoufaly Book design: Richard Pandiscio, William Loccisano / Pandiscio Co. Translation: Steven Lindberg Project coordination: Anja Besserer Production: Andrea Cobré Origination: royalmedia, Munich Printing and Binding: APPL aprinta, W emding for the text © Neue Galerie, New Y ork, 2011 © Prestel Verlag, Munich · London · New Y ork 2011 Prestel, a member of V erlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich +49 (0)89 4136-0 Tel. -
Renaissance and Baroque Europe Author(S): Keith Christiansen, Nadine M
Renaissance and Baroque Europe Author(s): Keith Christiansen, Nadine M. Orenstein, William M. Griswold, Suzanne Boorsch, Clare Vincent, Donald J. LaRocca, Helen B. Mules, Walter Liedrke, Alice Zrebiec, Stuart W. Phyrr and Olga Raggio Source: The Metropolitan Museum of Art Bulletin, New Series, Vol. 52, No. 2, Recent Acquisitions: A Selection 1993-1994 (Autumn, 1994), pp. 20-35 Published by: The Metropolitan Museum of Art Stable URL: http://www.jstor.org/stable/3258872 . Accessed: 02/06/2014 14:36 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Metropolitan Museum of Art is collaborating with JSTOR to digitize, preserve and extend access to The Metropolitan Museum of Art Bulletin. http://www.jstor.org This content downloaded from 137.140.1.131 on Mon, 2 Jun 2014 14:36:29 PM All use subject to JSTOR Terms and Conditions RENAISSANCE AND BAROQUE Agostino Carracci Among the most innovativeworks of the late seem to support an attribution to his brother Italian (Bologna),1557-1602 sixteenth century are a small group of infor- Agostino, and, indeed, a composition of this or Annibale Carracci mal easel paintings treatingeveryday themes subject attributed to Agostino is listed in a Italian (Bologna),I560o-609 produced in the academy of the Carracci I680 inventory of the Farnesecollections in Two Children Teasinga Cat family in Bologna.