City Centre Conservation Area
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Growth of Geological Knowledge in the Peak District Trevor D
The Growth of Geological Knowledge in the Peak District Trevor D. Ford Abstract: The development of geological knowledge in the Peak District from the 18th century to the present day is reviewed. It is accompanied by a comprehensive bibliography. Introduction lead miners made practical use of geological principles as early as the 17th century (Rieuwerts, Geology has changed in the last two centuries from 1984). In the 18th century the course of the initial a largely amateur “gentleman’s” science to a part of Cromford Sough followed the strike of the professional vocation. The results of professional limestone/shale contact where excavation was easier investigation in the Peak District have been built on through shale. The position of the contact was the amateur foundation and the works cited in this obtained by down-dip projection from the outcrop review demonstrate the change in approach. The showing that the soughers had some appreciation of Geological Survey commenced a professional concealed geology. The lead miners also used the approach in the 1860-1880 period, continued basic principles of stratigraphy and structure to during World War I and in the 1950s, but it was not predict whether or not they would intersect until the 1970s that some intensive economic toadstones in driving other soughs in the 18th investigations were pursued. The Geological century (Fig. 1). Survey’s activities in the 20th century were concurrent with the development of Geology Whilst most of the lead miners’ knowledge was Departments in the nearby Universities, where never written down, some of it has been preserved in research grew slowly after World War I and more the appendix to “An Inquiry into The Original State rapidly after World War II. -
Joseph Wright, Esq. Painter and Gentleman
Joseph Wright, Esq. Painter and Gentleman Joseph Wright, Esq. Painter and Gentleman By Andrew Graciano Joseph Wright, Esq. Painter and Gentleman, by Andrew Graciano This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Andrew Graciano All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3914-0, ISBN (13): 978-1-4438-3914-3 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Preface........................................................................................................ ix Acknowledgements .................................................................................... xi Introduction .............................................................................................. xiii Chapter One................................................................................................. 1 Surface and Depth Chapter Two.............................................................................................. 31 Sources of Wealth: Wright’s Social Status and His Portraits of Industrial Power Chapter Three........................................................................................... -
BRITISH and EUROPEAN CERAMICS and GLASS | Knightsbridge, London | Monday 2 November 2015 22841
BRITISH AND EUROPEAN CERAMICS AND GLASS Monday 2 November 2015 Knightsbridge, London BRITISH AND EUROPEAN CERAMICS GLASS | Knightsbridge, London Monday 2 November 2015 22841 BRITISH AND EUROPEAN CERAMICS AND GLASS Monday 2 November 2015 at 10.30am and 2.30pm Knightsbridge, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Friday 30 October +44 (0) 20 7447 7447 Glass Monday to Friday 8.30am to 6pm 9am – 4.30pm +44 (0) 20 7447 7401 fax John Sandon +44 (0) 20 7447 7447 Saturday 31 October To bid via the internet please +44 (0) 20 7468 8244 11am – 3pm visit bonhams.com [email protected] Please see page 2 for bidder Sunday 1 November information including after-sale 11am – 3pm Please note that telephone British Ceramics collection and shipment bidding is only available on Fergus Gambon SALE NUMBER lots with the low estimate in +44 (0) 20 7468 8245 IMPORTANT INFORMATION 22841 excess of £500. Bids should be [email protected] The United States Government submitted no later than 4pm on has banned the import of ivory CATALOGUE the day prior to the sale. New European Ceramics into the USA. Lots containing £25.00 bidders must also provide proof Sophie von der Goltz ivory are indicated by the symbol of identity when submitting bids. +44 (0) 20 7468 8349 Ф printed beside the lot number Failure to do this may result in [email protected] in this catalogue. your bid not being processed. General Enquiries LIVE ONLINE BIDDING IS [email protected] AVAILABLE FOR THIS SALE [email protected] Please email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. -
City Centre Conservation Area
City Centre Conservation Area Appraisal and Management Plan October 2012 www.derby.gov.uk Derby City Centre Conservation Area Appraisal and Management Plan Document status Section 71 of the Planning (Listed Buildings and Conservation Areas) Act 1990 places a statutory duty on a local planning authority “from time to time to formulate and publish proposals for the preservation and enhancement of any parts of their area which are conservation areas.” The NPPF states that”local planning authorities should ensure that an area justifies such status because of its special architectural or historic interest” This document presents a Conservation Area Appraisal for the Derby City Centre Conservation Area. The approach to appraisal closely follows that recommended by English Heritage in ‘Guidance on Conservation Area Appraisals’ (February 2006). It has been prepared as part of the work towards the new Local Development Framework (LDF). Other actions relating to the Conservation Area and forming part of the management strategy and proposals for the Conservation Area will be taken forward separately, as resources allow. This report was prepared by the City’s Conservation Officers based upon the draft report prepared by Conservation Studio October 2012 1 Derby City Centre Conservation Area Appraisal and Management Plan DERBY CITY CENTRE CONSERVATION AREA APPRAISAL - CONTENTS PART 1 – CONSERVATION AREA APPRAISAL SUMMARY 1. INTRODUCTION 2. THE PLANNING POLICY CONTEXT National policy Local policy World Heritage Site 3. ASSESSMENT OF SPECIAL INTEREST -
0069.05 Teachers Pack.Indd
DERWENT VALLEY MILLS WORLD HERITAGE SITE TEACHER’S PACK Compiled by JANE FEATHERSTONE 2 INTRODUCTION A6 River Derwent MATLOCK BATH 1 3 CROMFORD 5 2 9 6 8 4 Cromford 7 Canal WHATSTANDWELL AMBERGATE A6 11 10 12 BELPER WORLD HERITAGE SITE MILFORD BUFFER ZONE 13 1 MASSON MILLS DUFFIELD 2 CROMFORD 3 WILLERSLEY CASTLE 4 CROMFORD MILL River Derwent 5 ST MARY’S CHURCH A6 6 CROMFORD CANAL LITTLE EATON 7 HIGH PEAK JUNCTION WORKSHOPS 8 LEAWOOD PUMPHOUSE 9 JOHN SMEDLEY’S MILL 10 BELPER RIVER GARDENS 11 STRUTT’S NORTH MILL 12 BELPER ALLESTREE 13 MILFORD DARLEY 14 ABBEY 14 DARLEY ABBEY 15 DARLEY PARK 15 16 THE SILK MILL – DERBY’S MUSEUM LITTLE CHESTER OF INDUSTRY AND HISTORY A6 16 17 DERBY MUSEUM AND ART GALLERY 17 DERBY 3 KEY STAGE TWO YEARS 5/6 What was the impact of the factory system and the building of the cotton mills in the Derwent Valley in Derbyshire? ABOUT THE UNIT WHERE THE UNIT FITS IN In this unit children find out about the factory system and This unit will give children a good understanding of how the how this new system of producing goods began in the factory system came into being. This will provide them prior Derwent Valley in Derbyshire. They will find out about knowledge in preparation for the two units of work: Unit the famous people, the entrepreneurs, who developed the 11 What was it like for children living in Victorian Britain? factory system including Richard Arkwright and Jedediah and Unit 12 How did life change in our locality in Victorian Strutt. -
Part One City Skyline and Signi Icant Views Melanie
Part One City Skyline and Signi icant Views Melanie Morris Dip. Arch. Cons, IHBC, MRTPI for Derby City Council and Historic England February 2019 Skyline Study.indd 1 17/02/2019 13:28 “Mr Strutt then proceeded at considerable length to show that Definitions CONTENTS he had given his subscription conditionally, and stated that Mr W. Evans had given his subscription also, upon the same supposition. AOD – spot heights are recorded on Ordnance Survey maps as Above He said that from the very first meeting of the committee he had Ordnance Datum – this is a vertical datum, the ground level measured expressed his wish that the view of the Roman Catholic church above sea level. Part One from Queen Street, should not be interrupted, and it had always been his intention not to give anything towards the re-building Hydraulic jump – a step change in the construction of a weir to direct Executive Summary 1 of the church, if the Roman Catholic church were “blocked out”. water flow to specific points, to remove inertia from the water. 1. Introduction and Context 1 This intention had never been concealed; and, therefore, as the 2. What is the City Skyline and how does its contribute 3 committee had now departed from the conditions upon which Setting - the surroundings in which a heritage asset is experienced. Its ex- to the City image? his subscription was given, he thought he was perfectly justified in tent is not fixed and may change as the asset and its surroundings evolve. 3. Baseline analysis of the City Skyline 4 withdrawing it. -
'A New Theatre of Prospects': Eighteenth-Century British
‘A NEW THEATRE OF PROSPECTS’: EIGHTEENTH-CENTURY BRITISH PORTRAIT PAINTERS AND ARTISTIC MOBILITY TWO VOLUMES VOLUME I SAMANTHA HOWARD PhD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2010 ABSTRACT The eighteenth century saw the emergence of Britain as a pre-eminent imperial, mercantile and maritime power. At home, the 1707 Act of Union between England and Scotland, and the advances in communications stimulated new opportunities for artists working inside and outside of London. Overseas, the aftermath of the Seven Years War (1756-1763) in particular, saw the spectacular growth of Britain’s world-wide interests through imperial expansion. Britain’s triumph over France resulted in impressive territorial gains which opened up a wealth of commercial possibilities and generated new markets for artistic goods and a demand for British artists. My approach is focused on the following major hubs of artistic activity in the period: the provinces and London, Edinburgh and America. Through a series of case studies, the different modes of artistic mobility demonstrated by British portrait painters are recovered to explore how they negotiated the locations’ distinct characters (metropolitan, provincial and colonial) in relation to their respective markets for artistic goods, their cultivation of patron networks, artistic connections and their artistic identity. This thesis, by engaging with the artistic mobility of eighteenth-century British portrait painters, seeks to challenge the standard narratives of the visual arts in this period, which have tended to concentrate on London in isolation. In doing so it raises the question whether our conceptions of the British art produced in the period may be better understood in terms of a broader circulation of artists and goods across and between interconnecting art worlds, and visual cultures.