1 the PRESIDENT's REPORT the Year of Two Popes and Mary
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The Salus Populi Romani Madonna in the World Author(S)
Sacred Art in an Age of Mechanical Reproduction: The Salus Title Populi Romani Madonna in the World Author(s) Mochizuki, Mia M. Citation Kyoto Studies in Art History (2016), 1: 129-144 Issue Date 2016-03 URL https://doi.org/10.14989/229454 © Graduate School of Letters, Kyoto University and the Right authors Type Departmental Bulletin Paper Textversion publisher Kyoto University 129 Sacred Art in an Age of Mechanical Reproduction: The Salus Populi Romani Madonna in the World Mia M. Mochizuki Baroque Machines A curious vignette provides an unlikely introduction to the world of elaborate Baroque machinery: a pudgy, if industrious putto raises the earth on high via a set of rotating gears that reduce the heavy lifting of a planet by leveraging a complicated Fac pedem figat et terram movebit besystem understood of integrated within pulleys its context (fig. 1).in theIts explanatoryImago primi motto, saeculi “ Societatis Iesu (Antwerp, ,” or “give him a place to fix his foot and he shall move the earth,” can only with its landmark accomplishments and obstacles. The emblem played on the word 1640), a book that commemorated the centennial anniversary of the Society of Jesus “conversion” as celebratingRegnorum both et Provinciarum the Society’s commitmentper Societatem to world-wideconversio.” explorationEmploying aand block the and“turning” tackle of pulley people system, to Christianity the scene on references such missions, Archimedes’ as the subtitle principles for this for harnessingchapter implies, the strength “ of compounded force to lift objects otherwise too heavy to home the point, the motto echoes Pappus of Alexandria’s record of the great inventor- move, the weight of the world paralleled to the difficulty of this endeavor. -
The Holy See
The Holy See SOLEMNITY OF THE ASSUMPTION OF THE BLESSED VIRGIN MARY POPE FRANCIS ANGELUS Saint Peter's Square Saturday, 15 August 2015 [Multimedia] Dear Brothers and Sisters, Good morning and Happy Feast of Our Lady, Today the Church is celebrating one of the most important feasts dedicated to the Blessed Virgin Mary: the Feast of her Assumption. At the end of her earthly life, the Mother of Christ was assumed body and soul to Heaven, that is to say, into the glory of eternal life, in full communion with God. Today’s page of the Gospel (Lk 1:39-56) presents to us Mary who, just after conceiving Jesus through the work of the Holy Spirit, goes to visit her elderly relative Elizabeth, who is also miraculously expecting a child. In this meeting filled with the Holy Spirit, Mary expresses her joy with the Canticle of the Magnificat, because she has become fully aware of the meaning of the great things that are being accomplished in her life: through her, all that her people were expecting is brought to fulfillment. But the Gospel also shows us the truest cause of Mary’s greatness and her blessedness: the cause is faith. Indeed, Elizabeth greets her with these words: “blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord” (Lk 1:45). Faith is the heart of Mary’s whole story: she is the believer, the great believer; she knows — and she says so — that historically the violence of the powerful, the pride of the rich, the arrogance of the proud are burdensome. -
Worship the Lord
St. John the Beloved Catholic Church in McLean, Virginia August 1, 2021 Worship the Lord Mass Intentions Remember in Prayer Monday, August 2 Patricia Ahern Cristina Marques St. Eusebius of Vercelli, Bishop; St. Peter Julian Eymard, Priest Frank Bohan Richard Meade 6:30 Patricia Born † Carmel Broadfoot Diana Meisel 9:00 Eileen Kelly † John Cartelli Bonnie Moran 8:00 Ilse Ghibellini Harten † Edward Ciesielski Veronica Nowakowski Victoria Grace Czarniecki Anita Oliveira Tuesday, August 3 Kerry Darby Emelinda Oliveira Weekday Tara Flanagan-Koenig John Peterson 6:30 Rev. John Melmer Alexa Frisbie Mary Pistorino Reilly 9:00 Andrew Mansinne, Jr. † Inés Garcia Robles Shelby Rogers Wednesday, August 4 Susan Glover Thomas Rosa St. John Vianney, Priest Francisca Grego Murielle Rozier-Francoville 6:30 Terance Cubitt † Arnold L. Harrington III Avery Schaeffer 9:00 Mary Hanlon † Colleen Hodgdon Merle Shannon Thursday, August 5 David Johnson Fred Sheridan The Dedication of the Basilica of St. Mary Major Mark Johnson Gloribeth Smith 6:30 Roberta Trosset † Christopher Katz Glenn Snyder 9:00 Larry Hanlon † Margaret Kemp Bill Sullivan Dorothy Kottler Ana Vera Friday, August 6 Sue Malone Mary Warchot The Transfiguration of the Lord Carmella Manetti Marie Wysolmerski 6:30 Don Rasmussen † 9:00 James A. Cannon † May God bless and protect Saturday, August 7 our loved ones in the military and civil service St. Sixtus II, Pope, and Companions, Martyrs; St. Cajetan, Priest; BVM who are serving these United States 8:15 Jack Himpler, Sr. † in dangerous places, especially… 5:00 Sandra Shannon † Robert Ayala Blair Smolar Sunday, August 8 Jonathan Choo Michael Shipley Nineteenth Sunday in Ordinary Time Nicholas Galvan Kimberley Templer 7:30 John B. -
The Baroque Transformation of the Salus Populi Romani Amber Mcalister Blazer
From Icon to Relic: The Baroque Transformation of the Salus Populi Romani Amber McAlister Blazer In partial response 10 the Pro1esian1 denunciation of sa of another revered icon al the Chiesa Nuova.' This con1empo cred images, the Counter-Reformation Church in Rome initi• rary project anticipates lhe formal solution employed at 1he atcd a widespread progmm 10 resanctify holy icons.' The re Pauline altar. In 1606, the Orntorian fathers of S. Mruia in newed importance or such images for the renovmio of the Vallicella commissioned a paiming from Pe1cr Paul Rubens for Church was stated emphatically by the elaborate Baroque vo tbe high altar of 1heir new church. the Chiesa Nuova.' One of cabulary employed in their re-installation. An important ex their requirements was 1ha1 it should incorporate the mirncu ample of this process is seen in the tomb chapel erected by lous image of the Madonna and Child which the fathers had Paul Vat S. Maria Maggiore and its allar that houses the icon. preserved from their old church. Rubens finished the canvas of today known as the Salus Pop11li Rom1111i (Figure I).' Because Sts. Grego,}' and Domiti/111, S11rro1111ded by Fo11r Saims !Sts. of1he long and revered his1ory of 1he icon. the papal patronage Maurus and Papianus. Nereus and Achilleus] in 1607.' Be of the si1e. and the nascent Baroque style used for 1he altar cause of the poor light in the church the painting was unread itself. the Pauline installation serves as a paradigm for the able, and 1he Church fathers asked Rubens 10 redo the work on Counter-Reformation display of icons. -
E Virgin Mary and Catholic Identities in Chinese History
e Virgin Mary and Catholic Identities in Chinese History Jeremy Clarke, SJ Hong Kong University Press e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Hong Kong University Press 2013 ISBN 978-988-8139-99-6 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Goodrich Int’l Printing Co., Ltd. in Hong Kong, China Contents List of illustrations ix Acknowledgements xi Introduction: Chinese Catholic identities in the modern period 1 Part 1 Images of Mary in China before 1842 1. Chinese Christian art during the pre-modern period 15 Katerina Ilioni of Yangzhou 21 Madonna and Guanyin 24 Marian images during the late Ming dynasty 31 e Madonna in Master Cheng’s Ink Garden 37 Marian sodalities 40 João da Rocha and the rosary 42 Part 2 e Chinese Catholic Church since 1842 2. Aer the treaties 51 French Marian devotions 57 e eects of the Chinese Rites Controversy 60 A sense of cultural superiority 69 e inuence of Marian events in Europe 74 3. Our Lady of Donglu 83 Visual inuences on the Donglu portrait 89 Photographs of Cixi 95 Liu Bizhen’s painting 100 4. e rise and fall of the French protectorate 111 Benedict XV and Maximum Illud 118 viii Contents Shanghai Plenary Council, 1924 125 Synodal Commission 132 Part 3 Images of Mary in the early twentieth century 5. -
Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars. -
Cholera and the Salus Populi Romani
Cholera and the Salus Populi Romani Andrew P. Griebeler Abstract: According to legend, Pope Gregory I processed an icon now known as the Salus populi romani in order to halt a plague epidemic then striking Rome. During the procession, Gregory beheld a vision of the Archangel Michael sheathing his sword – a sign that the city would be spared. Many years later, in 1835 and 1837, Pope Gregory XVI had the same icon processed in response to a cholera epidemic. While the processions could be seen as belonging to the reactionary impulses of a rigidly traditionalist regime, they were in fact occasions for the papacy to experiment with new technologies of social, spatial, and spiritual organization. Through the processions, the regime adapted modernizing attitudes towards public health, coopted and centralized popular devotion, while at the same time reinscribing the urban fabric with new associations that consolidated regime’s authority through its links to the divine and a legendary past. Si ce fléau fût tombé au milieu de nous dans another in 1837, after illness struck the Eternal un siècle religieux, qu’il se fût élargi dans City. On both occasions the icon of the Vir la poésie des mœurs et des croyances pop gin and Child from S. Maria Maggiore, then ulaires, s’il eût laissé un tableau frappant.1 known as the Regina Caeli and today as the If this scourge had fallen upon us during Salus Populi Romani, was processed through a religious century, if it had found a place the streets of Rome (Fig. 1). within the poetry of the popular imagina Though the name Salus Populi Romani was tion, it would have left a striking picture.2 only applied to the icon in 1870 by Pius IX, Instead, Chateaubriand is writing of Paris the name consciously evokes the supernatu ral defenders of ancient Rome: the Goddess during the 1832 cholera epidemic – in the era 3 of life as usual, of medicine, of progress. -
And Post-Vatican Ii (1943-1986 American Mariology)
FACULTAS THEOLOGICA "MARIANUM" MARIAN LffiRARY INSTITUTE (UNIVERSITY OF DAYTON) TITLE: THE HISTORICAL DEVELOPMENT OF BIBLICAL MARIOLOGY PRE- AND POST-VATICAN II (1943-1986 AMERICAN MARIOLOGY) A thesis submitted to The Theological Faculty "Marianwn" In Partial Fulfillment of the Requirements for the Degree Licentiate of Sacred Theology By: James J. Tibbetts, SFO Director: Reverend Bertrand A. Buby, SM Thesis at: Marian Library Institute Dayton, Ohio, USA 1995 TABLE OF CONTENTS Chapter 1 The Question of Development I. Introduction - Status Questionis 1 II. The Question of Historical Development 2 III. The Question of Biblical Theological Development 7 Footnotes 12 Chapter 2 Historical Development of Mariology I. Historical Perspective Pre- to Post Vatican Emphasis A. Mariological Movement - Vatican I to Vatican II 14 B. Pre-Vatican Emphasis on Scripture Scholarship 16 II. Development and Decline in Mariology 19 III. Development and Controversy: Mary as Church vs. Mediatrix A. The Mary-Church Relationship at Vatican II 31 B. Mary as Mediatrix at Vatican II 37 c. Interpretations of an Undeveloped Christology 41 Footnotes 44 Chapter 3 Development of a Biblical Mariology I. Biblical Mariology A. Development towards a Biblical Theology of Mary 57 B. Developmental Shift in Mariology 63 c. Problems of a Biblical Mariology 67 D. The Place of Mariology in the Bible 75 II. Symbolism, Scripture and Marian Theology A. The Meaning of Symbol 82 B. Marian Symbolism 86 c. Structuralism and Semeiotics 94 D. The Development of Two Schools of Thought 109 Footnotes 113 Chapter 4 Comparative Development in Mariology I. Comparative Studies - Scriptural Theology 127 A. Richard Kugelman's Commentary on the Annunciation 133 B. -
VENERABLE POPE PIUS XII and the 1954 MARIAN YEAR: a STUDY of HIS WRITINGS WITHIN the CONTEXT of the MARIAN DEVOTION and MARIOLOGY in the 1950S
INTERNATIONAL MARIAN RESEARCH INSTITUTE UNIVERSITY OF DAYTON, OHIO In affiliation with the PONTIFICAL FACULTY OF THEOLOGY "MARIANUM" The Very Rev. Canon Matthew Rocco Mauriello VENERABLE POPE PIUS XII AND THE 1954 MARIAN YEAR: A STUDY OF HIS WRITINGS WITHIN THE CONTEXT OF THE MARIAN DEVOTION AND MARIOLOGY IN THE 1950s A Thesis submitted in partial fulfillment of the requirements for the degree Licentiate of Sacred Theology with Specialization in Mariology Director: The Rev. Thomas A. Thompson, S.M. Marian Library/International Marian Research Institute University ofDayton 300 College Park Dayton OH 45469-1390 2010 To The Blessed Virgin Mary, with filial love and deep gratitude for her maternal protection in my priesthood and studies. MATER MEA, FIDUCIA MEA! My Mother, my Confidence ii ACKNOWLEDGMENTS My sincerest gratitude to all who have helped me by their prayers and support during this project: To my parents, Anthony and Susan Mauriello and my family for their encouragement and support throughout my studies. To the Rev. Thomas Thompson, S.M. and the Rev. Johann Roten, S.M. of the International Marian Research Institute for their guidance. To the Rev. James Manning and the staff and people of St. Albert the Great Parish in Kettering, Ohio for their hospitality. To all the friends and parishioners who have prayed for me and in particular for perseverance in this project. iii Goal of the Research The year 1954 was very significant in the history of devotion to the Blessed Virgin Mary. A Marian Year was proclaimed by Pope Pius XII by means of the 1 encyclical Fulgens Corona , dated September 8, 1953. -
Catholic Families: Carrying Faith Forward” Was Edited by the Church in the 21St Century Center Stephen Pope, Professor in the Boston College Theology Department
SPRING 2015 CatholiC Families Carrying Faith Forward The Church in the 21st Century Center is a catalyst and resource for the renewal of the Catholic Church. C21 Resources, a compilation of critical From the C21 Center analyses and essays on key challenges facing the Church today, is published by the Church Few would disagree that in the brief time since his election, Pope Francis has given in the 21st Century Center at Boston College, in partnership with featured authors and new hope to the Catholic Church worldwide, emphasizing the life-giving message publications. of the Gospel and reaching out anew to those in the margins of society. It was in this spirit that he announced in October 2013 that the following year there would c21 resources editorial board Jonas Barciauskas be an extraordinary general assembly of the synod of bishops on the family and Ben Birnbaum evangelization, and that this extraordinary general assembly would be followed by an Patricia Delaney ordinary general assembly of the synod of bishops in October 2015. Thomas Groome Robert Newton The family is the community where Catholics first experience the joy Christ brings Barbara Radtke to the world. His love surrounds the children through the love and care and affection Jacqueline Regan that parents lavish on their sons and daughters. Today we all know this idyllic “first managing editor community” can be disrupted by the attractions and distractions of a fast-paced Karen K. Kiefer secular society. assistant editor Conor Kelly This issue of C21 Resources is clearly responding to Pope Francis’s call to reflect on the Catholic family. -
Maria Valtorta Was Born in Caserta, Italy on March 14, 1897
In Response to Various Questions Regarding “The Poem of the Man-God" Published on April 15, 2006 by Dr. Mark Miravalle, Professor of theology and Mariology at Franciscan University of Steubenville. [Note: The Poem of the Man God has since been published under the title The Gospel as Revealed to Me, but they are the same book.] Maria Valtorta was born in Caserta, Italy on March 14, 1897. Deeply pious, Maria was strongly attracted to God from early childhood, but it was as a young woman that she started reporting mystical experiences. In 1920 she was randomly attacked by a young man who hit her in the back with an iron bar. Badly injured, she was bedridden for three months and her health began its gradual decline. In the years to follow she made a personal offering of her sufferings to the two Divine attributes of Love and Justice, and by April, 1934, she was permanently confined to her bed. It was in 1943 that Valtorta began to write down in her notebooks the “dictations,” the mystical visions and messages she reported receiving from Jesus and Mary, and the years between 1943 and 1947 were the period of her greatest output. She wrote almost 15000 pages of dictation, a little less than two-thirds of which comprised The Poem of the Man-God, a substantial work on the life of Jesus Christ beginning from the birth of Our Lady and ending at her Assumption. Maria Valtorta died on October 12, 1961. In 1973 her remains were moved to Florence and entombed in the Capitular Chapel in the Grand Cloister of the Basilica of the Most Holy Annunciation in Florence. -
Marianum News 2 2008
Newsletter of the Pontifical Theological Faculty Marianum, n. 31 2/2008 Viale Trenta Aprile 6 - 00153 ROMA tel. 06-58.39.16.01 fax 06-58.80.292 Website: www.marianum.it - Email: [email protected] LETTER FROM THE PRESIDENT THE FIRST VOLUME OF THE «HISTORY OF MARIOLOGY» A fter a lengthy process of composition and editing the first volume of Storia della Mariologia: Dal modello biblico al modello letterario , E. Dal Covolo and A. Serra (edit.) Città Nuova, Rome 2009, has just appeared. It is 1051 pages long and includes 30 contributions from 28 authors. We have every reason to say: “at long last!” This volume has been so long awaited; the second volume will ap- pear within the beginning of 2010 and the third volume in 2011. 1. As I explained in my General Introduction to the three volumes so many Mari- ology scholars and enthusiasts have felt the need for just such a work. The idea of putting it together was born of the experience of our Faculty’s teaching. The Casa Editrice Città Nuova publishing house expressed interest in the project. Or- ganizing the project began in 2000. The “challenge” – and it was a challenge – was placing this project in the context of the general history of the Church and theology at a time when the very idea of “making history” was under discussion. Professor I.M. Calabuig Adán, OSM, the President of the Faculty and someone well known to and respected by our readers guided the project until February 2005. Professor Calabuig’s untimely death and other unforeseen events of the sort that plague collaborative projects slowed the project down and caused temporary set- backs.