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Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
Fundamentación Filosófica De Las Conversaciones Cavellianas Sobre La Filmografía De Mitchell Leisen
SCIO. Revista de Filosofía, n.º 9, Noviembre de 2013, 55-84, ISSN: 1887-9853 FUNDAMENTACIÓN FILOSÓFICA DE LAS CONVERSACIONES CAVELLIANAS SOBRE LA FILMOGRAFÍA DE MITCHELL LEISEN José Alfredo Peris Cancioa Fechas de recepción y aceptación: 10 de noviembre de 2014, 29 de noviembre de 2014 Sumario: La investigación sobre la filmografía del director del Ho- llywood clásico Mitchell Leisen se beneficia si se adoptan algunas de las claves que desarrolla el filósofo de Harvard Stanley Cavell. Entre las apor- taciones de este filósofo destacan su comprensión de las películas como textos filosóficos, la necesidad de una metodología de estudio que se adap- te a la realidad, el registro cuidadoso de los detalles de las películas que no se captan con un único visionado. En la filmografía de Leisen aparece como un vector muy destacado la búsqueda del verdadero amor. La me- todología que sugiere la obra de Stanley Cavell permite hacer justicia a los contenidos filosóficos de la filmografía de Mitchell Leisen. Palabras clave: “filosofía más allá de la academia”, “cine como texto filosófico”, educación, matrimonio, identidad, paradoja, reversión de roles y situaciones. Abstract: Research on classic Hollywood films under Mitchell Leisen direction improves if we adopt some keys developed by Harvard philoso- pher Stanley Cavell. Among the contributions of this philosopher, there a Facultad de Derecho, Facultad de Filosofía, Antropología y Trabajo Social, Universidad Católica de Valencia “San Vicente Mártir”. Correspondencia: Universidad Católica de Valencia “San Vicente Mártir”. Calle Quevedo, 2. 46001, Valencia, España. E-mail: [email protected] 56 José Alfredo Peris Cancio are some to highlight: his understanding of films as philosophical texts, the need for a methodology that fits reality, careful record of details of those movies that are not captured with a single viewing. -
Bulletin 12 Bis.Qxp
BULLETIN 12 SEMAINE 12 DU 13 AU 19/03 SOIRÉE SPÉCIALE MUSIQUE DE FILM BULLITT / EASY TEMPO VENDREDI 19 MARS À PARTIR DE 20.40 SOIRÉE GOLD L’ÉTRANGE CRÉATURE DU LAC NOIR MARDI 16 MARS À 20.40 INTÉGRALE MITCHELL LEISEN LA BARONNE DE MINUIT LUNDI 15 MARS À 00.20 SOIRÉE SPÉCIALE MUSIQUE DE FILM BULLITT / EASY TEMPO Vendredi 19 mars, TCM vous propose à partir de 20.40 une soirée spéciale Musique de film à travers le documentaire Easy Tempo - l’âge d’or de la musique de film, qui explore comment des compositeurs de génie tels que John Barry, Quincy Jones ou Ennio Morricone, ont révolutionné la musique de film à la fin des années soixante. Et pour illustrer cette thématique, retrouvez Bullitt, dont la célébrissime BO, qui donne une atmosphère toute particulière à la réalisation de cet incontournable du film d’action, est signée Lalo Schifrin. A ne pas manquer. VOTRE SOIRÉE 20:40 BULLITT 1968, Couleur, VM, DRA, de Peter Yates, avec Steve Mc Queen, Robert Vaughn, Jacqueline Bisset 22:30 EASY TEMPO - L'ÂGE D'OR DE LA MUSIQUE DE FILM 2009, couleur, VF ZOOM SUR EASY TEMPO - L’ÂGE D’OR DE LA MUSIQUE DE FILM Ce documentaire explore comment, à la fin des années 60, des compositeurs de génie ont révolutionné la musique de film et influencé la scène pop. A cette époque, la musique de film vit une petite révolution avec l'irruption d'une nouvelle génération de compositeurs, qui accompagnent la mutation pop du cinéma : Lalo Schifrin, Michel Legrand, John Barry, Quincy Jones, Peter Thomas ou encore Ennio Morricone. -
Capitol Records Discography, Continued
Capitol Records Discography, Continued Main Series (Continued from Part 4): EAP 1 600 – Jane Froman Sings – Jane Froman [1955] This is a 7 inch extended play 45 rpm record. The Song from Desiree (We Meet Again)/The Finger of Suspicion Points at You/I Wonder/I’ll Never Be the Same EAP 1 601 – Hank Thompson and the Brazos Valley Boys – Hank Thompson and the Brazos Valley Boys [1955] This is a 7 inch extended play 45 rpm record. New Green Light/If Lovin’ You is Wrong/Annie Over/Wake Up/Irene EAP 1 602 – Louvin Brothers – Louvin Brothers [1955] This is a 7 inch extended play 45 rpm record. Family Who Prays/I Love God's Way Of Living/Born Again/If We Forget God S 603 – Plain and Fancy (Original Cast) – Various Artists [1955] Overture/You Can't Miss It – Richard Derr and Shirl Conway/It Wonders Me – Gloria Marlowe/Plenty of Pennsylvania – Nancy Andrews, Douglas Fletcher Rodgers, Elaine Lynn/Young and Foolish – David Daniels and Gloria Marlowe/Why Not Katie? – Douglas Fletcher Rodgers/It's a Helluva a Way to Run a Love Affair – Shirl Conway//This Is All Very New to Me – Barbara Cook/Plain We Live – Stefan Schnabel/How Do You Raise a Barn?/Follow Your Heart – David Daniels, Gloria Marlowe and Barbara Cook/City Mouse, Country Mouse – Nancy Andrews/I'll Show Him – Barbara Cook/Take Your Time and Take Your Pick – Barbara Cook, Richard Derr and Shirl Conway/Finale 604 605 EAP 1 606 – Jimmy Heap – Jimmy Heap [1955] This is a 7 inch extended play 45 rpm record. -
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision