2017 Annual Report Our Mission
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Notice of Opposition Opposer Information Applicant
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA578538 Filing date: 12/23/2013 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name GREY AREA LLC Granted to Date 12/22/2013 of previous extension Address 165 Clermont Ave, 1 Brooklyn, NY 11205 UNITED STATES Attorney William R. Samuels information W.R. Samuels Law PLLC 8 West 40th Street, 12th Floor New York, NY 10018 UNITED STATES [email protected], [email protected] Phone:212-206-9399 Applicant Information Application No 79123846 Publication date 06/25/2013 Opposition Filing 12/23/2013 Opposition 12/22/2013 Date Period Ends International 1144552 International 07/19/2012 Registration No. Registration Date Applicant Jonathan B. Foster Lijnbaansgracht 154-1 NL-1016 VW Amsterdam, NLX USX Goods/Services Affected by Opposition Class 016. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Newsletters in the fields of cooking, art, music, sociological and biographicalsubjects; books in the fields of cooking, art, music, sociological and biographical subjects; magazines featuring cooking, art, music, sociological and biographical subjects; brochures about cooking,art, music, sociological and biographical subjects; leaflets in the fields of cooking, art, music, sociological and biographical subjects; -
Guidebook Vol Ii Contents
GUIDEBOOK VOL II CONTENTS Dustin Yellin...06 Adam Kuban...18 Jacques Magazine...26 Michael Halsband...38 Vito Acconci...50 Eleonore Hendricks...62 Eddie Huang...74 Ray Tintori...82 Wes Eisold...92 Vena Cava...102 Founders & Editors Scott Newman [email protected] Marc Santo [email protected] Writer Revel In New York Marc Santo Guidebook Vol II is published by Copy Editor Revel In, LLC Emily Youssef Copyright 2011 Staff Photographers James Kendi Revel In, LLC Nick Belton 4 S. Portland Ave #1 Jordan Alport Brooklyn, NY 11212 Scott Newman To advertise please contact Designer [email protected] Tim Harrington Special thanks to Associate Editors Cappy McGarr, Stephanie Kenan Gunduz Sirabian, Jim Walrod, Mandana Mofidi Anthony Sperduti, Breda Kellner, Kevin Gillooly, revelinnewyork.com Brendan Dugan, Robert Wright, Jerry Portwood, Steven Schoenfarber and Tom Allon D E F G Dustin Yellin artist Walking into Dustin Yellin’s 15,000 square foot Red Hook studio is a bit like walking into Willy Wonka’s chocolate factory. There are no Oompa- Loompas or rivers of chocolate, but there are plenty of rooms loaded with peculiar objects and remnants of unusual experiments in various states of completion. As many as a dozen assistants can be found in each of the rooms, working on projects that incorporate traditional painting techniques with elements of applied science Dustin teaches himself through trial and error. Scattered throughout his studio-cum-laboratory are Dustin’s trademark works of biological and anatomical drawings that, when encased in multi- layers of clear resin, look like three-dimensional specimens preserved in ice. Around the studio, gigantic trees seem to float frozen in time within large glass cubes. -
Mitchell, Joanne (2015) Precision Air Entrapment Through Applied Digital and Kiln Technologies: a New Technique in Glass Art
Mitchell, Joanne (2015) Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/8548/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell PhD 2017 PRECISION AIR ENTRAPMENT THROUGH APPLIED DIGITAL AND KILN TECHNOLOGIES: A NEW TECHNIQUE IN GLASS ART JOANNE MITCHELL A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy February 2017 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne E. H. Mitchell 2017 Abstract The motivation for the research was to expand on the creative possibilities of air bubbles in glass, through the application of digital and kiln technologies to formulate and control complex air entrapment, for new configurations in glass art. In comparison to glassblowing, air entrapment in kiln forming glass practice is under-developed and undocumented. This investigation has devised new, replicable techniques to position and manipulate air in kiln-formed glass, termed collectively as Kiln-controlled Precision Air Entrapment. As a result of the inquiry, complex assemblages of text and figurative imagery have been produced that allow the articulation of expressive ideas using air voids, which were not previously possible. The research establishes several new innovations for air entrapment in glass, as well as forming a technical hypotheses and a practice-based methodology. -
Fair Use and the Future of Art
\\jciprod01\productn\N\NYU\91-3\NYU302.txt unknown Seq: 1 11-JUL-16 9:12 ARTICLES FAIR USE AND THE FUTURE OF ART AMY ADLER* Twenty-five years ago, in a seminal article in the Harvard Law Review, Judge Leval changed the course of copyright jurisprudence by introducing the concept of “transformativeness” into fair use law. Soon thereafter, the Supreme Court embraced Judge Leval’s new creation, calling the transformative inquiry the “heart of the fair use”1 doctrine. As Judge Leval conceived it, the purpose of the trans- formative inquiry was to protect the free speech and creativity interests that fair use should promote by offering greater leeway for creators to build on preexisting works. In short, the transformative standard would ensure that copyright law did not “stifle the very creativity which that law [was] designed to foster.”2 This Article shows that the transformative test has not only failed to accomplish this goal; the test itself has begun to “stifle the very creativity which that law was designed to foster.”3 In the realm of the arts, one of the very areas whose progress copyright law is designed to promote, the transformative standard has become an obstacle to creativity. Artistic expression has emerged as a central fair use battle- ground in the courts. At the same time that art depends on copying, the transforma- tive test has made the legality of copying in art more uncertain, leaving artists vulnerable to lawsuits under a doctrine that is incoherent and that fundamentally misunderstands the very creative work it governs.