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Documenting Underground Queer Nightlife Culture Through Photography
1 Deontè Lee Faculty Mentor: Richard Rodriguez Documenting Underground Queer Nightlife Culture Through Photography Table of Contents Acknowledgements………………………………………………………………………… 2 Abstract…………………………………………………………………………………… …3 Introduction/ Thesis …………………………………………………………………………4 Critical Analysis: Historical Background and Media Representation Art… ....………………………………………6 Film…….……………………………………13 Visual Materials .……………………………………………………………………………18 Observations New York ……………………………………49 Los Angeles .……………………………..…52 Conclusion .…………….………………………………………………………………..….54 Works Cited …………………………………………………………………………..…….56 2 Acknowledgements This research project would not have come to fruition without the help and guidance from professors Richard Rodrguez and Kathryn Lippsmeyer. The piece of work has encompassed three years of growth for me as an artist and queer individual finding my way in the world. The financial backing I received as a Chancellor Research Scholar and Howard Hayes Research Scholar showcased the University of California Riverside’s commitment towards ensuring student success and championing diverse voices. I would also like to acknowledge the critical mind of Gladis Herrera-Berkowitz that saw the realization of my project even before I did and steered me towards the direction of producing meaningful and contributing research to our campus community. Thank you to everyone who has been a part of making the far-out dreams of a first generation college student a reality. I truly appreciate your belief in my project and my ability to complete it. 3 Abstract My project aims to photograph queer people of color in underground nightlife in Los Angeles and New York. The main project question is: how do queer people use nightlife and fabulousness to decompress from societal pressures by uplifting their emotional wellbeing? Fabulousness is considered dangerous, political, and practiced by queer people who make themselves a spectacle because their bodies are constantly suppressed as stated by Madison Moore in Fabulous: the Rise of the Beautiful Eccentric. -
Oral History Interview with Lyle Ashton Harris, 2017 March 27-29
Oral history interview with Lyle Ashton Harris, 2017 March 27-29 Funded by the Keith Haring Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Lyle Ashton Harris on March 27 and 29, 2017. The interview took place at the studio of Lyle Ashton Harris in New York City, NY, and was conducted by Alex Fialho for the Archives of American Art, Smithsonian Institution. This interview is part of the Visual Arts and the AIDS Epidemic: An Oral History Project. Lyle Ashton Harris and Alex Fialho have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ALEX FIALHO: This is Alex Fialho interviewing Lyle Ashton Harris for the Smithsonian's Archives of American Art's Visual Arts and the AIDS Epidemic Oral History Project, on March 27, 2017, at Lyle's artist studio in Chelsea, New York. Lyle, thank you for this project. LYLE ASHTON HARRIS: Welcome. ALEX FIALHO: So let's start at the beginning. When and where were you born, and tell me a little bit about your childhood. LYLE ASHTON HARRIS: Oh, okay. I was born in the Bronx in 1965, and February 6, 1965. And what else? ALEX FIALHO: Tell me a little bit about your childhood. -
Let the Record Show: Mapping Queer Art and Activism in New York City, 1986-1995
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Let The Record Show: Mapping Queer Art and Activism in New York City, 1986-1995 Tara Jean-Kelly Burk Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/534 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LET THE RECORD SHOW: MAPPING QUEER ART AND ACTIVISM IN NEW YORK CITY, 1986-1995 By TARA BURK A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 i ii c 2015 TARA BURK All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________ ____________________________________ Date Professor Kevin D. Murphy Chair of Examining Committee ___________________ ____________________________________ Date Professor Claire Bishop Executive Officer ____________________________________ Professor David A. Gerstner ____________________________________ Professor Sally O’Driscoll iv THE CITY UNIVERSITY OF NEW YORK ABSTRACT LET THE RECORD SHOW: MAPPING QUEER ART AND ACTIVISM IN NEW YORK CITY, 1986-1995 Advisor: Kevin D. Murphy Although scholars increasingly scrutinize late twentieth-century American art produced in relation to social movements organized around feminism, anti-racist politics, health activism, and LGBTQ (lesbian, gay, bisexual, transgender, queer) identity, scholars usually fail to address the importance of printed ephemera as a medium of artistic expression. -
The Studio Museum in Harlem Magazine Spring/Summer 2018 Spring/Summer 2018 Studio Magazine Board of Trustees Contributors Editor in Chief Raymond J
The Studio Museum in Harlem Magazine in Harlem The Studio Museum The Studio Museum in Harlem 144 West 125th Street New York, NY 10027 The Studio Museum in Harlem Magazine Spring/Summer 2018 Spring/Summer 2018 Spring/Summer Studio magazine Board of Trustees Contributors Editor in Chief Raymond J. McGuire, Chairman Desiree C. Bailey Elizabeth Karp-Evans Carol Sutton Lewis, Vice-Chair Poet, writer, and educator; her work has Rodney M. Miller, Sr., Treasurer appeared in Best America Poetry 2015, Creative Director Jacqueline L. Bradley, Secretary Callaloo, and The Rumpus Thelma Golden Joshua Bell Laura Day Baker Major Gifts O icer Contributing Editor Dr. Anita Blanchard Elizabeth Gwinn Kathryn C. Chenault Eric Booker Joan S. Davidson Exhibition Coordinator Editorial Assistant Gordon J. Davis, Esq. Charmaine Marie Branch Symphonie Swift Damien R. Dwin Curatorial Fellow Dr. Henry Louis Gates, Jr. Copy Editor Sandra Grymes Angelica Calderon Samir S. Patel Arthur J. Humphrey Jr. Artist George L. Knox Zainab Floyd Design Nancy L. Lane Artist OCD Dr. Michael L. Lomax Bernard I. Lumpkin Nelson George Printing Dr. Amelia Ogunlesi Author, cultural critic, and ilmmaker Allied Printing Services Holly Peterson Jennifer Harley Ann G. Tenenbaum School and Educator Studio is published two times a year Reginald Van Lee Programs Coordinator by The Studio Museum in Harlem, Chloe Hayward 144 W. 125th St., New York, NY 10027 Ex-O icio Family Programs Coordinator Hon. Bill de Blasio, Mayor of New York City Copyright © 2018 Studio magazine Roxanne John, Mayoral Designee Chanice Hughes-Greenberg Hon. Tom Finkelpearl, Commissioner Poet, her work has appeared in Art All rights, including translation into other of the Department of Cultural A airs Observed, Packet Biweekly, Horse Less languages, are reserved by the publisher.