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Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor Rani Mukherji Amitabh Bachchan Amisha Patel Aamir Khan Priyanka Chopra Akshay Kumar Shahid Kapoor Bipasha Basu John-Abraham Preity Zinta Saif Ali Khan Vidya Balan Abhishek Bachchan Deepika Padukone Arjun Rampal Katrina Kaif Ranbir Kapoor Anushka Sharma FECHA DE ACTUALIZACIÓN DEL CATALOGO: 28 DE OCTUBRE 2015 Venta especializada de Cine de la India -((CON MÁS DE 12 Años DE ESPERIENCIA ))- -Tenemos: Estrenos, Éxitos de taquilla, clásicos, musicales, Bandas sonoras, Música India, Sólo vendemos cine indio 100% , Pusimos de moda el Bollywood en cuba, CATÁLOGO DE PELÍCULAS INDIAS EN HD (ALTA DEFINICIÓN) Precio: Películas de menos de 3 GB, 2 películas x 1 cuc Películas de 3Gb en adelante, 1 película x 1 cuc También contamos con los siguientes catálogos: - Catálogo de películas indias en DVD copias oficial - Catálogo de películas indias (.avi) para llevar en copias digital - Catálogo de DVD´s de Videos musicales Bollywood - Además vendemos bandas sonoras y música india en copias digital - Pegatinas y posters de actores y dioses indios… Descargue nuestros catálogos desde internet visitando www.PELICULASINDIAS.com nuestro e-mail: [email protected] Si desea recibir en su célular alertas de Estrenos, eventos, venta de productos de la India y más, envíenos un SMS con el texto (ALERTAS BOLLYWOOD ) Telf: (7) 836-8640 Descargue desde internet la actualización de este catálogo visitando: www.PELICULASINDIAS.com (1995)- Dilwale Dulhania Le jayenge Actores:Shah Rukh Khan,Kajol -
Kareena Kapoor, Shahrukh Khan: in the Virtual World! | Entertainment and Showbiz! Page 1 of 4
Kareena Kapoor, ShahRukh Khan: In the Virtual World! | Entertainment and Showbiz! Page 1 of 4 Type your search here Get daily updates via RSS POSTS COMMENTS HOME CELEBRITIES EVENTS LIFESTYLE MOVIES MUSIC Advertisements JAN Kareena Kapoor, ShahRukh Khan: In the Virtual 9 2010 World! Posted by contributor001 in Bollywood , Celebrities , Movies , Other News , Specials , gossip 3 Comment Ra 1 is a film which stars the most amazing pair Kareena Kapoor and ShahRukh Khan . This is a Super- Hero story and the whole story goes into a twist with a virtual world coming alive in it.ShahRukh Khan is a Video game designer and thus when he comes across Kareena (in flesh and blood ) he falls in love with her and then he imagines her to be animated also. According to reports pouring in the animated Kareena will be very much in focus and will occupy an important part in the film. The technology for the animation is going to be provided by Red Chillies SFX. According to sources, Kareena has already got a taste of animated films with the film ‘Road Side Romeo’, where she had lent her voice for the female character. As for ShahRukh, as all his friends know, he loves to play video games and can’t resist playing on a play station when he sees one. http://www.entertainmentandshowbiz.com/kareena-kapoor-shahrukh-khan-in-the-virtual-... 1/12/2010 Kareena Kapoor, ShahRukh Khan: In the Virtual World! | Entertainment and Showbiz! Page 2 of 4 If reports are to be believed, then the shooting schedule which will soon be started, is going to be held in the most exotic locales of Miami USA.The entire concept of the Super Hero will be handled differently with bright backdrops and fresh environs, instead of the traditional dull and gloomy city back drops that used to be a permanent fixture on Super –Hero flicks earlier. -
Newsstand 100 Iconic Bollywood Costumes P-DF Ready
100 Iconic Bollywood Costumes by 100 Iconic Bollywood Costumes is a definitive guide to these colorful silver screen outfits and more Beautifully illustrated and a must-buy for fans and scholars of women's fashion and Bollywood cinema Full of insider know-how from designer legends such as Manish Malhotra 100 Iconic Bollywood Costumes is a celebration of fashion in Indian cinema, studded with beautiful illustrations of India's most enduring glam icons. It pays tribute to the colorful silver screen looks that have not only come to define their lms and actresses, but have also shaped the way millions of Indian women view style: Madhubala's classic Anarkali in Mughal-e-Azam (1960), Kajol's tomboy chic in Kuch Kuch Hota Hai (1998), Kareena Kapoor's game-changing Patialas in Jab We Met (2007), and many more. Packed with insider know-how on the creative processes behind these influential costumes - from designer legends such as Manish Malhotra to the stylish performers themselves - 100 Iconic Bollywood Costumes is a must-have for both fans and scholars of women's fashion, Bollywood cinema, and the quintessential quirks of modern Indian culture. Newsstand 100 Iconic Bollywood Costumes P-DF Ready Description 100 Iconic Bollywood Costumes is a definitive guide to these colorful silver screen outfits and more Beautifully illustrated and a must-buy for fans and scholars of women's fashion and Bollywood cinema Full of insider know-how from designer legends such as Manish Malhotra 100 Iconic Bollywood Costumes is a celebration of fashion in Indian cinema, studded with beautiful illustrations of India's most enduring glam icons. -
Analyzing Imtiaz Ali As an Auteur
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2017 by ASCO 2017, Vol. 7, No. 1 Amity University Rajasthan Analyzing Imtiaz Ali as an Auteur Kanika Kachroo Arya Dnyanasadhana College, Mumbai University, India Abstract Imtiaz Ali is a contemporary Bollywood director whose genre is love stories. He has a stream of experimental love stories to his credit, some bench markers are Jab We Met, Rockstar and Tamasha. Not only is his storytelling a well nurtured individualistic style, but the use of techniques of cinema are also experimental. My research paper will analyse this director in the boundaries of Auteur theory. The research will be a qualitative study and methodology used will be in-depth interviews and observation and use of secondary research resources to build up affirmation towards my hypothesis. This director’s style will be compared with other stalwarts of the genre like Raj Kapoor and Yash Chopra. This will carve out his style more specifically. Imtiaz Ali has a unique style aesthetically as well as technically. He understands the psychology of his target audience and that’s what has carved a niche for him in Bollywood - a cult director of romance genre. Key words: Auteur Theory, Direction, Niche, Bollywood. Introduction Imtiaz Ali is one amongst the contemporary directors of Bollywood. His directorial debut was Socha Na Tha released in 2005. Though the movie did not do well but he received a lot of critical acclaim for it. Jab we Met (2007) and Rockstar (2011) brought him into limelight. Jab We Met was a box office success and Rockstar was appreciated in critical circles for superb rendition of a careless musician. -
Cinema Need Not Be Morally Or Politically Correct All the Time, Says Vinayak Chakravorty, Entertainment Editor, Mail Today
THE GL BAL TIMES MONDAY, JULY 30, 2012 www.theglobaltimes.in rom fainting Special Edition delicate actresses Poll of the week to bold and BEST MOVIE PG 2 F BEST ACTOR PG 3 realistic cinema, has the BEST ACTRESS PG 4 traditional Bollywood BEST DIRECTOR PG 5 BEST SONG PG 6 flavour undergone a BEST DIALOGUE PG 7 BEST ACTOR IN change? Take a walk A COMIC ROLE PG 8 down memory lane with All this and more on www.facebook.com/theglobal- Snigdha Shahi of AIS timesnewspaper Noida, XI as she commemorates 100 Coming Soon years of Indian cinema Get a ride on the Ho Ho in true filmy style Bus in our next edition... Imaging: Ravinder Gusain Q Failures in life is… (a) first step to success (b) a realization of what you 70 mm Splendour can and cannot do (c) Cool, as most successful THEN: The black and white umbrellas, nostalgic walk back in the annals of black This story couldn’t be truer. But to allow tha…” is the opening line of the sure shot people have once failed modest saris, blushes the shades of rubies, and white era of Indian cinema triggers the silver lining its fair share of spotlight, speech to follow when our parents and To vote, log on to and precise pinstriped coats that memories of the time when movies were the 3D and 4D movie experience promises grandparents get reminiscing of Bolly- www.theglobaltimes.in gentlemen on the screen flaunted. The era the staple source of entertainment. to blow the audience away and not wholly wood in their time. -
Arundhati Roy Takes a Hard Look at Democracy
18 NRI PULSE .... Book Review .... ...... Movie Review ...... September 2009 Arundhati Roy Takes A Love Aaj Kal – Romance Hard Look At Democracy Rules Forever, Aaj and Kal BY JYOTHSNA HEGDE day practical minded, career oriented Jai realize Book: “Listening to Grasshoppers: Field Notes on Democracy”; Author: that true love still prevails, maybe hidden in a Imtiaz Ali is clearly the master of making Arundhati Roy; Publisher: Penguin-Books India contemporary way of life, buried under online movies in urban settings. He has a keen eye and chat sessions and status updates? What does it ear for the young, metropolitan lifestyle and lingo BY MADHUSREE CHATTERJEE the “schism between the real and the virtual world take for him to apprehend love, follow the journey, which reverberates all through his movies, be it has turned into a place of endless speculation and it is heartfelt. Man Booker winning author Arundhati Roy ‘Jab We Met’ or ‘Love Aaj Kal’. potential insanity”. The male characters in the movie are well etched, takes a probing look at the underbelly of the Love Aaj Kal literally follows the story of Roy brings POTA and allied terrorism-related however one of the problems with the movie is the world’s oldest democracy in her new anthology of love in times of Aaj and Kal. Jai (Saif Ali Khan) laws under the scanner and poses a disturbing ques- definition female characters. Unlike the Geet of Jab We essays “Listening to Grasshoppers: Field Notes and Meera (Deepika Padukone) are the tion - “Successful fascism takes hard work. And Met, Meera and Harleen do not have enough flesh to on Democracy” published this week. -
Annual Report and Audited Consolidated Financial Statements for the Period from 4 April 2007 to 31 March 2008
Annual Report and Audited Consolidated Financial Statements For the period from 4 April 2007 to 31 March 2008 Managed by Film Investment Managers (Mauritius) Limited Investment Objective The investment objective of The Indian Film Company Limited (the “Company”) and its Subsidiaries; The Indian Film Company (Cyprus) Limited (formerly Braxfield Investment Limited and IFC Distribution Private Limited (collectively the Group) is to achieve total return for Shareholders through investment in a diverse portfolio of Indian films and films primarily targeted at the Indian audience across different genres, languages and budgets. The Group intends to build a film library of Intellectual Property Rights (“IPR”) in various formats, including satellite, home video and mobile technology. The Directors and Film Investment Managers (Mauritius) Limited (the “Investment Manager”) (formerly known as BK Enterprises Limited) believe that the Group is well placed to take advantage of film investment opportunities and to capitalise on the growth that the Indian film industry is experiencing. Operational Strategy The Investment Manager, on behalf of the Group, captures opportunities in the entire value chain of film creation by; (i) sourcing and evaluating prospective film projects through a research-led investment process; and (ii) managing and structuring the production and distribution of such film projects. In sourcing prospective film projects the Investment Manager thoroughly evaluates film concepts, scripts, directors and cast in respect of current market data relating to current tastes and trends. The Investment Manager then assesses the feasibility of the project in relation to budget, timescales and the risks and rewards of each opportunity. Once a film project has been approved by the Board, the Group seeks to retain full ownership of all IPR relating to each film project, although in certain situations the Group may invest in a film project where it may not acquire all rights. -
Actress Juhi Chaturvedi (Piku) and Himanshu Announced Madrid As the Cheerfully Shared Pictures and Selfies on Spain Will Get a Better Idea About Bollywood
2 movie masala BOLLYWOOD INSIDER April 2016 April 2016 BOLLYWOOD INSIDER honor 3 IIFA hollers a “Hola!” Bollywood wins big at National Awards 2016 The Bollywood extravaganza, International Indian Film Academy Tanu Weds Manu Returns (IIFA), is heading to Madrid in Spain this June Baahubali Piku Spain,” he said. The new venue aims to reach out to the huge Latin American market for Indian films. Sonakshi said, “The event AND THE WINNERS ARE... is an excellent opportunity for us to take our cinema across the globe. Madrid is a Best Film Nargis Dutt Award for Best Feature thrilling city, and I am looking forward to Baahubali (Telugu) Film on National Integration experiencing another spectacular IIFA in Nanak Shah Fakir another amazing destination.” Best Director Andre Timmins, director, Wizcraft Sanjay Leela Bhansali (Bajirao Mastani) Indira Gandhi Award for Best Debut International, said, “This year our Best Actor Film (Director) excitement for Spain is strongly focused Amitabh Bachchan (Piku) Neeraj Ghaywan (Masaan) on the opportunity to address CSR and Best Screenplay Writer (Original) izcraft International has regale the crowd on the streets. The actors understand where we come from. By June, environmental issues.” IIFA will celebrate Best Actress Juhi Chaturvedi (Piku) and Himanshu announced Madrid as the cheerfully shared pictures and selfies on Spain will get a better idea about Bollywood. IIFA Rocks Fest; IIFA Stomp, an exhibition Kangana Ranaut (Tanu Weds Manu Returns) Sharma (Tanu Weds Manu Returns) Wofficial host of the 17th their social media accounts, soaking in the And Madrid is such a charming city—with of urban trends; and the magnificent IIFA Best Supporting Actor edition of the IIFA gala from June 23 joie de vivre of the city that is tinted in hues an explosion of sounds, colors and textures Awards. -
Bollywood Songs by Artist 06/26/21
Bollywood Songs by Artist 09/24/21 As Sung By Song Title Track # "Aandhi" − Kumar, Kishore & Mangeshkar, ... Tum Aa Gaye Ho Noor Aa Gaya {Hindi} [duet] MMK−V0703−24 "Aashiqui 2" − Singh, Arijit Tum Hi Ho {Hindi} MMK−V1305−08 "ABCD: Anybody Can Dance" − Mahadevan... Shambhu Sutaya {Hindi} MMK−V1305−01 "Agar Tum Na Hote" − Kumar, Kishore Agar Tum Na Hote {Hindi} MMK−V0703−05 "Airlift" − Mallik, Amaal & Singh, Arijit & Ku... Soch Na Sake {Hindi−Punjabi} [duet] MMK−V0216MV−128 "Ajab Prem Ki Ghazab Kahani" − Aslam, Ati... Tera Hone Laga Hoon {Hindi} [duet] MMK−V09112−03 "Amar Akbar Anthony" − Rafi, Mohammad Parda Hai Parda {Hindi} MMK−V0607−30 "Andaaz" − Yagnik, Alka & Sanu, Kumar Kisise Tum Pyar Karo {Hindi} [duet] MMK−KISK−01 Anupama & Dayal, Benny & Blaaze & Tanvi ... Pappu Can’t Dance {Hindi−English} [duet] MMK−0807−102 "Arth" − Singh, Jagjit Jhuki Jhuki Si Nazar {Hindi} MMK−GV1−75 Aslam, Atif & Chinoy, Alisha − "Ajab Prem K... Tera Hone Laga Hoon {Hindi} [duet] MMK−V09112−03 Aslam, Atif & Ghoshal, Shreya − "Tere Naal ... Piya O Re Piya {Hindi} [duet] MMK−V1208−48 Azad, Saba & Sagar, Geet & Carvalo, Bruno ... Dhak Dhak Karne Laga {Hindi} MMK−V1304−2−12 Bachchan, Amitabh − "Silsila" Rang Barse {Hindi} MMK−V0707−53 "Bachna Ae Haseeno" − Kumar, Kishore & ... Bachna Ae Haseeno {Hindi} MMK−V0808−54 Bhonsle, Sudesh & Krishnamurthy, Kavita −... Jumma Chumma De De {Hindi} [duet] MMK−V0905−07 Bhosle, Asha & Deshpande, Satyasheel − "L... Jhoote Naina Bole {Hindi} [duet] MMK−V1112−34 Bhosle, Asha & Lahiri, Bappi − "Saaheb" Yaar Bina Chain Kahan Re (DJ Aqueel remix) {Hindi} [duet] MMK−VREM−16 "Bobby" − Singh, Shailendra Main Shayar To Nahin {Hindi} MMK−V0809−07 "Bombay To Goa" − Kumar, Kishore Dekha Na, Haye Re Socha Na, Haye Re Rak Di Nishane P.. -
Reliance Entertainment and Imtiaz Ali Partner to Form Window Seat Films, Llp
RELIANCE ENTERTAINMENT AND IMTIAZ ALI PARTNER TO FORM WINDOW SEAT FILMS, LLP Mumbai, May 28, 2018: Anil D. Ambani owned Reliance Entertainment and one of India’s most celebrated filmmakers, Imtiaz Ali, today announced the formation of Window Seat Films, LLP, a 50:50 Joint Venture for production of movies. This is Reliance Entertainment’s 5th creative partnership with leading Indian filmmakers to form a production company. An incredibly talented and successful writer, director, Imtiaz has received wide appreciation and acclaim from audiences and critics alike, in addition to blockbuster success at the box office. He has won several awards over the years since the release of his first film in 2005. Starting with “Socha Na Tha” Imtiaz has made several films with new comers and superstars alike. His filmography includes “Jab We Met”, “Love Aaj Kal”, “Rockstar”, “Tamasha”, “Highway” and “Jab Harry met Sejal”. Some of his films have achieved a sort of cult status with the youth in India and abroad. This creative & business mix will benefit from the artistic abilities of Imtiaz, and the global marketing and distribution capabilities of Reliance Entertainment. Amitabh Jhunjhunwala, Vice Chairman, Reliance Entertainment, said, “We are proud to have Imtiaz as our partner. He is a person of deep simplicity and humility despite his enormous successes, and we are looking forward to making great movies together.” Commenting on the partnership, Imtiaz Ali said: “There is a common vision that Window Seat Films & Reliance Entertainment share in terms of the content that we'd like to make, the kind of stories we'd like to tell and the way we'd like to collaborate in running this partnership. -
The Bollywood Hindu Heroine Emily Holmstead
AWE (A Woman’s Experience) Volume 1 Article 7 1-1-2013 The Bollywood Hindu Heroine Emily Holmstead Follow this and additional works at: https://scholarsarchive.byu.edu/awe Part of the Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Holmstead, Emily (2013) "The Bollywood Hindu Heroine," AWE (A Woman’s Experience): Vol. 1 , Article 7. Available at: https://scholarsarchive.byu.edu/awe/vol1/iss1/7 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in AWE (A Woman’s Experience) by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Bollywood Hindu Heroine Ancient Mythology to Modern Day Cinema Presented at the 2012 BYU Women and Territory Conference Emily Holmstead Putyour henna on and keep the wedding palanquin decorated. Beautiful gir4your beloved will come to take you awqy. Putyour henna on, and keep the wedding palanquin decorated. Make yourse!f beautifu4· keep yourface veiled. Dilwale Dulhania Le Jayenge W01 is it thatyou go to a temple and prqy to Durga, Kali and S araswati yet when you go home you treatyour Durgas, Kalis and S araswatis so maliciousfy? Lajja Bollywood is the simultaneously affectionate and derisive term for the Hindi-speaking Indian film industry. It is among the highest grossing commercial ventures in the world, selling more tickets and churning out more movies every year than Hollywood. A Bollywood movie, which usually clocks in at about three hours, is generally full of melodrama, whirling saris, mythological parallels, and archetypal characters. -
Ph: 8981 0700 the Bank Job MA15+ Prague MA15+ Where2008
PROGRAM 4 – 2008 Program 4: 22 September–09 November > September Mon 22 | 7:30pm | Mamma Mia! (PG) 108m Tue 23 | 7:30pm | In My Father’s Country0 (U/C) 81m Wed 24 | 7:30pm | Mongol (MA15+) 120m 8 Thu 25 | 7:30pm | Kung Fu Panda (PG) 88m Friends of Nina’s Ark Fundraiser GRINDHOUSE DOUBLE Fri 26 | 7:30pm | Death Proof (MA15+) + Where stars light the screen Planet Terror (MA15+) 190m Sat 27 | 7:30pm | In My Father’s Country* (U/C) 81m | 9:15pm | Mamma Mia! (PG) 108m Sun 28 | 7:30pm | Mongol (MA15+) 120m Mon 29 | 7:30pm | The Visitor (M) 103m Tue 30 | 7:30pm | Up The Yangtze (M) 93m > October Wed 1 | 7:30pm | Mamma Mia!* (PG) 108m Thu 2 | 7:30pm | Wallace & Gromit in The Curse of The Were-rabbit (PG) 84m Cas Crocs Swimming Club Fundraiser BOLLYWOOD FESTIVAL Fri 3 | 7:30pm | Jodhaa Akbar (M) 214m Sat 4 | 7:30pm | Jab We Met (M) 143m Sun 5 | 7:30pm | Om Shanti Om (M) 170m Mon 6 | 7:30pm | Unfinished Sky (M) 90m Tue 7 | 7:30pm | Mongol (MA15+)* 120m Wed 8 | 7:30pm | Up The Yangtze (M) 93m Thu 9 | 7:30pm | Chak De India (PG) 152m Parap Primary School Fundraiser Fri 10 | 7:30pm | The Visitor (M) 103m | 9.30pm | Unfinished Sky (M) 90m Sat 11 | 7:30pm | Salute (PG) 92m | 9.30pm | The Bank Job (MA15+) 112m Sun 12 | 7:30pm | Indiana Jones & the Kingdom of the Crystal Skull (M) 117m Mon 13 | 7:30pm | Unfinished Sky (M) 90m Tue 14 | 7:30pm | The Orphanage (MA15+) 105m Wed 15 | 7:30pm | The Bank Job (MA15+) 112m Thu 16 | 7:30pm | Wall•E (G) 98m Alawa Primary School Fundraiser Fri 17 | 7:30pm | Up The Yangtze* (M) 93m | 9.30pm | Salute (PG) 92m Sat 18