Guide to the Johnnie Ray Music Scores
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15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Aint Gonna Study War No More / Down by the Riverside
The Danish Peace Academy 1 Holger Terp: Aint gonna study war no more Ain't gonna study war no more By Holger Terp American gospel, workers- and peace song. Author: Text: Unknown, after 1917. Music: John J. Nolan 1902. Alternative titles: “Ain' go'n' to study war no mo'”, “Ain't gonna grieve my Lord no more”, “Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Down by the River”, “Down by the Riverside”, “Going to Pull My War-Clothes” and “Study war no more” A very old spiritual that was originally known as Study War No More. It started out as a song associated with the slaves’ struggle for freedom, but after the American Civil War (1861-65) it became a very high-spirited peace song for people who were fed up with fighting.1 And the folk singer Pete Seeger notes on the record “Waist Deep in the Big Muddy and Other Love Songs”, that: "'Down by the Riverside' is, of course, one of the oldest of the Negro spirituals, coming out of the South in the years following the Civil War."2 But is the song as we know it today really as old as it is claimed without any sources? The earliest printed version of “Ain't gonna study war no more” is from 1918; while the notes to the song were published in 1902 as music to a love song by John J. Nolan.3 1 http://myweb.tiscali.co.uk/grovemusic/spirituals,_hymns,_gospel_songs.htm 2 Thanks to Ulf Sandberg, Sweden, for the Pete Seeger quote. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Rodgers and Hart
Otterbein University Digital Commons @ Otterbein 1981 Summer Theatre Productions 1981-1990 7-1-1981 Rodgers and Hart Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_1981 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Rodgers and Hart" (1981). 1981 Summer Theatre. 5. https://digitalcommons.otterbein.edu/summer_production_1981/5 This Book is brought to you for free and open access by the Productions 1981-1990 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1981 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN SUMMER THEATRE presents 329th Production (72nd Summer Theatre) RODGERS and HART i (A Musical Celebration) # Music by Lyrics by • RICHARD RODGERS LORENZ HART • July 1, 2, 3 and 7, 9, 10, 11, 1981 • Musical Director Lyle Barkhymer 2 Choreographer Joanne VanSant 0 Designer Fred J. Thayer * Costume Design Kathleen Lewicki ^ Rodgers and Hart is presented through special arrangements with The Rodgers and ® Hammerstein Theatre Library, 598 Madison Ave., New York, N.Y. 10022. ® ••••••••••••••••••••••••••••••/ Uk$tervilkRealtyt SINC » l%«l Tncorporakd “77ie Complete Real Estate Service** 16 E. COLLEGE WESTERVILLE. OHIO Phone 882-3641 ^ ______ ___ _/¥ DIRECTORS Lyle Barkhymer is an instructor of clarinet, music history and conducting. He hails from Pennsylvania, and after graduating from Otterbein he returned to Westerville, having completed his graduate studies at Indiana University. He has studied abroad in Vienna and London and is a member of the Columbus Symphony Orchestra. -
Mars Oraa by Ken South
Mars Oraa By Ken South In 1952 Harry Truman was President, the Today Show had its premiere on NBC, and many Americans heard the term transsexual for the first time with Christine Jorgensen’s sex reassignment surgery story. Mr. Potato Head was first revealed to the public, the first issue of Mad Magazine hit the stands and “Singin’ In The Rain” debuted at Radio City Music Hall. Johnnie Ray sang “Cry”, the Mills Brothers’ hit was “Glow Worm”, and Marlon Brando made the cry “Stella” famous in the movie, “Street Car Named Desire”. Also Elpidio Quirino was President of the Philippines when, in Manila, on the 6th of March, Mr. February joined his already large family of parents, four brothers and four sisters. Following his elementary school education, he graduated from vocational school in 1972 and received a degree as a hair dresser. He also excelled at a dance academy and during the 80s performed as a professional back-up dancer for several entertainers, including performing on television. The talented Mr. February also used his skills as a cook in several venues, including the United States Naval base at Subic Bay. And for two years, his cooking skills took him to work in Riyadh, Saudi Arabia! In 1992 Mr. F. joined some of his family in San Francisco, and became an American citizen in 1994. Over the next few years Mr. F. engaged both his cooking and hairdressing skills to work in several locations. He moved to Hartford, CT, and lived with one of his sisters for a few years, and while there made several trips to Boston to enjoy its fascinating gay scene. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Hello and Good Bye Lyrics
Hello and Good Bye Lyrics Hello Songs I Like You (Silly Songs) (Tune: “Skip to My Lou”) I like you, there’s no doubt about it. (Point to self and then to a friend.) I like you, there’s no doubt about it. I like you, there’s no doubt about it. You are my good friend. You like me, there’s no doubt about it. (Point to a friend and then to self.) You like me, there’s no doubt about it. You like me, there’s no doubt about it. You are my good friend. Activities: Ask the children to draw pictures of all the people who like them or love them. Label their pictures. Make a language experience story by having each child complete this sentence: “A friend is...” Hello Song (Silly Songs) (Tune: “Skip to My Lou”) Hello, how are you? (Wave hand.) Hello, how are you? Hello, how are you? How are you this morning? I am fine, and I hope you are, too. (Point to self, then a friend.) Turn to your neighbor, and shake their hand. (Shake hands.) Activities: Make up new verses, such as “turn to your neighbor and give “high five,” or “turn to your neighbor and give them a hug.” Sing children’s names in the song. For example, “Hello Pepo, how are you? Hello Jan, how are you? Hello Marcus, how are you? How are you this morning?” Hello, Neighbor! (Keep on Singing) (Tune: “Good Night, Ladies”) Hello, neighbor. (Wave to partner.) What do you say? (Give high five.) It’s going to be a (Slap thighs, clap hands, Happy day. -
VENMO (Ben-Landsverk) PAYPAL: [email protected]
O Solo Low Bar Presents Won’t You Be Our Valentine*? The Sing Your Feelings Edition Feb. 13 7pm PDT *If you’re here, we will assume this is a hard YES. THE “SHOW YOUR LOVE OF LOW BAR” TIP JAR VENMO (ben-landsverk) PAYPAL: [email protected] 1. LET MY LOVE OPEN THE DOOR – Pete Townshend When people keep repeating That you'll never fall in love When everybody keeps retreating But you can't seem to get enough [chorus] Let my love open the door Let my love open the door Let my love open the door To your heart (my love open the door…) When everything feels all over When everybody seems unkind I'll give you a four leaf clover Take all the worry out of your mind [chorus] I have the only key to your heart I can stop you falling apart Try today, you'll find this way Come on and give me a chance to say Let my love open the door It's all I'm living for Release yourself from misery There's only one thing gonna set you free That's my love When tragedy befalls you Don't let it drag you down Love can cure your problems You're so lucky I'm around Let my love open the door Let my love open the door Let my love open the door To your heart. 2. Never Gonna Give You Up - Rick Astley We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand [chorus] Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and -
`Sometimes As a Creative
EXPERIENCE THE PARADIGM SHIFT How One Agency Became A Major Music Player >P.25 DOLLY PARTO Online For The First Tim WHAT'S FOR >P.8 New Album. New Tour. KANYE WEST `Sometimes As A Creative www.billboard.com Person, You Go Off www.billboard.biz US $6.99 CAN $8.99 UK E5.50 The Deep End A Little.' >P.22 THE YEAR MARK ROHBON VERSION THE CRITICS AIE IAVIN! "HAVING PRODUCED AMY WINEHOUSE AND LILY ALLEN, MARK RONSON IS ON A REAL ROLL IN 2007. FEATURING GUEST VOCALISTS LIKE ALLEN, IN NOUS AND ROBBIE WILLIAMS, THE WHOLE THING PLAYS LIKE THE ULTIMATE HIPSTER PARTY MIXTAPE. BEST OF ALL? `STOP ME,' THE MOST SOULFUL RAVE SINCE GNARLS BARKLEY'S `CRAZY." PEOPLE MAGAZINE "RONSON JOYOUSLY TWISTS POPULAR TUNES BY EVERYONE FROM RA TO COLDPLAY TO BRITNEY SPEARS, AND - WHAT DO YOU KNOW! - IT TURNS OUT TO BE THE MONSTER JAM OF THE SEASON! REGARDLESS OF WHO'S OH THE MIC, VERSION SUCCEEDS. GRADE A" ENT 431,11:1;14I WEEKLY "THE EMERGING RONSON SOUND IS MOTOWN MEETS HIP -HOP MEETS RETRO BRIT -POP. IN BRITAIN, `STOP ME,' THE COVER OF THE SMITHS' `STOP ME IF YOU THINK YOU'VE HEARD THIS ONE BEFORE,' IS # 1 AND THE ALBUM SOARED TO #2! COULD THIS ROCK STAR DJ ACTUALLY BECOME A ROCK STAR ?" NEW YORK TIMES "RONSON UNITES TWO ANTITHETICAL WORLDS - RECENT AND CLASSIC BRITPOP WITH VINTAGE AMERICAN R &B. LILY ALLEN, AMY WINEHOUSE, ROBBIE WILLIAMS COVER KAISER CHIEFS, COLDPLAY, AND THE SMITHS OVER BLARING HORNS, AND ORGANIC BEATS. SHARP ARRANGING SKILLS AND SUITABLY ANGULAR PERFORMANCES! * * * *" SPIN THE SOUNDTRACK TO YOUR SUMMER! THE .