Technology at the RCM Recreating the Past, Redefining the Future
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Upbeat Summer 2017
UPBEATUPBEAT SUMMER 2017 NEWS FROM INSIDE THE ROYAL COLLEGE OF MUSIC IN THIS ISSUE AWARDING EXCELLENCE BREAKING NEW GROUND RISING STARS OF THE RCM HIGHLIGHTS FESTIVAL OF PERCUSSION 2017 The RCM’s annual Festival of Percussion returned on 7 May 2017 with an exceptional line-up of events and special guests. Visitors enjoyed performances from artists such as Benny Greb and the Band of the RAF Regiment, alongside family workshops, a day- long Trade Fair and toe-tapping evening concert with the RCM Big Band. Photos: Chris Christodoulou Front cover: Louise Alder at BBC Cardiff Singer of the World © Brian Tarr 2 UPBEAT SUMMER 2017 CONTENTS WELCOME 4 NEWS The latest news and activities from TO UPBEAT the Royal College of Music 9 As we went to press with the summer issue of Upbeat, news awarding EXCELLENCE of alumna Louise Alder’s success at the BBC Cardiff Singer of Upbeat explores the history behind the RCM’s most prestigious awards the World 2017 competition made its way to the Royal College of Music. Louise won the prestigious Dame Joan Sutherland Audience 10 Prize after getting through to the Song Prize and Main Prize finals of the WHERE ARE THEY NOW? Find out what some of our award competition, and I am thrilled that she has rightly earned a place on the front winners are up to in this special cover of Upbeat. Find out more on page seven. extended article, featuring interviews with Ieuan Jones, Charlotte Harding, On graduating from the RCM in 2013 Louise received the Tagore Gold Katy Woolley and Ruairi Glasheen Medal, an award that was first given out more than a century ago to outstanding students. -
Data Hora Música Intérprete Compositor Programa Vivo Mec. 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR ORQUESTRA DE
Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC CNPJ: 09.168.704/0001-42 Nome fantasia: Rádio MEC AM BRASÍLIA - Dial: 800kHZ - UF:DF Execução Data Hora Música Intérprete Compositor Programa Vivo Mec. ORQUESTRA DE CÂMARA LES INVENTIONS TOUCHEMOULIN (Joseph)(1727- 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR VIOLINO: DANIEL SEPEC Programação Musical X 1801)(França) DIREÇÃO: PATRICK AYRTON HARMONIZAÇÃO PARA INSTRUMENTOS DE SOPRO CONJUNTO DE CÂMARA MOZZAFIATO MOZART (Wolfgang Amadeus) (1756-1791) 01/07/2019 02:22:43 Programação Musical X SOBRE TEMAS DA ÓPERA: "AS BODAS DE FIGARO" DIREÇÃO: CHARLES NEIDICH (Áustria) Piano: Christopher Hinterhuber CONCERTO PARA PIANO e ORQUESTRA EM LÁ 01/07/2019 02:41:48 ORQUESTRA FILARMÔNICA REAL DE LIVERPOOL RIES (FERDINAND)(1784-1838)(Alemanha) Programação Musical X MENOR, OP. 132 - "ADEUS À INGLATERRA". REGENTE: UWE GRODD QUARTETO "VOKALZEIT" e Composições de Weber, Schumann, Heinrich 01/07/2019 03:17:15 SELEÇÃO DE CANÇÕES FOLCLÓRICAS ALEMÃS Programação Musical X TROMPISTAS DA ORQUESTRA FILARMÔNICA DE BERLIM Werner, (1841 - 1904) 01/07/2019 03:27:46 QUINTETO DE CORDAS EM LÁ MENOR, OPUS 1 MEMBROS DO OCTETO DA FILARMÔNICA DE BERLIM DVORÁK (Antonín)(1841 - 1904)(República Programação Musical X Checa) ORQUESTRA SINFÔNICA NACIONAL DO BRASIL - UFF LEOPOLDO MIGUEZ (1850-1902)(Rio de 01/07/2019 03:56:12 "AVE LIBERTAS" - Poema Sinfônico Programação Musical X REGENTE: LÍGIA AMADÍO Janeiro) PRELÚDIO DA ÓPERA "OS MESTRES CANTORES DE THE LONDON CLASSICAL PLAYERS WAGNER (Richard) (1813-1883) (Austria - 01/07/2019 04:15:52 Programação Musical X NÜREMBERG" REGENTE: ROGER NORRINGTON Italia) LISZT (Franz) (1811-1886)(Hungria- 01/07/2019 04:24:36 SONATA EM SI MENOR S.178 PIANO: ARNALDO COHEN Programação Musical X Alemanha) DOS CAMPOS e BOSQUES DA BOÊMIA - POEMA ORQUESTRA FILARMÔNICA DE ISRAEL SMETANA(Bedrich)(1824 - 1884)(República 01/07/2019 04:55:34 Programação Musical X SINFÔNICO DO CICLO "A MINHA PÁTRIA". -
BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient. -
Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival -
Kathleen Ferrier
Kathleen Ferrier ARIADNE 5004 In Celebration of BACH Kathleen Ferrier Johann Sebastian Bach (1685-1750) In Celebration of Kathleen Ferrier contralto Ena Mitchell, Friedl Riegler, Irmgard Seefried soprano William Herbert, Hugo Meyer-Welfing tenor BACH Otto Edelmann, William Parsons bass Wiener Staatsopernchor, The Cantata Singers Wiener Philharmoniker / Volkmar Andreae Magnificat Jacques Orchestra / Dr Reginald Jacques FIRST RELEASE Wiener Staatsopernchor 1 bn a – JS Bach: Magnificat, BWV 243.2 31:36 Wiener Philharmoniker bo – co JS Bach: Cantata No.11, Praise our God *b 26:07 Volkmar Andreae cp – dl JS Bach: Cantata No.67, Hold in affection Jesus Christ *c 16:24 dm JS Bach: Cantata No.147, Jesu, Joy of Man’s Desiring *d 3:33 Praise our God *Sung in English (Cantata 11) Total duration: 77:41 Hold in affection Jesus Christ Recorded at: a Grosser Musikvereinssaal, Vienna on June 10, 1950 (Cantata 67) b Kingsway Hall, London on October 6 and November 1, 1949 c Kingsway Hall, London on November 3, 1949 d Kingsway Hall, London on October 8, 1949 Jesu, Joy of Man’s Desiring Audio restoration: Adrian Tuddenham and Norman White (Cantata 147) Mastering: Paul Arden-Taylor Ariadne Cover: Kathleen Ferrier, June 7, 1950, International Bach Festival, Vienna The Cantata Singers Design: Andrew Giles Booklet Editor: Michael Quinn The Jacques Orchestra © & 2019 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND AAD Made in the EU Dr Reginald Jacques Ariadne Kathleen Ferrier In Celebration of BACH br Ah, tarry yet, my dearest Saviour Kathleen Ferrier contralto -
Nicola Benedetti Interview: ‘It’S Hard When You Feel You’Re Doing Your Part, but Others Aren’T Doing Theirs’
Nicola Benedetti interview: ‘It’s hard when you feel you’re doing your part, but others aren’t doing theirs’ As she launches her new album, the star violinist is frustrated at the restrictions on live performance, but is determined to bring music to the masses regardless Nicola Benedetti at Royal Albert Hall - 21 September 2013 – by Allan Beavis by Jessica Duchen 15/07/2021 Some people quit when faced with lockdown. Others don’t. When the pandemic abruptly smothered live music, the violinist Nicola Benedetti threw her considerable energy into finding new ways to connect people online to music and, through that, to one another. Now the Scottish star soloist is preparing for a Prom, where she will perform Prokofiev’s Violin Concerto No. 2 with the National Youth Orchestra of Great Britain and, at last, a real, live audience. That should make the thrill for the NYOGB youngsters in the Royal Albert Hall even greater. “After a year and a half, with so much cancelled and no opportunity to get together, can you imagine how excited they’re going to be?” Benedetti enthuses. To say that musicians have felt frustrated and dispirited these past months is not saying enough. This summer, sports began to be allowed massive audiences, while theatres and concert halls were hobbled by continued social distancing. Benedetti does not mince her words: “It’s difficult when you see the football with 40,000 to 60,000 people gathering just in official numbers in official venues, never mind millions in the streets, and you look at musicians’ restrictions in that context. -
Forty Years On
FORTY YEARS ON One of the really pleasing features of classical music is the way so many of its devotees are keen to encourage and promote its performance. As early as 1961 a group of members of the Amersham and Chesham Bois Choral Society led by Carol Gray, the Secretary, John Voss, the Chairman and Michael Pelloe, the Musical Director, staged an evening by the Jacques Orchestra. Michael knew Dr Jacques. The following year the orchestra performed again but this time with Leon Goossens. In January 1963 and in October 1964 Opera for All were the artistes; in June 1965 Phyllis Sellick and Cyril Smith. Twelve months later, there were two concerts in one year - the Jacques Orchestra, and La Traviata enacted by Opera for All. It is not surprising that, out of all this musical activity, John Voss, Carol Gray and others should, on 16th March 1967, hold the first meeting of the Steering Committee to arrange the founding of the Amersham Concert Club. They produced a draft constitution. The inaugural meeting was held in St John’s Church Hall on 23rd May 1967 and there was a reception in October in the Crown Hotel, Old Amersham. They invited Gerald Moore to become the Club’s first President. A season ticket for the winter season’s three concerts was priced at one guinea, and single tickets at 10 shillings. On the 4th November Denis Matthews performed at Dr Challoner's Grammar School, two months later, on the 12th January 1968, Opera for All staged a concert at Dr Challoner's High School and the season finished with the Allegri String Quartet on the 4th May, back at the Grammar School. -
The Inventory of the Phyllis Curtin Collection #1247
The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C. -
WDR-Reihe „Miniaturen Der Zeit“ Die Ersten Sechs Werke
Kommunikation Westdeutscher Rundfunk Köln Appellhofplatz 1 50667 Köln WDR-Reihe „Miniaturen der Zeit“ Die ersten sechs Werke 28. Mai 2021 LIVE IN DER WDR 3 TONART Charlotte Bray Where Icebergs Dance Away In ihrer Komposition Where Icebergs Dance Away thematisiert die britische und in Berlin lebende Komponistin die elementaren Kräfte von Feuer und Eis. In der sich stark verändernden Welt und im Bewusstsein des Klimawandels ist es Charlotte Bray ein Anliegen, sich künstlerisch mit der polaren Eisschmelze und den Waldbränden in Australien auseinanderzusetzen. Die erste Orchesterminiatur der neuen Reihe spiegelt die Gefühle und Gedanken von Charlotte Bray zu einem aktuellen Thema. http://charlottebray.co.uk 11. Juni 2021 LIVE IN DER WDR 3 TONART Dai Fujikura Entwine Während der Corona-Pandemie fehlt es vielen Menschen an Nähe und Berührung. Der japanische und in Großbritannien lebende Komponist Dai Fujikura will mit seinem Stück Entwine (verflechten, umranken) den Traum von Nähe zum Ausdruck bringen. In einer Zeit, in der Distanz zur Maxime geworden ist, fällt auf, wie sehr Berührung und Zusammensein mit Menschen unser Leben reicher macht. Dai Fujikura lebt in Großbritannien und lässt in seiner Orchesterminiatur musikalische Materialien als Ausdruck menschlichen Kontakts von einem Instrument zum nächsten wandern. https://www.daifujikura.com Juli 2021 Vito Žuraj Apidanza macabre Der gebürtige Slowene Vito Žuraj lebt und arbeitet pendelnd zwischen Deutschland und seinem Heimatland und hat, als Sohn eines Imkers, eine besondere biografische Beziehung zum Thema Bienen. Seine für das WDR Sinfonieorchester komponierte Orchesterminiatur trägt den Titel Apidanza macabre, was so viel heißt wie „Totentanz der Bienen“ und steht stellvertretend für das Aussterben bedrohter Insektenarten. -
Adobe Photoshop
NOTES ON THE MUSIC by CHARLOTTE BRAY RTF CLASSICAL A sense of distance links all five pieces, composed between 2011 and 2016. In the RTF Classical is a record label owned by the Richard Thomas Foundation, aiming music, worlds, real and imaginary are encapsulated, touched and experienced. to bring interesting and occasionally challenging pieces of contemporary music to Occasionally, we feel tangibly close to the action, but often we are mere onlookers new audiences. from afar- now locked in the icy waters of Zustände, where we find ourselves aurally trapped within the cracking ice, now isolated on the banks of On the Other Shore, Releases through Nimbus Alliance include: Alec Roth’s String Quartets played by calling across the water to a loved one where distance is felt most longingly. Inspired the Allegri String Quartet (NI 6321); the Ives Ensemble playing music by Laurence by Marco Polo’s depictions of Venice, water again is the fundamental element within Crane (NI 6337); and Andrew Matthews-Owen playing piano solos by composers Invisible Cities. Distance, in The Sun was Chasing Venus is felt from above, flying Hannah Kendall, Joseph Phibbs and Dobrinka Tabakova (NI 6354). high in the skies, where movement and proximity are perceived very differently. Beyond also relates to this realm, outside the limitations of the world we inhabit. A THANKS principal fascination of composing for me is creating a journey through music, a secret, abstract narrative, where the listener is transported to another ‘place’, one The recording has been made possible through the support of the PRS Foundation that is not fixed, but varies from listener to listener. -
A Pianist's Perspective on Song Transposition, Focusing on Robert
A Pianist’s Perspective on Song Transposition, Focusing on Robert Schumann’s Liederreihe nach Kerner, Op. 35 Critical Project submitted by Jinhong Low in partial fulfilment of the requirements of the Master of Music degree in Performance, Royal College of Music, May 2020. Contents Page Introduction 3 Chapter 1 – Context 5 Chapter 2 – Case Study: Schumann’s Liederreihe nach Kerner, Op. 35 15 Conclusion 24 Appendix – Recordings Surveyed 25 Bibliography 27 Discography 30 2 Introduction The study of song cycles has long been a focus of music scholarship.1 Many different topics have been repeatedly discussed regarding cornerstone repertoire like Schubert’s Winterreise (D. 911), or Schumann’s Dichterliebe (Op. 48). Writers have approached these works with focuses on tonal analysis, rhythmic analysis, poetry analysis, thematic relationships, structure and definition of song cycles, and many more.2 Nevertheless, one topic remains relatively elusive in scholarship, although it is commonplace in performance – Transposition.3 Transposition is a musical device where the notation or performance of music is different from which it is originally notated.4 Vocal music, specifically the song genre, is very frequently transposed, so much so that major publishing houses (e.g. Edition Peters, International Music Company, Bärenreiter and more) publish these transposed versions in multiple volumes, for differing voice types, making it easily accessible to the singers and public.5 The idea of transposed songs being accessible to public is not a new one. In a letter dated 1869 to Brahms from his publisher, Fritz Simrock, he mentioned that for a song to be considered commercially successful, frequent performances were needed.6 In the interest of ensuring repeated performances from as wide a range of singers as possible, Simrock regularly published transposed versions of Brahms’ songs to suit different voices during the composer’s lifetime. -
Classical Guitar Festival
Tarrega_Leckie_book_West_Dean_2016_Layout 1 12/05/2016 12:27 Page 1 ASG MUSIC NEW PUBLICATION THE 25th INTERNATIONAL THE TÁRREGA-LECKIE GUITAR MANUSCRIPTS LESSONS WITH THE MAESTRO CLASSICAL GUITAR FESTIVAL The facsimiles presented here are of manuscripts which were all beautifully handwritten by Francisco Tárrega, the most significant guitarist-composer of the late nineteenth century, for his student and 20 – 26 August 2016 patron, the Englishman, Dr Walter James Leckie. The significance of these scores, published here for the first time, cannot be overstated; with regard to both technical and stylistic matters it was Tárrega who laid the foundations for all future composers and arrangers for the instrument. In their original format they represent some six hundred and fifty-four pages of the maestro’s work and their reproduction, displaying markings by both Tárrega and Dr Leckie, allows a fascinating insight, at source, into the minds of maestro and student. In particular the attention to detail in the fingerings is quite astonishing. Text in English, Spanish & Japanese 236 colour pages, large format, hardback The book is absolutely beautiful. Congratulations on this achievement and for enriching our lives with these documents. Pepe Romero A fantastic publication ... it is absolutely marvellous to have such a well-presented book. Congratulations to everyone involved. David Russell Magnificent facsimile edition. Printed on fine paper with the utmost clarity - a definitive book. Graham Wade, Classical Guitar Magazine Available £80 post free from: Classical Guitar Centre Ltd 51A St. Mary’s Road, Bearwood, West Midlands, B67 5DH, England 0121-429-7446 Int +44-121-429-7446 Festival Director www.classicalguitar.co.uk Dr Leckie with Tárrega ANDREW GOUGH WELCOME TO THE 25TH WEST DEAN INTERNATIONAL CLASSICAL GUITAR FESTIVAL AND SUMMER SCHOOL In celebration of this special anniversary festival and summer school I’m very pleased to be able to introduce concert artists and tutors who have all previously appeared at the festival.