Technology at the RCM Recreating the Past, Redefining the Future

Total Page:16

File Type:pdf, Size:1020Kb

Technology at the RCM Recreating the Past, Redefining the Future The Magazine for the Royal College of MusicI Spring 2015 Technology at the RCM Recreating the past, redefining the future What’s inside... Welcome to upbeat... The RCM is dedicated to providing its students with an inspirational and supportive environment, and in this issue of Upbeat we look at the ways that Contents technology is helping to achieve this goal. The cover of this issue shows RCM musicians making use of the fantastic recording facilities available in the RCM 4 In the news Studios, and you can find out more about recent technological advances from Updating you on recent RCM Senior Recording Engineer Matt Parkin on page 12. activities including a record- Technology can also help us to learn more about the past, as RCM Research breaking Soirée d’Or, the RCM’s Associate Aleks Kollowski explains on page 10. In an interview with Upbeat, he tells research being announced as us about an ambitious recording project involving RCM students re-enacting the world-leading in the Research 1913 recording of Beethoven’s Symphony no 5. Excellence Framework, and RCM musicians performing at Whether it is exploring the music of the past, analysing how music affects our Buckingham Palace for HRH health in the present or using technology to improve performance skills, the RCM The Prince of Wales… Research community is producing world-leading outputs. In fact, the RCM has been named as the London conservatoire with the highest percentage of world- 8 Back to Wax leading research in the 2014 Research Excellence Framework (REF). See page 5 for RCM students have re-enacted more information on this prestigious result. the first complete recording of As usual, Upbeat brings you all the news from around the RCM, including our Beethoven’s Fifth Symphony. Find latest record-breaking Soirée d’Or and the RCM’s involvement in two Sky Arts out how… programmes: Portrait Artist of the Year and The Great Culture Quiz. 12 The Future of Music We’re always keen to hear from students past and present so if you have anything The RCM is revolutionising you’d like us to feature in the next issue of Upbeat, please send your news and teaching with a variety of pictures to [email protected] by Monday 27 April. technological advances. RCM NB: Please note that we cannot guarantee to include everything we receive and that Senior Recording Engineer Matt we reserve the right to edit submissions. Parkin explains how... 14 Meeting the supporters Upbeat meets RCM Friend Ken Goodwin... 16 Student notes… Current student success stories 18 Staff notes… News from professorial, academic and administrative staff 20 Alumni notes… Updates from RCM graduates 22 Obituaries and births RCM Composition for Screen students’ recording session. See pages 8-13 for more information on recording projects at the RCM Upbeat online Upbeat is available online at www.rcm.ac.uk/upbeat Front cover – RCM musicians recording in the RCM Studios Please help us to reduce our carbon Inside front cover – The RCM International Opera School’s 2014 production of Mozart’s ‘Die Zauberflöte’. footprint and receive Upbeat by email. Inside back cover – Brett Dean conducting the RCM Symphony Orchestra during his recent residency at Contact us at [email protected] and the RCM in November 2014. we’ll send you an email notification All photography © Chris Christodoulou when Upbeat is published. 3 In the news... musicians. Six harpists, directed by harp Support for the evening was provided by Record-breaking professor Ieuan Jones, serenaded guests sponsorship from Campus Living Villages, in the entrance to the Medieval and developers of the RCM’s new hall of Soirée d’Or Renaissance Galleries with Ieuan’s residence, their partners Balfour Beatty arrangement of Poulenc’s L’embarquement and M&G, and donations from The RCM’s annual fundraising gala, Soirée pour Cythère. Styled for the occasion by GlaxoSmithKline. The RCM is also grateful d’Or, has raised a record-breaking royal dress designer Anna Valentine, the to Taittinger for continuing to support the £280,000 in aid of scholarships for harpists dazzled in Grecian style black and event, generously providing free talented RCM students. gold gowns. RCM pianist and BBC Young champagne for all guests. Musician winner Martin James Bartlett This year’s event was so popular that wowed the audience with his spirited Instrumental to the event’s success is the tickets sold out six months in advance. playing of Liszt’s Liebestraum, the third Soirée d’Or Committee, an external group Held at the V&A Museum on Wednesday movement from Prokofiev’s Sonata no 7 of donors led by Lady Carr, who dedicate 3 December the evening included a live and Moszkowski’s exciting Étincelles. endless hours of their time throughout auction, conducted by RCM Junior Soprano Natasha Day, resplendent in the year to selling tables, securing Department alumna Helena Newman, gold organza, and tenor Gyula Rab also sponsorship and attracting items for the Co-Head of Impressionist & Modern Art charmed and delighted guests with arias auction. We are very grateful to them for Worldwide at Sotheby’s. The five lots drew from La traviata, La rondine, La bohème all they do for the RCM. £60,000 in bids, while the 30 items listed and The Merry Widow. To close the in the silent auction raised a further evening, the RCM Chamber Choir If you would like information about the £40,000. performed Bob Chilcott’s arrangement of next Soirée d’Or, please contact Mary The Shepherd’s Carol, before leading the Cosgrave at [email protected] The highlight of the evening was the audience in enthusiastic renditions of four involvement of exceptional RCM popular carols. Natasha Day Photos © Steven Morris © Steven Photos 4 class centre for music research, Alumni Reunions RCM Recognised and demonstrate the institution’s strong commitment to research and Following the hugely successful RCM for World-leading innovation across both theory and alumni reunions in 2013 and 2014, practice. there will be two in 2015! Research Professor Colin Lawson, Director The first is planned for Tuesday 31 The Royal College of Music has been of the RCM, said ‘I am delighted that March from 11.30am to 3.30pm and named as the London conservatoire the results of the Research Excellence is open to alumni who studied at with the highest percentage of world- Framework have confirmed our position the RCM between 1930 and 1955. leading research in the 2014 Research as the No. 1 Conservatoire in London for The special event will include a short Excellence Framework (REF). research. Not only was the quality of concert by current RCM students, our research rated more highly than any a light ‘finger buffet’ lunch, and the The REF panel – which assesses the other London conservatoire, but so was opportunity to tour the RCM. quality of research in UK higher the strength of its impact on the wider To book your place, please contact education institutions – judged community. The REF result serves to the RCM Friends & Alumni team 34% of the overall quality of the confirm the RCM’s position as a natural on 020 7591 4331 or email RCM’s research to be world-leading, first choice for talented music students [email protected]. Tickets cost £20 significantly higher than any other from around the world.’ and booking closes on 20 March. conservatoire in London. In addition, the percentage of RCM research RCM Director of Research Richard The second reunion will be on Sunday outputs classed as world-leading is the Wistreich told us ‘This extremely strong 20 September for alumni who studied highest of all UK conservatoires. result for the RCM provides us with the at the RCM between 1956 and 1965. confidence and direction for the future If you are in touch with fellow The RCM also ranked highly for the development of our research strategy. students who have not heard from impact of its research, with 90% of I am particularly encouraged by the RCM in recent years then we its activity rated as world-leading the large number of our research probably do not have their current in this area. As a sector, UK music outputs that have been recognised as contact details so please ask them to conservatoires scored very strongly world leading, and also the very high evaluation we received for the beneficial email [email protected] or call 020 in this new category, highlighting the impact of our research. The RCM has 7591 4331 to avoid missing out. Look significance of their research for the wider world beyond academia. taken its mission to serve society as a out for further details of this event in whole very seriously since its foundation future editions of Upbeat. These results consolidate the in 1882, and this sits at the heart of our reputation of the RCM as a world- approach to research.’ RCM Named One of Top Ten International Music Schools The Royal College of Music has been named as one of the top ten music schools in the world by The Hollywood Reporter. Listed 10th in the Top 25 Music Schools, the RCM was ranked ahead of all other non-US institutions. The RCM was particularly praised for having professors from top London orchestras and offering masterclasses with internationally-acclaimed artists such as Hans Zimmer and soprano Dame Kiri Te Kanawa. The magazine ranks music institutions based on a survey of dozens of industry and academic insiders as well as an anonymous ranking system by the schools themselves. 5 In the news... The RCM at Buckingham Palace The Big Give Photo © Paul Burns © Paul Photo RCM musicians and members of Opera Other talented young members of Australia have given a special joint Opera Australia also featured as In December the Royal College of performance at Buckingham Palace soloists: soprano Kiandra Howarth Music participated in the 2014 Big hosted by His Royal Highness The and tenor Samuel Sakker (both also Give Christmas Challenge to raise Prince of Wales.
Recommended publications
  • Upbeat Summer 2017
    UPBEATUPBEAT SUMMER 2017 NEWS FROM INSIDE THE ROYAL COLLEGE OF MUSIC IN THIS ISSUE AWARDING EXCELLENCE BREAKING NEW GROUND RISING STARS OF THE RCM HIGHLIGHTS FESTIVAL OF PERCUSSION 2017 The RCM’s annual Festival of Percussion returned on 7 May 2017 with an exceptional line-up of events and special guests. Visitors enjoyed performances from artists such as Benny Greb and the Band of the RAF Regiment, alongside family workshops, a day- long Trade Fair and toe-tapping evening concert with the RCM Big Band. Photos: Chris Christodoulou Front cover: Louise Alder at BBC Cardiff Singer of the World © Brian Tarr 2 UPBEAT SUMMER 2017 CONTENTS WELCOME 4 NEWS The latest news and activities from TO UPBEAT the Royal College of Music 9 As we went to press with the summer issue of Upbeat, news awarding EXCELLENCE of alumna Louise Alder’s success at the BBC Cardiff Singer of Upbeat explores the history behind the RCM’s most prestigious awards the World 2017 competition made its way to the Royal College of Music. Louise won the prestigious Dame Joan Sutherland Audience 10 Prize after getting through to the Song Prize and Main Prize finals of the WHERE ARE THEY NOW? Find out what some of our award competition, and I am thrilled that she has rightly earned a place on the front winners are up to in this special cover of Upbeat. Find out more on page seven. extended article, featuring interviews with Ieuan Jones, Charlotte Harding, On graduating from the RCM in 2013 Louise received the Tagore Gold Katy Woolley and Ruairi Glasheen Medal, an award that was first given out more than a century ago to outstanding students.
    [Show full text]
  • Data Hora Música Intérprete Compositor Programa Vivo Mec. 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR ORQUESTRA DE
    Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC CNPJ: 09.168.704/0001-42 Nome fantasia: Rádio MEC AM BRASÍLIA - Dial: 800kHZ - UF:DF Execução Data Hora Música Intérprete Compositor Programa Vivo Mec. ORQUESTRA DE CÂMARA LES INVENTIONS TOUCHEMOULIN (Joseph)(1727- 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR VIOLINO: DANIEL SEPEC Programação Musical X 1801)(França) DIREÇÃO: PATRICK AYRTON HARMONIZAÇÃO PARA INSTRUMENTOS DE SOPRO CONJUNTO DE CÂMARA MOZZAFIATO MOZART (Wolfgang Amadeus) (1756-1791) 01/07/2019 02:22:43 Programação Musical X SOBRE TEMAS DA ÓPERA: "AS BODAS DE FIGARO" DIREÇÃO: CHARLES NEIDICH (Áustria) Piano: Christopher Hinterhuber CONCERTO PARA PIANO e ORQUESTRA EM LÁ 01/07/2019 02:41:48 ORQUESTRA FILARMÔNICA REAL DE LIVERPOOL RIES (FERDINAND)(1784-1838)(Alemanha) Programação Musical X MENOR, OP. 132 - "ADEUS À INGLATERRA". REGENTE: UWE GRODD QUARTETO "VOKALZEIT" e Composições de Weber, Schumann, Heinrich 01/07/2019 03:17:15 SELEÇÃO DE CANÇÕES FOLCLÓRICAS ALEMÃS Programação Musical X TROMPISTAS DA ORQUESTRA FILARMÔNICA DE BERLIM Werner, (1841 - 1904) 01/07/2019 03:27:46 QUINTETO DE CORDAS EM LÁ MENOR, OPUS 1 MEMBROS DO OCTETO DA FILARMÔNICA DE BERLIM DVORÁK (Antonín)(1841 - 1904)(República Programação Musical X Checa) ORQUESTRA SINFÔNICA NACIONAL DO BRASIL - UFF LEOPOLDO MIGUEZ (1850-1902)(Rio de 01/07/2019 03:56:12 "AVE LIBERTAS" - Poema Sinfônico Programação Musical X REGENTE: LÍGIA AMADÍO Janeiro) PRELÚDIO DA ÓPERA "OS MESTRES CANTORES DE THE LONDON CLASSICAL PLAYERS WAGNER (Richard) (1813-1883) (Austria - 01/07/2019 04:15:52 Programação Musical X NÜREMBERG" REGENTE: ROGER NORRINGTON Italia) LISZT (Franz) (1811-1886)(Hungria- 01/07/2019 04:24:36 SONATA EM SI MENOR S.178 PIANO: ARNALDO COHEN Programação Musical X Alemanha) DOS CAMPOS e BOSQUES DA BOÊMIA - POEMA ORQUESTRA FILARMÔNICA DE ISRAEL SMETANA(Bedrich)(1824 - 1884)(República 01/07/2019 04:55:34 Programação Musical X SINFÔNICO DO CICLO "A MINHA PÁTRIA".
    [Show full text]
  • BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
    ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient.
    [Show full text]
  • Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
    eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival
    [Show full text]
  • Kathleen Ferrier
    Kathleen Ferrier ARIADNE 5004 In Celebration of BACH Kathleen Ferrier Johann Sebastian Bach (1685-1750) In Celebration of Kathleen Ferrier contralto Ena Mitchell, Friedl Riegler, Irmgard Seefried soprano William Herbert, Hugo Meyer-Welfing tenor BACH Otto Edelmann, William Parsons bass Wiener Staatsopernchor, The Cantata Singers Wiener Philharmoniker / Volkmar Andreae Magnificat Jacques Orchestra / Dr Reginald Jacques FIRST RELEASE Wiener Staatsopernchor 1 bn a – JS Bach: Magnificat, BWV 243.2 31:36 Wiener Philharmoniker bo – co JS Bach: Cantata No.11, Praise our God *b 26:07 Volkmar Andreae cp – dl JS Bach: Cantata No.67, Hold in affection Jesus Christ *c 16:24 dm JS Bach: Cantata No.147, Jesu, Joy of Man’s Desiring *d 3:33 Praise our God *Sung in English (Cantata 11) Total duration: 77:41 Hold in affection Jesus Christ Recorded at: a Grosser Musikvereinssaal, Vienna on June 10, 1950 (Cantata 67) b Kingsway Hall, London on October 6 and November 1, 1949 c Kingsway Hall, London on November 3, 1949 d Kingsway Hall, London on October 8, 1949 Jesu, Joy of Man’s Desiring Audio restoration: Adrian Tuddenham and Norman White (Cantata 147) Mastering: Paul Arden-Taylor Ariadne Cover: Kathleen Ferrier, June 7, 1950, International Bach Festival, Vienna The Cantata Singers Design: Andrew Giles Booklet Editor: Michael Quinn The Jacques Orchestra © & 2019 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND AAD Made in the EU Dr Reginald Jacques Ariadne Kathleen Ferrier In Celebration of BACH br Ah, tarry yet, my dearest Saviour Kathleen Ferrier contralto
    [Show full text]
  • Nicola Benedetti Interview: ‘It’S Hard When You Feel You’Re Doing Your Part, but Others Aren’T Doing Theirs’
    Nicola Benedetti interview: ‘It’s hard when you feel you’re doing your part, but others aren’t doing theirs’ As she launches her new album, the star violinist is frustrated at the restrictions on live performance, but is determined to bring music to the masses regardless Nicola Benedetti at Royal Albert Hall - 21 September 2013 – by Allan Beavis by Jessica Duchen 15/07/2021 Some people quit when faced with lockdown. Others don’t. When the pandemic abruptly smothered live music, the violinist Nicola Benedetti threw her considerable energy into finding new ways to connect people online to music and, through that, to one another. Now the Scottish star soloist is preparing for a Prom, where she will perform Prokofiev’s Violin Concerto No. 2 with the National Youth Orchestra of Great Britain and, at last, a real, live audience. That should make the thrill for the NYOGB youngsters in the Royal Albert Hall even greater. “After a year and a half, with so much cancelled and no opportunity to get together, can you imagine how excited they’re going to be?” Benedetti enthuses. To say that musicians have felt frustrated and dispirited these past months is not saying enough. This summer, sports began to be allowed massive audiences, while theatres and concert halls were hobbled by continued social distancing. Benedetti does not mince her words: “It’s difficult when you see the football with 40,000 to 60,000 people gathering just in official numbers in official venues, never mind millions in the streets, and you look at musicians’ restrictions in that context.
    [Show full text]
  • Forty Years On
    FORTY YEARS ON One of the really pleasing features of classical music is the way so many of its devotees are keen to encourage and promote its performance. As early as 1961 a group of members of the Amersham and Chesham Bois Choral Society led by Carol Gray, the Secretary, John Voss, the Chairman and Michael Pelloe, the Musical Director, staged an evening by the Jacques Orchestra. Michael knew Dr Jacques. The following year the orchestra performed again but this time with Leon Goossens. In January 1963 and in October 1964 Opera for All were the artistes; in June 1965 Phyllis Sellick and Cyril Smith. Twelve months later, there were two concerts in one year - the Jacques Orchestra, and La Traviata enacted by Opera for All. It is not surprising that, out of all this musical activity, John Voss, Carol Gray and others should, on 16th March 1967, hold the first meeting of the Steering Committee to arrange the founding of the Amersham Concert Club. They produced a draft constitution. The inaugural meeting was held in St John’s Church Hall on 23rd May 1967 and there was a reception in October in the Crown Hotel, Old Amersham. They invited Gerald Moore to become the Club’s first President. A season ticket for the winter season’s three concerts was priced at one guinea, and single tickets at 10 shillings. On the 4th November Denis Matthews performed at Dr Challoner's Grammar School, two months later, on the 12th January 1968, Opera for All staged a concert at Dr Challoner's High School and the season finished with the Allegri String Quartet on the 4th May, back at the Grammar School.
    [Show full text]
  • The Inventory of the Phyllis Curtin Collection #1247
    The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C.
    [Show full text]
  • WDR-Reihe „Miniaturen Der Zeit“ Die Ersten Sechs Werke
    Kommunikation Westdeutscher Rundfunk Köln Appellhofplatz 1 50667 Köln WDR-Reihe „Miniaturen der Zeit“ Die ersten sechs Werke 28. Mai 2021 LIVE IN DER WDR 3 TONART Charlotte Bray Where Icebergs Dance Away In ihrer Komposition Where Icebergs Dance Away thematisiert die britische und in Berlin lebende Komponistin die elementaren Kräfte von Feuer und Eis. In der sich stark verändernden Welt und im Bewusstsein des Klimawandels ist es Charlotte Bray ein Anliegen, sich künstlerisch mit der polaren Eisschmelze und den Waldbränden in Australien auseinanderzusetzen. Die erste Orchesterminiatur der neuen Reihe spiegelt die Gefühle und Gedanken von Charlotte Bray zu einem aktuellen Thema. http://charlottebray.co.uk 11. Juni 2021 LIVE IN DER WDR 3 TONART Dai Fujikura Entwine Während der Corona-Pandemie fehlt es vielen Menschen an Nähe und Berührung. Der japanische und in Großbritannien lebende Komponist Dai Fujikura will mit seinem Stück Entwine (verflechten, umranken) den Traum von Nähe zum Ausdruck bringen. In einer Zeit, in der Distanz zur Maxime geworden ist, fällt auf, wie sehr Berührung und Zusammensein mit Menschen unser Leben reicher macht. Dai Fujikura lebt in Großbritannien und lässt in seiner Orchesterminiatur musikalische Materialien als Ausdruck menschlichen Kontakts von einem Instrument zum nächsten wandern. https://www.daifujikura.com Juli 2021 Vito Žuraj Apidanza macabre Der gebürtige Slowene Vito Žuraj lebt und arbeitet pendelnd zwischen Deutschland und seinem Heimatland und hat, als Sohn eines Imkers, eine besondere biografische Beziehung zum Thema Bienen. Seine für das WDR Sinfonieorchester komponierte Orchesterminiatur trägt den Titel Apidanza macabre, was so viel heißt wie „Totentanz der Bienen“ und steht stellvertretend für das Aussterben bedrohter Insektenarten.
    [Show full text]
  • Adobe Photoshop
    NOTES ON THE MUSIC by CHARLOTTE BRAY RTF CLASSICAL A sense of distance links all five pieces, composed between 2011 and 2016. In the RTF Classical is a record label owned by the Richard Thomas Foundation, aiming music, worlds, real and imaginary are encapsulated, touched and experienced. to bring interesting and occasionally challenging pieces of contemporary music to Occasionally, we feel tangibly close to the action, but often we are mere onlookers new audiences. from afar- now locked in the icy waters of Zustände, where we find ourselves aurally trapped within the cracking ice, now isolated on the banks of On the Other Shore, Releases through Nimbus Alliance include: Alec Roth’s String Quartets played by calling across the water to a loved one where distance is felt most longingly. Inspired the Allegri String Quartet (NI 6321); the Ives Ensemble playing music by Laurence by Marco Polo’s depictions of Venice, water again is the fundamental element within Crane (NI 6337); and Andrew Matthews-Owen playing piano solos by composers Invisible Cities. Distance, in The Sun was Chasing Venus is felt from above, flying Hannah Kendall, Joseph Phibbs and Dobrinka Tabakova (NI 6354). high in the skies, where movement and proximity are perceived very differently. Beyond also relates to this realm, outside the limitations of the world we inhabit. A THANKS principal fascination of composing for me is creating a journey through music, a secret, abstract narrative, where the listener is transported to another ‘place’, one The recording has been made possible through the support of the PRS Foundation that is not fixed, but varies from listener to listener.
    [Show full text]
  • A Pianist's Perspective on Song Transposition, Focusing on Robert
    A Pianist’s Perspective on Song Transposition, Focusing on Robert Schumann’s Liederreihe nach Kerner, Op. 35 Critical Project submitted by Jinhong Low in partial fulfilment of the requirements of the Master of Music degree in Performance, Royal College of Music, May 2020. Contents Page Introduction 3 Chapter 1 – Context 5 Chapter 2 – Case Study: Schumann’s Liederreihe nach Kerner, Op. 35 15 Conclusion 24 Appendix – Recordings Surveyed 25 Bibliography 27 Discography 30 2 Introduction The study of song cycles has long been a focus of music scholarship.1 Many different topics have been repeatedly discussed regarding cornerstone repertoire like Schubert’s Winterreise (D. 911), or Schumann’s Dichterliebe (Op. 48). Writers have approached these works with focuses on tonal analysis, rhythmic analysis, poetry analysis, thematic relationships, structure and definition of song cycles, and many more.2 Nevertheless, one topic remains relatively elusive in scholarship, although it is commonplace in performance – Transposition.3 Transposition is a musical device where the notation or performance of music is different from which it is originally notated.4 Vocal music, specifically the song genre, is very frequently transposed, so much so that major publishing houses (e.g. Edition Peters, International Music Company, Bärenreiter and more) publish these transposed versions in multiple volumes, for differing voice types, making it easily accessible to the singers and public.5 The idea of transposed songs being accessible to public is not a new one. In a letter dated 1869 to Brahms from his publisher, Fritz Simrock, he mentioned that for a song to be considered commercially successful, frequent performances were needed.6 In the interest of ensuring repeated performances from as wide a range of singers as possible, Simrock regularly published transposed versions of Brahms’ songs to suit different voices during the composer’s lifetime.
    [Show full text]
  • Classical Guitar Festival
    Tarrega_Leckie_book_West_Dean_2016_Layout 1 12/05/2016 12:27 Page 1 ASG MUSIC NEW PUBLICATION THE 25th INTERNATIONAL THE TÁRREGA-LECKIE GUITAR MANUSCRIPTS LESSONS WITH THE MAESTRO CLASSICAL GUITAR FESTIVAL The facsimiles presented here are of manuscripts which were all beautifully handwritten by Francisco Tárrega, the most significant guitarist-composer of the late nineteenth century, for his student and 20 – 26 August 2016 patron, the Englishman, Dr Walter James Leckie. The significance of these scores, published here for the first time, cannot be overstated; with regard to both technical and stylistic matters it was Tárrega who laid the foundations for all future composers and arrangers for the instrument. In their original format they represent some six hundred and fifty-four pages of the maestro’s work and their reproduction, displaying markings by both Tárrega and Dr Leckie, allows a fascinating insight, at source, into the minds of maestro and student. In particular the attention to detail in the fingerings is quite astonishing. Text in English, Spanish & Japanese 236 colour pages, large format, hardback The book is absolutely beautiful. Congratulations on this achievement and for enriching our lives with these documents. Pepe Romero A fantastic publication ... it is absolutely marvellous to have such a well-presented book. Congratulations to everyone involved. David Russell Magnificent facsimile edition. Printed on fine paper with the utmost clarity - a definitive book. Graham Wade, Classical Guitar Magazine Available £80 post free from: Classical Guitar Centre Ltd 51A St. Mary’s Road, Bearwood, West Midlands, B67 5DH, England 0121-429-7446 Int +44-121-429-7446 Festival Director www.classicalguitar.co.uk Dr Leckie with Tárrega ANDREW GOUGH WELCOME TO THE 25TH WEST DEAN INTERNATIONAL CLASSICAL GUITAR FESTIVAL AND SUMMER SCHOOL In celebration of this special anniversary festival and summer school I’m very pleased to be able to introduce concert artists and tutors who have all previously appeared at the festival.
    [Show full text]