Queen Victoria's Medical Household
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Lord Lyon King of Arms
VI. E FEUDAE BOBETH TH F O LS BABONAG F SCOTLANDO E . BY THOMAS INNES OP LEABNEY AND KINNAIRDY, F.S.A.ScoT., LORD LYON KIN ARMSF GO . Read October 27, 1945. The Baronage is an Order derived partly from the allodial system of territorial tribalis whicn mi patriarce hth h hel s countrydhi "under God", d partlan y froe latemth r feudal system—whic e shale wasw hse n li , Western Europe at any rate, itself a developed form of tribalism—in which the territory came to be held "of and under" the King (i.e. "head of the kindred") in an organised parental realm. The robes and insignia of the Baronage will be found to trace back to both these forms of tenure, which first require some examination from angle t usuallno s y co-ordinatedf i , the later insignia (not to add, the writer thinks, some of even the earlier understoode symbolsb o t e )ar . Feudalism has aptly been described as "the development, the extension organisatione th y sa y e Family",o familyth fma e oe th f on n r i upon,2o d an Scotlandrelationn i Land;e d th , an to fundamentall o s , tribaa y l country, wher e predominanth e t influences have consistently been Tribality and Inheritance,3 the feudal system was immensely popular, took root as a means of consolidating and preserving the earlier clannish institutions,4 e clan-systeth d an m itself was s modera , n historian recognisew no s t no , only closely intermingled with feudalism, but that clan-system was "feudal in the strictly historical sense".5 1 Stavanger Museums Aarshefle, 1016. -
The Life of William Ewart Gladstone (Vol 2 of 3) by John Morley
The Project Gutenberg EBook of The Life of William Ewart Gladstone (Vol 2 of 3) by John Morley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Life of William Ewart Gladstone (Vol 2 of 3) Author: John Morley Release Date: May 24, 2010, 2009 [Ebook 32510] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE LIFE OF WILLIAM EWART GLADSTONE (VOL 2 OF 3)*** The Life Of William Ewart Gladstone By John Morley In Three Volumes—Vol. II. (1859-1880) Toronto George N. Morang & Company, Limited Copyright, 1903 By The Macmillan Company Contents Book V. 1859-1868 . .2 Chapter I. The Italian Revolution. (1859-1860) . .2 Chapter II. The Great Budget. (1860-1861) . 21 Chapter III. Battle For Economy. (1860-1862) . 49 Chapter IV. The Spirit Of Gladstonian Finance. (1859- 1866) . 62 Chapter V. American Civil War. (1861-1863) . 79 Chapter VI. Death Of Friends—Days At Balmoral. (1861-1884) . 99 Chapter VII. Garibaldi—Denmark. (1864) . 121 Chapter VIII. Advance In Public Position And Other- wise. (1864) . 137 Chapter IX. Defeat At Oxford—Death Of Lord Palmer- ston—Parliamentary Leadership. (1865) . 156 Chapter X. Matters Ecclesiastical. (1864-1868) . 179 Chapter XI. Popular Estimates. (1868) . 192 Chapter XII. Letters. (1859-1868) . 203 Chapter XIII. Reform. (1866) . 223 Chapter XIV. The Struggle For Household Suffrage. (1867) . 250 Chapter XV. -
Download Brochure
FLAGSHIP RETAIL DUBLIN, IRELAND WHERE THE CITY CONNECTS GRAFTON STREET – TEMPLE BAR – GUINNESS STOREHOUSE – TRINITY COLLEGE – COLLEGE GREEN – HENRY STREET FLAGSHIP RETAIL OPPORTUNITY AN OUTSTANDING 928 SQ M FLAGSHIP VENUE: 3 FLOORS OF RETAIL IN HIGH FOOTFALL AREA. Clean-lined and panoramic, the new double-aspect storefronts of 6/8 College Green offer you stand-out presence on Dublin's main tourist and shopping route. Inside, this eye-catching 35-metre-wide window display serves a dual purpose, drawing in widescreen views that add theatre to your retail experience. 4 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 5 THE VISION “CENTRAL PLAZA STARTED AS A CENTER FOR INTERNATIONAL COMMERCE. WE HONOR THAT LEGACY AS WE CREATE DUBLIN’S MOST EXCITING NEW RETAIL DESTINATION IN ONE OF THE MOST VIBRANT NEIGHBOURHOODS IN ALL OF EUROPE.” GERALD D HINES, HINES FOUNDER AND CHAIRMAN 6 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 7 CIVIC TOWN SQUARE IMPROVEMENTS SOCIAL SPACE COLLEGE GREEN PLAZA 8 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 9 OFFICE 100% SPACE Reserved Market-leading firms have already leased the majority of Central Plaza's 100,000 sq ft workspace. WeWork, the world's leading shared workspace firm, has leased all eight floors of One Central Plaza and will create an onsite community of 1,300 affluent young professionals. Insurance giant AmTrust International Underwriters will base a new headquarters in the upper floors of 6/8 College Green. 10 CENTRAL PLAZA RETAIL WHERE THE CITY CONNECTS 11 Standing a full three storeys taller than the Guinness Gravity Bar, Central Plaza’s rooftop venue is currently being considered by RESTAURANT major hospitality operators and 75% is set to become one of Ireland's Reserved & LEISURE premier visitor attractions. -
ABSTRACT Title of Dissertation: ROYAL SUBJECTS
ABSTRACT Title of dissertation: ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860- 1901 Charles Vincent Reed, Doctor of Philosophy, 2010 Dissertation directed by: Professor Richard Price Department of History ABSTRACT: The dissertation explores the development of global identities in the nineteenth-century British Empire through one particular device of colonial rule – the royal tour. Colonial officials and administrators sought to encourage loyalty and obedience on part of Queen Victoria’s subjects around the world through imperial spectacle and personal interaction with the queen’s children and grandchildren. The royal tour, I argue, created cultural spaces that both settlers of European descent and colonial people of color used to claim the rights and responsibilities of imperial citizenship. The dissertation, then, examines how the royal tours were imagined and used by different historical actors in Britain, southern Africa, New Zealand, and South Asia. My work builds on a growing historical literature about “imperial networks” and the cultures of empire. In particular, it aims to understand the British world as a complex field of cultural encounters, exchanges, and borrowings rather than a collection of unitary paths between Great Britain and its colonies. ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860-1901 by Charles Vincent Reed Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2010 Advisory Committee: Professor Richard Price, Chair Professor Paul Landau Professor Dane Kennedy Professor Julie Greene Professor Ralph Bauer © Copyright by Charles Vincent Reed 2010 DEDICATION To Jude ii ACKNOWLEGEMENTS Writing a dissertation is both a profoundly collective project and an intensely individual one. -
The Rainsford Family with Sidelights on Shakespeare Southampton, Hall and Hart
THE RAINSFORD FAMILY WITH SIDELIGHTS ON SHAKESPEARE SOUTHAMPTON, HALL AND HART. THE RAINSFORD FAMILY WITH SIDELIGHTS ON SHAKESPEARE, SOUTHi\l\1PTON, HALL AND HART Embracing 1000 years of the RAINSFORD family and their successive partakings in the main lines of national life BY EMILY A. BUCKLAND. " In winter's tedious nights, sit by the fire With good old folks, and ]et them tell thee tales.'· -King Richard 11 i11lorcrsttr: Pa1Li,1Ps & PROBERT? LTD., THE CAXTON PRESS. I DEDICATE THIS BOOK TO FAITH AND JACK AND MY NLECES AND NEPHEWS. n FOREWORD. 3T was suggested to me by my cousin, Alfred Ransford of Hunstanton, that being a native of Stratford-on-Avon, baptized there in the historic Church of Holy Trinity (Register Certificate No. 70;\ Page 89), and the grand-daughter of a Rainsford of the Clifford Chambers line, I should compile into a little book some of his genealogical notes relating to the family, which he has collected over a period of thirty years, in spired and assisted by a kinsman, the late Frederick Vine Rainsford, who began turning over Wills and docu-· ments at the age of eighteen, and devoted a great part of sixty years to research work. This volume is a brief outline of a typical English family, living in the beautiful homes of our Empire, yet facing the vicissitudes oflife, with its struggles and successes; amidst the hardships and dra\vbacks of a much less advanced civilization ; who, like numerous others, in response to the call of King and Country, have been leaders of men, in the Church and Services, in the legal and -
Job Description
The Royal Household JOB DESCRIPTION JOB TITLE: Administrator, Picture Conservation Studio DEPARTMENT: Royal Collection Trust SECTION/BRANCH: Paintings Conservation LOCATION: Windsor Castle REPORTING TO: Registrar (Pictures) and Conservation Studio Co-ordinator Job Context Royal Collection Trust is a department of the Royal Household and the only one that undertakes its activities without recourse to public funds. It incorporates a charity regulated by the Charity Commission and the Office of the Scottish Charity Regulator, The Royal Collection Trust, and its subsidiary trading company, Royal Collection Enterprises Limited. Royal Collection Trust is charged with the care and preservation of the Royal Collection and its presentation to the public. The Royal Collection is one of the largest and most important art collections in the world. It comprises almost all aspects of the fine and decorative arts, runs to more than a million objects and is spread among some thirteen royal residences and former residences across the UK. At The Queen’s Galleries in London and Edinburgh, aspects of the Collection are displayed in a programme of temporary exhibitions. Many works from the Collection are on long-term loan to institutions throughout the UK and short-term loans are regularly made to exhibitions around the world as part of a commitment to broaden public access and to show parts of the Collection in new contexts. The works of art in the Royal Collection are held by The Queen in trust for her successors and the nation. Royal Collection Trust is responsible for the management and financial administration of the public opening of Buckingham Palace (including The Queen’s Gallery, the Royal Mews and Clarence House), Windsor Castle (including Frogmore House) and the Palace of Holyroodhouse (including The Queen’s Gallery). -
The Young Victoria Production Notes
THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. -
Osborne Teachers' Resource Pack (KS2-KS3)
KS2–KS3 TEACHERS’ RESOURCE PACK Osborne This resource pack will help teachers plan a visit to Osborne, which offers unrivalled insight into the private lives of Queen Victoria and Prince Albert and the empire over which they ruled. Use this pack in the classroom to help students get the most out of their learning about Osborne. INCLUDED • Historical Information • Glossary • Sources • Site Plan Get in touch with our Education Booking Team 0370 333 0606 [email protected] https://bookings.english-heritage.org.uk/education Don’t forget to download our Hazard Information Sheets and Discovery Visit Risk Assessments to help with planning: • The Adventures of a Victorian Explorer (KS2) • Waiting on Hand and Foot (KS2) • Story Mat (KS1) Share your visit with us on Twitter @EHEducation The English Heritage Trust is a charity, no. 1140351, and a company, no. 07447221, registered in England. All images are copyright of English Heritage or Historic England unless otherwise stated. Published January 2018 HISTORICAL INFORMATION DISCOVER THE STORY OF Below is a short history of Osborne. Use this OSBORNE information to learn how the site has changed over time. You will find definitions of the key words in the Glossary. AN EXCELLENT HOME In October 1843, Queen Victoria and Prince Albert were looking for a new country home for their ever-growing family. The royal couple visited the Osborne estate in 1844 and Victoria was delighted with how private it was: ‘…we can walk anywhere without being mobbed or followed.’ Best of all, it had Osborne House was built of brick its own beach where they could come and with a smooth cement layer on top to make the house look as if go by boat without being seen. -
Susanna Avery-Quash
Victoria Albert &Art & Love ‘Incessant personal exertions and comprehensive artistic knowledge’: Prince Albert’s interest in early Italian art Susanna Avery-Quash Essays from a study day held at the National Gallery, London on 5 and 6 June 2010 Edited by Susanna Avery-Quash Design by Tom Keates at Mick Keates Design Published by Royal Collection Trust / © HM Queen Elizabeth II 2012. Royal Collection Enterprises Limited St James’s Palace, London SW1A 1JR www.royalcollection.org ISBN 978 1905686 75 9 First published online 23/04/2012 This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for non-commercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses please contact Royal Collection Enterprises Limited. www.royalcollection.org.uk Victoria Albert &Art & Love ‘Incessant personal exertions and comprehensive artistic knowledge’: Prince Albert’s interest in early Italian art Susanna Avery-Quash When an honoured guest visited Osborne House on the Isle of Wight he may have found himself invited by Prince Albert (fig. 1) into his private Dressing and Writing Room. This was Albert’s inner sanctum, a small room barely 17ft square, tucked away on the first floor of the north-west corner of the original square wing known as the Pavilion. Had the visitor seen this room after the Prince’s rearrangement of it in 1847, what a strange but marvellous sight would have greeted his eyes! Quite out of keeping with the taste of every previous English monarch, Albert had adorned this room with some two dozen small, refined early Italian paintings,1 whose bright colours, gilding and stucco ornamentation would have glinted splendidly in the sharp light coming from the Solent and contrasted elegantly with the mahogany furniture. -
Mrs Brown by Jeremy Brock Ext. the Grounds Of
MRS BROWN BY JEREMY BROCK EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Begin on black. The sound of rain driving into trees. Something wipes frame and we are suddenly hurtling through a forest on the shoulders of a wild-eyed, kilted JOHN BROWN. Drenched hair streaming, head swivelling left and right, as he searches the lightening-dark. A crack to his left. He spins round, raises his pistol, smacks past saplings and plunges on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Close-up on BROWN as he bangs against a tree and heaves for air. A face in its fifties, mad-fierce eyes, handsome, bruised lips, liverish. He goes on searching the dark. Stops. Listens through the rain. A beat. Thinking he hears a faint thump in the distance, he swings round and races on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN tears through the trees, pistol raised at full arm's length, breath coming harder and harder. But even now there's a ghost grace, a born hunter's grace. He leaps fallen branches, swerves through turns in the path, eyes forward, never stumbling once. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN bursts into a clearing, breaks to the centre and stops. With his pistol raised, he turns one full slow circle. His eyes take in every swerve and kick of the wildly swaying trees. There's a crack and a branch snaps behind him. He spins round, bellows deep from his heart: BROWN God save the Queen!! And fires. Nothing happens. The trees go on swaying, the storm goes on screaming and BROWN just stands there, staring into empty space. -
Highlights of Ireland & Britain
12 Days/11 Nights Departs Daily from the US Avanti Journey - Highlights of Ireland & Britain: Dublin, Edinburgh, Manchester & London The Highlights of Ireland & Britain Avanti Journey gives you some of the best that both Ireland and Britain has to offer! Taste the world-famous Guinness at the Storehouse in Dublin and take in gorgeous scenery of the Irish countryside. In Scotland, walk the historic cobblestone streets of Edinburgh and taste iconic Scotch whisky. In England, London and its centuries of history and culture await. It's all contained in this marvelous journey! ACCOMMODATIONS •3 Nights Dublin •2 Nights Manchester •3 Nights London •3 Nights Edinburgh INCLUSIONS •Private Arrival & Departure •Highland Lochs, Glens, and •Air JFK to Dublin, Dublin to Transfers in Select Cities Whisky Tour Edinburgh & London to JFK* •Self-Guided Guinness •Manchester Hop-on/off City •1st-Class Rail Edinburgh to Storehouse Tour with Tour Manchester & Manchester to Connoisseur Experience •Panoramic Tour of London with London •Glendalough, Kilkenny & St Paul's Cathedral and •Daily Breakfast Wicklow Mountains Tour Changing of the Guard •Secrets of the Royal Mile •City of London Gin Distillery Walking Tour with Edinburgh Tour and Tasting Castle ARRIVE DUBLIN: Departing from Newark or JFK, you arrive at Dublin Airport. Your driver will await you in the arrival hall for your private transfer to a centrally located hotel. The remainder of the day is at your leisure. Dublin is the cultural capital of Ireland, offering Trinity College, the Book of Kells, the National Gallery, Number Twenty Nine ( a 1790 Georgian House Museum), Dublin castle, St. Audoen's (the city's only remaining medieval parish church), Abbey Theater, and St. -
Prince Harry Records Message for Thomas the Tank Engine by Associated Press, Adapted by Newsela Staff on 05.12.20 Word Count 527 Level 830L
Prince Harry records message for Thomas the Tank Engine By Associated Press, adapted by Newsela staff on 05.12.20 Word Count 527 Level 830L Britain's Prince Harry records his introduction to the new animated special "Thomas & Friends: The Royal Engine" in January 2020. Set when Prince Harry's father, Prince Charles, was a boy, Thomas has to take Sir Topham Hatt, the controller of the railway, to Buckingham Palace to receive an honor. Photo: Dave Poultney/Mattel via AP Prince Harry of the British royal family has recorded a special video. It celebrates the 75th anniversary of a favorite children's book. The book is titled "Thomas the Tank Engine," and its main character is a train engine. Prince Harry introduces a new program called "Thomas and Friends: The Royal Engine." The story includes Harry's father and grandmother, Prince Charles and Queen Elizabeth II, as animated characters. Harry's Fond Memories Of Thomas The story is set when Prince Charles was a boy. Sir Topham Hatt is in charge of the trains. He needs to get to Buckingham Palace in London to receive an honor. The story shows the friendly train Thomas taking Sir Topham to London. This article is available at 5 reading levels at https://newsela.com. Prince Harry's introduction was recorded in January before he moved overseas. In it, he sits in an armchair, reading from a book about the train's adventures. In a statement, Prince Harry said he has fond memories of growing up with Thomas and Friends. He remembers "being transported to new places" through the train's adventures.