J. Cole €“ Kod Free Album Download Link
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j. cole – k.o.d. free album download link J. cole – k.o.d. free album download link. Who is J Cole? Plenty of people asked that question when Jay-Z signed the North Carolina rapper to his new Roc Nation venture in 2009. But online rap fiends were already aware of the young emcee's densely lyrical style, thanks to his widely distributed mixtape The Come Up . A track from that mixtape, "Lights Please," became J Cole's first official single; meanwhile, he landed cameos on Jay-Z's The Blueprint 3 , as well as albums by Wale and Reflection Eternal. In 2010, he dropped another single, "Who Dat." Amidst preparations for a proper full-length debut in 2011, he continued to attract a big audience with MP3s and mixtapes like Friday Night Lights . Mosi Reeves. Similar Artists. Featured on Napster. Spotlights. Main Releases. Singles & EPs. Compilations. Others. Facebook Twitter. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Napster. Music Apps & Devices Blog Pricing Artist & Labels. About Us. Company Info Careers Developers. Resources. Account Customer Support Redeem Coupon Buy a Gift. Legal. Terms of Use Privacy Policy End User Agreement. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. J. Cole – K.O.D. Album (Zip Download) Download Full Album J. Cole – K.O.D. Zip Download J. Cole’s “surprise” album, “KOD,” has arrived! Well here it is y’all. After announcing the album on Monday and performing it live at a pop-up show in NYC, J. Cole’s fifth studio album, K.O.D , has officially arrived. The project, which was recorded in only two weeks, has three meanings for the acronym K.O.D, including “King Overdosed,” “Kill Our Demons,” and “Kids on Drugs.” The album cover has a disclaimer in white text, saying “This album is in now way intended to glorify addiction,” and it appears Cole took a conceptual route to tackle the usage of drugs to escape coping with personal issues. In fact, the acronym Kids On Drugs refers to kids confronting their issues with recreational & prescription drugs as displayed on the back album cover. The follow up to 4 Your Eyez Only contains 12 tracks in total and features two songs with Cole’s alter-ego Kill Edward, who appears on “The Cut Off” & “Friends.” However, if we’re being technical, Cole has once again gone the no-feature route, looking to achieve his third platinum album with no help. The project ends with the outro “1985,” which not only is the year Jermaine was born, but will reportedly serve as an intro into Cole’s next untitled project. Available now on iTunes , fans can stream the project in its entirety via Apple Music. Hit play and let us know what record you’re feeling the most? J. cole – k.o.d. free album download link. Listen to this album in high quality now on our apps. Enjoy this album on Qobuz apps with your subscription. Enjoy this album on Qobuz apps with your subscription. Listen on Qobuz. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £13.49. A real one-in-a-million from a little lost town in North Carolina, Jermaine Cole has become a big beast of world hip hop with an ascetic, old-timey, demanding, solitary musical output. Over time, J. Cole has become the standard bearer for a lost authenticity, for unflagging longevity and an intriguing attention to detail set against the merry-go-round of amnesiac instant entertainment. After a more introspective 4 Your Eyez Only which was almost chamber music, the rapper is offering up KOD , a work with more contemporary ambitions. In his unceasing quest for consciousness, J.Cole has set himself up as a beacon in the night for new generations. At the base of KOD is the lifeblood of addiction: drugs, money, social media, celebrity, violence, sex, infidelity. The rapper sweeps away all of our society's compulsions, making something of a self-criticism along the way. Everyone gets hauled over the coals and brought down a peg. More modern than it sounds, J. Cole's music has come out of his comfort zone to relay his message. But the resolutely jazz, intimate moments are the most successful. Among these, the ironic Kevin's Heart deals with the media frenzy over Kevin Hart's infidelities, which fell between voyeurism and identification. This approach, full of contrast, is also found on the striking Window Pain , which deals with gun culture in a mood of anger and revenge. Always marked by spirituality, J. Cole proves that he's more than just the Jiminy Cricket of the moment by renewing his formula. The authentic artisan of deep attention has got some great days ahead of him. © Aurélien Chapuis/Qobuz. J. cole – k.o.d. free album download link. With his fifth album, the North Carolina rapper aims for righteousness but often ends up sounding self-righteous instead. Featured Tracks: Listening to a J. Cole album can feel like listening to a very intense young lawyer attempt to win a difficult case. Throughout his career, Cole’s raps have often been self-serious and polemical, with their success depending on the overall strength of his argumentation above all else. And while many of his individual claims can be convincing, you often get to the end of a song and think something like: Wait, did he really just argue that corporations take taxes and use them to buy and spread guns? Few artists stake so much on their ability to persuade an audience of their worldview, particularly when that worldview is so absolutist. You do not listen to J. Cole to enjoy his wit or his stories, but to partake in his wisdom, which often involves an element of moral panic: On his new addiction-themed album, KOD , he loves to suggest that people should abstain from things—smoking, drinking, online dating. Sometimes, he’s persuasive, but just as often, he simply seems self-righteous. For a talented technical rapper with reverence for hip-hop’s history, Cole has never really been playful. (His previous album, 4 Your Eyez Only , was all about death.) Aside from his weakness for corny punchlines, his verses are frequently free of the word games that his top-tier peers revel in. But even so, Cole is capable of making a strong case for his beliefs. When he does, it’s thanks to the emotional appeals he embeds in certain songs. On “FRIENDS,” he confesses to his dependence on weed before calling out specific friends who abuse drugs; in asking them to stop, he mostly ditches his sanctimony. On another standout, “Kevin’s Heart,” Cole uses the pint-sized comedian’s very public infidelities to reflect on the challenge of monogamy: “My phone be blowing up/Temptations on my line/I stare at the screen a while before I press decline.” Cole is most effective when he keeps things personal rather than turning up his nose at the choices of others. Other songs work because of the North Carolina rapper’s technical ability and skill behind the boards. Previously, when Cole has wanted to make a statement, he’s asked all collaborators to leave the room. The new album, like his would-be magnum opus, 2014 Forest Hills Drive , is absent of other artists (save kiLL edward, a mysterious guest whose voice, when sped up, sounds like J. Cole’s), and Cole produced much of it himself. “ATM” and the title track are potent reminders of the way he can rip up a song with his flow alone. Cole is friends with Kendrick Lamar, and KOD , with its stripped-down production, snare-drum flows, and focus on virtue and vice, can feel like a pale shadow of DAMN. Unlike the Pulitzer winner, Cole is far more predictable and accessible. Cole simplifies lust on “Photograph,” where he again reminds us that his ideal woman is a holy Madonna who is sexy but never shows too much skin. He’s thoughtlessly proud on “The Cut Off,” in which he commends himself for his generosity after talking about how tempted he is to become violent. And on “BRACKETS,” he boils down a complicated topic in order to make a difficult argument work. The song ends with the story of a mother who loses her son. On the day of her son’s funeral, she remembers she has to pay her taxes, which she believes indirectly funded his death. Much like DAMN., the song uses the cyclical nature of time to make a point—that taxes are evil. But unlike Kendrick, Cole jury-rigs the narrative to make his case. Specious as they may be, songs like “BRACKETS” help us understand Cole’s appeal: He unites his audience against bogeymen like taxes, or the government, or white teachers in black schools, or a new generation of rappers. If you agree that those things are unequivocally Bad, you might be willing to listen when he tells you what not to do. The most personal song on KOD is about his mother, Kay, and it combines the emotional appeal and evocative detail of the album’s best tracks with the selfishness of its worst. On “Once an Addict (Interlude),” Cole recalls his mom drinking too much after his stepfather had a child by another woman—even pinpointing the Marvin Gaye and Al Green songs she was listening to at the time—as he regrets his own callous reaction (“Why she always using me for a crutch?”).