THE STAR Under Your Nose AUSTIN * SAN ANTONIO Joe Baker, Commentary, P.7 Feb

Total Page:16

File Type:pdf, Size:1020Kb

THE STAR Under Your Nose AUSTIN * SAN ANTONIO Joe Baker, Commentary, P.7 Feb Texan's Gay Immigration Case Attracting National Attention By Don Ritz Fifth Circuit Court of Appeals in New Longstaff said that NGRA would fund Immigration of gay men and women to the Orleans. Late last September, the Appeals the majority of costs for the Supreme U.S. is a subjectthat has been picked up by Court, by a vote of 2 to l, affirmed the Court case, and the organization would be the national news media. Federal District Court's decision. accepting donatiorui. (Donations are tax Richard Longstaff, owner of the Union After the Appeals Court decision, the dedut'tible, and checks should be made to Jack clothing stores in Dallas and Hous­ National Gay Rights Advocates (NGRA), NGRA or the Legal Foundation for Per· ton, immigrated to the U.S. from Great located in San Francisco, requested a sonal Liberties, 540 Castro, San Fran­ Britain in 1965. Shortly after immigrat­ rehearing en bane by the Appeals Court. cisco, Calif. 94114.) ing, Longstaff opened his store in Dallas NGRA, citing numerous contradictions Longstaff said, "Speculation is that the and later opened a second in Houston. between the Fifth Circuit's decision and Supreme Court will hear the ca8e, but it is Eleven years after immigrating to this other smiliar immigration cases, purely speculation as to when they will country, Longstaff applied for U.S. citi­ requested that the case be heard by the hear it. The timing (of the case) does not zenship. entire Fifth Circuit Court, not just three have the priority of something like a case The U.S. Federal District Court Judge judges. ,..;th the death sentence. It,.. ould be up to a Joe Estes twice denied Longstaff citizen• The appellate court refused the rehear­ ye.ar before they decide to hear the case, ship and based his decision on two issues. ing request. NGRA has now filed for the then another year before they actually do Este,; claimed that Longstaff was in viola• Supreme Court to hear the case. The hear it, and another 12 months to make e tion of the Texas State Penal Code, Sec• Supreme Court received the writ on Wed­ ruling." tion 21.06, the "homosexual conduct" law, nesday, Jan. 25. Ron Ranum, :-GRA administrator, said and that Longstaff had illegally entered NBC national news learned of the case, he lioped the case would not take quite the country. and reporter Carl Stem and a camera crew that long. Ranum said he thought a deci­ A law passed by Congress in 1952 states were sent to Washington to interview sion on whether or not the case would be that individuals with "psychopathic per• Longstaff on Tuesday, Jan. 23. heard would be made in October Ranum sonalities" are exdudable and ineligible Longstaff said that he was uncertain added that it's hard to predict any judicial to receive visas to immigrate to the U.S. In when the interview would be aired, but decision. 1965, the law was amended to include anticipated it would be aired on the same "NGRA is reaching out to get the best "sexual deviants." day the Supreme Court received the writ, Gay Texas' businessman poti 1ble lawyertodotheoral agrumentfor Longstaff appealed the decision to the on the evening news with Tom Brokaw. Richard Longstaff the caae before the Supreme Court. " That Little Brown Bottle THE STAR Under Your Nose AUSTIN * SAN ANTONIO Joe Baker, Commentary, p.7 Feb. 3, 1984 D Issue •7 o Published Every Other Friday ig Bro er as een ,ng• or ears, ays 1minoski By Hollis Hood some $165. This attitude, he says, typifies procedure-of homosexuals. If this can go the Reagan's administration's position of on here, it can go on anywhere, and does," 1984 is here, end Biir Brother and Big Sis­ trying to undermine the purpose of the he said. ter have already been watching for FOIA. He encouraged the Journalistb to go decades. Dan Siminoski, who ret"ently Virginia Apuzzo, executive dirt'ctor of back to their respective cities and discover filed for release of FBI gay surveillance the National Gay Task Force, has voiced if their police departments had such files. documents under the Freedom oflnforma­ support for Siminoski's cause, saying, "We should all c-are about these tion Act, said in his keynote address at the "The FBI's refusal to waivl' fees for Dr records," the longtime activist said. "It's Srcond Annual Gay Press AsRociation 's Siminoski's Freedom of Information Act one of the great scandals of administra• Southern Regional Confrrence Jan. 27 in requl'st is another example of the federal t1ve Justice. It is a dark, illicit, ugly history Houston. government's special and systematic to taxpayer waste and secrecy " Siminoski was in Houston to promote hara. smcnt of the gay lesbian movement The FBI',. refusal will result in the larg­ Siminosk1 VB. the FBI, the case filed on his which Dr. Simmosk1 and other histonans est FOIA case m history, he said. behalf by the California Civil Liberties and social scientists seek to document. The government hasn't just saHld Union this past October, and to promote This case will give us the opportunity to records on ind1v1duals such as John Lc.n his forthcoming book, Spies m the C/osrt. inform the American public about the dis­ non or Martin Luther Kmg, he said In the The case nrose when h(• requested the crimination we face nnd will be a major case of the ga) movement, "as with the release of FRI documents for hook test of the rights of gay men and lesbians ,..omen's mO\ement or any other move­ research, "including hut not limited to" 1:1 to b,• secure in their civil liberties." ment wanting change," they have docu­ gay organizations nationwide which the "I have been asked why I should care mented an entire SO<'lal history. bur(,au had been tracking since the early about 'old, dusty records,"' Siminoski told That'.s one reason Simmoski wants the Hl.iOs. the gathered newspersons. "What differ• records, he said. "The litigation will gh e "But it doesn't matter who's watching," encc will it make? Well, I'll give you sev• us an opportunity to gather a large piet"e of the political consultant said, "the gay eral reasons." gay history. A chance to recover much of movement will make progrPSs. We must do ThiR is not just a gay case, he explained. what has not been kept by others. They whatever is necessary to maximize sup· It is of interest to ell civil libertarians. It have records on the Mattachine Society port in this frightening world." demonatrate.s that no person nor group of and One, Incorporated from the very It is time for the gay movement to reach persons is "safe under the law until they beginning. out to the other human rights groups and know exactly how that law may be "If there's one thing you can i;ay for the b(-come a part of the mainstream human abridged to violate their rights. federal government, it is a wonderful rights cause, Siminoski said. Through this PHOTO SMOAOOJlli '1'his case will tell us e lot about the archivist," he jokingly stated "It gathel'II clout, gays can imprnss upon the govern­ Dan S1minoski relation.ship between gay rights and the ever~1hing and keep its. It keeps thmgs ment that they will no longer toleratl' federal government, which alledgedly like a pack rat-all the dirt in all the being spied upon and harassed. dollars. stands for freedom. It \\ill demonstrate closets-end they save, save. save." "We are Am(•ric.an citizens, and we need In essence, gays are paying taxes to be that civil liberties are only up to the defini­ The emplo) ees routinely chp from gay to rPach out to electoral candidates who spied on by their gover_nment, and that tion (given them) by local law enforcement and non-gay publications anything that are supportive of gay rights," he said government is not allowing th~se persons agencies. Gay rights have always been refers to gay issues or gay individuals, he "and make gay rights part of the huma~ to see the information that 1s being accum­ violated and are continuing to be," said said, citing a meeting notice which rights coalition-call it ~he Rainbow Coa• ulated about them. Siminoski, who holds a doctorate from the appt>ared in the university newspaper in lition, Roosevelt Coaht10n or what hav!' Siminoski was told that the documents University of Wisconsin. Hayward, Calif. The Gay Academic you," . he rt'<juested would "endanger national He specifically referred to ret"ent bar Union listed the name of the organization, Not only is the surveillance of the gay Sl-curity" if they were released, and that raids in Houston where some 46 persons location and time of meeting and other movement and prominent figures in it the public served by such a releruie would were randomly taken in for alleged public "juicy tidbit.s, like bring a sack lunch and (documentation which. according to Sim­ be "so small" that it essentially was not intoxication. cofftoe v.ill be furmshed." This clipping inoksi, numbel'!I in the thousands of pages worthwhile to go through the clerical pro­ "Houston is considered the liberal capi­ was filed in the Hayward Pwneer file in eight major cities nationwide) contrary CCIISes involved. He termed this attitude tal of the South, but the police department under a national security classification. to the basic freedom of speech guarant.•ed "unadulterated poppy coc-k" admittedly has a file of license plate That indicated it to be an organization by the Bill of Rights, it is a dreadful waste He was also denied a fee waiver request numbers, names and photographs-some continued of hundreds of thousands of taxpayers' for copying what records he could get, taken out of the context of regular police 2 THE STAR I FEB.
Recommended publications
  • Approved Movie List 10-9-12
    APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title ALEXANDER THE GREAT (1968) ANCHORMAN (2004) APACHES (also named APACHEN)(1973) BULLITT (1968) CABARET (1972) CARNAGE (2011) CINCINNATI KID, THE (1965) COPS CRUDE IMPACT (2006) DAVE CHAPPEL SHOW (2003–2006) DICK CAVETT SHOW (1968–1972) DUMB AND DUMBER (1994) EAST OF EDEN (1965) ELIZABETH (1998) ERIN BROCOVICH (2000) FISH CALLED WANDA (1988) GALACTICA 1980 GYPSY (1962) HIGH SCHOOL SPORTS FOCUS (1999-2007) HIP HOP AWARDS 2007 IN THE LOOP (2009) INSIDE DAISY CLOVER (1965) IRAQ FOR SALE: THE WAR PROFITEERS (2006) JEEVES & WOOSTER (British TV Series) JERRY SPRINGER SHOW (not Too Hot for TV) MAN WHO SHOT LIBERTY VALANCE, THE (1962) MATA HARI (1931) MILK (2008) NBA PLAYOFFS (ESPN)(2009) NIAGARA MOTEL (2006) ON THE ROAD WITH CHARLES KURALT PECKER (1998) PRODUCERS, THE (1968) QUIET MAN, THE (1952) REAL GHOST STORIES (Documentary) RICK STEVES TRAVEL SHOW (PBS) SEX AND THE SINGLE GIRL (1964) SITTING BULL (1954) SMALLEST SHOW ON EARTH, THE (1957) SPLENDER IN THE GRASS APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title TAMING OF THE SHREW (1967) TIME OF FAVOR (2000) TOLL BOOTH, THE (2004) TOMORROW SHOW w/ Tom Snyder TOP GEAR (BBC TV show) TOP GEAR (TV Series) UNCOVERED: THE WAR ON IRAQ (2004) VAMPIRE SECRETS (History
    [Show full text]
  • Movies Content Comparison Correct As of 7Th Nov 2014
    Movies Content Comparison Correct as of 7th Nov 2014 Notes: 1. Pay TV and online services 2. Subscription and rental movies only. Purchase movies not included 3. SD/HD/3D titles counted once 4. Movies defined as: feature-length films, not including trailers, featurettes, try before you buy or children’s features. 5. Correct as of 7th Nov 2014 Virgin Media + Netflix Total title count: 3,751 9 42 51 360 1984 (A) Sexual 1 Chance 2 Dance 1:1 Thierry Henry 10 Rules For Sleeping Around 10 Things I Hate About You 10 to Midnight 100 Feet 101 Dalmations 12 Rounds 2 12 Years A Slave 13 Assassins 13 Ghosts 13 Going on 30 16 Acres 180° South 2 Days in The Valley 2 Fast 2 Furious 2 Guns 20 Feet From Stardom 20,000 Days On Earth 21 & Over 21 Jump Street 25th Hour 28 Days 28 Days Later 28 Weeks Later 3 Days To Kill 3 Ninjas: High Noon At Mega Mountain 3 Ninjas: Kick Back 3 Ninjas: Knuckle Up 3.10 To Yuma 3:10 to Yuma 30 Minutes or Less 300: Rise of An Empire 47 Ronin 48 Hrs. 5 Broken Cameras 50 Dead Men Walking 50 First Dates 50/50 5ive Girls 8 Minutes Idle 8MM 96 Minutes A 2nd Chance Page 1 of 94 Movies Content Comparison Correct as of 7th Nov 2014 Notes: 1. Pay TV and online services 2. Subscription and rental movies only. Purchase movies not included 3. SD/HD/3D titles counted once 4. Movies defined as: feature-length films, not including trailers, featurettes, try before you buy or children’s features.
    [Show full text]
  • April 9, 2021 Daily
    Prince Philip, husband of the Queen, dies Pre-RamadanToys For dinnerTots at event Masjid Bilal to ofbe Cleveland held Kid’s Corner Toys For Tots event to be held SPORTS Kid’s Corner PrinceThe Friends Philip, of Zack husband Reed will sponsorof Britain’s its 22nd MENU TIPS Masjid Bilal of Cleveland, 7401 Euclid Jude Alexander McHale: Ave. will hold a drive thru pre-Ramadan dinner QueenAnnual 2018Elizabeth Toys for II, Tots has Holidaydied, the Party royal & Celebrity family Jude was born on May 17. He is Fashion Show with the goal to collect 1,000 toys for the Jose Comes Through Potatoes Improve Your announced today. He was 99. According to a on Saturday April 10 at 4:00 p.m. Baked and needy children of Northeast Ohio. Beverages will be pro- For Tribe Salad Days almost 2 years old. He loves watch- fried perch, barbeque beef ribs, and fried chick- statementvided with admission.from the Celebrities palace, “Hisinvited Royal include: High Alec- ing his big sister and trying to run. en wings for $15.00. Dinners include potatoes, nessBlackmon, passed Andrea away Vecchio, peacefully Tiffany Tarpley,this morning and Vanessa at He giggles at puppets and Mickey rolls, coleslaw, green beans, and dessert. To WindsorWhiting, Esq. Castle.” Doors openHe hadat 6pm. been Admission ill for is some$10 at Mouse. He also likes to go on af- the door with a new, unopened toy for donation (or $20 See Page 4 See Page 5 order call 216-391-4471. time. McHale ternoon walks with Mom and Dad. without a toy).
    [Show full text]
  • Universidade Federal De Santa Catarina Pós-Graduação Em Letras/Inglês E Literatura Correspondente
    UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE RETURNING TO ZAMUNDA TO FIND PARADISE: EDDIE MURPHY’S COMING TO AMERICA AND THE POLITICS OF PARODY IN FILM. CLÁUDIA RAMOS NEVES Dissertação submetida à Universidade Federal de Santa Catarina em cumprimento Parcial dos requisitos para obtenção do grau de MESTRE EM LETRAS FLORIANÓPOLIS FEVEREIRO 2004 On a gray evening Of a gray century, I ate an apple While no one was looking. A small, sour apple The color of woodfire Which I first wiped On my sleeve. Then I stretched my legs As far as they’d go, Said to myself Why not close my eyes now Before the late World News and Weather. Charles Simic-History In North America time stumbles on without moving, only releasing a certain North American pain. Julia de Burgos wrote: That my grandfather was a slave is my grief; had he been a master that would have been my shame. Adrienne Rich – from North American Time I dedicate this work to my mother, Léa, for showing me what is to be a Woman and to my children, Bruno and Amanda, for being the reason why I have become one. ACKNOWLEDGEMENTS I am most grateful to CAPES for providing me with a scholarship thereby enabling me to complete this requirement. I sincerely thank my professors and the secretarial staff at Pós-graduação em Inglês and my colleagues at Departamento de Língua e Literatura Estrangeiras, Universidade Federal de Santa Catarina, for their encouragement. Thank you to my family, specially my mother Léa, for helping me “making ends meet”.
    [Show full text]
  • Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity Addie Tsai, Texas Woman’S University
    Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity Addie Tsai, Texas Woman’s University Abstract In 1987, Eddie Murphy performed a comic sketch about white men dancing that would inform future movers and makers of white male dancing in American popular culture, helping to create a trope mocking white men for their inability to dance, most often referred to as the “white man dance.” At that time, Saturday Night Live, with the help of its host Patrick Swayze, fresh off the popularity of his work in sleeper hit Dirty Dancing, contributed to the trope itself with a sketch comparing the hypermuscular physique of Swayze vs. the flabby physique of comedian Chris Farley. Almost thirty years later, American popular culture would see a return to a renewed interest in the dance film with the stripper film Magic Mike. This article argues that although Magic Mike, like Dirty Dancing, relies on the makeover trope as its narrative and thematic engine, Magic Mike revises the popular dance film format to instead focus on the relationship between two men, Mike and Adam, rather than on a heterosexual partnering. Magic Mike’s focus on this male-to-male relationship inevitably comments on the exchange between heteronormative masculinity and compulsory heterosexuality and their assumed whiteness. Keywords: Patrick Swayze, beefcake, Richard Dyer, White Man Dance, masculinity, AIDS, screendance, film, Saturday Night Live, Chris Farley, Channing Tatum, Magic Mike, Chippendales In Adrienne Rich’s pioneering essay titled “Compulsory Heterosexuality and the Lesbian Existence,” she seeks to explore the ways in which lesbian existence has been marginalized as well as the ways in which heterosexuality operates as an institution that, in many ways, has been forced onto women as a part of a heteronormative conditioning.
    [Show full text]
  • Laughing Mad Haggins FM Pgs-I-Xii.Qxd 10/24/2006 9:58 AM Page Ii Haggins FM Pgs-I-Xii.Qxd 10/24/2006 9:58 AM Page Iii
    Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page i Laughing Mad Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page ii Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page iii Laughing Mad The Black Comic Persona in Post-Soul America Bambi Haggins Rutgers University Press New Brunswick, New Jersey, and London Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page iv Material used Chapter 1 and 2 was originally published, in a much abbreviated form, as “Laughing Mad: The Black Comedian’s Place in Post–Civil Rights Era American Comedy,” in Hollywood Comedians: The Film Reader, ed. Frank Krutnik (London, New York: Routledge, 2003). Excerpt from “It’s Bigger Than Hip Hop,” written by Lavonne Alford and Clayton Gavin, published by War of Art Music (BMI)/Walk Like a Warrior Music (BMI), per- formed by Dead Prez. Reprinted by permission of The Royalty Network Inc. Excerpt from “Harlem Literati” from The Big Sea by Langston Hughes. Copyright © 1940 by Langston Hughes. Copyright renewed 1968 by Arna Bontemps and George Houston Bass. Reprinted by permission of Hill and Wang, a division of Farrar, Strauss and Giroux, LLC and (for publication in United Kingdom and British Commonwealth) Harold Ober Associated Inc. Library of Congress Cataloging-in-Publication Data Haggins, Bambi, 1961– Laughing mad : the Black comic persona in post-soul America / Bambi Haggins. p. cm. Includes bibliographical references and index. ISBN-13: 978–0–8135–3984–3 (hardcover : alk. paper) ISBN-13: 978–0–8135–3985–0 (pbk. : alk. paper) 1. African American comedians—Biography I.
    [Show full text]
  • (Straight) White Men Can't Dance: the Dancing Body As
    (STRAIGHT) WHITE MEN CAN’T DANCE: THE DANCING BODY AS RACIAL AND GENDERED IDEOLOGY IN AMERICAN POPULAR CULTURE FROM 1980 to 2018 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCES BY ADDIE TSAI, M.F.A. DENTON, TEXAS AUGUST 2018 Copyright © 2018 by Addie Tsai DEDICATION For B, the only person to whom I can confess I can’t dance a single step. And for J, who believed, from the beginning, I did indeed have what it takes. ii ACKNOWLEDGMENTS I would like to offer my deepest gratitude to Dr. Linda Caldwell for her assistance, mentorship, and support throughout my doctoral coursework, qualifying exams, and dissertation process. Her guidance, patience, responsiveness, excitement, curiosity, investment, and openness have made this work what it most desperately sought to become. Thank you to Dr. Patrick Bynane and Dr. Rosemary Candelario for their assistance and guidance on this dissertation project from inception through the qualifying exams and the prospectus. I am especially appreciative for Dr. Patrick Byane’s willingness to serve on a doctoral committee outside of his department, and for his wisdom on canonical and profound texts and ideas I may not otherwise have found. I am immensely grateful to Dr. Rosemary Candelario for her guidance and support throughout doctoral coursework and the development of this project, and for agreeing to chair this dissertation committee at this late stage of the process. I am incredibly thankful to the entire Texas Woman’s University Dance Department, and especially to Professor Mary Williford-Shade, Dr.
    [Show full text]
  • Rhea's Dissertation
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Rhea L. Combs Date Exceeding the Frame: Documentary Filmmaker Marlon T. Riggs as Cultural Agitator By Rhea L. Combs Doctor of Philosophy Graduate Institute of the Liberal Arts ______________________________________________________ Matthew H. Bernstein, Ph.D. Advisor ______________________________________________________ Rudolph P. Byrd, Ph.D. Committee Member ______________________________________________________ Beverly Guy-Sheftall, Ph.D. Committee Member Accepted: ______________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the Graduate School ___________________ Date Exceeding the Frame: Documentary Filmmaker Marlon T. Riggs as Cultural Agitator By Rhea L. Combs M.A., Cornell University, 1994 Advisor: Matthew H. Bernstein, Ph.D. An abstract of A dissertation submitted to the Faculty of the Graduate School of Emory University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Graduate Institute of the Liberal Arts 2009 Abstract Exceeding the Frame: Documentary Filmmaker Marlon T.
    [Show full text]
  • The Essential HBO Reader
    University of Kentucky UKnowledge American Popular Culture American Studies 1-18-2008 The Essential HBO Reader Gary R. Edgerton Jeffrey P. Jones Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Edgerton, Gary R. and Jones, Jeffrey P., "The Essential HBO Reader" (2008). American Popular Culture. 15. https://uknowledge.uky.edu/upk_american_popular_culture/15 THE ESSENTIAL HBO READER ESSENTIAL READERS IN CONTEMPORARY MEDIA AND CULTURE This series is designed to collect and publish the best scholarly writing on various aspects of television, fi lm, the Internet, and other media of today. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include both single-author works and edited collections. SERIES EDITOR Gary R. Edgerton, Old Dominion University THE ESSENTIAL READER Edited by Gary R. Edgerton and Jeffrey P. Jones THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities.
    [Show full text]
  • Dvds at MCL As of JAN 2016
    ALL DVDs at MCL as of JAN 2016 (Alphabetical) Title Category DEWEY 1 2 3 MAGIC: MANAGING DIFFICULT BEHAVIOR IN CHILDREN 2-12 (DVD) Psychological Issues 649.64 ONE 10 ITEMS OR LESS (DVD) Movies - Contemporary 10 MINUTE SOLUTION: HOT BODY BOOT CAMP (DVD) Health & Fitness 613.71 TEN 10 MINUTE SOLUTIONS: QUICK TUMMY TONERS (DVD) Health & Fitness 613.71 TEN 10 THINGS I HATE ABOUT YOU (DVD) Movies - Contemporary 100 CARTOON CLASSICS (DVD) Children's Programs 100 YEARS OF THE WORLD SERIES (DVD) Recreation & Sports 796.357 ONE 100, THE: SEASON 1 (DVD) Television 100, THE: SEASON 2 (DVD) Television 1000 TIMES GOOD NIGHT (DVD) Movies - Foreign - Norway 1001 CLASSIC COMMERCIALS (DVD) Documentary, History & Biography 659.143 ONE 101 DALMATIANS (DVD) (Animated) Children's Programs 101 DALMATIANS (DVD) (Diamond Edition) Children's Programs 101 DALMATIANS II: PATCH'S LONDON ADVENTURE (DVD) Children's Programs 101 FITNESS GAMES FOR KIDS AT CAMP VOL 5: STRENTH AND AGILITY GAMES (DVD) Children's Information 613.7042 ONE 101 REYKJAVIK (DVD) (Icelandic) Movies - Foreign - Iceland 102 DALMATIANS (DVD) Children's Programs 11 FLOWERS (DVD) (Chinese) Movies - Foreign - China 11TH OF SEPTEMBER: MOYERS IN CONVERSATION (DVD) Documentary, History & Biography 12 (DVD) (Russian) Movies - Foreign - Russia 12 ANGRY MEN (DVD) Movies - Classic 12 MONKEYS (DVD) Movies - Contemporary 12 YEARS A SLAVE (DVD) Movies - Contemporary 12:01 (DVD) Movies - Contemporary 127 HOURS (DVD) Movies - Contemporary 13 ASSASSINS (DVD)(Japan) Movies - Foreign - Japan 13 GHOSTS (DVD) Movies
    [Show full text]
  • A Critical Study of the African-American Comedic Tradition Allison Longo Union College - Schenectady, NY
    Union College Union | Digital Works Honors Theses Student Work 6-2016 A Critical Study of the African-American Comedic Tradition Allison Longo Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the African American Studies Commons, American Popular Culture Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Longo, Allison, "A Critical Study of the African-American Comedic Tradition" (2016). Honors Theses. 177. https://digitalworks.union.edu/theses/177 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Eddie Murphy and the 1980s: A Critical Study of the African-American Comedic Tradition By Allison R. Longo ************************ Submitted in partial fulfillment of the requirements for Honors in the Department of American Studies UNION COLLEGE March, 2016 Longo 1 Table of Contents I. Abstract ………………………………………………….................................2 II. A Critical Study of African-American Comedy……………………………....3 Relevant Sources……………………………………………………………..17 III. Challenges to Crossover: African American Comedians in Television.........................................................................................................23 i. 1980s, Murphy, and Television……………………………………...26 ii. Television in the Aftermath……………………………………….....39 IV. “There’s a New Sherriff in Town: African-American Comedy in Film…….49 V. Conclusion…………………………………………………………………...66 VI. Bibliography…………………………………………………………………69 VII. Filmography………………………………………………………………….72 Longo 2 Abstract This thesis examines the changes in African-American comedy during the 1980s. In exploring the changes during this decade, specific attention is paid to Eddie Murphy, who achieved incredible beginning with his 1980 entrance on Saturday Night Live.
    [Show full text]
  • Film Comedy and the American Dream
    FILM COMEDY AND THE AMERICAN DREAM Zachary A. Sands A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 Committee: Timothy Messer-Kruse, Advisor Dena Eber Graduate Faculty Representative Lesa Lockford Jeffrey Brown © 2016 Zachary A. Sands All Rights Reserved !iii ABSTRACT Timothy Messer-Kruse, Advisor This dissertation examines the generational renegotiation of the American Dream as projected in popular comedic films that center on issues of upward mobility throughout the post- WWII era. Through a combination of narrative and thematic analyses of select motion picture comedies, contextualized within a dynamic historical framework, I build on the assertion that these movies essentially serve as time capsules of dominant cultural anxieties, offering invaluable insights into the social fabric of American culture of the past seventy years. Ultimately, I argue that this proves to be a tattered patchwork tapestry at best comprising individuals who are bound only by a shared belief in the ideals of meritocracy, equal opportunity and progress, even despite consistent patterns of systemic exclusion. Fundamentally, this is the story of what made audiences laugh and why, and what this says about the changing shape of the American Dream since the end of the Second World War. It is history as witnessed through the lens of the humanities, told chronologically and from multiple points of view. Throughout this project, I describe how even something as steadfast and resilient as the American Dream has repeatedly had to adapt to changing social contexts and can mean very different things according to one’s race, socioeconomic class and gender, among other variables.
    [Show full text]