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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
The Modern Vampire (FLM020X341A) | University of Roehampton
09/26/21 The Modern Vampire (FLM020X341A) | University of Roehampton The Modern Vampire (FLM020X341A) View Online Abbott, Stacey. (2008). Celluloid vampires: life after death in the modern world. Combined Academic [distributor]. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-eboo ks/detail.action?docID=3443217 Almereyda, Michael. (2005). Nadja. BBC1. Amazon.co.uk: Higanjima - Escape From Vampire Island [DVD]: Dai Watanabe, Asami Mizukawa, Kôji Yamamoto, Hideo Ishiguro, Miori Takimoto, Tomohisa Yuge, Takahiro Tsutsumi, Tae-gyun Kim, CategoryAsia, CategoryCultFilms, film movie Foreign, film movie Japan Japanese, film movie South Korea Korean, Higanjima: Escape from Vampire Island (2009) ( Barefoot Dream ) ( Equinox Island ), Higanjima: Escape from Vampire Island (2009), Barefoot Dream, Equinox Island: Film & TV. (n.d.). Amazon.co.uk: The Twilight Saga: Breaking Dawn - Part 1 [DVD]: Kristen Stewart, Robert Pattinson, Taylor Lautner, Ashley Greene, Nikki Reed, Peter Facinelli, Jackson Rathbone, Elizabeth Reaser, Kellan Lutz, Michael Sheen, Bill Condon, Melissa Rosenberg, Stephenie Meyer: Film & TV. (n.d.). Amazon.co.uk: The Twilight Saga: New Moon [DVD]: Kristen Stewart, Robert Pattinson, Taylor Lautner, Ashley Greene, Nikki Reed, Peter Facinelli, Jackson Rathbone, Elizabeth Reaser, Kellan Lutz, Michael Sheen, Chris Weitz, Stephenie Meyer, Melissa Rosenberg: Film & TV. (n.d.). Amazon.co.uk: Vampire Knight - Complete Series [DVD]: Yui Horie, Mamoru Miyano, Susumu Chiba, Jun Fukuyama, Hozumi Gôda, Kiyoko Sayama: Film & TV. (n.d.). Auerbach, Nina. (1995). Our vampires, ourselves. University of Chicago Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-eboo ks/detail.action?docID=3038667 Bacon, S. (2013). Undead memory: vampires and human memory in popular culture. -
Starring Peter Facinelli Teaches Love Is Not a Crime
‘Loosies’ Starring Peter Facinelli Teaches Love is Not a Crime A New York City pick pocketer, Bobby (Peter Facinelli), who lives life on the fast lane with no commitments, bumps into his past one night stand, Lucy (Jaimie Alexander) in the new movie Loosies. When the girl of his dreams drops the bombshell that she’s pregnant with his child, Bobby must make a life changing decision to let his partner in on what he does for a living. Not sure if she’s ready to raise a child with a criminal, Lucy decides to raise her child without Bobby. Realizing that he wants to have a family, Bobby must decide if he can give up stealing and running from police officers for his relationship. Loosies premieres in theaters on Jan. 11. How do you give up your single lifestyle to start a family? Cupid’s Advice: Being single usually means a life of late nights, a lot of alone time and decisions that only affect you and no one else. When you enter a relationship or add a new addition to your family, nights are spent with someone else and decisions are made for a better relationship with your partner. Here’s how to embrace the changes: 1. Accept them: Recognize that the change from being selfish in decision making to thinking about your partner is a positive change. 2. Take time: It may be hard at first, but getting into a new routine will allow you to become more serious about life. Take the time you need to come to terms with it. -
Race and the Re-Embodied Voice in Hollywood Film
UC Santa Barbara UC Santa Barbara Previously Published Works Title Race and the re-embodied voice in Hollywood film Permalink https://escholarship.org/uc/item/6nm6400m Journal Language & Communication, 31(3) ISSN 02715309 Author Bucholtz, Mary Publication Date 2011-07-01 DOI 10.1016/j.langcom.2011.02.004 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Language & Communication 31 (2011) 255–265 Contents lists available at ScienceDirect Language & Communication journal homepage: www.elsevier.com/locate/langcom Race and the re-embodied voice in Hollywood film Mary Bucholtz ⇑ Department of Linguistics, 3432 South Hall, University of California, Santa Barbara, CA 93106-3100, USA article info abstract Keywords: As linguistic anthropologists and others have argued, the development of modern sound African American English technologies led to the disembodiment of the voice; the resulting ideologies of voice, how- Crossing ever, concerned embodiment rather than disembodiment. By contrast, in late-modern Film media regimes, essentialized voices have been recontextualized and linguistically re- Ideology embodied via crossing and stylization. This article demonstrates that the re-embodiment Masculinity Whiteness of voice reasserted naturalized boundaries of gender and race in Hollywood ‘wigger’ films from the mid-1990s to the early 2000s. The ideological effects of such representations both locally and more widely point to the importance of examining mediatized practices and products through a linguistic-anthropological lens. Ó 2011 Elsevier Ltd. All rights reserved. 1. Introduction As part of a broader inquiry into the cultural and historical formation of language ideologies (e.g., Bauman and Briggs, 2003; Kroskrity, 2000; Schieffelin et al., 1998), linguistic anthropologists have been increasingly concerned with the question of how ideologies and technologies of the voice emerged as defining tools of modernity. -
Pardes and Film Interpretation Multiple Levels of Cinematic Meaning
PaRDeS and Film Interpretation Multiple Levels of Cinematic Meaning Vicky Johann Schinkel Submitted in total fulfilment of the requirements Of the degree of Doctor of Philosophy August 2012 School of Historical and Philosophical Studies The University of Melbourne ABSTRACT This thesis establishes the traditional Jewish interpretative model PaRDeS as the foundation of a new film interpretation method, and suggests a PaRDeS interpretative process that can be used as a guide by other analysts, critics and scholars. PaRDeS is a sophisticated method of analysis that reflects millennia of Judaic explorations of narrative structures, stories, interpretations and commentaries. Maimonides’ blending of Aristotelian and Jewish philosophy led to the development of different kinds of interpretative frameworks, including PaRDeS. PaRDeS is a map of meaning that articulates Jewish philosophy and reflects a Jewish history of emphasising the importance of interpretation. PaRDeS interpretation encourages dialogues about cinema, and the meaning of films. The PaRDeS method responds to other film analyses in its own interpretative mission to coordinate and integrate multiple levels of meaning. Using PaRDeS in this original way to interpret contemporary films is significant to both Jewish Studies and Film Studies. This thesis extends the investigations of contemporary uses of PaRDeS in Jewish Studies and introduces the method to Film Studies, responding to existing issues of film interpretation in doing so. A multi-level framework of different kinds of meaning differentiates PaRDeS from its contemporary counterparts, and from a tradition of film interpretation that narrows the scope of interpretative interest to ideological perspectives. The originality of the PaRDeS conceptualisation of film meaning, the unique assumptions of the model, and its coordination and synthesis of different interpretative strategies differentiates PaRDeS from contemporary critical perspectives. -
Dr. Kayla Martin) – a Versatile Actress, Tiffani Thiessen Has Proven Her Talent from Comedy to Drama in a Variety of Film and Television Roles
PANDEMIC CAST BIOS TIFFANI THIESSEN (Dr. Kayla Martin) – A versatile actress, Tiffani Thiessen has proven her talent from comedy to drama in a variety of film and television roles. From Woody Allen's comedy "Hollywood Ending," to “Beverly Hills 90210,” Thiessen’s charisma has kept her career moving constantly forward and has gained her the adoration of millions internationally. Last year, Tiffani was in Rob Schiller’s “Stroller Wars,” opposite Rhea Perlman. Her other televison roles include a nine-episode guest starring role on NBC’s “Good Morning Miami’; a starring role in the Fox series "Fast Lane" with Peter Facinelli and Bill Bellamy; a guest-starring role in a three-episode arc on “Just Shoot Me" opposite David Spade's character and a recurring role on the ABC comedy "Two Guys and a Girl." Raised in Long Beach, California, Thiessen began modeling at the age of eight and soon went on to star in the television series "Saved by the Bell" for five seasons. At the same time, she made her feature film debut in "Son in Law." In 1993, she was cast by Aaron Spelling in the pivotal role of Valerie Malone for five seasons in “Beverly Hills 90210.” Her other feature film roles include the comedy "Ladies Man," "Love Stinks" and the horror/comedy spoof "Shriek! If you Know What I did Last Friday 13th. Thiessen currently resides in Los Angeles. ### VINCENT SPANO (Troy Whitlock) – An actor of striking intensity with memorable success in film, television and the theater, Vincent Spano’s work displays his versatility as both a comedic and dramatic talent. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
Screen Actors Guild Awards® History
Screen Actors Guild Awards® History 1st Annual Screen Actors Guild Awards® – Feb. 25, 1995 Motion Picture Awards Outstanding Performance by a Male Actor in a Leading Role: Tom Hanks, Forrest Gump Outstanding Performance by a Female Actor in a Leading Role: Jodie Foster, Nell Outstanding Performance by a Male Actor in a Supporting Role: Martin Landau, Ed Wood Outstanding Performance by a Female Actor in a Supporting Role: Dianne Wiest, Bullets Over Broadway Television Awards Outstanding Performance by a Male Actor in a Television Movie or Miniseries: Raul Julia, The Burning Season Outstanding Performance by a Female Actor in a Television Movie or Miniseries: Joanne Woodward, Breathing Lessons Outstanding Performance by a Male Actor in a Drama Series: Dennis Franz, NYPD Blue Outstanding Performance by a Female Actor in a Drama Series: Kathy Baker, Picket Fences Outstanding Performance by a Male Actor in a Comedy Series: Jason Alexander, Seinfeld Outstanding Performance by a Female Actor in a Comedy Series: Helen Hunt, Mad About You Outstanding Performance by an Ensemble in a Drama Series: NYPD Blue Outstanding Performance by an Ensemble in a Comedy Series: Seinfeld The inaugural Screen Actors Guild Awards aired live on NBC from Stage 12, Universal Studios, on Feb. 25, 1995. Present that evening were some of the most talented actors in the world, including Tom Hanks and his wife, Rita Wilson; John Travolta; Jessica Lange; Morgan Freeman; Susan Sarandon; Edward James Olmos; Helen Hunt; and hundreds more. These Guild members gathered to salute one another and to be honored by the then 78,000 eligible voting members of Screen Actors Guild. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of Aug 30 - Sept 5, 2020 The Apartment (1960) TCM Fri. 8:45 a.m. Apocalypse Now (1979) HBO Fri. 1:15 a.m. Ben-Hur (1959) TCM Sun. 1 p.m. Brian's Song (1971) KCET Fri. 8 p.m. Children of Men (2006) TMC Tues. 10 p.m. A Clockwork Orange (1971) IFC Thur. 8 a.m. Close Encounters of the Third Kind (1977) EPIX Thur. 5:45 p.m. Dances With Wolves (1990) ENCORE Sat. 4:55 p.m. The Dark Knight (2008) PARMOUNT Sat. 3:30 p.m. PARMOUNT Sat. 9:30 p.m. Deliverance (1972) TMC Tues. 6:10 p.m. E.T. the Extra-Terrestrial (1982) BRVO Sat. 1:40 p.m. East of Eden (1955) TCM Sat. 1:15 p.m. Five Easy Pieces (1970) KCET Fri. 9:45 p.m. Forrest Gump (1994) STARZ Thur. 6:37 p.m. STARZ Fri. 4:50 a.m. The Lady Vanishes (1938) TCM Tues. 4:45 a.m. Planet of the Apes (1968) TCM Sun. 9:15 p.m. Rain Man (1988) OVA Mon. 4 p.m. Shane (1953) ENCORE Sun. 10 a.m. The Shawshank Redemption (1994) ENCORE Fri. 8 p.m. ENCORE Sat. 8:45 a.m. The Shining (1980) SHOW Sun. 1:25 p.m. The Silence of the Lambs (1991) SUND Sun. 2 p.m. IFC Mon. 3:30 p.m. OVA Sat. -
April2011 La-Acting-Schools.Pdf
SPOTLIGHT ON theatrical kindergarten, back to the beg inning, the ABCs of acting. No one should take a Meisner technique class unless they are of the utmost seriousness about their acting. A preferable age range w ould be 21 to LOS ANGELES ACTING SCHOOLS COACHES 32, but that’s not written in stone. Sometimes the experience of higher- level students makes it harder to teach them. They have acquired such Kimberly Jentzen (second bad acting habits. The nature of the Meisner work is difficult, so it does from left) with students require some maturity and a good work ethic. IS THIS FOR ACTORS WHO WANT TO DO TELEVISION, FILM, OR THEATER? Good acting is good acting. Most of the good actors of my generation came from the stage and then went into the movies. They didn’t change their way of acting. I have done Broadway, TV, and film. I approach it all about the same. SCENE STUDY BY ALLEN BARTON, CEO/EXECUTIVE DIRECTOR, BEVERLY HILLS PLAYHOUSE (www.bhplayhouse.com) WHY SHOULD YOU TAKE A SCENE STUDY CLASS? Virtually all you will do in y our pro- fessional career is act in scenes. You don’t get hired to do ex ercises. You only very Aaron Speiser with Will Smith rarely get hired to do monologues. You’re hired almost exclusively to act in scenes with other actors, and to do so under a Types of acting variety of stress levels, budgets, and time constraints. A simple measure of an ac- Allen Barton tor’s career is to look at how many scenes classes and he or she is car rying in a g iven project, and then look at the quality and level of budget behind the project. -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127