A Letter to Three Wives Cast
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Film Screenings at the Old Fire Station, 84 Mayton Street, N7 6QT
iU3A Classic Film Group 2017-18 Winter Programme: January-March 2018: "Classic Curios" All film screenings at The Old Fire Station, 84 Mayton Street, N7 6QT Plot Summaries and Reviews courtesy of The Internet Movie Database Date/Time: Tuesday, 9th January 10.30 and 14.00; Wednesday, 10th January 13.30 Title: The Night of The Hunter (USA, 1955, 89 minutes, English HOH Subtitles) Director and Cast: Charles Laughton; Robert Mitcham, Shelley Winters, Lillian Gish Plot Summary: A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real father hid $10,000 that he'd stolen in a robbery. Reviews: "Part fairy tale and part bogeyman thriller -- a juicy allegory of evil, greed and innocence, told with an eerie visual poetry."(San Francisco Chronicle) "It’s the most haunted and dreamlike of all American films, a gothic backwoods ramble with the Devil at its heels." (Time out London) "An enduring masterpiece - dark, deep, beautiful, aglow."(Chicago Reader) Date: Tuesday, 23rd January 10.30 and 14.00; No Wednesday, 24th Jan screening Title: La Muerte de Un Burócrata /Death of A Bureaucrat (Cuba, 1966, 85 minutes, Spanish with English Subtitles) Director and Cast: Tomás Gutiérrez Alea; Salvador Wood, Silvia Planas, Manuel Estanillo Plot Summary: A young man attempts to fight the system in an entertaining account of the tyranny of red tape and of bureaucracy run amok. Reviews: "A mucho funny black comedy about the horrors of institutionalized red tape. It plays as an homage to silent screen comics such as Buster Keaton and Harold Lloyd, the more recent ones such as Laurel and Hardy, and all those who, in one way or another, have taken part in the film industry since the days of Lumiére." (Ozu's World Moview Reviews) "Gutiérrez Alea's pitch-black satire is witty, sarcastic and eternally relevant." (filmreporter.de) Date: Tuesday, 6th February 10.30 and 14.00; Wednesday, 7th February 13.30 Title: Leave Her To Heaven (USA, 1945, 105 minutes, English HOH subtitles) Director and Cast: John M. -
The Wooster Voice (Wooster, OH), 1951-10-19
The College of Wooster Open Works The oV ice: 1951-1960 "The oV ice" Student Newspaper Collection 10-19-1951 The oW oster Voice (Wooster, OH), 1951-10-19 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1951-1960 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1951-10-19" (1951). The Voice: 1951-1960. 15. https://openworks.wooster.edu/voice1951-1960/15 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1951-1960 by an authorized administrator of Open Works. For more information, please contact [email protected]. Hoot Mon! Fish Fry Saturday Published By the Students of the College of Woosler LXVI Volume WOOSTER, OHIO, FRIDAY, OCTOBER 19. 1951 Number 5 Compton Pinch Hits flj a 2 For Oppenheimer booster m a u w u u M In Symposium National attention will be fo- 1 Gala Weekend Features cused on Wooster next week end when a five-ma- n symposium on Royalty, "Twentieth Century Concepts of Varied Program Homecoming festivities on Man" will be held in Memorial the Wooster campus will gather momentum tonight and tomorrow as Chapel. hundreds of alumni and visitors return for a weekend packed with special events in their honor. Many departments and organizations, including Robert Oppenheimer has been the sections and local clubs, Dr. J. have planned a variety of entertainment features to welcome the forced to cancel his engagement to crowd. -
Eureka Entertainment to Release a LETTER to THREE WIVES, The
Dual Format Cat. No.| EKA70187 Certificate| U Director| Joseph L. MANKIEWICZ Dual Format Barcode| 5060000701876 Run Time| 103 min. Year| 1949 Dual Format SRP| £19.99 OAR| 1.37:1 OAR Country| USA Release Date| 29 June 2015 Picture| Black & White Language| English Genre| Drama / Romance Subtitles| English (Optional) stunning romantic drama from writer-director Joseph L. Mankiewicz (All About Eve , The Barefoot Contessa ), A A Letter to Three Wives explores the domestic travails of three couples and the woman that brings them to the brink of crisis. The letter of the title is written with a poisonous pen: the three women (portrayed by Jeanne Crain , Linda Darnell , and Ann Sothern ) receive a note stating that one of their husbands has run off with a woman named Addie Ross – which husband in particular, however, remains unmentioned, though each husband had their own affinity for Ross. And so amid the women’s mounting anxiety commences a series of flashbacks, each telling the story of how the three individual marriages had come in their own way to be so strained at the present... A spectacular success at the time of its release, A Letter to Three Wives was nominated for the Best Picture Oscar, and earned Mankiewicz the Academy Awards for both Best Director and Best Screenplay. The Masters of Cinema Series is proud to present A Letter to Three Wives in a special Dual Format edition that includes the film on Blu-ray for the first time in the UK. “Despite its emotional intensity, the film is comic, effervescently so, and its magical ending lends -
Arlington 1:40
vice versa. We do not intend to re- Welles Goes All Out 'something to the effect that evil of "The Lady From Shanghai," al- AMUSEMENTS sign from her fan club Just because people destroy each other. This is though it is possibly challenged by she cannot act. For not a new truth, to be sure, but cer- the comedy effect of a picnic which The newest vehicle in which Miss Excitement in tainly it has never been stated so is one of the highlights of the deb- Love to De Carlo is to the Turns Violence permitted display A Smallish thunderously. auchees social calendar. It is a particular cinematic talent that is i Story “THE LADY PROM SHANGHAI.'’ a Co- Miss Hayworth is one of the many stunning picnic, about the size of a hers is a Technicolor affair called In lumbia Picture produced and directed by evil humans in the script in which, Balkan coronation in the old days. Met’s Melodrama “Black Bart,” at the Capitol, in Orson Welles, screenplay by Welles, based on a novel by Sherwood Kin*, song by come to think of Orson is the It is not enough to save the War- On Werld’« it. Screes which she plays Lola Montez to Allan Robots and Doris Fisher. At the ners Largest representative of and picture from its exaggerated H. and Liz. By Jay Carmody Dan Duryea's Black Bart. Warner. only goodness Bogart The Cast. virtue. triviality. J. c. Scott "Dead Reckon- Some of the cinema's most Sherman directed i gifted humans pool their talents in "A George “Black Elsa Bannister _Rita Hayworth ing" at 7:20, 10:38 Womans Michael O’Hara _ Orson Welles Vengeance,” but the result is a Bart,” with his His role is that of a poetic, black Ken Curtis In "Lone only moderately interesting obviously tongue Arthur Bannister_Everett 81oane melodrama. -
Centennial Summer N 1944, Meet Me in St
Centennial Summer n 1944, Meet Me in St. Louis and E.Y. Harburg. In the end, ev- favorably compared to Meet Me in captivated moviegoers the world eryone ends up where they want St. Louis by critics of the day, but Iover. The unbridled nostalgia for to be and happy endings abound. Centennial Summer is not that film a simpler time was very appealing and can stand proudly on its own in the turbulent war years. Two Centennial Summer was Jerome all these years later. It did receive years later, Twentieth Century-Fox Kern’s final score – he died in No- two Academy Award nominations, made its own film to appeal to that vember of 1945 at sixty years of both in the music category – for same audience – Centennial Sum- age, a great loss to the world of Best Music, Scoring of a Motion mer. With an excellent screenplay musical theatre and film. At the Picture for Alfred Newman, and by Michael Kanin and elegant and time of his death, Metro-Gold- Best Music, Original Song for “All stylish direction by Otto Preminger, wyn-Mayer was making a film Through the Day” by Kern and Centennial Summer takes a color- loosely based on his life (Till the Hammerstein – it lost both, but it ful, fun and even touching look at Clouds Roll By) and he’d just was a very competitive year. the 1876 Philadelphia Exposition begun work on a new musical, and one family’s trials and tribula- Annie Get Your Gun (Irving Berlin None of the stars of Centennial tions and follies and foibles. -
October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin. -
Joseph L. Mankiewicz
Auteurism Worksheet What is an auteur? Literally, it is French for “author,” and in Film Studies refers to one or more of the following: ! The principal creator of a film; !The principal source of meaning in a film; !A filmmaker who demonstrates technical excellence; ! A filmmaker who makes films of artistic merit as opposed to those of commercial value; !A filmmaker who makes films with an individual style; ! A filmmaker who makes films with similar themes; ! A filmmaker who adopts a “jack of all trades” approach to filmmaking; ! A group of filmmakers who make a “great” film. Auteur: Joseph L. Mankiewicz Focus films: If I Had A Million, Three Comrades, The Late George Apley, House of Strangers, A Letter to Three Wives, No Way Out, All About Eve, People Will Talk, Five Fingers, The Quiet American, The Barefoot Contessa, The Honey Pot Problematic: What thematic and stylistic attributes are consistently (and coherently) evidenced or manifested in these films written and/or directed by Joseph L. Mankiewicz––which would justify a characterization of him as an auteur? Point Example from focus film Example from research [Directions: Use this format. Typewritten (not handwritten) on this worksheet or on the same format created on your own. Due: 11 Dec 13.] [Secondary research will include reviews, articles, interviews, biographies, film histories and criticism, but also publicity material, box office statistics, and fan websites. The main sources of secondary research will be the library and the internet (www.imdb.com) & the British Film Institute -
Gothic Heroines and Cultural Trauma in 20Th Century Literature and Film
Gothic Heroines and Cultural Trauma in 20th Century Literature and Film A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Eric Brownell IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Lois Cucullu January 2015 © Eric Brownell, 2015 Acknowledgements I am very grateful to my adviser, Dr. Lois Cucullu, for her insight and her patience. From my preliminary examination preparation through the dissertation process, Lois always seemed one step ahead of me, aware of the shape my project was taking before I was aware of it myself. Her comments on my dissertation chapter drafts were generous, incisive, and practical, pushing me to fulfill my arguments’ potential while never losing sight of the demands and the constraints of the project as a whole. I am also indebted to Dr. Siobhan Craig, who was profoundly generous with her time during my exam preparation and in the critical early stages of my dissertation drafting. I have sincere appreciation for the extent to which Shevvy’s scholarship, and especially her seminar on Fascism and Film, influenced the ultimate direction my dissertation took. The support and encouragement Dr. John Watkins provided during my dissertation writing process was incredibly valuable to me. His feedback was prompt and detailed and it helped me acknowledge the strengths of my work as well as its potential for improvement. I am also very grateful to Dr. Jack Zipes, whose course on Transformations of the Fairy Tale strongly influenced my critical approach to texts. His comments during my preliminary exam and at my dissertation defense helped me become aware of the potential directions my scholarship could take. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Racing the Biracial Body: Biracial Performativity and Interpretation in Pinky and Caucasia Permalink https://escholarship.org/uc/item/4fb9t70d Author Frierson, Sharon Melody Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Racing the Biracial Body: Biracial Performativity and Interpretation in Pinky and Caucasia A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Afro-American Studies by Sharon Melody Frierson 2013 ABSTRACT OF THE THESIS Racing the Biracial Body: Biracial Performativity and Interpretation in Pinky and Caucasia by Sharon Melody Frierson Master of Arts in Afro-American Studies University of California, Los Angeles, 2013 Professor Darnell Montez Hunt, Chair In traditional passing narratives, the protagonist was always thought to be authentically black because of her one drop of black blood. The idea of passing relied on the notion that there was an authentic racial self that one was concealing. The mulatta represents assimilation, the end of blackness, and the end of the discussion on racism. Elia Kazan’s 1949 “problem film” Pinky, based on the novel Quality, in many ways embodies the traditional passing narrative. Danzy Senna’s 1998 novel Caucasia, on the other hand, acts as both a testimony of the lived experiences of being multiracial and critique of the rigidity of racial categories in the United States. Senna argues that race is more performative than biological. By centering on a racially mixed young woman and her family, Caucasia complicates and deconstructs the black/white binary and challenges multicultural theory. -
Si Jsbhneighborhood^^!
THE SUNDAY STAR, 3^jjp COMING ATTRACTIONS rfnXXBQIESh Washington, D. C. E-3 STAGE NATIONAL—The Kabulci Dancers, starting Tuesday. EXTRAI THURSDAY ONLY? gy,-. BHUBERT—MarceI Marceau, French pantonimlst, starts GWrgft .«¦» February 13. SCREEN DANNY KAYE IN PERSON! toctammowt »»«* | CLOWNING. aiNOINO, DANCl NO ON OUR ST AO« AT £s*s CAPITOL—“BattIe Stations,” with William Bendix. COLONY—"Game of Love,” with Edwige FeulUere. I LOEW S PALACE—3:OO 7:15 9:30 PAA. JL Mac ARTHUR—“The Prisoner,” with Alec Guinness. Dollscoto* ¦¦ ONTARIO—“The Rose Tattoo.” with Anna Magnani. PALACE—“The Court Jester,” with Danny Kaye, starting y MARLON \ HILARIOUS ADVENTURES) Thursday. HAPPENINGS! WILD v k jt”' * BRANDO ¦t # ¦• fkfl PLAYHOUSE—"AII That Heaven Allows,” with Jane Wyman §SI } THE KING-SIZED COMEDY OF THIS OR mm m. &£m and Rock Hudson. ANYYEAR! TRANS-LUX—“Picnic.” with Rosalind Russell and William V? FRANK Holden, starting February 16. SINATRA mHtk H I can’t do. but I have no idea jfcA JEAN GLOVER what Ican do. That is rather **'A Continued From Page E-l putting the. cart before the SIMMONS range a horse.” 'IP Karloff rare in com- ** * * plex, human and sympathetic VIVIAN BLAINF part—a notable change for one Thundering Pageant Yeor'i Juiciest, Most Superspectacular: The most Entertaining Mujicdl." raised to fame as a scary ter- con—you ror. colorful, thundering pageant k'TM He has been haunted by to arrive on Show Street in a spine- chilling assignments long time is “Tamburlaine the since his very beginning on a Great.” presented by a Cana- TUES., FEB. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
State Fair by Aubrey Solomon
State Fair By Aubrey Solomon Philip Stong, an Iowa newspaperman who had experienced life on a farm, published his first novel, “State Fair,” in the spring of 1932 and it became a nationwide bestseller. The motion picture rights were quickly purchased by Fox’s head of production, Winfield Sheehan, for a reported $15,000. Fox had suffered three years of withering financial returns due to the Depres- sion economy, an over-expansion of its theater chain, and protracted near- bankruptcy litigation. Sheehan saw “State Fair” as a potential blockbuster even though its rural tone and char- acters were atypical for a high-budget production. Abel Frake (Will Rogers) counsels his son, Wayne, (Norman Foster) about life During the early 1930s, despite 48 per- outside their Iowa farm. Courtesy Library of Congress Collection. cent of the U.S. population living in small towns, rural-based films were shunned by the major studios since audiences across the interest for Gaynor at the fair. Rounding out the cast country preferred big city stories. Daily Variety cate- were Louise Dresser as Abel’s wife, and Fox con- gorized this division as “city pix vs. hick pix.” tract stars Norman Foster as his son, Wayne, and Sally Eilers as the trapeze artist who seduces him. Fox’s advantage in countering the anti-“hick pix” bi- as was Will Rogers, the studio’s most popular male In August, 1932, Henry King, who had directed films star at the time. Rogers was a unique cultural icon since 1915 and had a reputation for Americana, who could bridge both urban and rural audiences.