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JOSE De JUAN MARTINEZ' METODO DE CLARIN (1830)
92 HISTORIC BRASS SOCIETY JOURNAL JOSE de JUAN MARTINEZ' METODO DE CLARIN (1830) Introduction and translation by B. Kenyon de Pascual INTRODUCTION ince most readers will not be familiar with the history and terminology of Spanish brass instruments, it would seem appropriate to introduce Jose de Juan's tutor in its Spanish context. The first point that may usefully be considered is the type of S clarin instrument for which the work was written. The Spanish word has been used for a variety of instruments at different times in the past. It is first to be met with in the literature of the late Middle Ages and the Renaissance. Its use was recorded in the 16th century for processions and bullfights but not for sounding the seven army calls. These were the prerogative of the trumpeters of the Italian school (tromp etas italianos), who were examined by the guild. In the definitions for clarin and bastardo to be found in S. Covarrubias's dictionary Tesoro de la lengua castellana o espanola (Madrid, 1611) the c/arin is described as a small, high-pitched trumpet with a clear and delicate sound. When players using clarino technique reached Spain in the 17th (?) century, they and their instruments were also called clarines. The first cLirin to be officially appointed to the Spanish Chapel Royal was Josef Losqui, or Loschi, described as a Venetian. He was given the post in 1679 (with the obligation to teach interested choirboys) and was succeeded in 1697 by his Spanish pupil and son-in-law, Gregorio Fernandez de la Cuerda. -
A Symphonic Poem on Dante's Inferno and a Study on Karlheinz Stockhausen and His Effect on the Trumpet
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2008 A Symphonic Poem on Dante's Inferno and a study on Karlheinz Stockhausen and his effect on the trumpet Michael Joseph Berthelot Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Berthelot, Michael Joseph, "A Symphonic Poem on Dante's Inferno and a study on Karlheinz Stockhausen and his effect on the trumpet" (2008). LSU Doctoral Dissertations. 3187. https://digitalcommons.lsu.edu/gradschool_dissertations/3187 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A SYMPHONIC POEM ON DANTE’S INFERNO AND A STUDY ON KARLHEINZ STOCKHAUSEN AND HIS EFFECT ON THE TRUMPET A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agriculture and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Michael J Berthelot B.M., Louisiana State University, 2000 M.M., Louisiana State University, 2006 December 2008 Jackie ii ACKNOWLEDGEMENTS I would like to thank Dinos Constantinides most of all, because it was his constant support that made this dissertation possible. His patience in guiding me through this entire process was remarkable. It was Dr. Constantinides that taught great things to me about composition, music, and life. -
Old Toy Soldier Squad
EPIC SOLDIER SALE 26 Epic Soldier Sale Featuring the Lloyd Bradley Composition Collection Auction #26 Friday, June 3rd, 2016 ~ 1pm E.S.T. ~ Lots 1001-1497 Saturday, June 4th, 2016 ~ 10am E.S.T. ~ Lots 2001-2517 & 3001-3300 Old Toy Soldier Auctions U.S.A. Sunday, June 5th, 2016 ~ 10am E.S.T. ~ Lots 4001-4607 P.O. Box 13323 • Pittsburgh, PA 15243 Buyers Premium 23% Discounted to 20% for Check or Cash 412-343-8733 1-800-349-8009 Website: Shipping: Fax 412-344-5273 oldtoysoldierauctions.com Day 1: June 3, 2016 [email protected] Breanne Day www.oldtoysoldierauctions.com Preview Auction at: Lots 1001-1497 facebook.com/oldtoysoldier Liveauctioneers.com or @oldtoysoldier oldtoysoldierauctions.com Day 2: June 4, 2016 oldtoysoldier 3 weeks prior to sale Breanne Day Lots 2001-2517 Bid Live Online the Day of Sale at: Lloyd Bradley Liveauctioneers.com Lots 3001-3300 Mail Bids & Payments To: Day 3: June 5, 2016 Old Toy Soldier Auctions Joe Saine P.O. Box 13323, Pittsburgh, PA 15243 Lots 4001-4607 Call Bids To: Prices Realized: Ray Haradin 412-343-8733 Liveauctioneers.com or or 1-800-349-8009 oldtoysoldierauctions.com after the sale closes Fax Bids To: 412-344-5273 Email Bids To: [email protected] Ray Haradin Absentee & Phone Bidding Deadline: 412-343-8733 or 1-800-349-8009 Thursday, June 2nd, 2016 - 7 PM E.S.T. [email protected] You must register online by this time to bid live online. 1 OLD TOY SOLDIER SQUAD SPECIALIST SQUAD Ray Haradin ~ Pittsburgh, PA Britains, German Lead, Bob Phillips - Dimestore and Connoisseur Trabuco Canyon, CA Figures, Early Toys -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
The London Gazette, December 3, 1880. 6543
THE LONDON GAZETTE, DECEMBER 3, 1880. 6543 24th Punjab Native Infantry—Officers 7; native 1st Brigade. officers 12 ; non-commissioned officers and men 6-8th R.A.—Shrapnel shell 66 ; common shell 18. 402. Total 421. 92nd Highlanders—Martini-Henry ammunition 6th Baty., 8th Bde., R.A.—Officers 5; native 8,100. officers 2; non-coinmissioned officers and men 23rd Pioneers—Snider ammunition 3,172. 186. Total 193. Guns 6. 24th Bengal N.I.—Snider ammunition 1,999. 2nd Goorkhas—Snider ammunition 11,845. 2nd Brigade. Brigade Staff—Officers?. Total 7. 2nd Brigade. 72nd Highlanders—Officers 18; non-commis- No. 2 (Derajat) M.B.—Shrapnel shell 2 ; common sioned officers and men 676. Total 694. shell 3. 2nd Sikh Infantry—Officers 7; native officers 72nd Highlanders—Martini-Henry ammunition 12; non-commissioned officers and men 495. 6,480. Total 514. 2nd Sikh Iiifantry—Snider ammunition 5,611. 3rd Sikh Infantry—Officers 8; native officers 3rd Sikh Infantry—Snider ammunition 2,027 13 ; non-commissioned officers and men 441. 5th Goorkhas—Snider ammunition 758. • Total 462. 29th Bombay N.I.—Snider ammunition 497. eth Goorkas—Officers 8; native officers 12; non- • commissioned officers and men 450. Total 470. 3rd Brigade. 29th Bombay Native Infantry—Officers 7 ; native 4th Ghoorkhas—Snider ammunition 1,314. officers 12; non-commissioned officers and 25th Bengal N.L—Snider ammunition 1,286 men 444. Total 463. 2-60th Rifles—Martini-Henry ammunition 305. No. 2 Mountain Battery Artillery—Officers 4; Total on 1st September—Shrapnel shell 68; native officers 2; non-commissipned officers common shell.21; Martini-Henry ammunition and men 200. -
®R?Ididill ~ [Il Ilu) (B ®(!]CB©Ill (Formerly the Regai) ~Filrflliil@Filrr~Llio I1© [Il (Ll © U) L1 ~ [Il~ Ng) Rn (Ll
®r?IDIDill ~ [Il ilU) (B ®(!]CB©ill (formerly the RegaI) ~filrflliil@filrr~llio I1© [Il (ll © U) l1 ~ [Il~ nG) rn (ll Console of the· Christie in the Odeon, Marble Arch, London. By British A. T .O.E. Member done when an organ builder is given a her 1928, which incidentally was the DAVID H. HAYES free hand and allowed to express his same year and month as the opening of individuality without being unduly the first four manual Wurlitzer in Britain hampe red by commercial restrictions". at The Empire, Leicester Square (now The above is the opinion of the late demolished), but the organ was saved "The organ at the Regal, Marble Quentin M. Maclean, who drew up the by T .O.C. member Leo Rawle. I say Arch, is to my mind, one of the most original s pee ific ations with Mr. Norman 'installed just in time' because behind characteristic creations of that great of Messrs. Wm. Hill and Norman and scenes at most official openings there artist, Herbert Norman, and as such it Beard Ltd., well known British firms of is usually a panic, but this was more commands the respect and admiration of straight organ builders and of Christie · apparent at the Regal. The builders got all organ lovers. The Regal is not a Unit Organs. Also included in these so behind schedule that they had to large theatre, and its interior decoration consultations was the late Arthur Meale, work overtime with extra shifts. This in scheme is of an intimate and delicate who at that time was one of the most turn put everyone else behind - the character: hence the organ partakes of famous recitalists in the country, and electricians, the furnishers, the decora the same nature and blends perfectly official organist at the Methodist Cen tors, not to mention the organ builders. -
Trumpet Music by Women Composers
Trumpet Music by Women Composers Amy Dunker, DMA Professor of Music Theory, Composition and Trumpet Clarke University 1550 Clarke Drive Dubuque, IA 52001 [email protected] www.amydunker.com If you perform a composer’s work, please email them and/or send them a program. It is important to know that your work is appreciated! Trumpet Alone Beamish, Sally: Fanfare for Solo Trumpet (Trumpet Alone) http://www.warwickmusic.com/Main-Catalogue/Sheet-Music/Trumpet/Solo-Trumpet/Beamish-Fanfare- for-Solo-Trumpet-TR065 Beat, Janet: Fireworks in Steel (Trumpet Alone) http://furore-verlag.de/shop/noten/trompete/ Bernofsky, Lauren: Fantasia (Trumpet Alone) http://laurenbernofsky.com/works.php Bielawa, Lisa: Synopsis No. 5 (Trumpet Alone) http://lisabielawa.typepad.com/works_section/ Bingham, Judith: Enter Ghost Act 1, Scene 3 of Hamlet (Trumpet Alone) http://www.sheetmusicplus.com/title/enter-ghost-act-1-scene-3-of-hamlet-2002-sheet-music/19110817 Bouchard, Linda: Propos (Trumpet Alone or Trumpet Ensemble) http://www.musiccentre.ca/node/21128 Campbell, Karen: Pieces (Trumpet Alone) http://library.newmusicusa.org/library/composition.aspx?CompositionID=85460 Clarke, Rosemary: Winter’s Winds (Trumpet Alone) http://library.newmusicusa.org/library/composition.aspx?CompositionID=86228 Cronin, Tanya: Undercurrents (Trumpet Alone) http://library.newmusicusa.org/library/composition.aspx?CompositionID=86700 Dinescu, Violeta: Abendandacht (Trumpet Alone) http://www.composers21.com/compdocs/dinescuv.htm Dunker, Amy: Advanced Solos (Trumpet Alone) 1. "Distant -
Works Meijering+Video 2020
All scores published by Donemus, except when otherwise stated: Edition Tre Fontane, Moeck Musikverlag, In the Hague music archives library of the Gemeentemuseum Den Haag or at the Ricciotti ensemble library https://www.ricciotti.nl/ http://www.nederlandsmuziekinstituut.nl/over-ons/organisatie E-mail: [email protected] 1974 Trippete tippetie (5’) - 6 instr. (Handwritten, In the Hague music archives and library of the Gemeentemuseum Den Haag) 1975 Nu , for flute (4’) Scrnaco sowàan canàssa, for double bass (6') 6 months of life – stringquartet (Handwritten, In the Hague music archives and library of the Gemeentemuseum Den Haag) (30’ ) 1976 Vahoe (4’) piano Aésoeòla, for organ (4 hands and 4 feet) (4’49)' https://www.youtube.com/watch?v=hoKzlasvnWY Westminster Abbey -2 guitars 7’ Dona Nobis Pacem (10’) – stringquartet ((Handwritten, In the Hague music archives and library of the Gemeentemuseum Den Haag)(10’00) Val van vliegende god/roes (5’) (teksten Lucebert) – soprano (Handwritten, In the Hague music archives and library of the Gemeentemuseum Den Haag) 1977 Bedouin-caravan in the desert, for orchestra (10') https://www.youtube.com/watch?v=G4neG6RF9zA Suite 16, for chamberorchestra (15') https://www.youtube.com/watch?v=SH223At5mTQ The zombies awake (10’) - chamberorch.(Handwritten, In the Hague music archives and library of the Gemeentemuseum Den Haag) Orang-utan (off his onion) violin and piano (7') Electric-blue (rev. 1980), wind ensemble (8') https://www.youtube.com/watch?v=Hwt8aBKEXR0 Don’t yell please (10’) – 6 spr./6altos/6 ten/6 bas + french horn (Hague music archives ) Outrage of the 70s (11’) – t.sx/fr.h./tp.Bb/dr/pf/cb (Hague music archives) 1978 White breeze (12’) – chamberorch. -
Quartet-Arrangements.Pdf
In our continuing project to list the Branson Trumpet Ensemble library, we will now post all our trumpet quartet arrangements at this time (7-9-14) Trumpet Quartet arrangements from http://www.trumpetensemblemusic.com/ Jazz/Popular Bethena http://www.trumpetensemblemusic.com/products/bethena-trumpet-quartet/ Happy http://www.trumpetensemblemusic.com/products/happy-trumpet-quartet- woptional-bass-drums-clapping/ St. Thomas http://www.trumpetensemblemusic.com/products/st-thomas-trumpet-quartet/ House of the Rising Sun http://www.trumpetensemblemusic.com/products/house-of-the-rising-sun- trumpet-quartet/ Good Vibrations http://www.trumpetensemblemusic.com/products/good-vibrations-brass- quartet-tpts-1-2-tbns-1-2/ Norwegian Wood http://www.trumpetensemblemusic.com/products/norwegians-would-trumpet- quartet/ The Magic Trumpet http://www.trumpetensemblemusic.com/products/the-magic-trumpet-trumpet- quartet-2/ Here’s That Rainy Day http://www.trumpetensemblemusic.com/products/heres-that-rainy-day- trumpet-quartet/ Sidewinder http://www.trumpetensemblemusic.com/products/sidewinder-trumpet-quartet- wbass/ Dueling Banjie http://www.trumpetensemblemusic.com/products/dueling-banjie-trumpet- quartet/ Green Dolphin Street http://www.trumpetensemblemusic.com/products/green-dolphin-street- trumpet-quartet/ The Villages Rag http://www.trumpetensemblemusic.com/products/the-village-rag-trumpet- quartet/ Golliwog’s Cake Walk http://www.trumpetensemblemusic.com/products/golliwogs-cake-walk/ Reeds Spring Rag http://www.trumpetensemblemusic.com/products/reeds-springs-rag-trumpet- -
Royal Artillery Barracks and Royal Military Repository Areas
CHAPTER 7 Royal Artillery Barracks and Royal Military Repository Areas Lands above Woolwich and the Thames valley were taken artillery companies (each of 100 men), headquartered with JOHN WILSON ST for military use from 1773, initially for barracks facing their guns in Woolwich Warren. There they assisted with Woolwich Common that permitted the Royal Regiment of Ordnance work, from fusefilling to proof supervising, and Artillery to move out of the Warren. These were among also provided a guard. What became the Royal Regiment Britain’s largest barracks and unprecedented in an urban of Artillery in 1722 grew, prospered and spread. By 1748 ARTILLERY PLACE Greenhill GRAND DEPOT ROAD context. The Board of Ordnance soon added a hospi there were thirteen companies, and further wartime aug Courts tal (now Connaught Mews), built in 1778–80 and twice mentations more than doubled this number by the end CH REA ILL H enlarged during the French Wars. Wartime exigencies also of the 1750s. There were substantial postwar reductions saw the Royal Artillery Barracks extended to their present in the 1760s, and in 1771 the Regiment, now 2,464 men, Connaught astonishing length of more than a fifth of a mile 0( .4km) was reorganized into four battalions each of eight com Mews in 1801–7, in front of a great grid of stables and more panies, twelve of which, around 900 men, were stationed barracks, for more than 3,000 soldiers altogether. At the in Woolwich. Unlike the army, the Board of Ordnance D St George’s A same time more land westwards to the parish boundary required its officers (Artillery and Engineers) to obtain Royal Artillery Barracks Garrison Church GRAND DEPOT RD O R was acquired, permitting the Royal Military Repository to a formal military education. -
ROYAL GALLERY FIRST WORLD WAR Name (As On
Houses of Parliament War Memorials Royal Gallery, First World War ROYAL GALLERY FIRST WORLD WAR Also in Also in Westmins Commons Name (as on memorial) Full Name MP/Peer/Son of... Constituency/Title Birth Death Rank Regiment/Squadron/Ship Place of Death ter Hall Chamber Sources Shelley Leopold Laurence House of Lords, In Piam Memoriam, Baron Abinger Shelley Leopold Laurence Scarlett Peer 5th Baron Abinger 01/04/1872 23/05/1917 Commander Royal Naval Volunteer Reserve London, UK X MCMXIV-MCMXIX (c.1927) Humphrey James Arden 5th Battalion, London Regiment (London Rifle House of Lords, In Piam Memoriam, Adderley Humphrey James Arden Adderley Son of Peer 3rd son of 2nd Baron Norton 16/10/1882 17/06/1917 Rifleman Brigade) Lincoln, UK MCMXIV-MCMXIX (c.1927) The House of Commons Book of Bodmin 1906, St Austell 1908-1915 / Eldest Remembrance 1914-1918 (1931); Thomas Charles Reginald Thomas Charles Reginald Agar- son of Thomas Charles Agar-Robartes, 6th House of Lords, In Piam Memoriam, Agar-Robartes Robartes MP / Son of Peer Viscount Clifden 22/05/1880 30/09/1915 Captain 1st Battalion, Coldstream Guards Lapugnoy, France X X MCMXIV-MCMXIX (c.1927) Horace Michael Hynman Only son of 1st Viscount Allenby of Meggido House of Lords, In Piam Memoriam, Allenby Horace Michael Hynman Allenby Son of Peer and of Felixstowe 11/01/1898 29/07/1917 Lieutenant 'T' Battery, Royal Horse Artillery Oosthoek, Belgium MCMXIV-MCMXIX (c.1927) Aeroplane over House of Lords, In Piam Memoriam, Francis Earl Annesley Francis Annesley Peer 6th Earl Annesley 25/02/1884 05/11/1914 -
British Artillery Records Alan E
British Artillery Records Alan E. Mann, AG® [email protected] Background While artillery has been part of the British military since 1346, it wasn’t until 26 May 1716 that King George authorized established of a permanent body of artillery. Originally two companies of field artillery were raised at Woolwich, Kent. Each company was comprised of 100 men. Woolwich continued as the home of the Royal Artillery as it grew over time. Until 1855, the Royal Artillery was administered by the Board of Ordnance and kept records separate from the regular army, which was part of the War Office. Key dates in the history of the Royal Artillery include: 1722 - two additional artillery companies formed at Gibraltar and Minorca, raising total to four. 1741 – Royal Military Acadamy at Woolich Royal Arsenal formed to train Royal Artillery and Royal Engineers. Cadet company formed. 1748 – EIC forms artillery companies for all three presidencies (combined with Royal Artillery in 1862, records before 1862 as part of EIC records) 1756 – Royal Irish regiment of Artillery formed (combined with Royal Artillery in 1801) 1757 – twenty-four companies, now divided into two battalions. 1771 – thrity-two companies in four battalions, with two additional invalid companies made up of unfit men restricted to garrison service. 1793 – four troops of Royal Horse Artillery formed to support the Cavalry. 1801 – Royal Irish Artillery merged into the Royal Artillery 1855 – Board of Ordnance abolished, all personnel transferred to the War Office. All records of RA personnel classified under class WO. 1862 – The separate EIC presential artillery batteries (21 Horse and 48 field batteries) Were combined into the Royal Artillery.