A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope To
Fielding, Steven. "Yes, Conspirator." A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to . : Bloomsbury Academic, 2014. 187–214. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781472545015.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 15:45 UTC. Copyright © Steven Fielding 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 7 Yes, Conspirator The election of a Conservative government in 1979 brought into Downing Street that weirdest of political animals: a female. But while Margaret Thatcher was just one of nineteen women returned to the Commons in the May general election, it wasn’t only her gender that made the new Prime Minister such a striking figure. The Conservative leader wanted to transform Britain by decisively transferring power from the state to the market, that is, from public to private hands. Thatcher believed that the more government was cut back the more individual liberty there would be, and so the more productive the troubled British economy would become.1 Partly thanks to Labour’s move to the left, which culminated in its appalling performance in the 1983 general election, the Conservatives won a further three general elections. This near-two-decade occupation of Downing Street allowed Thatcher’s party to inaugurate and then entrench profound social, economic and cultural changes, the result of which was a richer but more unequal society. While her governments transformed the people’s relationship with government, it is nonetheless uncertain that many were any freer.
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