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Spectator 1974-11-08 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 11-8-1974 Spectator 1974-11-08 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1974-11-08" (1974). The Spectator. 1440. http://scholarworks.seattleu.edu/spectator/1440 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Education primary SEATTLE Spectator for hunger week Vol. XLIII,No. 13 Friday, Nov. 8, 1974 by Val Kincaid ONE OF the most important UNIVERSITYSeattle, Washington Starvationclaimed the lives of waysin which S.U.students can five million human beings last help the problem ofstarvationis year. Over five million are ex- to write letters to Congressmen, pected to starve this year. the Secretary of State and the Americanscan doalot tohelp President, Fr. Wallace said. alleviate starvation. S.U. Unless we can get widespread Wild Vegas to roll tonight students now have thechance to political support, he said, the do their part. problem will not get solved. Hopefully, through various NEXT WEEK is a Week of means, students atS.U.canhelp Concern. Its purpose is alleviate the starvation of fellow threefold: to educate S.U. human beings, said Fr. Wallace. students onthe hunger problem, The Week of Concern is a start. to change consumption patterns Week's activities— include: and to generatepolitical action. Tuesday 9 p.m. An open "This week is mainly to raise prayervigil onthe A.A.Lemieux the students' consciousness to Library steps, which willbeopen the problem,"explainedFr. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
Kauffman Center for the Performing Arts (816) 994-7229 | [email protected]
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, March 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES TWO NEW CONCERTS Michael McDonald and Boz Scaggs perform June 17 Mary Chapin Carpenter and special guest Sarah Jarosz perform July 26 Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced two new concerts in the Kauffman Center Presents series. Classic rock standouts Michael McDonald and Boz Scaggs will perform in Muriel Kauffman Theatre on Saturday, June 17. Both musicians made their names as members of legendary rock groups and have since enjoyed successful solo careers. McDonald sang with Steely Dan and was a member of The Doobie Brothers. Scaggs spent time as lead singer for the Steve Miller Band. Tickets for the event range from $59 to $139, and go on sale to the public at 10 a.m. Friday, March 24. Folk and country singer-songwriter Mary Chapin Carpenter will be joined by special guest Sarah Jarosz on Wednesday, July 26 in Muriel Kauffman Theatre. Carpenter is a five-time GRAMMY Award-winner and Nashville Songwriters Hall of Fame inductee. Jarosz took home this year’s GRAMMY awards for Best American Roots Performance and Best Folk Album. Tickets for the event range from $29 to $69, and go on sale to the public at 10 a.m. Friday, March 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. -
James Taylor
JAMES TAYLOR Over the course of his long career, James Taylor has earned 40 gold, platinum and multi- platinum awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. For his accomplishments, James Taylor was honored with the 1998 Century Award, Billboard magazine’s highest accolade, bestowed for distinguished creative achievement. The year 2000 saw his induction into both the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame. In 2007 he was nominated for a Grammy Award for James Taylor at Christmas. In 2008 Taylor garnered another Emmy nomination for One Man Band album. Raised in North Carolina, Taylor now lives in western Massachusetts. He has sold some 35 million albums throughout his career, which began back in 1968 when he was signed by Peter Asher to the Beatles’ Apple Records. The album James Taylor was his first and only solo effort for Apple, which came a year after his first working experience with Danny Kortchmar and the band Flying Machine. It was only a matter of time before Taylor would make his mark. Above all, there are the songs: “Fire and Rain,” “Country Road,” “Something in The Way She Moves,” ”Mexico,” “Shower The People,” “Your Smiling Face,” “Carolina In My Mind,” “Sweet Baby James,” “Don’t Let Me Be Lonely Tonight,” “You Can Close Your Eyes,” “Walking Man,” “Never Die Young,” “Shed A Little Light,” “Copperline” and many more. -
Wells Fargo Center for the Arts Announces Two New Performances for May and June 2015
FOR IMMEDIATE RELEASE Media Contact: James Smith | Charles Zukow Associates 415.296.0677 or [email protected] Print quality images available: http://wellsfargocenterarts.org/media/ Wells Fargo Center for the Arts Announces Two New Performances for May and June 2015 American Singer and Songwriting Legend Boz Scaggs on May 20 and Grammy Award-winning Singer-Songwriter Michael W. Smith on June 13 Tickets on sale Friday, March 20, 2015 SANTA ROSA, CA (March 16, 2015) – Today, Wells Fargo Center for the Arts announced two new performances for May and June at the Ruth Finley Person Theater (50 Mark West Springs Road, Santa Rosa) featuring American singer and songwriting legend Boz Scaggs on Wednesday, May 20, 2015 at 8pm, and Grammy Award-winning singer-songwriter Michael W. Smith on Saturday, June 13, 2015 at 8pm. Tickets for Boz Scaggs are $69 and $49 (all seats reserved) and tickets for Michael W. Smith are $55 and $40. Boz Scaggs’ performance will also feature a VIP Merchandise Package for $219 and a VIP Front Row Package for $244. Tickets for both shows go on sale Friday, March 20 at noon and will be available online at wellsfargocenterarts.org, by calling 707-546-3600, and in person at the box office at 50 Mark West Springs Road in Santa Rosa. Touring behind his brand new release, “A Fool to Care,” Boz Scaggs comes to Santa Rosa with carefully handpicked songs from Al Green to The Band, plus many more hits from his incredible career. “I’m at a point where I’m having a lot of fun with music, more than ever,” Boz Scaggs says about his spellbinding new album, “A Fool to Care”. -
Steve Miller Band Anthology Mp3, Flac, Wma
Steve Miller Band Anthology mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Anthology Country: Canada Style: Pop Rock, Classic Rock MP3 version RAR size: 1645 mb FLAC version RAR size: 1472 mb WMA version RAR size: 1997 mb Rating: 4.1 Votes: 387 Other Formats: ADX ASF WAV AC3 MP3 AHX DMF Tracklist Hide Credits I Love You 1 Bass – Bob WinkelmanHarmonica – Charlie McCoyVocals, Twelve-string Guitar, Lead 2:43 Guitar – Steve MillerWritten-By – Steve Miller Going To The Country Bass – Bob WinkelmanDrums – Tim DavisFiddle – Buddy SpicherHarmonica – Charlie 2 3:14 McCoyVocals, Twelve-string Guitar, Lead Guitar – Steve MillerWritten-By – B. Sidran*, S. Miller* Baby's House 3 Bass – Lonnie TurnerPiano, Organ – Nicky HopkinsVocals, Twelve-string Guitar – Steve 8:06 MillerWritten-By – N. Hopkins*, S. Miller* Kow Kow 4 Bass – Lonnie TurnerDrums – Tim DavisKeyboards – Nicky HopkinsVocals, Guitar – Steve 4:25 MillerWritten-By – Steve Miller Your Saving Grace Backing Vocals – Glyn Johns, Steve Miller, Tim DavisBass – Lonnie TurnerGuitar – James 5 4:49 Curley CookKeyboards – Nicky HopkinsVocals, Drums, Percussion – Tim DavisWritten-By – Tim Davis Going To Mexico 6 Drums – Tim DavisOrgan – Lee MichaelsRhythm Guitar – James Curley CookVocals, Bass, 2:27 Lead Guitar – Steve MillerWritten-By – B. Scaggs*, S. Miller* Space Cowboy 7 Bass – Lonnie TurnerDrums – Tim DavisKeyboards – Ben SidranVocals, Lead Guitar – Steve 4:55 MillerWritten-By – B. Sidran*, S. Miller* Living In The U.S.A. Backing Vocals – Boz Scaggs, James Peterman, Tim DavisBass – Lonnie TurnerDrums – Tim 8 4:04 DavisGuitar – Boz ScaggsOrgan – James PetermanVocals, Lead Guitar – Steve MillerWritten-By – Steve Miller Journey From Eden Arranged By [Strings] – Nick de Caro*Bass – Gerald JohnsonDrums – Gary 9 6:24 Malabar*Keyboards – Richard ThompsonVocals, Twelve-string Guitar, Lead Guitar – Steve MillerWritten-By – Steve Miller Seasons 10 Bass – Lonnie TurnerDrums, Backing Vocals – Tim DavisVocals, Twelve-string Guitar, 3:50 Electric Guitar – Steve MillerWritten-By – B. -
The Doobie Brothers Best of the Doobies - Volume II Mp3, Flac, Wma
The Doobie Brothers Best Of The Doobies - Volume II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Best Of The Doobies - Volume II Country: US Released: 1981 Style: Pop Rock, Classic Rock MP3 version RAR size: 1693 mb FLAC version RAR size: 1630 mb WMA version RAR size: 1529 mb Rating: 4.4 Votes: 953 Other Formats: AHX MP1 AAC MIDI VOX MP2 MP3 Tracklist Hide Credits Little Darling (I Need You) A1 Written-By – Brian Holland, Lamont Dozier, Edward Holland, Jr.* Echoes Of Love A2 Written-By – Earl Randle, Patrick Simmons, Willie Mitchell You Belong To Me A3 Written-By – Carly Simon, Michael McDonald One Step Closer A4 Written-By – Carlene Carter, John McFee, Keith Knudsen What A Fool Believes A5 Written-By – Kenny Loggins, Michael McDonald Dependin' On You B1 Written-By – Michael McDonald, Patrick Simmons Here To Love You B2 Written-By – Michael McDonald One By One B3 Written-By – Bobby Lakind, Michael McDonald Real Love B4 Written-By – Michael McDonald, Patrick Henderson Minute By Minute B5 Written-By – Lester Abrams, Michael McDonald Companies, etc. Copyright (c) – Warner Bros. Records Phonographic Copyright (p) – Warner Bros. Records Licensed To – Columbia House Manufactured By – Columbia House Credits Bass, Vocals – Willie Weeks Congas, Vocals – Bobby Lakind Drums, Vibraphone, Marimba – Chet McCracken Drums, Vocals – Keith Knudsen Engineer – Donn Landee (tracks: A1 to A3, A5 to B2, B5), Jim Isaacson (tracks: A4, B3, B4) Guitar, Vocals – John McFee, Patrick Simmons Keyboards, Synthesizer, Vocals – Michael McDonald Mastered By – Bobby Hata Producer – Ted Templeman Saxophone, Organ, Vocals – Cornelius Bumpus Notes Timings: Program 1: 17:30 Program 2: 19:17 Other versions Category Artist Title (Format) Label Category Country Year The Doobie Best Of The Doobies Warner Bros.