International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3592 & P-ISSN: 2200-3452 www.ijalel.aiac.org.au Dylan Thomas’s “Over Sir John’s Hill”: The Motif of His Art Songs S Bharadwaj* Annamalai University, India Corresponding Author: S Bharadwaj, E-mail:
[email protected] ARTICLE INFO ABSTRACT Article history In the last dramatic art song “Over Sir John’s Hill,” Dylan Thomas reiterates that the motif Received: October 11, 2020 of his art songs has been the Yeatsian introspective process of individuation and integration, Accepted: December 13, 2020 transfiguration and transformation, the mortal vision of Grecian altruistic art song as seen in Published: January 31, 2021 his early poem 18 Poems. His Yeatsian process of tragic happiness, his warm impersonal art, Volume: 10 Issue: 1 his paradoxical sensibility that makes him an artist of success and popularity in contrast to Advance access: January 2021 W.H. Auden’s Eliotian motif of metaphysical process of self-annihilation and immortal art, his aesthetic amoral impersonal art, his tragic vision of art song which deprives him of his grandeur and influence. However, the main thrust is extending to the dismembered and discontented Auden Conflicts of interest: None the very same process of regeneration that Thomas has offered to the victims of Auden’s art Funding: None song while ignoring everything about … allegations of tilting, toppling and conspiracy against him. The song also testifies to his Yeatsian cosmopolitan culture maintaining his equanimity and magnanimity