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Dedications-Booklet-Web.Pdf played a ‘try-out’ concert prior to the recording. All of world. This is an atmospheric piece with extended the material on this album was inspired by people I melodic movement. love and admire, even if I never met them personally. It’s the principles they stand for that matter”. “Til Charlotte” is a composition by Lars Andre- as Haug and is the only tune on the album not The album begins with “The Mad Code”. This piece composed by Steffen. Lars Andreas wrote it while was originally written for solo piano for the 2020 staying at Steffen’s flat in Nürnberg. He dedicated Beethoven year celebrations. This version of the piece it to Steffen’s teenage daughter Charlotte. A small was fully orchestrated for the Zurich Jazz Orchestra. point of trivia is that Steffens arrangement of the Musically, the piece is extremely compact and chal- piece was completed on the train, returning from one lenging with fast changing, almost mad emotional of the many concerts the ZJO performed at Moods states trying to stretch the limit of what can be done in Zurich. with a jazz orchestra. Beethoven was known for his outbursts and wild mood swings, especially toward The final track, closing out this album is “Walzer”, the end of his life, and this arrangement represents a longtime repertoire piece of Steffen’s duo with this impeccably. The following track titled “Monsieur clarinettist Claudio Puntin. The fully orchestrated Pf.” recalls a German police officer known to Steffen 3-part version for the Zurich Jazz Orchestra makes with a great sense of humour. The piece is based on use of a number of specific symphonic composi- This album is the follow-up to the 2018 album to the mix. When speaking about his approach to pan-diatonic principles using all seven degrees of the tional techniques such as the unfolding of several “Three Pictures” and sees a further expansion of the these orchestrations, Steffen explains: “After ‘Three diatonic scale without the limitations of functional harmonic layers, melodic rotations and inversions, sonic landscape that has become the trademark of Pictures’, the first album we did together, and the tonality. Decidedly Caribbean in flavour, this piece bright crystal-clear shimmering sound-scapes and the Zurich Jazz Orchestra (ZJO). In his new role of many concerts with more than 100 performed pieces grooves from start to finish. an improvised ultra-low-frequency section leading composer-in-residence, Steffen Schorn has been able during my time as chief conductor, we can now more to a furious tutti climax before an intimate chamber to fully focus on his compositions and desire to bring than ever draw from the full instrumental possibil- “So eine …” (“… Hektik aber auch immer”) is music ending”. a richer orchestration, adding new instrumental ities we have available”. He goes on: “In my work, dedicated to Bettina Uhlmann and all of those colors to the orchestral pool and fully utilizing the I’m trying to open up new possibilities, expanding crazy, hectic last-minute things we all do meet the This recording highlights not only the great musician- instrumentation available to him. The majority of the and pushing the limits of what is possible with a jazz deadlines and bring something beautiful and mean- ship housed within the Zurich Jazz Orchestra but also members of the ZJO are true multi-instrumentalists orchestra”. ingful into life. The following track titled “Martha” spotlights one of Europe’s leading Big Bands at the and this album fully exploits this capacity adding is dedicated to Steffen’s grandmother who passed top of its game. exotic instruments such as bass trumpet, piccolo The music on this album is challenging yet still acces- away when his mother was just 14. Martha had a trumpet, flugabone, C-soprano sax, Bb and Eb sible. Steffen comments: “Listen to how the band is difficult time in post-war Germany and this piece Andrew Read tubaxes, two alto clarinets and contrabass clarinet on fire with this fresh material, even without having is dedicated to all traumatized people around the Steffen Schorn WOODWINDS Thomas Lüthi TRUMPETS TROMBONES RHYTHM Conductor, Composer Murat Cevik Tenor Saxophone, Clarinet Patrick Ottiger (lead) Adrian Weber (lead) Gregor Müller C-Soprano Saxophone, Soprano Piccolo Flute, Flute, Alto Flute Tobias Pfister Trumpet, Flugelhorn, Piccolo Trombone Piano, Keyboards Trumpet Saxophone, C-Melody Saxophone, Reto Anneler (lead) Tenor Saxophone, Bass Clarinet René Mosele Theo Kapilidis Bass Saxophone, Bb-Tubax, Flute, Clarinet, Soprano Nils Fischer Wolfgang Häuptli Bass Trumpet Electric & Acoustic Guitar Clarinet, Alto Clarinet, Bass Saxophone, Alto Saxophone Trumpet, Flugelhorn Clarinet, Contraalto Clarinet, Baritone Saxophone, Eb-Tubax, Silvio Cadotsch Patrick Sommer Piccolo, Strathmann Alto Recorder, Lukas Heuss Bass Clarinet Bernhard Schoch Trombone Double Bass, E-Bass Flute, Alto Flute, Bass Flute, Alto Saxophone, Clarinet, Alto Trumpet, Flugelhorn, Flugabone Don Randolph Pius Baschnagel Prepared Trumpet, Fender Rhodes, Clarinet Raphael Kalt Bass Trombone Drums, Percussion Synth, Prepared Piano, Melodica Trumpet, Flugelhorn Produced by Zurich Jazz Orchestra Co-Production: SRF2 Kultur, Peter Bürli Musical Director: Steffen Schorn Musical Co-Director: Daniel Schenker Managing Director: Bettina Uhlmann Recorded by Andy Neresheimer at Hardstudios STEFFEN WANTS TO THANK: Winterthur, September 25th–27th, 2020 Special thanks to everybody of the Zurich Mixed by Andy Neresheimer & Steffen Schorn Jazz Orchestra for years of dedication, trust @ antproduction GmbH, December and endless fun on stage and in the studio; 2020, January 2021 Andy Neresheimer for magic ears, unlimited imagination, blind understanding and one Mastered by Christoph Stickel hell of a sound; Peter Bürli for his longtime @ CS Mastering, January 25th 2021 love and support of the Swiss jazz scene and Daniel Schenker for co-conducting, Photos: Pablo Facchinetto coordination and commitment. Cover photo: Omer Salom Very special thanks to Bettina Uhlmann for Artwork: Zippo Zimmermann a giant heart, a strong vision, an iron will – www.designladen.com always making the impossible possible. People like you make the world a better place. Liner notes: Andrew Read THANKS TO: Steffen Schorn plays Eppelsheim Tubaxes Patrick Ottiger – Yamaha Artist Stadt Zürich/Kultur, Kanton Zürich/ Theo Kapilidis plays Fürst guitars and GHS strings Fachstelle Kultur, Förderverein ZJO.
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