Architecture for Positive Peace: the Role of Architecture in the Process of Peacebuilding Within Conflict and Postwar Contexts
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Navigator Core I
CORE I NAVIGATOR GSAPP FALL 2015 5 STUDIO DECLARATIONS 1. We will work intensely and collaboratively. 2. Ideas must be valued and clearly represented. 3. High energy, open-mindedness and engagement with the wider world are prerequisites. 4. Constructive criticism and bold design responses constitute our communication. 5. Our creative palette includes the interconnection of complexity and simplicity, light and shadow, form and space, materiality and structure. EVENTS / EXCURSIONS - MATRIX 0% 50% 25% 75% PROPORTION PROCESS SYSTEM COMPOSITION TOPOGRAPHY TYPOLOGY CRISIS / FORM PARTI KINETIC HINGE 100% MODULE / PARAMETRIC EXCAVATION FIGURE GROUND MORPHOLOGY REPRESENTATION LIMIT MODEL-A-THON COLOUR/LIGHT/TIME CAMOUFLAGE 1.UNDER f d j MERGE / SUBMERGE d d h h e h e i 2. IN c b f THRESHOLDS, TRANSFORMATIONS, a a k p TRANSITIONS c o 3. ON g k b m TOPOGRAPHY, TYPOLOGY, MORPHOLOGY l 4. ABOVE n INTER-SECTION d a m k 5. BIKE DEPOT ROOF l p 6. SUBWAY ENTRANCE o e CUT, STAIR p a 7. PIER c j h b POINT, LINE, PLANE p k c c 8. BRIDGE A-SYMMETRY k 9. OVERPASS / UNDERPASS g i FIGURE GROUND m 10. PLATFORM e a. The Broken Kilometer, 393 W Broadway b b. Four Freedoms Park, Roosevelt Is. c. Cooper Hewitt : Heatherwick, 2 E 91st St g a d. Guggenheim : Doris Salcedo, 1071 5th Ave e. Abandoned Subway Station : City Hall, #6 train N f. Anthology of Film Archives, 32 2nd Ave g. Queens Museum : Moses Panorama, Flushing f h. Natural History Museum, Ctrl Park W & 79th i. The Earth Room, 141 Wooster St j. -
Gift Exchanges During Marriage Rituals Among the Italian Jews in the Early Modern Period: a Historic-Anthropological Reading
GIFT EXCHANGES DURING MARRIAGE RITUALS 485 Roni WEINSTEIN Pisa University, Dept. of Modern and Contemporary History Università di Pisa, Dipartimento di Storia, Sezione Moderna e Contemporanea GIFT EXCHANGES DURING MARRIAGE RITUALS AMONG THE ITALIAN JEWS IN THE EARLY MODERN PERIOD: A HISTORIC-ANTHROPOLOGICAL READING RÉSUMÉ De la fin du XVe siècle au milieu du XVIIe, les communautés juives d’Italie furent le lieu d’un débat halakhique sur les présents du fiancé à sa promise. À l’arrière-plan de ce débat figurait la règle talmudique selon laquelle le fondement du mariage ré- side dans le don que fait le fiancé d’un bien à sa future épouse. Les aspects légaux de cette question n’expliquent toutefois qu’en partie la durée et l’âpreté de ce débat. La pérennité de cette coutume, parmi les juifs italiens, en dépit des résistances non moins durables des juifs venus d’ailleurs, est liée à la fonction des présents dans les rituels locaux du mariage. L’étude des écrits consacrés à cette question — ouvrages classiques ou actuels d’inspiration anthropologique — confirment le lien étroit de cette pratique avec les divers aspects de la culture locale: conceptions relatives à la richesse et à la propriété, à l’honneur et à l’identité; contrôle communautaire sur les rituels du mariage et sur l’ensemble de la vie familiale. SUMMARY From late 15th century to mid 17th century an Halakhic debate — about gifts con- ferred from the groom to the bride — was conducted in Jewish-Italian communi- ties. The background for this debate was the Talmudic ruling that marriage was ba- sically created by conferring some property from a man to a woman, his intended wife. -
San Andreas: Architecture for the Fault
CourseNo: ARCHA4104_003_2013_1 Instructor Information: Geoffrey M Manaugh Nicola Ann Twilley ADV STUDIO IV - TUTORIAL: San Andreas: Architecture for the Fault Image: Lebbeus Woods, from San Francisco Project: Inhabiting the Quake, Quake City, 1995 Course: GSAPP Advanced Studio IV, Spring 2013 Instructor: Geoff Manaugh | [email protected] Schedule: Monday/Wednesday, 2-6pm Tutorial; Friday, 2-6pm Research & Work The San Andreas Fault is an 800-mile tectonic feature cutting diagonally across the state of California, from the coastal spit of Cape Mendocino, roughly 200 miles north of San Francisco, to the desert shores of the Salton Sea near the U.S./Mexico border. Described by geologists as a “transform fault,” the San Andreas marks a stark and exposed division between the North American and Pacific Plates. It is a landscape on the move—“one of the least stable parts of the Earth,” in the words of paleontologist Richard Fortey. Seismologists estimate that, in only one million years’ time, the two opposing sides of the fault will have slid past one another to the extent of physically sealing closed the entrance to San Francisco Bay, while, at the other end of the state, Los Angeles will be dragged more than 15 miles north of its present position. Then another million years will pass—and another, and another—violently and irreversibly distorting Californian geography, with the San Andreas as a permanent, sliding scar. In some places, the fault is a picturesque landscape of rolling hills and ridges; in others, it takes the form of a broad valley, marked by quiet streams, ponds, and reservoirs; in yet others, it is not visible at all, hidden beneath the rocks and vegetation. -
Excluded, for God's Sake: Gender Segregation and the Exclusion of Women in Public Space in Israel
Excluded, For God’s Sake: Gender Segregation and the Exclusion of Women in Public Space in Israel המרכז הרפורמי לדת ומדינה -לוגו ללא מספר. Third Annual Report – December 2013 Israel Religious Action Center Israel Movement for Reform and Progressive Judaism Excluded, For God’s Sake: Gender Segregation and the Exclusion of Women in Public Space in Israel Third Annual Report – December 2013 Written by: Attorney Ruth Carmi, Attorney Ricky Shapira-Rosenberg Consultation: Attorney Einat Hurwitz, Attorney Orly Erez-Lahovsky English translation: Shaul Vardi Cover photo: Tomer Appelbaum, Haaretz, September 29, 2010 – © Haaretz Newspaper Ltd. © 2014 Israel Religious Action Center, Israel Movement for Reform and Progressive Judaism Israel Religious Action Center 13 King David St., P.O.B. 31936, Jerusalem 91319 Telephone: 02-6203323 | Fax: 03-6256260 www.irac.org | [email protected] Acknowledgement In loving memory of Dick England z"l, Sherry Levy-Reiner z"l, and Carole Chaiken z"l. May their memories be blessed. With special thanks to Loni Rush for her contribution to this report IRAC's work against gender segregation and the exclusion of women is made possible by the support of the following people and organizations: Kathryn Ames Foundation Claudia Bach Philip and Muriel Berman Foundation Bildstein Memorial Fund Jacob and Hilda Blaustein Foundation Inc. Donald and Carole Chaiken Foundation Isabel Dunst Naomi and Nehemiah Cohen Foundation Eugene J. Eder Charitable Foundation John and Noeleen Cohen Richard and Lois England Family Jay and Shoshana Dweck Foundation Foundation Lewis Eigen and Ramona Arnett Edith Everett Finchley Reform Synagogue, London Jim and Sue Klau Gold Family Foundation FJC- A Foundation of Philanthropic Funds Vicki and John Goldwyn Mark and Peachy Levy Robert Goodman & Jayne Lipman Joseph and Harvey Meyerhoff Family Richard and Lois Gunther Family Foundation Charitable Funds Richard and Barbara Harrison Yocheved Mintz (Dr. -
Lines Not Splines VISUAL STUDIES: Fall 2019 Professor : Christoph A
GSAPP Columbia University Lines not Splines VISUAL STUDIES: Fall 2019 Professor : Christoph a. Kumpusch, PhD THURSDAYS 7-9pm, 505 Avery Session A/ Session B LINES NOT SPLINES “Drawing is not the form; it is the way of seeing the form.” 1 "To draw does not simply mean to reproduce contours; the drawing does not simply consist in the idea: the drawing is even the expression, the interior form, the plan, the model. Look what remains after that!" 2 FOCUS This intensive workshop‐formatted course is rooted in three propositions: that and GOAL drawing is as much a way of seeing as it is a means of representation; that > drawing is not bound to digital versus analog categorizations; and that drawing remains the primary vehicle to record, communicate and create architecture. We will review the “Top Twenty Great Architectural Drawings” as a series of case studies linked to a film project on the drawing process. We will attempt drawings of one line and drawings of 1,000 lines in the same spans of time. We will draw what we see, what we cannot see, what we want and what we wish we could achieve. The word “rendering” will have NO place in this seminar. A series of readings will augment class assignments and discussions. Students are expected to surrender their typical drawing habits in favor of a rigorous drawing routine which will challenge notions of style, assumptions about “start” and “finish,” ideas about surface, shadow and scale. Diverse media will be deployed, subjects will include studio work, urban fragments, body parts and inward visions. -
BR IFIC N° 2779 Index/Indice
BR IFIC N° 2779 Index/Indice International Frequency Information Circular (Terrestrial Services) ITU - Radiocommunication Bureau Circular Internacional de Información sobre Frecuencias (Servicios Terrenales) UIT - Oficina de Radiocomunicaciones Circulaire Internationale d'Information sur les Fréquences (Services de Terre) UIT - Bureau des Radiocommunications Part 1 / Partie 1 / Parte 1 Date/Fecha 30.09.2014 Description of Columns Description des colonnes Descripción de columnas No. Sequential number Numéro séquenciel Número sequencial BR Id. BR identification number Numéro d'identification du BR Número de identificación de la BR Adm Notifying Administration Administration notificatrice Administración notificante 1A [MHz] Assigned frequency [MHz] Fréquence assignée [MHz] Frecuencia asignada [MHz] Name of the location of Nom de l'emplacement de Nombre del emplazamiento de 4A/5A transmitting / receiving station la station d'émission / réception estación transmisora / receptora 4B/5B Geographical area Zone géographique Zona geográfica 4C/5C Geographical coordinates Coordonnées géographiques Coordenadas geográficas 6A Class of station Classe de station Clase de estación Purpose of the notification: Objet de la notification: Propósito de la notificación: Intent ADD-addition MOD-modify ADD-ajouter MOD-modifier ADD-añadir MOD-modificar SUP-suppress W/D-withdraw SUP-supprimer W/D-retirer SUP-suprimir W/D-retirar No. BR Id Adm 1A [MHz] 4A/5A 4B/5B 4C/5C 6A Part Intent 1 114095204 AUS 3.1665 MANGALORE AUS 146°E04'37'' 26°S47'13'' AM 1 ADD 2 114095209 -
Israel a History
Index Compiled by the author Aaron: objects, 294 near, 45; an accidental death near, Aaronsohn family: spies, 33 209; a villager from, killed by a suicide Aaronsohn, Aaron: 33-4, 37 bomb, 614 Aaronsohn, Sarah: 33 Abu Jihad: assassinated, 528 Abadiah (Gulf of Suez): and the Abu Nidal: heads a 'Liberation October War, 458 Movement', 503 Abandoned Areas Ordinance (948): Abu Rudeis (Sinai): bombed, 441; 256 evacuated by Israel, 468 Abasan (Arab village): attacked, 244 Abu Zaid, Raid: killed, 632 Abbas, Doa: killed by a Hizballah Academy of the Hebrew Language: rocket, 641 established, 299-300 Abbas Mahmoud: becomes Palestinian Accra (Ghana): 332 Prime Minister (2003), 627; launches Acre: 3,80, 126, 172, 199, 205, 266, 344, Road Map, 628; succeeds Arafat 345; rocket deaths in (2006), 641 (2004), 630; meets Sharon, 632; Acre Prison: executions in, 143, 148 challenges Hamas, 638, 639; outlaws Adam Institute: 604 Hamas armed Executive Force, 644; Adamit: founded, 331-2 dissolves Hamas-led government, 647; Adan, Major-General Avraham: and the meets repeatedly with Olmert, 647, October War, 437 648,649,653; at Annapolis, 654; to Adar, Zvi: teaches, 91 continue to meet Olmert, 655 Adas, Shafiq: hanged, 225 Abdul Hamid, Sultan (of Turkey): Herzl Addis Ababa (Ethiopia): Jewish contacts, 10; his sovereignty to receive emigrants gather in, 537 'absolute respect', 17; Herzl appeals Aden: 154, 260 to, 20 Adenauer, Konrad: and reparations from Abdul Huda, Tawfiq: negotiates, 253 Abdullah, Emir: 52,87, 149-50, 172, Germany, 279-80, 283-4; and German 178-80,230, -
Lebbeus Woods, an Oxymoronic Architect & a Universe Within a World
Volume : 5 | Issue : 9 | September 2016 ISSN - 2250-1991 | IF : 5.215 | IC Value : 77.65 Original Research Paper Arts Lebbeus Woods, an Oxymoronic Architect & A Universe Within A World Farheen Alam Fakhr Student, Architecture & Design KEYWORDS The ink of lord creates destiny, ink of a poet drizzles to create Lebbeus woods used to play with the enthusiastic and materi- a life but when the ink of a visionary silhouettes itself under alistic construction of forms and structure, with simple geom- the soul of a paper, it creates a universe. Lebbeus woods is a etry in harmony, but with a complex breakage of uniformity great visionary who can never be a past, hence nor a “was”, as a trend to make people imagine a world in which they as- a futurist, an optimist, an idealist, a composer of fantasia who pire or could never imagined even to aspire to live. Lebbeus introduced the rhythms of ironies, who unfolded many ob- Woods’s speculative proposal for the berlin free zone portrays scure dimensions of architecture of his epoch, his best friends his intricate knowledge of societal psychology and his skepti- were no one, but the pieces of paper on which he created a cal perceptions over political manifestos, where he introduced mesmerizing futuristic world of ideas, His space of work was an ideal linearity of building fenestration, entwined by the never a mass of human abodes but every inch of deadpan de- long sporadic element creating a sense of dynamism. Lebbeus sert that decided to be a part of his eternal creations, created wood was an oxymoronic architect who tremble the percep- by the ink of creativity . -
President's Report 2018
VISION COUNTING UP TO 50 President's Report 2018 Chairman’s Message 4 President’s Message 5 Senior Administration 6 BGU by the Numbers 8 Building BGU 14 Innovation for the Startup Nation 16 New & Noteworthy 20 From BGU to the World 40 President's Report Alumni Community 42 2018 Campus Life 46 Community Outreach 52 Recognizing Our Friends 57 Honorary Degrees 88 Board of Governors 93 Associates Organizations 96 BGU Nation Celebrate BGU’s role in the Israeli miracle Nurturing the Negev 12 Forging the Hi-Tech Nation 18 A Passion for Research 24 Harnessing the Desert 30 Defending the Nation 36 The Beer-Sheva Spirit 44 Cultivating Israeli Society 50 Produced by the Department of Publications and Media Relations Osnat Eitan, Director In coordination with the Department of Donor and Associates Affairs Jill Ben-Dor, Director Editor Elana Chipman Editorial Staff Ehud Zion Waldoks, Jacqueline Watson-Alloun, Angie Zamir Production Noa Fisherman Photos Dani Machlis Concept and Design www.Image2u.co.il 4 President's Report 2018 Ben-Gurion University of the Negev - BGU Nation 5 From the From the Chairman President Israel’s first Prime Minister, David Ben–Gurion, said:“Only Apartments Program, it is worth noting that there are 73 This year we are celebrating Israel’s 70th anniversary and Program has been studied and reproduced around through a united effort by the State … by a people ready “Open Apartments” in Beer-Sheva’s neighborhoods, where acknowledging our contributions to the State of Israel, the the world and our students are an inspiration to their for a great voluntary effort, by a youth bold in spirit and students live and actively engage with the local community Negev, and the world, even as we count up to our own neighbors, encouraging them and helping them strive for a inspired by creative heroism, by scientists liberated from the through various cultural and educational activities. -
Qt6wx962dk.Pdf
UC Berkeley Places Title Reconstructing Urban Life Permalink https://escholarship.org/uc/item/6wx962dk Journal Places, 21(1) ISSN 0731-0455 Author Choi, Rebecca M. Publication Date 2009-05-19 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Reconstructing Urban Life Rebecca M. Choi In 1977, the U.S. National Science Foundation published a study called “Reconstruction Following Disaster,” which suggested that almost all postdisaster recovery models fol- low a predictable, temporal path. Interestingly, three of the four stages in the recovery process imply a functional role for architecture. As outlined in the report, the four stages were “an emergency response, restoration of the restorable, the reconstruction of the destroyed,” and a final phase of “commemoration, betterment, and development.”1 The last stage is generally thought to be the most logi- cal point of entry for architecture. But in the aftermath of catastrophe, architects may also respond in ways that transcend an exclusively restorative and commemorative function. In doing so, they may expand their role beyond utilitarianism, to integrate a program of communication and participatory action. The temporary structure known as the INFO BOX, built near Potsdamer Platz during its reconstruction fol- lowing the demolition of the Berlin Wall, aspired to this condition. Although tethered to corporate development, it signified urban rebirth. It was a progressive work of archi- tecture that guided redevelopment and engaged the public in an important healing process. A Form of Healing Immediately following the attacks of September 11, 2001, debate emerged across America as to how to rebuild the World Trade Center site in Lower Manhattan. -
Beyond Architecture: Architecture's Alternative Role in Architecture Image
Syracuse University SURFACE School of Architecture Dissertations and Architecture Senior Theses Theses Spring 2019 Beyond Architecture: Architecture’s alternative role in architecture image Zexi Tang Syracuse University Follow this and additional works at: https://surface.syr.edu/architecture_theses Part of the Architecture Commons Recommended Citation Tang, Zexi, "Beyond Architecture: Architecture’s alternative role in architecture image" (2019). Architecture Senior Theses. 458. https://surface.syr.edu/architecture_theses/458 This Thesis, Senior is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Senior Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT Images/drawings of architecture primarily act as documentation of structures to help the audience (architects or clients) understand how architecture functions: the sense of space, physical relationship with the context, and circulation through different programs. Nevertheless, architectural images that focus not on functionally determine spaces but rather on an idea or provocation, also play a significant role in the representation of architecture. The role of architecture in these kinds of images can be beyond a shelter or accommodation. It can set up a stage to deliver messages; discuss historical, social, economic or political issues; or to express emotion or desire. Architects/artist have been using architecture -
An Architecture of Amelioration
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2010 An Architecture of Amelioration Geoffrey Russell Plagemann [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Other Architecture Commons Recommended Citation Plagemann, Geoffrey Russell, "An Architecture of Amelioration. " Master's Thesis, University of Tennessee, 2010. https://trace.tennessee.edu/utk_gradthes/827 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Geoffrey Russell Plagemann entitled "An Architecture of Amelioration." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Architecture, with a major in Architecture. Scott W. Wall, Major Professor We have read this thesis and recommend its acceptance: Brian M. Ambroziak, Mark M. Schimmenti Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Geoffrey Russell Plagemann entitled “An Architecture of Amelioration.” I have examined the final copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Architecture with a major in Architecture.